Phrase Number | Measures | Rhyme | Phrase |
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1 | 1–10 | a | A tout jamais d’un vouloir immortel, |
2 | 10–19 | b | La serviray comme la plus notable, |
3 | 19–25 | c | Qui soit vivant d’un joyeulx entretien, |
4 | 25–32 | c | La raison est que son cœur et le mien, |
5 | 32–52 | b | Ne soit plus qu’un par un vouloir semblable. |
6 | 51–56 | A tout jamais. |
Phrase | Measures | Analyst | Show details | |
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1 | 1–5 | Toy, Trey | Expand | |
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1 | 1–5 | Romey, John | Expand | |
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1 | 1–3 | Romey, John | Expand | |
Commentslong note descending tetrachord "la grand doulceur" and "craulte" on the repeat |
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1 | 3–5 | Romey, John | Expand | |
Commentsbass silent on resolution |
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1 | 4–8 | Romey, John | Expand | |
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1 | 4–7 | Romey, John | Expand | |
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1 | 4–9 | Romey, John | Expand | |
CommentsLong melissmas particularly in S on "visaige" and "couraige" |
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1 | 5–6 | Romey, John | Expand | |
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1 | 5–10 | Toy, Trey | Expand | |
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1 | 8–9 | Romey, John | Expand | |
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1 | 9–10 | Romey, John | Expand | |
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1 | 9–10 | Toy, Trey | Expand | |
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2 | 9–14 | Romey, John | Expand | |
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2 | 11–15 | Romey, John | Expand | |
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2 | 11–15 | Toy, Trey | Expand | |
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2 | 12–14 | Toy, Trey | Expand | |
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2 | 13–16 | Romey, John | Expand | |
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2 | 13–14 | Toy, Trey | Expand | |
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2 | 14–15 | Romey, John | Expand | |
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2 | 15–17 | Romey, John | Expand | |
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2 | 15–17 | Toy, Trey | Expand | |
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2 | 17–8 | Romey, John | Expand | |
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2 | 17–19 | Toy, Trey | Expand | |
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2 | 18–19 | Toy, Trey | Expand | |
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2 | 18–19 | Romey, John | Expand | |
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3 | 1–9 | Romey, John | Expand | |
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3 | 19–25 | Romey, John | Expand | |
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3 | 19–20 | Toy, Trey | Expand | |
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3 | 19–25 | Toy, Trey | Expand | |
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3 | 19–19 | Romey, John | Expand | |
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3 | 20–22 | Toy, Trey | Expand | |
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3 | 23–25 | Romey, John | Expand | |
Commentsevaded bass moves to D |
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3 | 24–25 | Toy, Trey | Expand | |
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3 | 36–38 | Romey, John | Expand | |
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4 | 8–18 | Romey, John | Expand | |
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4 | 25–28 | Toy, Trey | Expand | |
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4 | 25–27 | Toy, Trey | Expand | |
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4 | 25–27 | Romey, John | Expand | |
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4 | 27–29 | Toy, Trey | Expand | |
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4 | 27–28 | Toy, Trey | Expand | |
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4 | 29–31 | Toy, Trey | Expand | |
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4 | 29–29 | Toy, Trey | Expand | |
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4 | 29–30 | Toy, Trey | Expand | |
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4 | 29–31 | Romey, John | Expand | |
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4 | 31–32 | Toy, Trey | Expand | |
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4 | 31–32 | Romey, John | Expand | |
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5 | 19–22 | Romey, John | Expand | |
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5 | 19–19 | Romey, John | Expand | |
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5 | 19–19 | Romey, John | Expand | |
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5 | 32–33 | Romey, John | Expand | |
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5 | 32–33 | Toy, Trey | Expand | |
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5 | 32–34 | Toy, Trey | Expand | |
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5 | 34–36 | Romey, John | Expand | |
Commentsincomplete no bass |
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5 | 36–38 | Toy, Trey | Expand | |
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5 | 37–37 | Romey, John | Expand | |
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5 | 37–37 | Toy, Trey | Expand | |
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5 | 38–40 | Toy, Trey | Expand | |
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5 | 38–41 | Toy, Trey | Expand | |
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5 | 38–41 | Romey, John | Expand | |
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5 | 38–40 | Romey, John | Expand | |
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5 | 40–41 | Romey, John | Expand | |
CommentsTenor 2>3 |
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5 | 40–41 | Toy, Trey | Expand | |
CommentsT moves up to E before S moves to D |
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5 | 41–51 | Romey, John | Expand | |
CommentsMetrically offset and candential resolutions elongated |
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5 | 41–51 | Romey, John | Expand | |
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5 | 41–51 | Toy, Trey | Expand | |
Commentsmm. 41-51 repeat mm. 32-41 (repeat within a single phrase, repetition of text) |
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5 | 50–52 | Toy, Trey | Expand | |
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5 | 50–52 | Romey, John | Expand | |
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6 | 51–52 | Romey, John | Expand | |
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6 | 51–56 | Toy, Trey | Expand | |
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6 | 51–52 | Toy, Trey | Expand | |
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6 | 53–55 | Romey, John | Expand | |
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6 | 55–56 | Romey, John | Expand | |
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6 | 55–56 | Romey, John | Expand | |
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6 | 56–56 | Toy, Trey | Expand | |
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