The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Saunders, Zoe

Analyses

Measures Piece Phrase Number
1–2 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation

Comments

+ ACC S/B 3/8 loosely, mm. 1-3
4–4 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
11–12 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Maybe CadInCad because mm. 12-13 S/T to D (T is cantizans; S would be tenorizans but moves 2-3 instead of 2-1 - inverted and incomplete) - lack of resolution is text representation; problem with CadInCad is that mm. 11-12 S/T to A marks end of text phrase 2, and the melodic tenor cadence on D in m. 13 is already part of text phrase 3.
17–18 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca

Comments

Cad m. 18 T/B also 5/3 to last note, which is 8va
18–19 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Pause
17–18 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Representation

Comments

Flats on 'souffrir'
19–20 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
Text Treatment
Text Declamation
21–22 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
22–23 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

Could be CadInCad if m. 22 B moved B-flat-A or Ct G#-A (or CadInCad with no LT)
23–30 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
4
Repeat, Exact or Varied?

Comments

Rhythmically displaced by one B (or 1/2 measure)
1–2 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–4 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
5–7 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
7–8 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Pause
6–7 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
9–9 Plus je la voy de beaucoup estimée 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
10–12 Plus je la voy de beaucoup estimée 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
10–12 Plus je la voy de beaucoup estimée 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
12–13 Plus je la voy de beaucoup estimée 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
13–15 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Bassus
16–17 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
14–16 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
17–18 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
14–14 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
19–26 Plus je la voy de beaucoup estimée 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Pause
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
1–2 Si l'amyitié n'est que conjonction 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
3–3 Si l'amyitié n'est que conjonction 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
4–4 Si l'amyitié n'est que conjonction 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
10–10 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
4–6 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Comes 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
6–7 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
8–9 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
8–9 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Representation

Comments

// 3rds on 'ensemble'
1–4 Si l'amyitié n'est que conjonction 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–10 Si l'amyitié n'est que conjonction 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–12 Si l'amyitié n'est que conjonction 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Pause
11–13 Si l'amyitié n'est que conjonction 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
13–13 Si l'amyitié n'est que conjonction 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Representation

Comments

CT leaps in mm. 12-13 on 'etrange semble'
15–16 Si l'amyitié n'est que conjonction 5 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

S/T to A in m. 15 Txt: Represents 'etrange semble'
20–21 Si l'amyitié n'est que conjonction 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
21–21 Si l'amyitié n'est que conjonction 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
21–25 Si l'amyitié n'est que conjonction 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Comes 2)
Contratenor
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

T enters first, leads S and Ct, B has counterpoint (T role in phrase 1)
25–32 Si l'amyitié n'est que conjonction 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
1–4 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
3–4 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
4–5 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

mid-phrase 'cadence': S drops out; G sounds in B; cadence repeated and completed in m. 8
6–6 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
5–8 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
Text Treatment
Text Declamation
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Only B/T repeat first half of same phrase 1, but full authentic cadence.
8–8 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
9–12 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
9–9 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

S/T also parallel 3rds
10–16 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Declamation

Comments

repeat
8–9 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
11–13 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

B=tenorizans mm. 11-12; C=cantizans delayed to m. 13; text phrase continues
13–14 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
16–16 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
16–17 Je ne suis pas si sot berger 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Stagger
17–18 Je ne suis pas si sot berger 3 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

No LT in cantizans; tenorizans moves 2>3 instead of 2>1; tenorizans text phrase does not end
18–20 Je ne suis pas si sot berger 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Enjambment
18–18 Je ne suis pas si sot berger 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap
19–20 Je ne suis pas si sot berger 4 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

C/B to F in m. 20; S/T to B-flat on 20/3.
21–22 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
23–24 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

melody in different voices; different texture
23–23 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Simple
24–24 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
24–24 Je ne suis pas si sot berger 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap
24–26 Je ne suis pas si sot berger 6 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

C/B 3/8
25–26 Je ne suis pas si sot berger 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
1–3 Je suis honteux et n'ose descouvrir 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation

Comments

mm. 2-3 S/B 8/3
3–5 Je suis honteux et n'ose descouvrir 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor

Comments

S has similar motive
5–5 Je suis honteux et n'ose descouvrir 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap
1–3 Je suis honteux et n'ose descouvrir 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
5–5 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap
5–7 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
Text Treatment
Text Enjambment

Comments

C>B @ 8va below >S @ P5 above > T @ 8va below
8–10 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
9–10 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
1–5 Je suis honteux et n'ose descouvrir 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–11 Je suis honteux et n'ose descouvrir 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–13 Je suis honteux et n'ose descouvrir 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
15–16 Je suis honteux et n'ose descouvrir 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
15–16 Je suis honteux et n'ose descouvrir 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
17–20 Je suis honteux et n'ose descouvrir 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Formulas
Romanesca
18–19 Je suis honteux et n'ose descouvrir 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Declamation
20–21 Je suis honteux et n'ose descouvrir 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
16–19 Je suis honteux et n'ose descouvrir 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor

Comments

? @ 6th S/T have same melody; B/Ct have similar motivic pattern
22–22 Je suis honteux et n'ose descouvrir 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Pause
22–27 Je suis honteux et n'ose descouvrir 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

rhythmic displacement
32–36 Je suis honteux et n'ose descouvrir 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

diminution
26–27 Je suis honteux et n'ose descouvrir 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap
26–32 Je suis honteux et n'ose descouvrir 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
36–41 Je suis honteux et n'ose descouvrir 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
1–4 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation

Comments

dactyl 1-3 only
3–3 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Pause
5–8 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Declamation
8–9 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
9–11 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@5)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
10–12 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Declamation

Comments

mm. 11-12 "En brief seray" repeated
14–16 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
16–17 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
17–18 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

T drops out; B provides cadential tone D
11–13 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

?
16–17 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
18–21 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Superius
Voice Role (@5)
Bassus
Voice Role (@4)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus
20–23 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Declamation
22–24 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Simple
27–28 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
28–28 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Pause
29–37 Las, si amour nouveau conseil n'apporte 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Music repeats, not text
1–1 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation
1–2 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
3–5 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Stagger
5–6 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
1–2 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
10–11 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
6–8 Si Salamandre en flamme vit c'est peu 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (@4)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
11–12 Si Salamandre en flamme vit c'est peu 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
10–11 Si Salamandre en flamme vit c'est peu 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
12–12 Si Salamandre en flamme vit c'est peu 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Overlap
12–17 Si Salamandre en flamme vit c'est peu 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

m. 12 imitative while m. 1 is homophonic; minor differences
17–23 Si Salamandre en flamme vit c'est peu 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

except one tone at final cadence
23–24 Si Salamandre en flamme vit c'est peu 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap
23–27 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus

Comments

not exact, but 2 duos at same time interval
24–26 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
26–27 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
27–27 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
27–30 Si Salamandre en flamme vit c'est peu 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
31–32 Si Salamandre en flamme vit c'est peu 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
33–34 Si Salamandre en flamme vit c'est peu 6 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

C/B Phryg to E at mm. 33-34
33–35 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Superius
Text Treatment
Text Overlap
33–35 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

Ct below B
36–36 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
37–39 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
38–39 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

B/S to A in m. 38 displaced, inverted
39–41 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Contratenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius

Comments

T has same motive on F
41–42 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Superius
Voice Role (@4)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
42–43 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
43–44 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
44–45 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
39–45 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Final Repeat
Repeat, Exact or Varied?
1–4 Amour et moy avons faict accointance 1 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

S/T6 mm. 1-2
4–5 Amour et moy avons faict accointance 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
5–5 Amour et moy avons faict accointance 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
6–7 Amour et moy avons faict accointance 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
7–7 Amour et moy avons faict accointance 1 Details
Analysis ID
Analyst
37
Is Cadence?
No
3–4 Amour et moy avons faict accointance 1 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

S/B to D no LT, displaced, inverted evaded - Ct 2>3 instead of 2>1
7–10 Amour et moy avons faict accointance 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Stagger
9–10 Amour et moy avons faict accointance 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
11–12 Amour et moy avons faict accointance 2 Details
Analysis ID
Analyst
37
Is Cadence?
No
12–13 Amour et moy avons faict accointance 3 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

NIM-like
12–13 Amour et moy avons faict accointance 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
12–14 Amour et moy avons faict accointance 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius

Comments

T enters with B up a 3rd; NIM-like but not quite there
13–14 Amour et moy avons faict accointance 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
15–16 Amour et moy avons faict accointance 3 Details
Analysis ID
Analyst
37
Is Cadence?
No
16–19 Amour et moy avons faict accointance 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
16–18 Amour et moy avons faict accointance 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
18–19 Amour et moy avons faict accointance 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
19–20 Amour et moy avons faict accointance 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
21–22 Amour et moy avons faict accointance 4 Details
Analysis ID
Analyst
37
Is Cadence?
No
22–23 Amour et moy avons faict accointance 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Stagger
22–23 Amour et moy avons faict accointance 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
24–24 Amour et moy avons faict accointance 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
24–25 Amour et moy avons faict accointance 5 Details
Analysis ID
Analyst
37
Is Cadence?
No
25–26 Amour et moy avons faict accointance 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Text Treatment
Text Overlap
25–30 Amour et moy avons faict accointance 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
26–28 Amour et moy avons faict accointance 6 Details
Analysis ID
Analyst
37
Is Cadence?
No

Comments

S/T6 mm. 27-28
29–30 Amour et moy avons faict accointance 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
31–32 Amour et moy avons faict accointance 6 Details
Analysis ID
Analyst
37
Is Cadence?
No
32–33 Amour et moy avons faict accointance 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Stagger
32–34 Amour et moy avons faict accointance 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
35–37 Amour et moy avons faict accointance 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
Other Presentation Type
HR Stagger
38–39 Amour et moy avons faict accointance 7 Details
Analysis ID
Analyst
37
Is Cadence?
No
39–42 Amour et moy avons faict accointance 8 Details
Analysis ID
Analyst
37
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

mm. 1-4 of phrase 1