| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–5 | a | Un bon vieillard qui n’avoit que le bec, |
| 2 | 5–11 | b | Se trouvant court pres d’une jeune dame, |
| 3 | 1–5 | a | De desir prou mais de cela à sec. |
| 4 | 5–12 | b | Ne suis je pas ce dict-il bien infame, |
| 5 | 12–16 | b | Pour tout payement luy chante ceste game, |
| 6 | 16–21 | c | Il taste il monte assez pour l’escacher, |
| 7 | 20–26 | c | Plus de cent fois, et ne peult deslacher, |
| 8 | 26–31 | d | Dont se mocquant, dict la dame faschée, |
| 9 | 32–36 | e | L’esprit est pront mais infirme est la chair, |
| 10 | 36–51 | d | Nostre curé souvent m’en a preschée. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–2 | Bazinet, Genevieve | Expand | |
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| 1 | 1–2 | Babcock, Stuart | Expand | |
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| 1 | 2–3 | Babcock, Stuart | Expand | |
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| 1 | 2–3 | Bazinet, Genevieve | Expand | |
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| 1 | 4–5 | Bazinet, Genevieve | Expand | |
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| 1 | 4–5 | Babcock, Stuart | Expand | |
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| 2 | 5–5 | Bazinet, Genevieve | Expand | |
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| 2 | 5–7 | Bazinet, Genevieve | Expand | |
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| 2 | 5–7 | Babcock, Stuart | Expand | |
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| 2 | 6–6 | Babcock, Stuart | Expand | |
CommentsBetween the tenor and the bassus we have a rare case of parallel octaves. |
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| 2 | 8–8 | Bazinet, Genevieve | Expand | |
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| 2 | 9–9 | Bazinet, Genevieve | Expand | |
CommentsThe passage also has parallel fourths between S and Ct, resulting in brief Fauxbourdon. |
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| 2 | 9–11 | Babcock, Stuart | Expand | |
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| 2 | 9–9 | Babcock, Stuart | Expand | |
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| 2 | 10–11 | Bazinet, Genevieve | Expand | |
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| 2 | 11–11 | Bazinet, Genevieve | Expand | |
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| 2 | 11–1 | Babcock, Stuart | Expand | |
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| 3 | 1–5 | Bazinet, Genevieve | Expand | |
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| 3 | 1–5 | Babcock, Stuart | Expand | |
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| 4 | 5–12 | Bazinet, Genevieve | Expand | |
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| 4 | 5–12 | Babcock, Stuart | Expand | |
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| 5 | 12–13 | Bazinet, Genevieve | Expand | |
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| 5 | 15–16 | Babcock, Stuart | Expand | |
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| 5 | 15–16 | Bazinet, Genevieve | Expand | |
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| 6 | 16–18 | Babcock, Stuart | Expand | |
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| 6 | 16–19 | Bazinet, Genevieve | Expand | |
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| 6 | 19–20 | Bazinet, Genevieve | Expand | |
CommentsThe rhythm of S is varied, but the module does repeat. |
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| 6 | 19–21 | Babcock, Stuart | Expand | |
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| 6 | 20–21 | Babcock, Stuart | Expand | |
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| 7 | 20–24 | Babcock, Stuart | Expand | |
Comments"More than a hundred times" is repeated, and each time ends with a cadential figure. |
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| 7 | 20–21 | Bazinet, Genevieve | Expand | |
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| 7 | 20–24 | Bazinet, Genevieve | Expand | |
CommentsThe words "Plus de cent fois" is repeated several times, each time as a "cadence" between two voice parts. |
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| 7 | 20–21 | Babcock, Stuart | Expand | |
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| 7 | 21–22 | Babcock, Stuart | Expand | |
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| 7 | 23–24 | Babcock, Stuart | Expand | |
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| 7 | 24–26 | Babcock, Stuart | Expand | |
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| 7 | 24–26 | Bazinet, Genevieve | Expand | |
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| 7 | 25–26 | Babcock, Stuart | Expand | |
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| 7 | 26–26 | Bazinet, Genevieve | Expand | |
CommentsHalf cadence reflects unresolved situation in the text. |
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| 8 | 28–31 | Bazinet, Genevieve | Expand | |
CommentsText Declamation: HR used to set up the dialogue, "dict la dame fachée." |
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| 8 | 28–31 | Babcock, Stuart | Expand | |
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| 8 | 30–31 | Babcock, Stuart | Expand | |
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| 8 | 30–31 | Bazinet, Genevieve | Expand | |
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| 8 | 31–31 | Bazinet, Genevieve | Expand | |
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| 8 | 31–32 | Babcock, Stuart | Expand | |
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| 9 | 32–36 | Babcock, Stuart | Expand | |
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| 9 | 32–36 | Bazinet, Genevieve | Expand | |
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| 9 | 32–34 | Babcock, Stuart | Expand | |
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| 9 | 35–36 | Babcock, Stuart | Expand | |
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| 9 | 36–36 | Bazinet, Genevieve | Expand | |
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| 10 | 36–41 | Babcock, Stuart | Expand | |
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| 10 | 37–40 | Bazinet, Genevieve | Expand | |
CommentsThe entries of the same soggetto in the Ct and T in bars 36-37 anticipate the PEn but are not part of it. |
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| 10 | 40–42 | Babcock, Stuart | Expand | |
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| 10 | 42–43 | Babcock, Stuart | Expand | |
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| 10 | 42–43 | Bazinet, Genevieve | Expand | |
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| 10 | 43–51 | Bazinet, Genevieve | Expand | |
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| 10 | 43–51 | Babcock, Stuart | Expand | |
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