| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–5 | a | Un jour dormoit Colin en my des prez |
| 2 | 3–11 | b | En pleine terre, et Janeton s’amie |
| 3 | 11–14 | a | Qui la le veoit se vint coucher au pres, |
| 4 | 13–18 | b | Ou cuida estre comme luy endormie, |
| 5 | 19–23 | b | Mais le soleil droict aux yeulx luy ennuie, |
| 6 | 23–26 | c | Lors Colin grippe et dict n’ayez souci |
| 7 | 25–30 | c | De traversin me fourniras ainsi, |
| 8 | 29–34 | d | Pour eviter de terre la froidure, |
| 9 | 33–37 | c | Et moy dessus de pavillon aussi |
| 10 | 37–43 | d | Je serviray, m’ayant pour couverture. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–6 | Herdman, Jessica | Expand | |
|
||||
| 1 | 1–2 | Holscher, Joshua | Expand | |
|
||||
| 1 | 1–2 | Romey, John | Expand | |
|
||||
| 1 | 1–3 | Clement, Deanna | Expand | |
|
||||
| 1 | 2–3 | Romey, John | Expand | |
|
||||
| 1 | 3–3 | Clement, Deanna | Expand | |
|
||||
| 1 | 3–5 | Clement, Deanna | Expand | |
|
||||
| 1 | 3–4 | Holscher, Joshua | Expand | |
|
||||
| 1 | 4–5 | Holscher, Joshua | Expand | |
|
||||
| 1 | 4–5 | Romey, John | Expand | |
|
||||
| 1 | 5–6 | Herdman, Jessica | Expand | |
|
||||
| 2 | 3–5 | Holscher, Joshua | Expand | |
|
||||
| 2 | 3–6 | Holscher, Joshua | Expand | |
|
||||
| 2 | 3–5 | Clement, Deanna | Expand | |
CommentsS line continues in to the first four syllables of the next phrase without cadence. Other voices follow. |
||||
| 2 | 3–5 | Herdman, Jessica | Expand | |
CommentsText enjambment: the musical line of phrase 1 continues into (i.e. involves) the text of phrase 2 (" ... en pleine terre"), following the grammar of the text, rather than the poetic lines. |
||||
| 2 | 3–7 | Romey, John | Expand | |
|
||||
| 2 | 4–6 | Herdman, Jessica | Expand | |
|
||||
| 2 | 5–6 | Holscher, Joshua | Expand | |
|
||||
| 2 | 6–7 | Romey, John | Expand | |
|
||||
| 2 | 6–8 | Herdman, Jessica | Expand | |
|
||||
| 2 | 10–11 | Clement, Deanna | Expand | |
|
||||
| 2 | 10–11 | Romey, John | Expand | |
|
||||
| 2 | 10–11 | Holscher, Joshua | Expand | |
|
||||
| 2 | 10–11 | Herdman, Jessica | Expand | |
|
||||
| 3 | 11–11 | Clement, Deanna | Expand | |
CommentsCt anticipates PEn: S > B > T @ 8ve Below, 5th above. |
||||
| 3 | 11–12 | Romey, John | Expand | |
|
||||
| 3 | 11–12 | Holscher, Joshua | Expand | |
|
||||
| 3 | 11–12 | Holscher, Joshua | Expand | |
|
||||
| 3 | 12–13 | Holscher, Joshua | Expand | |
|
||||
| 3 | 12–13 | Romey, John | Expand | |
|
||||
| 3 | 12–13 | Romey, John | Expand | |
|
||||
| 3 | 12–13 | Clement, Deanna | Expand | |
|
||||
| 3 | 13–13 | Clement, Deanna | Expand | |
|
||||
| 3 | 13–14 | Romey, John | Expand | |
CommentsBass cadences on G |
||||
| 3 | 13–14 | Holscher, Joshua | Expand | |
|
||||
| 3 | 13–14 | Holscher, Joshua | Expand | |
|
||||
| 3 | 13–14 | Herdman, Jessica | Expand | |
|
||||
| 3 | 13–14 | Clement, Deanna | Expand | |
CommentsS continues into next line's first four syllables, with other voices following suit. |
||||
| 4 | 13–14 | Holscher, Joshua | Expand | |
|
||||
| 4 | 13–14 | Clement, Deanna | Expand | |
CommentsS introduces HR Stagger |
||||
| 4 | 13–14 | Herdman, Jessica | Expand | |
|
||||
| 4 | 13–13 | Romey, John | Expand | |
|
||||
| 4 | 14–17 | Herdman, Jessica | Expand | |
|
||||
| 4 | 14–17 | Romey, John | Expand | |
|
||||
| 4 | 14–16 | Holscher, Joshua | Expand | |
|
||||
| 4 | 14–16 | Clement, Deanna | Expand | |
|
||||
| 4 | 14–17 | Clement, Deanna | Expand | |
|
||||
| 4 | 17–18 | Herdman, Jessica | Expand | |
|
||||
| 4 | 17–18 | Clement, Deanna | Expand | |
|
||||
| 4 | 17–18 | Romey, John | Expand | |
|
||||
| 4 | 17–18 | Holscher, Joshua | Expand | |
|
||||
| 5 | 19–19 | Holscher, Joshua | Expand | |
CommentsText Representation: Introduction of E-flat on "Mais" |
||||
| 5 | 19–22 | Clement, Deanna | Expand | |
|
||||
| 5 | 19–23 | Romey, John | Expand | |
CommentsEb on "mais" Ct and B |
||||
| 5 | 19–23 | Herdman, Jessica | Expand | |
CommentsText rep: striking shift to Eflat (B+Ct) with "mais" ("but"). |
||||
| 5 | 19–20 | Clement, Deanna | Expand | |
|
||||
| 5 | 19–19 | Holscher, Joshua | Expand | |
|
||||
| 5 | 19–23 | Holscher, Joshua | Expand | |
CommentsReverse Romanesca |
||||
| 5 | 22–23 | Herdman, Jessica | Expand | |
|
||||
| 5 | 22–23 | Holscher, Joshua | Expand | |
|
||||
| 5 | 22–23 | Clement, Deanna | Expand | |
|
||||
| 5 | 22–23 | Romey, John | Expand | |
|
||||
| 6 | 23–24 | Romey, John | Expand | |
|
||||
| 6 | 23–24 | Clement, Deanna | Expand | |
|
||||
| 6 | 23–24 | Holscher, Joshua | Expand | |
|
||||
| 6 | 23–24 | Clement, Deanna | Expand | |
|
||||
| 6 | 23–24 | Romey, John | Expand | |
|
||||
| 6 | 25–26 | Clement, Deanna | Expand | |
|
||||
| 6 | 25–26 | Holscher, Joshua | Expand | |
CommentsEvaded Cadence: 2>3 tenorizans motion. |
||||
| 6 | 25–26 | Herdman, Jessica | Expand | |
CommentsEvaded cad: T to E, rather than C (no 2>1). |
||||
| 6 | 25–26 | Holscher, Joshua | Expand | |
|
||||
| 6 | 25–26 | Romey, John | Expand | |
CommentsT 2>3 to evade cadence |
||||
| 6 | 25–26 | Holscher, Joshua | Expand | |
|
||||
| 6 | 26–29 | Clement, Deanna | Expand | |
|
||||
| 7 | 25–27 | Romey, John | Expand | |
|
||||
| 7 | 25–26 | Holscher, Joshua | Expand | |
|
||||
| 7 | 25–26 | Clement, Deanna | Expand | |
CommentsS introduces HR Stagger. |
||||
| 7 | 26–29 | Herdman, Jessica | Expand | |
|
||||
| 7 | 27–29 | Romey, John | Expand | |
CommentsIncomplete = no bass |
||||
| 7 | 28–29 | Herdman, Jessica | Expand | |
|
||||
| 7 | 28–29 | Herdman, Jessica | Expand | |
|
||||
| 7 | 28–29 | Holscher, Joshua | Expand | |
CommentsText Representation: "pour eviter" with an incomplete Bassus cadence; as well as text overlap. |
||||
| 7 | 28–29 | Clement, Deanna | Expand | |
|
||||
| 8 | 29–32 | Romey, John | Expand | |
|
||||
| 8 | 29–30 | Holscher, Joshua | Expand | |
|
||||
| 8 | 29–30 | Holscher, Joshua | Expand | |
|
||||
| 8 | 29–32 | Holscher, Joshua | Expand | |
|
||||
| 8 | 29–32 | Herdman, Jessica | Expand | |
|
||||
| 8 | 29–29 | Clement, Deanna | Expand | |
CommentsT introduces PEn: T > B > S @ 5th Below, 8ve Above. |
||||
| 8 | 29–32 | Clement, Deanna | Expand | |
|
||||
| 8 | 30–33 | Clement, Deanna | Expand | |
|
||||
| 8 | 31–33 | Holscher, Joshua | Expand | |
|
||||
| 8 | 32–33 | Clement, Deanna | Expand | |
|
||||
| 8 | 32–33 | Holscher, Joshua | Expand | |
|
||||
| 9 | 33–37 | Holscher, Joshua | Expand | |
|
||||
| 9 | 33–35 | Holscher, Joshua | Expand | |
|
||||
| 9 | 33–34 | Holscher, Joshua | Expand | |
|
||||
| 9 | 33–36 | Clement, Deanna | Expand | |
CommentsVaried lead-in to repeat because of the cadence preceding the first iteration. |
||||
| 9 | 33–37 | Romey, John | Expand | |
|
||||
| 9 | 33–34 | Romey, John | Expand | |
|
||||
| 9 | 33–35 | Romey, John | Expand | |
|
||||
| 9 | 33–34 | Clement, Deanna | Expand | |
|
||||
| 9 | 33–36 | Herdman, Jessica | Expand | |
|
||||
| 9 | 36–37 | Holscher, Joshua | Expand | |
|
||||
| 9 | 36–37 | Herdman, Jessica | Expand | |
|
||||
| 9 | 36–37 | Romey, John | Expand | |
CommentsNo Bass |
||||
| 9 | 36–37 | Clement, Deanna | Expand | |
|
||||
| 10 | 36–45 | Herdman, Jessica | Expand | |
CommentsExact final repetition of phrase 10 (including the phrase 9 refrain). |
||||
| 10 | 37–43 | Romey, John | Expand | |
|
||||
| 10 | 37–39 | Herdman, Jessica | Expand | |
|
||||
| 10 | 37–43 | Holscher, Joshua | Expand | |
|
||||
| 10 | 37–40 | Clement, Deanna | Expand | |
|
||||
| 10 | 37–40 | Holscher, Joshua | Expand | |
|
||||
| 10 | 37–40 | Romey, John | Expand | |
|
||||
| 10 | 37–46 | Clement, Deanna | Expand | |
|
||||
| 10 | 38–38 | Holscher, Joshua | Expand | |
CommentsDissonance on Downbeat |
||||
| 10 | 39–40 | Clement, Deanna | Expand | |
|
||||
| 10 | 40–42 | Holscher, Joshua | Expand | |
|
||||
| 10 | 41–42 | Holscher, Joshua | Expand | |
|
||||
| 10 | 41–42 | Romey, John | Expand | |
|
||||
| 10 | 41–42 | Romey, John | Expand | |
|
||||
| 10 | 41–43 | Clement, Deanna | Expand | |
|
||||
| 10 | 42–43 | Holscher, Joshua | Expand | |
|
||||
| 10 | 42–43 | Clement, Deanna | Expand | |
|
||||
| 10 | 42–43 | Herdman, Jessica | Expand | |
|
||||
| 10 | 42–43 | Romey, John | Expand | |
|
||||
| 10 | 43–45 | Herdman, Jessica | Expand | |
CommentsRefrain of phrase 9 terminating with a more conclusive cadence (to F). |
||||