Phrase |
Measures |
Analyst |
Show details |
1
|
1–6
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5692
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Bassus
- Voice Role (@5)
- Superius
- Voice Role (@4)
- Bassus
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Invertible Counterpoint
|
1
|
1–2
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5688
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Bassus
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint
|
1
|
1–2
|
Romey, John
|
Expand
|
|
1
|
1–3
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5694
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Bassus
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint
|
1
|
2–3
|
Romey, John
|
Expand
|
|
1
|
3–3
|
Clement, Deanna
|
Expand
|
|
1
|
3–5
|
Clement, Deanna
|
Expand
|
|
1
|
3–4
|
Holscher, Joshua
|
Expand
|
|
1
|
4–5
|
Holscher, Joshua
|
Expand
|
|
1
|
4–5
|
Romey, John
|
Expand
|
|
1
|
5–6
|
Herdman, Jessica
|
Expand
|
|
2
|
3–5
|
Holscher, Joshua
|
Expand
|
|
2
|
3–6
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5700
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (Below)
- Tenor
|
2
|
3–5
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5708
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
S line continues in to the first four syllables of the next phrase without cadence. Other voices follow.
|
2
|
3–5
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5703
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Text Treatment
- Text Enjambment
Comments
Text enjambment: the musical line of phrase 1 continues into (i.e. involves) the text of phrase 2 (" ... en pleine terre"), following the grammar of the text, rather than the poetic lines.
|
2
|
3–7
|
Romey, John
|
Expand
|
|
2
|
4–6
|
Herdman, Jessica
|
Expand
|
|
2
|
5–6
|
Holscher, Joshua
|
Expand
|
|
2
|
6–7
|
Romey, John
|
Expand
|
|
2
|
6–8
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5704
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Tenor
- Voice Role (Comes 2)
- Contratenor
- Voice Role (@5)
- Bassus
- Voice Role (@4)
- Superius
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
2
|
10–11
|
Clement, Deanna
|
Expand
|
|
2
|
10–11
|
Romey, John
|
Expand
|
|
2
|
10–11
|
Holscher, Joshua
|
Expand
|
|
2
|
10–11
|
Herdman, Jessica
|
Expand
|
|
3
|
11–11
|
Clement, Deanna
|
Expand
|
|
3
|
11–12
|
Romey, John
|
Expand
|
|
3
|
11–12
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5712
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
|
3
|
11–12
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5711
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (Below)
- Tenor
|
3
|
12–13
|
Holscher, Joshua
|
Expand
|
|
3
|
12–13
|
Romey, John
|
Expand
|
|
3
|
12–13
|
Romey, John
|
Expand
|
|
3
|
12–13
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5719
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Bassus
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
3
|
13–13
|
Clement, Deanna
|
Expand
|
|
3
|
13–14
|
Romey, John
|
Expand
|
|
3
|
13–14
|
Holscher, Joshua
|
Expand
|
|
3
|
13–14
|
Holscher, Joshua
|
Expand
|
|
3
|
13–14
|
Herdman, Jessica
|
Expand
|
|
3
|
13–14
|
Clement, Deanna
|
Expand
|
|
4
|
13–14
|
Holscher, Joshua
|
Expand
|
|
4
|
13–14
|
Clement, Deanna
|
Expand
|
|
4
|
13–14
|
Herdman, Jessica
|
Expand
|
|
4
|
13–13
|
Romey, John
|
Expand
|
|
4
|
14–17
|
Herdman, Jessica
|
Expand
|
|
4
|
14–17
|
Romey, John
|
Expand
|
|
4
|
14–16
|
Holscher, Joshua
|
Expand
|
|
4
|
14–16
|
Clement, Deanna
|
Expand
|
|
4
|
14–17
|
Clement, Deanna
|
Expand
|
|
4
|
17–18
|
Herdman, Jessica
|
Expand
|
|
4
|
17–18
|
Clement, Deanna
|
Expand
|
|
4
|
17–18
|
Romey, John
|
Expand
|
|
4
|
17–18
|
Holscher, Joshua
|
Expand
|
|
5
|
19–19
|
Holscher, Joshua
|
Expand
|
|
5
|
19–22
|
Clement, Deanna
|
Expand
|
|
5
|
19–23
|
Romey, John
|
Expand
|
|
5
|
19–23
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5741
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
- Text Treatment
- Text Representation
Comments
Text rep: striking shift to Eflat (B+Ct) with "mais" ("but").
|
5
|
19–20
|
Clement, Deanna
|
Expand
|
|
5
|
19–19
|
Holscher, Joshua
|
Expand
|
|
5
|
19–23
|
Holscher, Joshua
|
Expand
|
|
5
|
22–23
|
Herdman, Jessica
|
Expand
|
|
5
|
22–23
|
Holscher, Joshua
|
Expand
|
|
5
|
22–23
|
Clement, Deanna
|
Expand
|
|
5
|
22–23
|
Romey, John
|
Expand
|
|
6
|
23–24
|
Romey, John
|
Expand
|
|
6
|
23–24
|
Clement, Deanna
|
Expand
|
|
6
|
23–24
|
Holscher, Joshua
|
Expand
|
|
6
|
23–24
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5753
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Bassus
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (@5)
- Tenor
- Voice Role (Below)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
6
|
23–24
|
Romey, John
|
Expand
|
|
6
|
25–26
|
Clement, Deanna
|
Expand
|
|
6
|
25–26
|
Holscher, Joshua
|
Expand
|
|
6
|
25–26
|
Herdman, Jessica
|
Expand
|
|
6
|
25–26
|
Holscher, Joshua
|
Expand
|
|
6
|
25–26
|
Romey, John
|
Expand
|
|
6
|
25–26
|
Holscher, Joshua
|
Expand
|
|
6
|
26–29
|
Clement, Deanna
|
Expand
|
|
7
|
25–27
|
Romey, John
|
Expand
|
|
7
|
25–26
|
Holscher, Joshua
|
Expand
|
|
7
|
25–26
|
Clement, Deanna
|
Expand
|
|
7
|
26–29
|
Herdman, Jessica
|
Expand
|
|
7
|
27–29
|
Romey, John
|
Expand
|
|
7
|
28–29
|
Herdman, Jessica
|
Expand
|
|
7
|
28–29
|
Herdman, Jessica
|
Expand
|
|
7
|
28–29
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5755
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
Text Representation: "pour eviter" with an incomplete Bassus cadence; as well as text overlap.
|
7
|
28–29
|
Clement, Deanna
|
Expand
|
|
8
|
29–32
|
Romey, John
|
Expand
|
- Analysis ID
- 8192
- Analyst
- Romey, John
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
|
8
|
29–30
|
Holscher, Joshua
|
Expand
|
|
8
|
29–30
|
Holscher, Joshua
|
Expand
|
|
8
|
29–32
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5763
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto fuga
|
8
|
29–32
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5767
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
8
|
29–29
|
Clement, Deanna
|
Expand
|
|
8
|
29–32
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5770
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto fuga
|
8
|
30–33
|
Clement, Deanna
|
Expand
|
|
8
|
31–33
|
Holscher, Joshua
|
Expand
|
|
8
|
32–33
|
Clement, Deanna
|
Expand
|
|
8
|
32–33
|
Holscher, Joshua
|
Expand
|
|
9
|
33–37
|
Holscher, Joshua
|
Expand
|
|
9
|
33–35
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5774
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
9
|
33–34
|
Holscher, Joshua
|
Expand
|
|
9
|
33–36
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5781
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
Comments
Varied lead-in to repeat because of the cadence preceding the first iteration.
|
9
|
33–37
|
Romey, John
|
Expand
|
|
9
|
33–34
|
Romey, John
|
Expand
|
|
9
|
33–35
|
Romey, John
|
Expand
|
|
9
|
33–34
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5780
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
9
|
33–36
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5778
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Tenor
|
9
|
36–37
|
Holscher, Joshua
|
Expand
|
|
9
|
36–37
|
Herdman, Jessica
|
Expand
|
|
9
|
36–37
|
Romey, John
|
Expand
|
|
9
|
36–37
|
Clement, Deanna
|
Expand
|
|
10
|
36–45
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5795
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
Comments
Exact final repetition of phrase 10 (including the phrase 9 refrain).
|
10
|
37–43
|
Romey, John
|
Expand
|
|
10
|
37–39
|
Herdman, Jessica
|
Expand
|
|
10
|
37–43
|
Holscher, Joshua
|
Expand
|
|
10
|
37–40
|
Clement, Deanna
|
Expand
|
|
10
|
37–40
|
Holscher, Joshua
|
Expand
|
|
10
|
37–40
|
Romey, John
|
Expand
|
|
10
|
37–46
|
Clement, Deanna
|
Expand
|
|
10
|
38–38
|
Holscher, Joshua
|
Expand
|
|
10
|
39–40
|
Clement, Deanna
|
Expand
|
|
10
|
40–42
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5784
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (Below)
- Tenor
|
10
|
41–42
|
Holscher, Joshua
|
Expand
|
- Analysis ID
- 5785
- Analyst
- Holscher, Joshua
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (Above)
- Contratenor
|
10
|
41–42
|
Romey, John
|
Expand
|
|
10
|
41–42
|
Romey, John
|
Expand
|
|
10
|
41–43
|
Clement, Deanna
|
Expand
|
- Analysis ID
- 5796
- Analyst
- Clement, Deanna
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (Above)
- Contratenor
|
10
|
42–43
|
Holscher, Joshua
|
Expand
|
|
10
|
42–43
|
Clement, Deanna
|
Expand
|
|
10
|
42–43
|
Herdman, Jessica
|
Expand
|
|
10
|
42–43
|
Romey, John
|
Expand
|
|
10
|
43–45
|
Herdman, Jessica
|
Expand
|
- Analysis ID
- 5794
- Analyst
- Herdman, Jessica
- Book Title
- Cinquiesme livre contenant XXV chansons nouvelles
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
Comments
Refrain of phrase 9 terminating with a more conclusive cadence (to F).
|