Phrase Number | Measures | Rhyme | Phrase |
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1 | 1–8 | a | Ne vous faschez si me voyez jaloux, |
2 | 7–15 | b | C’est d’amitié, que vient la jalouzie, |
3 | 15–22 | a | Assez sçavez que je suis tout à vous, |
4 | 21–28 | b | Et de ma part, en vous moins ne me fie |
5 | 28–33 | b | Mais par ma foy hors de ma fantasie |
6 | 32–36 | c | Ne peult sortir ce, que je vous vois dire, |
7 | 36–40 | c | Qu’on puisse aymer, et des jaloux se rire, |
8 | 40–45 | d | Et veulx mourir en soustenant ce poinct, |
9 | 45–54 | c | Un tel n’est point subject à ce martyre, |
10 | 53–61 | d | Je concludz donc, par la qu’il n’ayme point. |
Phrase | Measures | Analyst | Show details | |
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1 | 1–4 | Greenberg, Jamie | Expand | |
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1 | 5–7 | Greenberg, Jamie | Expand | |
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1 | 8–8 | Greenberg, Jamie | Expand | |
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2 | 7–8 | Greenberg, Jamie | Expand | |
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2 | 7–10 | Greenberg, Jamie | Expand | |
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2 | 11–12 | Greenberg, Jamie | Expand | |
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2 | 13–14 | Greenberg, Jamie | Expand | |
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3 | 15–22 | Greenberg, Jamie | Expand | |
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4 | 21–28 | Greenberg, Jamie | Expand | |
CommentsSlight rhythmic variation mm. 27 - 28. |
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5 | 29–30 | Greenberg, Jamie | Expand | |
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5 | 32–32 | Greenberg, Jamie | Expand | |
CommentsBass moves up 2. "Fantasie" causes unexpected transformation of prospective cadence. |
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6 | 32–32 | Greenberg, Jamie | Expand | |
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6 | 35–36 | Greenberg, Jamie | Expand | |
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7 | 36–36 | Greenberg, Jamie | Expand | |
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7 | 36–37 | Greenberg, Jamie | Expand | |
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7 | 37–39 | Greenberg, Jamie | Expand | |
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7 | 40–40 | Greenberg, Jamie | Expand | |
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8 | 43–44 | Greenberg, Jamie | Expand | |
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8 | 45–45 | Greenberg, Jamie | Expand | |
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9 | 45–51 | Greenberg, Jamie | Expand | |
CommentsBeginning shortened by one minim (up to m. 38). |
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9 | 45–54 | Greenberg, Jamie | Expand | |
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10 | 53–60 | Greenberg, Jamie | Expand | |
CommentsRhythmic values occasionally modified to accommodate text. |
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10 | 53–61 | Greenberg, Jamie | Expand | |
CommentsFinal ending. |