| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–2 | Belkot, John | Expand | |
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| 1 | 1–3 | Belkot, John | Expand | |
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| 1 | 1–2 | Saunders, Zoe | Expand | |
Comments+ ACC S/B 3/8 loosely, mm. 1-3 |
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| 1 | 1–1 | Herdman, Jessica | Expand | |
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| 1 | 1–4 | Herdman, Jessica | Expand | |
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| 1 | 1–2 | Magruder, Katherine | Expand | |
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| 1 | 3–4 | Herdman, Jessica | Expand | |
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| 1 | 4–4 | Belkot, John | Expand | |
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| 1 | 4–4 | Magruder, Katherine | Expand | |
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| 1 | 4–4 | Saunders, Zoe | Expand | |
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| 2 | 4–8 | Herdman, Jessica | Expand | |
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| 2 | 4–5 | Belkot, John | Expand | |
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| 2 | 4–6 | Herdman, Jessica | Expand | |
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| 2 | 4–5 | Magruder, Katherine | Expand | |
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| 2 | 5–8 | Belkot, John | Expand | |
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| 2 | 8–10 | Belkot, John | Expand | |
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| 2 | 8–12 | Herdman, Jessica | Expand | |
Commentsrepresentations of 'douleur' - particularly with a tritone between S and Ct in mm 10-11. |
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| 2 | 8–10 | Magruder, Katherine | Expand | |
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| 2 | 11–12 | Herdman, Jessica | Expand | |
CommentsA complete cadence mm 11-12 is evaded with the bassus moving up to F (rather than down to A), while the text overlap from the following phrase is iterated in the bassus voice (playing up the idea of 'douleur'?). |
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| 2 | 11–12 | Belkot, John | Expand | |
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| 2 | 11–12 | Magruder, Katherine | Expand | |
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| 2 | 11–12 | Saunders, Zoe | Expand | |
CommentsMaybe CadInCad because mm. 12-13 S/T to D (T is cantizans; S would be tenorizans but moves 2-3 instead of 2-1 - inverted and incomplete) - lack of resolution is text representation; problem with CadInCad is that mm. 11-12 S/T to A marks end of text phrase 2, and the melodic tenor cadence on D in m. 13 is already part of text phrase 3. |
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| 3 | 11–12 | Magruder, Katherine | Expand | |
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| 3 | 11–12 | Belkot, John | Expand | |
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| 3 | 12–14 | Herdman, Jessica | Expand | |
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| 3 | 12–14 | Belkot, John | Expand | |
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| 3 | 12–13 | Herdman, Jessica | Expand | |
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| 3 | 12–14 | Magruder, Katherine | Expand | |
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| 3 | 13–13 | Magruder, Katherine | Expand | |
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| 3 | 13–13 | Belkot, John | Expand | |
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| 3 | 14–14 | Magruder, Katherine | Expand | |
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| 3 | 14–14 | Belkot, John | Expand | |
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| 3 | 15–16 | Belkot, John | Expand | |
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| 3 | 16–17 | Belkot, John | Expand | |
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| 3 | 16–17 | Herdman, Jessica | Expand | |
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| 3 | 16–17 | Magruder, Katherine | Expand | |
CommentsMaybe CadInCad 15-16--displaced, inverted, incomplete T/Ct to F. |
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| 4 | 17–18 | Saunders, Zoe | Expand | |
CommentsCad m. 18 T/B also 5/3 to last note, which is 8va |
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| 4 | 17–18 | Herdman, Jessica | Expand | |
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| 4 | 17–18 | Magruder, Katherine | Expand | |
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| 4 | 17–18 | Belkot, John | Expand | |
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| 4 | 17–18 | Saunders, Zoe | Expand | |
CommentsFlats on 'souffrir' |
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| 4 | 18–19 | Saunders, Zoe | Expand | |
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| 4 | 19–20 | Magruder, Katherine | Expand | |
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| 4 | 19–20 | Belkot, John | Expand | |
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| 4 | 19–20 | Saunders, Zoe | Expand | |
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| 4 | 19–20 | Herdman, Jessica | Expand | |
CommentsText representation: 'doulz' presented with a soft hexachord (in mm 17-20). Also, voice exchange between S and T in mm 17-18 and 19-20. |
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| 4 | 19–19 | Belkot, John | Expand | |
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| 4 | 21–22 | Saunders, Zoe | Expand | |
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| 4 | 21–22 | Belkot, John | Expand | |
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| 4 | 22–23 | Saunders, Zoe | Expand | |
CommentsCould be CadInCad if m. 22 B moved B-flat-A or Ct G#-A (or CadInCad with no LT) |
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| 4 | 22–23 | Belkot, John | Expand | |
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| 4 | 22–23 | Herdman, Jessica | Expand | |
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| 4 | 22–23 | Magruder, Katherine | Expand | |
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| 4 | 23–30 | Belkot, John | Expand | |
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| 4 | 23–30 | Magruder, Katherine | Expand | |
CommentsRepeat first 1/2 phrase 4, rhythmically displaced 1/2 measure. |
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| 4 | 23–30 | Herdman, Jessica | Expand | |
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| 4 | 23–30 | Saunders, Zoe | Expand | |
CommentsRhythmically displaced by one B (or 1/2 measure) |
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