Phrase | Measures | Analyst | Show details | |
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1 | 1–3 | Apgar, Jamie | Expand | |
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1 | 1–3 | Apgar, Jamie | Expand | |
CommentsAlso HR Dactyll |
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1 | 1–4 | Apgar, Jamie | Expand | |
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1 | 1–2 | Quinn, Patrick | Expand | |
CommentsT late |
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1 | 1–4 | Herdman, Jessica | Expand | |
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1 | 2–4 | Quinn, Patrick | Expand | |
Comments3/8 in S/B |
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1 | 3–4 | Quinn, Patrick | Expand | |
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1 | 3–4 | Apgar, Jamie | Expand | |
CommentsBass drops out. |
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1 | 3–4 | Herdman, Jessica | Expand | |
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2 | 4–6 | Quinn, Patrick | Expand | |
CommentsT @ 4 below S |
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2 | 4–6 | Herdman, Jessica | Expand | |
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2 | 5–7 | Apgar, Jamie | Expand | |
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2 | 6–7 | Apgar, Jamie | Expand | |
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2 | 6–7 | Herdman, Jessica | Expand | |
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2 | 6–7 | Herdman, Jessica | Expand | |
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2 | 6–6 | Quinn, Patrick | Expand | |
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2 | 6–7 | Quinn, Patrick | Expand | |
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3 | 8–10 | Quinn, Patrick | Expand | |
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3 | 8–11 | Quinn, Patrick | Expand | |
Commentsparallel 3 m 10 in S/B |
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3 | 8–10 | Apgar, Jamie | Expand | |
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3 | 8–10 | Herdman, Jessica | Expand | |
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3 | 10–13 | Apgar, Jamie | Expand | |
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3 | 10–20 | Romey, John | Expand | |
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3 | 11–12 | Quinn, Patrick | Expand | |
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3 | 12–13 | Quinn, Patrick | Expand | |
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3 | 12–14 | Apgar, Jamie | Expand | |
CommentsCt and B drop out and B enters on a G immediately after cadence |
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3 | 12–14 | Herdman, Jessica | Expand | |
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3 | 13–13 | Quinn, Patrick | Expand | |
CommentsNo Ct res, no B res, B to g undercuts strength of cad |
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4 | 13–16 | Quinn, Patrick | Expand | |
CommentsT @ 5 above B, S @ 8 above T, T @ 8 below S |
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4 | 13–18 | Apgar, Jamie | Expand | |
CommentsB and Ct altered to include extra harmony; first two bars of the present phrase are also based on the opening material of the piece, then lead into the actual repeat of phrase 1 |
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4 | 13–18 | Herdman, Jessica | Expand | |
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4 | 14–15 | Quinn, Patrick | Expand | |
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4 | 16–17 | Herdman, Jessica | Expand | |
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4 | 16–16 | Quinn, Patrick | Expand | |
Comments3/8 in S/B |
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4 | 16–17 | Quinn, Patrick | Expand | |
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4 | 17–18 | Quinn, Patrick | Expand | |
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4 | 17–18 | Herdman, Jessica | Expand | |
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