Phrase Number | Measures | Rhyme | Phrase |
---|---|---|---|
1 | 1–5 | a | Or à ce jour le verd may se termine, |
2 | 5–13 | b | N’en oys tu pas le Rossignol se plaindre, |
3 | 13–18 | a | Las est à moy tout mon verd si se fine, |
4 | 18–22 | b | Plus n’ay raison en mes couleurs le peindre, |
5 | 22–25 | b | Mes plaisirs sont souspirer sans me faindre, |
6 | 25–30 | c | Voyant le temps approcher que m’en vois, |
7 | 29–37 | c | Plus ne verray ce que voir je soulois, |
8 | 36–43 | d | Dont ja commence à m’ennuyer ma vie, |
9 | 43–47 | c | Adieu beau may adieu le plaisant moys, |
10 | 47–50 | c | Ha fin de may facheuse quantesfois, |
11 | 50–58 | d | Me regrettant te mauldira m’amie. |
Phrase | Measures | Analyst | Show details | |
---|---|---|---|---|
1 | 1–4 | Babcock, Stuart | Expand | |
|
||||
1 | 1–4 | Bazinet, Genevieve | Expand | |
|
||||
1 | 4–5 | Babcock, Stuart | Expand | |
|
||||
1 | 4–5 | Bazinet, Genevieve | Expand | |
|
||||
2 | 5–7 | Bazinet, Genevieve | Expand | |
|
||||
2 | 5–6 | Babcock, Stuart | Expand | |
|
||||
2 | 7–7 | Babcock, Stuart | Expand | |
|
||||
2 | 7–9 | Babcock, Stuart | Expand | |
|
||||
2 | 10–13 | Bazinet, Genevieve | Expand | |
CommentsText Reprise: The whole text phrase is repeated in bars 10-13. |
||||
2 | 11–13 | Babcock, Stuart | Expand | |
|
||||
2 | 12–13 | Bazinet, Genevieve | Expand | |
Commentsnot really a cadence (although could be plagal to A), but held sonorities -A/E/A/C# which then move to B-flat/D/F/F. |
||||
2 | 12–13 | Babcock, Stuart | Expand | |
|
||||
3 | 13–14 | Babcock, Stuart | Expand | |
|
||||
3 | 13–15 | Babcock, Stuart | Expand | |
|
||||
3 | 13–13 | Bazinet, Genevieve | Expand | |
CommentsText Declamation on word "Las": full sonorities and long held note. |
||||
3 | 14–16 | Bazinet, Genevieve | Expand | |
|
||||
3 | 17–18 | Bazinet, Genevieve | Expand | |
|
||||
3 | 17–18 | Babcock, Stuart | Expand | |
|
||||
4 | 18–19 | Bazinet, Genevieve | Expand | |
|
||||
4 | 18–21 | Bazinet, Genevieve | Expand | |
|
||||
4 | 18–19 | Babcock, Stuart | Expand | |
|
||||
4 | 19–20 | Babcock, Stuart | Expand | |
|
||||
4 | 20–21 | Babcock, Stuart | Expand | |
|
||||
4 | 21–21 | Babcock, Stuart | Expand | |
|
||||
4 | 22–22 | Bazinet, Genevieve | Expand | |
CommentsEcho of NoCadence in bar 12-13, echoes the rhyme of the texts: "plaindre" to "peindre" |
||||
5 | 22–25 | Bazinet, Genevieve | Expand | |
|
||||
5 | 22–25 | Babcock, Stuart | Expand | |
|
||||
5 | 24–25 | Babcock, Stuart | Expand | |
|
||||
5 | 25–25 | Bazinet, Genevieve | Expand | |
CommentsMusical rhyme which echoes the end of phrases 2 and 4. |
||||
6 | 26–26 | Babcock, Stuart | Expand | |
|
||||
6 | 27–28 | Babcock, Stuart | Expand | |
|
||||
6 | 27–29 | Babcock, Stuart | Expand | |
|
||||
6 | 28–29 | Babcock, Stuart | Expand | |
|
||||
6 | 28–29 | Bazinet, Genevieve | Expand | |
|
||||
7 | 29–37 | Bazinet, Genevieve | Expand | |
CommentsPhrase 7 is stated twice, the second (bar 32-37) is a variation of the first with all four voices, versus the reduced, 3-part texture of the first statement. |
||||
7 | 29–30 | Bazinet, Genevieve | Expand | |
|
||||
7 | 29–30 | Bazinet, Genevieve | Expand | |
|
||||
7 | 29–32 | Babcock, Stuart | Expand | |
CommentsThe melody in the contratenor beginning in measure 29 hints at the the melody used in the free imitation, though it leaps up a perfect fourth instead of a minor third and proceeds to go in a different direction than the melody used in the free imitation. |
||||
7 | 29–30 | Babcock, Stuart | Expand | |
|
||||
7 | 30–30 | Bazinet, Genevieve | Expand | |
|
||||
7 | 31–32 | Babcock, Stuart | Expand | |
|
||||
7 | 32–34 | Bazinet, Genevieve | Expand | |
|
||||
7 | 32–35 | Babcock, Stuart | Expand | |
CommentsThe iterated melody is very similar to that used in the previous free imitation. |
||||
7 | 35–36 | Babcock, Stuart | Expand | |
|
||||
7 | 36–37 | Bazinet, Genevieve | Expand | |
|
||||
7 | 36–37 | Babcock, Stuart | Expand | |
|
||||
8 | 36–37 | Bazinet, Genevieve | Expand | |
|
||||
8 | 36–37 | Babcock, Stuart | Expand | |
|
||||
8 | 37–38 | Bazinet, Genevieve | Expand | |
CommentsCt anticipates the FI between T and S. |
||||
8 | 39–40 | Babcock, Stuart | Expand | |
|
||||
8 | 40–41 | Babcock, Stuart | Expand | |
|
||||
8 | 40–41 | Bazinet, Genevieve | Expand | |
|
||||
8 | 41–42 | Babcock, Stuart | Expand | |
|
||||
8 | 42–43 | Babcock, Stuart | Expand | |
|
||||
8 | 42–43 | Bazinet, Genevieve | Expand | |
|
||||
9 | 43–47 | Babcock, Stuart | Expand | |
|
||||
9 | 44–47 | Bazinet, Genevieve | Expand | |
|
||||
9 | 46–47 | Babcock, Stuart | Expand | |
|
||||
9 | 46–46 | Babcock, Stuart | Expand | |
|
||||
9 | 46–47 | Bazinet, Genevieve | Expand | |
|
||||
9 | 46–47 | Babcock, Stuart | Expand | |
|
||||
9 | 47–47 | Babcock, Stuart | Expand | |
|
||||
9 | 47–47 | Bazinet, Genevieve | Expand | |
|
||||
10 | 47–50 | Babcock, Stuart | Expand | |
|
||||
10 | 47–50 | Bazinet, Genevieve | Expand | |
|
||||
10 | 47–48 | Babcock, Stuart | Expand | |
|
||||
10 | 47–50 | Babcock, Stuart | Expand | |
|
||||
10 | 47–50 | Bazinet, Genevieve | Expand | |
|
||||
10 | 49–50 | Babcock, Stuart | Expand | |
|
||||
10 | 49–50 | Bazinet, Genevieve | Expand | |
|
||||
11 | 50–58 | Babcock, Stuart | Expand | |
|
||||
11 | 50–51 | Babcock, Stuart | Expand | |
|
||||
11 | 50–57 | Bazinet, Genevieve | Expand | |
|
||||
11 | 50–51 | Bazinet, Genevieve | Expand | |
|
||||
11 | 51–51 | Babcock, Stuart | Expand | |
|
||||
11 | 53–54 | Babcock, Stuart | Expand | |
|
||||
11 | 53–54 | Bazinet, Genevieve | Expand | |
|
||||
11 | 54–55 | Babcock, Stuart | Expand | |
|
||||
11 | 55–55 | Babcock, Stuart | Expand | |
|
||||
11 | 56–57 | Babcock, Stuart | Expand | |
|
||||
11 | 56–57 | Bazinet, Genevieve | Expand | |
|