Phrase Number | Measures | Rhyme | Phrase |
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1 | 1–8 | a | Ou est ce temps dictes madamoiselle, |
2 | 8–13 | b | Que ne pouviez estre un jour sans me voir, |
3 | 1–8 | a | N’estes vous plus? las à quoy tient il, celle |
4 | 8–14 | b | Qui voz plaisirs preniez tous à m’avoir, |
5 | 14–17 | b | Ay-je m’espris encontre le debvoir |
6 | 17–23 | c | A vous servir, helas non que je pense? |
7 | 23–27 | c | Mais s’advenu m’estoit par ignorance, |
8 | 27–33 | d | Dictes le moy, et vous monstrez benigne, |
9 | 35–42 | c | Du malfaicteur prendray telle vengeance, |
10 | 42–48 | d | Que le direz de pardon estre digne. |
Phrase | Measures | Analyst | Show details | |
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1 | 1–2 | Bazinet, Genevieve | Expand | |
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1 | 1–2 | Babcock, Stuart | Expand | |
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1 | 2–3 | Bazinet, Genevieve | Expand | |
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1 | 2–3 | Babcock, Stuart | Expand | |
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1 | 3–4 | Bazinet, Genevieve | Expand | |
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1 | 3–5 | Babcock, Stuart | Expand | |
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1 | 4–5 | Babcock, Stuart | Expand | |
CommentsThe Dux I (bassus) is the same melody as the Dux II in the preceding PEn. |
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1 | 4–5 | Bazinet, Genevieve | Expand | |
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1 | 4–5 | Babcock, Stuart | Expand | |
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1 | 5–5 | Babcock, Stuart | Expand | |
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1 | 6–7 | Babcock, Stuart | Expand | |
CommentsThe melody in in this FI is the same as that used in the previous PEn and FI. |
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1 | 6–6 | Babcock, Stuart | Expand | |
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1 | 7–8 | Bazinet, Genevieve | Expand | |
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1 | 7–8 | Babcock, Stuart | Expand | |
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2 | 9–10 | Bazinet, Genevieve | Expand | |
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2 | 9–10 | Babcock, Stuart | Expand | |
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2 | 10–12 | Babcock, Stuart | Expand | |
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2 | 11–11 | Babcock, Stuart | Expand | |
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2 | 11–11 | Bazinet, Genevieve | Expand | |
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2 | 12–13 | Babcock, Stuart | Expand | |
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2 | 12–13 | Bazinet, Genevieve | Expand | |
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2 | 13–13 | Bazinet, Genevieve | Expand | |
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2 | 13–13 | Babcock, Stuart | Expand | |
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3 | 1–8 | Bazinet, Genevieve | Expand | |
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3 | 1–8 | Babcock, Stuart | Expand | |
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4 | 8–14 | Babcock, Stuart | Expand | |
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4 | 8–14 | Bazinet, Genevieve | Expand | |
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5 | 14–15 | Bazinet, Genevieve | Expand | |
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5 | 14–16 | Babcock, Stuart | Expand | |
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5 | 15–16 | Babcock, Stuart | Expand | |
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5 | 16–17 | Babcock, Stuart | Expand | |
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5 | 16–17 | Bazinet, Genevieve | Expand | |
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6 | 17–20 | Bazinet, Genevieve | Expand | |
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6 | 17–20 | Babcock, Stuart | Expand | |
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6 | 18–19 | Babcock, Stuart | Expand | |
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6 | 19–20 | Babcock, Stuart | Expand | |
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6 | 21–22 | Babcock, Stuart | Expand | |
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6 | 22–23 | Babcock, Stuart | Expand | |
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6 | 23–23 | Babcock, Stuart | Expand | |
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6 | 23–23 | Bazinet, Genevieve | Expand | |
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7 | 23–25 | Babcock, Stuart | Expand | |
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7 | 23–25 | Bazinet, Genevieve | Expand | |
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7 | 24–24 | Babcock, Stuart | Expand | |
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7 | 26–27 | Bazinet, Genevieve | Expand | |
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7 | 26–27 | Babcock, Stuart | Expand | |
CommentsThis NoCadence is very similar to the double leading tone cadence used in 14th and 15th century music. |
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8 | 27–29 | Bazinet, Genevieve | Expand | |
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8 | 27–30 | Babcock, Stuart | Expand | |
CommentsThere are two successive entries on G (in Dux II and Comes II) before continuing the pattern of entries @5 above. The contratenor continues the pattern as Dux III. |
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8 | 30–31 | Bazinet, Genevieve | Expand | |
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8 | 30–31 | Bazinet, Genevieve | Expand | |
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8 | 30–31 | Babcock, Stuart | Expand | |
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8 | 32–33 | Bazinet, Genevieve | Expand | |
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8 | 32–33 | Babcock, Stuart | Expand | |
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8 | 33–35 | Babcock, Stuart | Expand | |
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9 | 34–34 | Bazinet, Genevieve | Expand | |
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9 | 35–42 | Bazinet, Genevieve | Expand | |
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9 | 35–42 | Babcock, Stuart | Expand | |
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9 | 35–42 | Babcock, Stuart | Expand | |
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9 | 35–42 | Bazinet, Genevieve | Expand | |
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10 | 42–48 | Babcock, Stuart | Expand | |
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10 | 42–45 | Bazinet, Genevieve | Expand | |
CommentsAll but the last bar of Phrase 10 are the same as Phrase 2. Bar 46 is different because of the preparation for the final cadence. |
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10 | 42–48 | Babcock, Stuart | Expand | |
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10 | 42–47 | Bazinet, Genevieve | Expand | |
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10 | 46–47 | Bazinet, Genevieve | Expand | |
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