Phrase |
Measures |
Analyst |
Show details |
1
|
1–3
|
Bazinet, Genevieve
|
Expand
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1
|
1–2
|
Babcock, Stuart
|
Expand
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1
|
1–3
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Bazinet, Genevieve
|
Expand
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1
|
2–3
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Babcock, Stuart
|
Expand
|
- Analysis ID
- 10041
- Analyst
- Babcock, Stuart
- Book Title
- Sixiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
Comments
This is very similar to an authentic cadence, but the cadential pair begins with an inverted minor sixth (major third) instead of a major sixth.
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1
|
2–3
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Bazinet, Genevieve
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Expand
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2
|
3–4
|
Babcock, Stuart
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Expand
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2
|
3–6
|
Bazinet, Genevieve
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Expand
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2
|
3–6
|
Bazinet, Genevieve
|
Expand
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2
|
4–6
|
Babcock, Stuart
|
Expand
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2
|
5–5
|
Bazinet, Genevieve
|
Expand
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2
|
5–6
|
Babcock, Stuart
|
Expand
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3
|
6–8
|
Bazinet, Genevieve
|
Expand
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3
|
6–8
|
Bazinet, Genevieve
|
Expand
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3
|
6–8
|
Babcock, Stuart
|
Expand
|
- Analysis ID
- 10045
- Analyst
- Babcock, Stuart
- Book Title
- Sixiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
Relative to phrase 1, the time value of the first note in phrase 3 is halved. Further, the phrase ends homorhythmically unlike phrase 1.
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3
|
8–8
|
Bazinet, Genevieve
|
Expand
|
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4
|
8–11
|
Bazinet, Genevieve
|
Expand
|
|
4
|
8–11
|
Babcock, Stuart
|
Expand
|
- Analysis ID
- 10046
- Analyst
- Babcock, Stuart
- Book Title
- Sixiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
Phrase 4 more or less lines up the parts of phrase 2 into a simple homorhythm, whereas phrase 2 had a staggered homorhythm at the beginning.
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4
|
9–11
|
Bazinet, Genevieve
|
Expand
|
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4
|
11–11
|
Bazinet, Genevieve
|
Expand
|
|
5
|
11–13
|
Babcock, Stuart
|
Expand
|
- Analysis ID
- 10047
- Analyst
- Babcock, Stuart
- Book Title
- Sixiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
Comments
There is also a 5/3 pattern between the bassus and soprano; the parallel sixths allow it such that the bassus and soprano form a fifth or octave while the bassus and tenor form a third, and vice versa.
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5
|
11–13
|
Bazinet, Genevieve
|
Expand
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5
|
13–13
|
Babcock, Stuart
|
Expand
|
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5
|
13–13
|
Bazinet, Genevieve
|
Expand
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6
|
13–15
|
Babcock, Stuart
|
Expand
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6
|
13–14
|
Bazinet, Genevieve
|
Expand
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6
|
13–16
|
Bazinet, Genevieve
|
Expand
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6
|
14–15
|
Bazinet, Genevieve
|
Expand
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6
|
15–16
|
Babcock, Stuart
|
Expand
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6
|
15–16
|
Bazinet, Genevieve
|
Expand
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7
|
16–19
|
Bazinet, Genevieve
|
Expand
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7
|
16–19
|
Babcock, Stuart
|
Expand
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7
|
16–19
|
Bazinet, Genevieve
|
Expand
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7
|
18–19
|
Bazinet, Genevieve
|
Expand
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7
|
19–19
|
Babcock, Stuart
|
Expand
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7
|
19–19
|
Bazinet, Genevieve
|
Expand
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7
|
25–19
|
Babcock, Stuart
|
Expand
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8
|
19–26
|
Bazinet, Genevieve
|
Expand
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8
|
19–24
|
Bazinet, Genevieve
|
Expand
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- Analysis ID
- 11112
- Analyst
- Bazinet, Genevieve
- Book Title
- Sixiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
Text declamation through repetition of words but with different melody: 19-22=22-24.
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8
|
19–25
|
Babcock, Stuart
|
Expand
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8
|
19–26
|
Babcock, Stuart
|
Expand
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8
|
20–21
|
Babcock, Stuart
|
Expand
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8
|
21–22
|
Babcock, Stuart
|
Expand
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8
|
21–22
|
Bazinet, Genevieve
|
Expand
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8
|
22–24
|
Bazinet, Genevieve
|
Expand
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8
|
22–24
|
Babcock, Stuart
|
Expand
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8
|
22–24
|
Bazinet, Genevieve
|
Expand
|
|
8
|
23–25
|
Babcock, Stuart
|
Expand
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8
|
24–25
|
Bazinet, Genevieve
|
Expand
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