| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–6 | a | Mars et Amour font ensemble alliance, |
| 2 | 6–11 | b | Et ont changé de puissances et armes. |
| 3 | 12–17 | a | Mars a quitté sa tant cruelle lance, |
| 4 | 17–22 | b | Dont se servoit aux mortelles allarmes. |
| 5 | 23–27 | b | Ilz sont tous deux de volunté si fermes, |
| 6 | 26–32 | c | Que l’un ne peult rien sans l’autre entreprendre. |
| 7 | 32–38 | c | Quand l’arc d’Amour le fier Mars vient destendre, |
| 8 | 38–46 | d | Du premier coup il rend l’homme amoureux |
| 9 | 46–51 | c | Et quand Amour vient pour la picque prendre, |
| 10 | 51–57 | d | Tout fait mourir en tourment langoureux. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–2 | Quinn, Patrick | Expand | |
CommentsT early |
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| 1 | 2–3 | Quinn, Patrick | Expand | |
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| 1 | 2–3 | Herdman, Jessica | Expand | |
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| 1 | 2–3 | Apgar, Jamie | Expand | |
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| 1 | 3–5 | Quinn, Patrick | Expand | |
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| 1 | 3–5 | Apgar, Jamie | Expand | |
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| 1 | 4–5 | Herdman, Jessica | Expand | |
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| 1 | 4–5 | Quinn, Patrick | Expand | |
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| 1 | 5–6 | Herdman, Jessica | Expand | |
CommentsIncomplete cad: S to rest, no 7>8. |
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| 1 | 5–6 | Apgar, Jamie | Expand | |
CommentsS cadenced too early. |
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| 1 | 5–6 | Quinn, Patrick | Expand | |
Commentsno S resolution |
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| 2 | 6–8 | Quinn, Patrick | Expand | |
Comments3/8 in T/B |
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| 2 | 6–9 | Quinn, Patrick | Expand | |
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| 2 | 6–9 | Herdman, Jessica | Expand | |
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| 2 | 6–10 | Apgar, Jamie | Expand | |
CommentsMm. 7-9 also has some ACC 3rds in Ct/T. |
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| 2 | 7–9 | Quinn, Patrick | Expand | |
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| 2 | 7–11 | Herdman, Jessica | Expand | |
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| 2 | 10–11 | Herdman, Jessica | Expand | |
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| 2 | 10–11 | Quinn, Patrick | Expand | |
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| 2 | 10–11 | Apgar, Jamie | Expand | |
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| 2 | 17–22 | Herdman, Jessica | Expand | |
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| 3 | 12–17 | Herdman, Jessica | Expand | |
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| 3 | 12–17 | Apgar, Jamie | Expand | |
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| 3 | 12–17 | Quinn, Patrick | Expand | |
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| 4 | 17–22 | Quinn, Patrick | Expand | |
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| 4 | 17–22 | Apgar, Jamie | Expand | |
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| 5 | 23–24 | Apgar, Jamie | Expand | |
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| 5 | 23–23 | Herdman, Jessica | Expand | |
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| 5 | 23–25 | Herdman, Jessica | Expand | |
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| 5 | 23–24 | Quinn, Patrick | Expand | |
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| 5 | 23–25 | Quinn, Patrick | Expand | |
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| 5 | 24–25 | Quinn, Patrick | Expand | |
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| 5 | 24–25 | Apgar, Jamie | Expand | |
CommentsNote T/B also has ACC 5/3 here. |
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| 5 | 25–26 | Herdman, Jessica | Expand | |
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| 5 | 25–27 | Quinn, Patrick | Expand | |
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| 5 | 25–26 | Quinn, Patrick | Expand | |
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| 5 | 25–26 | Apgar, Jamie | Expand | |
CommentsDoubtful because there is significant overlap with the following phrase. |
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| 5 | 26–26 | Quinn, Patrick | Expand | |
Commentsparallel 5 after beat rest T/B |
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| 6 | 26–27 | Apgar, Jamie | Expand | |
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| 6 | 26–27 | Quinn, Patrick | Expand | |
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| 6 | 26–28 | Quinn, Patrick | Expand | |
CommentsS @ 8 above T |
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| 6 | 26–28 | Apgar, Jamie | Expand | |
CommentsSuperius is @ 8 above. |
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| 6 | 26–29 | Herdman, Jessica | Expand | |
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| 6 | 27–27 | Quinn, Patrick | Expand | |
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| 6 | 28–29 | Apgar, Jamie | Expand | |
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| 6 | 29–31 | Quinn, Patrick | Expand | |
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| 6 | 30–31 | Quinn, Patrick | Expand | |
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| 6 | 30–31 | Apgar, Jamie | Expand | |
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| 6 | 31–32 | Herdman, Jessica | Expand | |
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| 6 | 31–32 | Apgar, Jamie | Expand | |
CommentsBassus drops out. |
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| 6 | 31–32 | Herdman, Jessica | Expand | |
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| 6 | 31–32 | Quinn, Patrick | Expand | |
Commentsno B downbeat resolution |
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| 7 | 32–34 | Herdman, Jessica | Expand | |
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| 7 | 32–34 | Quinn, Patrick | Expand | |
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| 7 | 33–35 | Quinn, Patrick | Expand | |
Commentsparallel 3 m 35 in T/B |
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| 7 | 34–35 | Apgar, Jamie | Expand | |
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| 7 | 34–36 | Apgar, Jamie | Expand | |
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| 7 | 36–36 | Quinn, Patrick | Expand | |
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| 7 | 36–37 | Quinn, Patrick | Expand | |
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| 7 | 36–38 | Apgar, Jamie | Expand | |
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| 7 | 36–38 | Herdman, Jessica | Expand | |
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| 7 | 37–38 | Apgar, Jamie | Expand | |
CommentsOverlap with next phrase |
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| 7 | 37–37 | Quinn, Patrick | Expand | |
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| 7 | 37–38 | Herdman, Jessica | Expand | |
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| 7 | 38–38 | Quinn, Patrick | Expand | |
CommentsBass supplies T resolution, no bass in cadence till resolution |
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| 8 | 38–40 | Herdman, Jessica | Expand | |
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| 8 | 38–42 | Quinn, Patrick | Expand | |
Comments
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| 8 | 38–42 | Quinn, Patrick | Expand | |
Commentsshould have included with ID |
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| 8 | 38–38 | Apgar, Jamie | Expand | |
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| 8 | 38–42 | Apgar, Jamie | Expand | |
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| 8 | 39–40 | Quinn, Patrick | Expand | |
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| 8 | 40–46 | Herdman, Jessica | Expand | |
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| 8 | 40–41 | Quinn, Patrick | Expand | |
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| 8 | 41–42 | Quinn, Patrick | Expand | |
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| 8 | 42–44 | Apgar, Jamie | Expand | |
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| 8 | 43–43 | Quinn, Patrick | Expand | |
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| 8 | 43–44 | Quinn, Patrick | Expand | |
Comments3/8 in S/B |
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| 8 | 44–44 | Quinn, Patrick | Expand | |
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| 8 | 44–45 | Apgar, Jamie | Expand | |
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| 8 | 45–46 | Quinn, Patrick | Expand | |
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| 8 | 45–46 | Herdman, Jessica | Expand | |
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| 9 | 46–51 | Quinn, Patrick | Expand | |
Commentscould be seen as T moving early or B late in HR Stagger. T energizes rhythm early, bass enters late. |
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| 9 | 46–51 | Apgar, Jamie | Expand | |
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| 9 | 46–51 | Herdman, Jessica | Expand | |
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| 9 | 46–51 | Herdman, Jessica | Expand | |
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| 10 | 51–56 | Quinn, Patrick | Expand | |
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| 10 | 51–56 | Apgar, Jamie | Expand | |
CommentsOriginal material almost exactly repeated but Ct adds passing/neighbor tones in m. 55 (compare with m. 10 and m. 21). |
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| 10 | 51–56 | Herdman, Jessica | Expand | |
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| 10 | 51–56 | Herdman, Jessica | Expand | |
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