| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–5 | a | Il n’est que d’estre sur l’herbette, |
| 2 | 4–13 | b | En ce joli verd mois de may, |
| 3 | 1–4 | a | Avoir pres de soy s’amiette, |
| 4 | 4–14 | b | Puis en riant planter le may, |
| 5 | 14–18 | b | Je le dis car bien je le sçay, |
| 6 | 18–24 | c | Et doulce en fut l’experience, |
| 7 | 24–28 | b | On n’a qu’a dancer houppe gay |
| 8 | 26–33 | c | Rossignolet sonne la dance. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–4 | Babcock, Stuart | Expand | |
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| 1 | 1–4 | Bazinet, Genevieve | Expand | |
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| 1 | 3–5 | Babcock, Stuart | Expand | |
CommentsMelody here is tonal version of the melody used in previous PEn. |
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| 1 | 3–5 | Bazinet, Genevieve | Expand | |
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| 1 | 4–5 | Babcock, Stuart | Expand | |
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| 1 | 4–5 | Bazinet, Genevieve | Expand | |
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| 2 | 4–5 | Babcock, Stuart | Expand | |
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| 2 | 4–5 | Bazinet, Genevieve | Expand | |
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| 2 | 5–7 | Bazinet, Genevieve | Expand | |
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| 2 | 5–7 | Babcock, Stuart | Expand | |
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| 2 | 7–8 | Bazinet, Genevieve | Expand | |
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| 2 | 9–11 | Bazinet, Genevieve | Expand | |
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| 2 | 9–11 | Babcock, Stuart | Expand | |
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| 2 | 11–12 | Babcock, Stuart | Expand | |
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| 2 | 11–12 | Bazinet, Genevieve | Expand | |
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| 3 | 1–4 | Bazinet, Genevieve | Expand | |
CommentsException: repeat starts with Ct (bar 12), which anticipates the Pen. |
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| 3 | 12–5 | Babcock, Stuart | Expand | |
CommentsThe variation occurs in the added FI (see analysis 10000). |
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| 3 | 12–15 | Babcock, Stuart | Expand | |
CommentsThis FI leads into a PEn which is concluded with the repeat. |
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| 4 | 4–14 | Bazinet, Genevieve | Expand | |
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| 4 | 4–14 | Babcock, Stuart | Expand | |
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| 5 | 14–16 | Bazinet, Genevieve | Expand | |
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| 5 | 14–17 | Babcock, Stuart | Expand | |
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| 5 | 17–17 | Bazinet, Genevieve | Expand | |
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| 5 | 17–18 | Babcock, Stuart | Expand | |
CommentsThis resembles an authentic cadence in many ways, but the pseudo-cadential pair moves from a minor sixth to an octave, not a major sixth. |
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| 5 | 18–18 | Bazinet, Genevieve | Expand | |
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| 6 | 18–18 | Babcock, Stuart | Expand | |
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| 6 | 18–18 | Bazinet, Genevieve | Expand | |
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| 6 | 22–23 | Bazinet, Genevieve | Expand | |
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| 6 | 23–24 | Bazinet, Genevieve | Expand | |
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| 6 | 23–24 | Babcock, Stuart | Expand | |
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| 7 | 24–28 | Bazinet, Genevieve | Expand | |
CommentsException: the repeat begins with HR Stagger, whereas the fist statement of Phrase 7 opens with FI. |
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| 7 | 24–26 | Babcock, Stuart | Expand | |
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| 7 | 24–25 | Bazinet, Genevieve | Expand | |
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| 7 | 26–28 | Bazinet, Genevieve | Expand | |
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| 7 | 26–29 | Babcock, Stuart | Expand | |
CommentsThis text declaim spans two lines of text, and in conjunction with the declamation in the other voices, forms a NIM. However, as parts go with different phrases, it could not be tagged as such. |
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| 7 | 27–28 | Bazinet, Genevieve | Expand | |
CommentsText Reprise: bars 27-28 are repeated in bars 28-29, resulting in a four-part NIM, and also resulting in Text declamation through repetition on "houpe gay." |
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| 7 | 31–28 | Babcock, Stuart | Expand | |
CommentsThe first two measures vary slightly to fit in the appropriate number of syllables. Further, there is a brief HR Stagger in measure 31 that does not occur the first time through phrase 7. |
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| 7 | 31–31 | Babcock, Stuart | Expand | |
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| 8 | 26–29 | Babcock, Stuart | Expand | |
CommentsIn conjunction with the declamation in the other voices, this FI forms part of a NIM. However, as these parts go with different phrases, it could not be tagged as such. |
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| 8 | 26–33 | Babcock, Stuart | Expand | |
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| 8 | 26–27 | Bazinet, Genevieve | Expand | |
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| 8 | 26–28 | Babcock, Stuart | Expand | |
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| 8 | 26–33 | Bazinet, Genevieve | Expand | |
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| 8 | 27–29 | Bazinet, Genevieve | Expand | |
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| 8 | 29–30 | Babcock, Stuart | Expand | |
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| 8 | 30–31 | Bazinet, Genevieve | Expand | |
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| 8 | 30–31 | Babcock, Stuart | Expand | |
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| 8 | 31–32 | Bazinet, Genevieve | Expand | |
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