Phrase Number | Measures | Rhyme | Phrase |
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1 | 1–4 | a | Sur l’aubepin qui est en fleur |
2 | 3–10 | b | Se degoise le Philomene, |
3 | 10–14 | a | D’aultre costé Progne sa sœur |
4 | 13–20 | b | En son chant grand joye demene, |
5 | 20–25 | c | Chascun pour l’amour de la sienne, |
6 | 25–28 | d | Dict mille mottetz en musique |
7 | 29–32 | d | Mais moy à tout dueil je m’applique, |
8 | 32–47 | c | Par ce qu’icy ne voy la mienne. |
Phrase | Measures | Analyst | Show details | |
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1 | 1–3 | Bazinet, Genevieve | Expand | |
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1 | 1–4 | Babcock, Stuart | Expand | |
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1 | 1–2 | Babcock, Stuart | Expand | |
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1 | 3–4 | Babcock, Stuart | Expand | |
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1 | 3–4 | Babcock, Stuart | Expand | |
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2 | 3–4 | Bazinet, Genevieve | Expand | |
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2 | 3–5 | Babcock, Stuart | Expand | |
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2 | 3–4 | Babcock, Stuart | Expand | |
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2 | 5–5 | Bazinet, Genevieve | Expand | |
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2 | 6–7 | Bazinet, Genevieve | Expand | |
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2 | 6–7 | Babcock, Stuart | Expand | |
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2 | 7–8 | Bazinet, Genevieve | Expand | |
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2 | 7–8 | Babcock, Stuart | Expand | |
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2 | 7–7 | Bazinet, Genevieve | Expand | |
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2 | 8–10 | Babcock, Stuart | Expand | |
CommentsThe difference is divided note lengths to account for more syllables. This corresponds to measures 6-8. |
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2 | 8–10 | Bazinet, Genevieve | Expand | |
CommentsText Reprise: bars 8-10 are an exact repetition of bars 6-8. |
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2 | 8–9 | Babcock, Stuart | Expand | |
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2 | 8–8 | Bazinet, Genevieve | Expand | |
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2 | 9–10 | Bazinet, Genevieve | Expand | |
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2 | 9–9 | Bazinet, Genevieve | Expand | |
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2 | 9–10 | Babcock, Stuart | Expand | |
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3 | 10–11 | Bazinet, Genevieve | Expand | |
CommentsBassus anticipates the Pen (bar 10), but is not part of it: the melodic contour does not match the other entries. |
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3 | 10–11 | Babcock, Stuart | Expand | |
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3 | 11–14 | Babcock, Stuart | Expand | |
CommentsThere are slight variances in the superius line in measure 13 (which corresponds to measure 3). |
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3 | 13–14 | Bazinet, Genevieve | Expand | |
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3 | 13–14 | Babcock, Stuart | Expand | |
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4 | 13–14 | Bazinet, Genevieve | Expand | |
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4 | 13–20 | Babcock, Stuart | Expand | |
CommentsThe main change is the division of note lengths to accommodate different numbers of syllables. |
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4 | 18–20 | Bazinet, Genevieve | Expand | |
CommentsText Reprise: bars 18-20 are an exact repeat of bars 16-18. |
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4 | 19–20 | Bazinet, Genevieve | Expand | |
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5 | 20–23 | Babcock, Stuart | Expand | |
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5 | 20–22 | Babcock, Stuart | Expand | |
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5 | 20–22 | Bazinet, Genevieve | Expand | |
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5 | 22–24 | Bazinet, Genevieve | Expand | |
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5 | 22–24 | Babcock, Stuart | Expand | |
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5 | 25–25 | Babcock, Stuart | Expand | |
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5 | 25–25 | Bazinet, Genevieve | Expand | |
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6 | 25–28 | Babcock, Stuart | Expand | |
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6 | 25–27 | Bazinet, Genevieve | Expand | |
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6 | 26–28 | Bazinet, Genevieve | Expand | |
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6 | 27–27 | Bazinet, Genevieve | Expand | |
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6 | 28–28 | Babcock, Stuart | Expand | |
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6 | 28–28 | Bazinet, Genevieve | Expand | |
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7 | 29–32 | Bazinet, Genevieve | Expand | |
CommentsSlight variation in the opening texture of the repeat -full HR not FI. |
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7 | 29–32 | Babcock, Stuart | Expand | |
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7 | 29–29 | Bazinet, Genevieve | Expand | |
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7 | 29–32 | Bazinet, Genevieve | Expand | |
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7 | 32–32 | Bazinet, Genevieve | Expand | |
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7 | 32–32 | Babcock, Stuart | Expand | |
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7 | 46–32 | Babcock, Stuart | Expand | |
CommentsThe first chord on the word "Mais" is different, but that is the only change. |
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8 | 32–47 | Babcock, Stuart | Expand | |
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8 | 32–47 | Bazinet, Genevieve | Expand | |
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8 | 33–33 | Bazinet, Genevieve | Expand | |
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8 | 33–35 | Babcock, Stuart | Expand | |
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8 | 35–37 | Babcock, Stuart | Expand | |
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8 | 35–36 | Bazinet, Genevieve | Expand | |
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8 | 38–40 | Babcock, Stuart | Expand | |
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8 | 38–39 | Bazinet, Genevieve | Expand | |
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8 | 38–39 | Babcock, Stuart | Expand | |
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8 | 41–43 | Bazinet, Genevieve | Expand | |
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8 | 44–45 | Bazinet, Genevieve | Expand | |
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8 | 44–45 | Babcock, Stuart | Expand | |
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