| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–4 | a | O combien je suis fortuné, |
| 2 | 4–8 | b | De servir maistresse si belle. |
| 3 | 1–4 | a | Pourquoy ne m’est predestiné |
| 4 | 4–8 | b | Le bien que son mary a d’elle. |
| 5 | 9–12 | b | Ell’est doulce et luy rebelle. |
| 6 | 12–14 | c | N’est ce pas grande cruauté, |
| 7 | 14–18 | b | Qu’elle vit en peine telle, |
| 8 | 18–27 | c | Sans secourir ma loyauté? |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–2 | Quinn, Patrick | Expand | |
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| 1 | 2–2 | Quinn, Patrick | Expand | |
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| 1 | 2–4 | Quinn, Patrick | Expand | |
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| 1 | 2–3 | Apgar, Jamie | Expand | |
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| 1 | 3–4 | Quinn, Patrick | Expand | |
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| 1 | 3–4 | Apgar, Jamie | Expand | |
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| 2 | 4–5 | Quinn, Patrick | Expand | |
CommentsCt early |
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| 2 | 4–6 | Quinn, Patrick | Expand | |
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| 2 | 5–7 | Apgar, Jamie | Expand | |
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| 2 | 6–7 | Quinn, Patrick | Expand | |
CommentsT/B have consecutive octaves |
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| 2 | 7–8 | Apgar, Jamie | Expand | |
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| 2 | 7–8 | Quinn, Patrick | Expand | |
CommentsPrevious Measure 4 cadence on D |
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| 3 | 1–4 | Quinn, Patrick | Expand | |
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| 3 | 2–5 | Apgar, Jamie | Expand | |
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| 4 | 4–8 | Quinn, Patrick | Expand | |
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| 4 | 5–9 | Apgar, Jamie | Expand | |
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| 5 | 9–11 | Apgar, Jamie | Expand | |
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| 5 | 9–9 | Quinn, Patrick | Expand | |
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| 5 | 9–11 | Quinn, Patrick | Expand | |
Comments3/8 in S/B |
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| 5 | 10–12 | Quinn, Patrick | Expand | |
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| 5 | 11–12 | Quinn, Patrick | Expand | |
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| 5 | 11–12 | Apgar, Jamie | Expand | |
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| 6 | 13–15 | Apgar, Jamie | Expand | |
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| 6 | 13–13 | Quinn, Patrick | Expand | |
CommentsConsecutive 5ths Ct/B, no sign of parallel thirds or 3/5, which could be from the part writing issues |
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| 6 | 13–14 | Apgar, Jamie | Expand | |
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| 7 | 14–16 | Quinn, Patrick | Expand | |
CommentsS/B in 3/8 |
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| 7 | 14–18 | Quinn, Patrick | Expand | |
CommentsCt stagger late, which repeats phrase 5 with filled in passing tones |
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| 7 | 15–17 | Apgar, Jamie | Expand | |
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| 7 | 16–18 | Apgar, Jamie | Expand | |
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| 7 | 21–24 | Quinn, Patrick | Expand | |
CommentsCt staggers early instead of late on repeat, shifting text to another note, but all music is exact repeat |
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| 7 | 22–25 | Apgar, Jamie | Expand | |
CommentsPhrase 7 music and text being repeated. Slight variation in text underlay. |
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| 8 | 17–18 | Quinn, Patrick | Expand | |
CommentsCt early |
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| 8 | 18–19 | Quinn, Patrick | Expand | |
CommentsS/B in 3/8, consecutive 5ths Ct/B |
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| 8 | 18–21 | Apgar, Jamie | Expand | |
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| 8 | 19–20 | Quinn, Patrick | Expand | |
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| 8 | 20–21 | Quinn, Patrick | Expand | |
CommentsNo LT, No Bass |
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| 8 | 21–22 | Apgar, Jamie | Expand | |
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| 8 | 25–28 | Apgar, Jamie | Expand | |
CommentsPhrase 8 text and music being repeated. Slight variation in text underlay around the final cadence. |
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| 8 | 27–27 | Quinn, Patrick | Expand | |
CommentsBass gives final root instead of incomplete |
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