Magruder, Katherine

Analyses

Measures	Piece	Phrase Number
1–2	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
4–4	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–10	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus Text Treatment Text Representation
11–12	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
12–14	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@4) Bassus Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
13–13	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Comments Maybe CadInCad 15-16--displaced, inverted, incomplete T/Ct to F.
17–18	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
19–20	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca Text Treatment Text Pause
22–23	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No
23–30	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied? Comments Repeat first 1/2 phrase 4, rhythmically displaced 1/2 measure.
2–3	Vous me changez pour un aultre, madame	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
4–4	Vous me changez pour un aultre, madame	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–7	Vous me changez pour un aultre, madame	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Vous me changez pour un aultre, madame	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments Prolonged rhythm--"pour un temps"
7–8	Vous me changez pour un aultre, madame	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Vous me changez pour un aultre, madame	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–8	Vous me changez pour un aultre, madame	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
9–11	Vous me changez pour un aultre, madame	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
10–11	Vous me changez pour un aultre, madame	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
14–15	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
12–13	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Vous me changez pour un aultre, madame	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
20–22	Vous me changez pour un aultre, madame	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "tant bien mon faict j'entends" with authentic cadence to A
22–23	Vous me changez pour un aultre, madame	8	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Vous me changez pour un aultre, madame	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Vous me changez pour un aultre, madame	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Un gros prieur son petit filz baisoit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
4–5	Un gros prieur son petit filz baisoit	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Un gros prieur son petit filz baisoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Un gros prieur son petit filz baisoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–12	Un gros prieur son petit filz baisoit	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–10	Un gros prieur son petit filz baisoit	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
11–12	Un gros prieur son petit filz baisoit	3	Details
Analysis ID Analyst 33 Is Cadence? No
12–15	Un gros prieur son petit filz baisoit	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Some variation in rhythmic values.
13–14	Un gros prieur son petit filz baisoit	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Un gros prieur son petit filz baisoit	4	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Un gros prieur son petit filz baisoit	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–16	Un gros prieur son petit filz baisoit	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Un gros prieur son petit filz baisoit	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–20	Un gros prieur son petit filz baisoit	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Un gros prieur son petit filz baisoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Un gros prieur son petit filz baisoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Un gros prieur son petit filz baisoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Un gros prieur son petit filz baisoit	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
24–24	Un gros prieur son petit filz baisoit	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–27	Un gros prieur son petit filz baisoit	9	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Un gros prieur son petit filz baisoit	9	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–29	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No
31–33	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Si la beaulté doit perir en peu d'heure	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Si la beaulté doit perir en peu d'heure	1	Details
Analysis ID Analyst 33 Is Cadence? No Comments Phrygian cad mm. 7-8 Ct/B: D
10–10	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
11–11	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Si la beaulté doit perir en peu d'heure	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
21–21	Si la beaulté doit perir en peu d'heure	3	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Si la beaulté doit perir en peu d'heure	3	Details
Analysis ID Analyst 33 Is Cadence? No
29–32	Si la beaulté doit perir en peu d'heure	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Un fin mary voyant sa chambriere	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Bassus Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Contratenor Voice Role (Lower Voice 2 NIM) Superius
3–4	Un fin mary voyant sa chambriere	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Ma mère veult que je file	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–6	Un fin mary voyant sa chambriere	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–8	Un fin mary voyant sa chambriere	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Un fin mary voyant sa chambriere	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Un fin mary voyant sa chambriere	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
14–15	Un fin mary voyant sa chambriere	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Un fin mary voyant sa chambriere	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
20–21	Un fin mary voyant sa chambriere	4	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Un fin mary voyant sa chambriere	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–27	Un fin mary voyant sa chambriere	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Declamation
26–27	Un fin mary voyant sa chambriere	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–32	Un fin mary voyant sa chambriere	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
32–33	Un fin mary voyant sa chambriere	6	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
33–36	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Contratenor
37–38	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "L'amour" with ascending 4th.
35–36	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No
39–39	Un fin mary voyant sa chambriere	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
44–45	Un fin mary voyant sa chambriere	8	Details
Analysis ID Analyst 33 Is Cadence? No
48–49	Un fin mary voyant sa chambriere	9	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Ma mère veult que je file	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–3	Ma mère veult que je file	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–11	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
3–4	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
3–6	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
4–5	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
3–12	Ma mère veult que je file	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments 2nd ending in phrase 4 moves to phrase 5. Ending for phrase 2 is closed.
12–14	Ma mère veult que je file	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
13–14	Ma mère veult que je file	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–16	Ma mère veult que je file	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Ma mère veult que je file	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
16–17	Ma mère veult que je file	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–20	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
20–21	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–31	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
31–37	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending closed.
1–2	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
4–5	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius
3–3	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–7	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius
8–10	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus
7–8	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–13	Joye et santé, ma demoiselle	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
12–13	Joye et santé, ma demoiselle	3	Details
Analysis ID Analyst 33 Is Cadence? No
13–15	Joye et santé, ma demoiselle	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	Joye et santé, ma demoiselle	4	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Joye et santé, ma demoiselle	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Joye et santé, ma demoiselle	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Joye et santé, ma demoiselle	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
20–21	Joye et santé, ma demoiselle	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–26	Joye et santé, ma demoiselle	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Rhythm displaced.
26–34	Joye et santé, ma demoiselle	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Rhythm displaced.
1–1	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–2	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–5	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Jouons beau jeu tout en riant	3	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Jouons beau jeu tout en riant	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Jouons beau jeu tout en riant	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
12–13	Jouons beau jeu tout en riant	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Melancholie" with descending scale.
13–14	Jouons beau jeu tout en riant	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
15–15	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
17–17	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Jouons beau jeu tout en riant	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Jouons beau jeu tout en riant	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Jouons beau jeu tout en riant	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Jouons beau jeu tout en riant	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap
24–24	Jouons beau jeu tout en riant	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Jouons beau jeu tout en riant	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Jouons beau jeu tout en riant	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–30	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No
27–29	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
30–31	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	Jouons beau jeu tout en riant	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
31–32	Jouons beau jeu tout en riant	10	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Jouons beau jeu tout en riant	10	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–7	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–15	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
14–15	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
17–19	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius
23–23	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–29	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No
33–36	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Or my doint Dieu bonne adventure	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–4	Or my doint Dieu bonne adventure	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Or my doint Dieu bonne adventure	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Or my doint Dieu bonne adventure	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Text Treatment Text Overlap
6–7	Or my doint Dieu bonne adventure	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Or my doint Dieu bonne adventure	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
13–13	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No Comments Almost a PEn tonal here--S and B enter together, followed by T.
14–15	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–18	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
19–20	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No
20–22	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Ho le meschant qui a ployé	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–5	Ho le meschant qui a ployé	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca
3–5	Ho le meschant qui a ployé	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Ho le meschant qui a ployé	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap
5–6	Ho le meschant qui a ployé	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Ho le meschant qui a ployé	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–11	Ho le meschant qui a ployé	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
11–12	Ho le meschant qui a ployé	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Material from end of mm. 5 and beginning of 6 not repeated.
12–14	Ho le meschant qui a ployé	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
13–13	Ho le meschant qui a ployé	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Ho le meschant qui a ployé	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–17	Ho le meschant qui a ployé	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	Ho le meschant qui a ployé	6	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Ho le meschant qui a ployé	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint Text Treatment Text Overlap
19–20	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus
21–22	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Ho le meschant qui a ployé	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
23–24	Ho le meschant qui a ployé	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Ho le meschant qui a ployé	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–11	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Voice Role (Above) Superius
12–12	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–7	Au feu d'amour qui ne se peult estaindre	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–14	Au feu d'amour qui ne se peult estaindre	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
17–17	Au feu d'amour qui ne se peult estaindre	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Au feu d'amour qui ne se peult estaindre	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Comments CT echoes without pair.
19–21	Au feu d'amour qui ne se peult estaindre	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–25	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–33	Au feu d'amour qui ne se peult estaindre	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
32–42	Au feu d'amour qui ne se peult estaindre	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Rhythmic values altered slightly, melody same.
1–4	Cupido pour ses appetitz vers des mouches alla	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Cupido pour ses appetitz vers des mouches alla	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
3–3	Cupido pour ses appetitz vers des mouches alla	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Tenor
5–5	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Cupido pour ses appetitz vers des mouches alla	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
9–10	Cupido pour ses appetitz vers des mouches alla	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
9–9	Cupido pour ses appetitz vers des mouches alla	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Cupido pour ses appetitz vers des mouches alla	4	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Cupido pour ses appetitz vers des mouches alla	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Vola" and "flight" with ascending line.
12–13	Cupido pour ses appetitz vers des mouches alla	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–17	Cupido pour ses appetitz vers des mouches alla	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
18–19	Cupido pour ses appetitz vers des mouches alla	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
20–20	Cupido pour ses appetitz vers des mouches alla	5	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus
20–21	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Text Treatment Text Overlap
22–24	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca Text Treatment Text Representation Comments "La plainte" with descending line.
24–24	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–28	Cupido pour ses appetitz vers des mouches alla	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
28–31	Cupido pour ses appetitz vers des mouches alla	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
3–4	Puis que malheur me tient rigueur	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Puis que malheur me tient rigueur	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Puis que malheur me tient rigueur	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Puis que malheur me tient rigueur	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–9	Puis que malheur me tient rigueur	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
10–14	Puis que malheur me tient rigueur	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
13–14	Puis que malheur me tient rigueur	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Puis que malheur me tient rigueur	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–16	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–23	Puis que malheur me tient rigueur	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Puis que malheur me tient rigueur	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Puis que malheur me tient rigueur	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Puis que malheur me tient rigueur	8	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Dieu doinct le bon jour à m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Dieu doinct le bon jour à m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–6	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Dieu doinct le bon jour à m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–10	Dieu doinct le bon jour à m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Rhythm adjusted for text overlap.
9–10	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
12–13	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
15–17	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
17–18	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–19	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–26	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–33	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (@5) Bassus Voice Role (Below) Tenor
2–3	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–2	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
4–4	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–7	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
7–7	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–12	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 2 Repeat, Exact or Varied? Comments Rhythm displaced by half note.
7–8	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Allons aux champs sur la verdure	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–13	Allons aux champs sur la verdure	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Superius in 2nd ending moves to new phrase.
13–15	Allons aux champs sur la verdure	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
15–18	Allons aux champs sur la verdure	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor Other Counterpoint Invertible Counterpoint
17–18	Allons aux champs sur la verdure	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
17–21	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Contratenor Voice Role (Below) Contratenor
21–22	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
25–26	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–29	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@5) Bassus Voice Role (Below) Bassus
26–28	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
30–33	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Ct line repeats text from phrase 8.
29–30	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–37	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats first part of phrase, displaced by half note.
1–1	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
4–4	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–4	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
4–5	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@5) Contratenor Voice Role (Above) Contratenor
5–6	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
9–9	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–10	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Ce friant oeil qui toujours estincelle	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–12	Ce friant oeil qui toujours estincelle	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments 2nd ending measure length shortened by half.
13–13	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
13–15	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
17–18	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–24	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius
18–19	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–26	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
28–28	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius
30–31	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–32	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
33–34	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
34–37	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
36–38	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No
39–39	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
39–40	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius
40–41	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
41–42	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
42–43	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
43–43	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
43–44	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
44–44	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
43–44	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
44–45	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor
45–47	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 10 Repeat, Exact or Varied? Comments Repeats mm. 43-44 with elongated note values.
46–47	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
48–48	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
49–50	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
51–51	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
52–53	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
54–63	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Open/closed endings.
1–1	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–3	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
4–5	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
8–8	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Je souffre passion/ D'une amour forte	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–11	Je souffre passion/ D'une amour forte	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor
15–16	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–18	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
19–20	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–26	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
22–24	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–31	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Text Treatment Text Declamation
28–29	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Je souffre passion/ D'une amour forte	9	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Je souffre passion/ D'une amour forte	9	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–36	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No
36–36	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No
38–43	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Displaced by half note.
43–49	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Displaced by half note.
37–38	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
2–3	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
4–6	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
4–7	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Contratenor
6–7	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Si pour t'avoir tant loyaument aymée	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–7	Si pour t'avoir tant loyaument aymée	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
8–11	Si pour t'avoir tant loyaument aymée	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
11–11	Si pour t'avoir tant loyaument aymée	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
10–11	Si pour t'avoir tant loyaument aymée	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–15	Si pour t'avoir tant loyaument aymée	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
15–15	Si pour t'avoir tant loyaument aymée	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
14–15	Si pour t'avoir tant loyaument aymée	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–19	Si pour t'avoir tant loyaument aymée	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 5 Repeat, Exact or Varied? Comments Last measures continue to new phrase
20–21	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No
23–26	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
26–29	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–2	Qui souhaittez d'avoir tout le plaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
4–4	Qui souhaittez d'avoir tout le plaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Qui souhaittez d'avoir tout le plaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Overlap
6–7	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–11	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Below) Contratenor
9–10	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–12	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Voice Role (Above) Superius
14–14	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus
15–16	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Mais" interjects during cadence of previous phrase.
20–20	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
21–21	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
21–22	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Qui souhaittez d'avoir tout le plaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Qui souhaittez d'avoir tout le plaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
31–32	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Qui souhaittez d'avoir tout le plaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–36	Qui souhaittez d'avoir tout le plaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
43–46	Qui souhaittez d'avoir tout le plaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Tenor
5–7	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–9	Qu'est-il besoing cercher toutes les nuictz	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
9–12	Qu'est-il besoing cercher toutes les nuictz	2	Details
Analysis ID Analyst 33 Is Cadence? No Comments Almost HR Simple except for T line.
13–15	Qu'est-il besoing cercher toutes les nuictz	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–9	Qu'est-il besoing cercher toutes les nuictz	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–15	Qu'est-il besoing cercher toutes les nuictz	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
15–15	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
15–19	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
15–19	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
22–22	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–26	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
27–27	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
31–33	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–34	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–34	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
33–34	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–36	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@4) Contratenor Voice Role (Below) Contratenor
2–2	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–5	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
2–3	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
5–5	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
7–8	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–8	Margot s'endormit sur un lict	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–11	Margot s'endormit sur un lict	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Displaced by half note, overlap in T line.
10–13	Margot s'endormit sur un lict	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Opening material originally in S and Ct now in T and B.
9–13	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
9–10	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
10–11	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Slightly adjusted intervals and rhythms.
17–17	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
17–19	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
18–19	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Margot s'endormit sur un lict	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Margot s'endormit sur un lict	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
21–22	Margot s'endormit sur un lict	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–26	Margot s'endormit sur un lict	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
24–26	Margot s'endormit sur un lict	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Margot s'endormit sur un lict	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
29–29	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Above) Contratenor
30–31	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–34	Margot s'endormit sur un lict	9	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Margot s'endormit sur un lict	9	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Margot s'endormit sur un lict	9	Details
Analysis ID Analyst 33 Is Cadence? No
35–35	Margot s'endormit sur un lict	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–36	Margot s'endormit sur un lict	10	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Margot s'endormit sur un lict	10	Details
Analysis ID Analyst 33 Is Cadence? No
37–37	Margot s'endormit sur un lict	11	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
37–40	Margot s'endormit sur un lict	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
40–40	Margot s'endormit sur un lict	12	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
41–42	Margot s'endormit sur un lict	12	Details
Analysis ID Analyst 33 Is Cadence? No
42–45	Margot s'endormit sur un lict	12	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No Comments No cadence--avoided
8–10	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–11	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
11–11	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–19	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No Comments No cadence--avoided.
22–25	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–26	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
26–26	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
30–32	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
32–32	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor
33–36	La terre, l'eau, l'air, le feu et les cieulx	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
37–41	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
38–38	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor uses text from previous phrase.
40–41	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No
40–41	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No
43–43	La terre, l'eau, l'air, le feu et les cieulx	8	Details
Analysis ID Analyst 33 Is Cadence? No
44–44	La terre, l'eau, l'air, le feu et les cieulx	8	Details
Analysis ID Analyst 33 Is Cadence? No
45–45	La terre, l'eau, l'air, le feu et les cieulx	8	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	La terre, l'eau, l'air, le feu et les cieulx	9	Details
Analysis ID Analyst 33 Is Cadence? No
49–50	La terre, l'eau, l'air, le feu et les cieulx	9	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
52–52	La terre, l'eau, l'air, le feu et les cieulx	9	Details
Analysis ID Analyst 33 Is Cadence? No
49–52	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
56–56	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
55–55	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No
55–55	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
59–59	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
3–5	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–2	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–8	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
8–9	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Superius
10–12	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–13	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
14–17	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–16	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No
18–21	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@4) Tenor Voice Role (Below) Tenor
19–19	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Sur la verdure du pré florissant, m'amye ouy	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
24–24	Sur la verdure du pré florissant, m'amye ouy	5	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Sur la verdure du pré florissant, m'amye ouy	5	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Un forgeron aussi vieulx que le temps	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius
3–3	Un forgeron aussi vieulx que le temps	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Un forgeron aussi vieulx que le temps	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Un forgeron aussi vieulx que le temps	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
6–6	Un forgeron aussi vieulx que le temps	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Un forgeron aussi vieulx que le temps	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Un forgeron aussi vieulx que le temps	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
3–9	Un forgeron aussi vieulx que le temps	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending continues to phrase 5.
9–9	Un forgeron aussi vieulx que le temps	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Un forgeron aussi vieulx que le temps	5	Details
Analysis ID Analyst 33 Is Cadence? No
9–12	Un forgeron aussi vieulx que le temps	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
12–17	Un forgeron aussi vieulx que le temps	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
14–16	Un forgeron aussi vieulx que le temps	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Un forgeron aussi vieulx que le temps	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Un forgeron aussi vieulx que le temps	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
18–20	Un forgeron aussi vieulx que le temps	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Un forgeron aussi vieulx que le temps	7	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Un forgeron aussi vieulx que le temps	8	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Un forgeron aussi vieulx que le temps	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Un forgeron aussi vieulx que le temps	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Un forgeron aussi vieulx que le temps	9	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Un forgeron aussi vieulx que le temps	9	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
30–32	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
33–34	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
3–4	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–8	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–12	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
13–14	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Amour remply de pitié et de zelle	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–10	Amour remply de pitié et de zelle	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
9–17	Amour remply de pitié et de zelle	6	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 3 Repeat, Exact or Varied? Comments Second ending continues to next phrase.
17–17	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–20	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
18–18	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Amour remply de pitié et de zelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–26	Amour remply de pitié et de zelle	8	Details
Analysis ID Analyst 33 Is Cadence? No
23–26	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
23–25	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Above) Tenor
26–26	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
29–33	Amour remply de pitié et de zelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
32–34	Amour remply de pitié et de zelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Comments @7 above.
36–39	Amour remply de pitié et de zelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Maistre Lubin de sang rassis	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Stretto Fuga
1–4	Maistre Lubin de sang rassis	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–7	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–9	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–11	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Tenor entry displaced by half note.
6–11	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
10–12	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No
16–21	Maistre Lubin de sang rassis	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Stretto Fuga
15–21	Maistre Lubin de sang rassis	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
21–23	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
20–24	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
24–25	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
25–25	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Maistre Lubin de sang rassis	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–30	Maistre Lubin de sang rassis	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
32–32	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–32	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
32–33	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–36	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
33–36	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 33 Is Cadence? No
36–36	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
36–43	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
41–42	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 33 Is Cadence? No
46–47	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
47–47	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 33 Is Cadence? No
46–47	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 33 Is Cadence? No
49–49	Maistre Lubin de sang rassis	12	Details
Analysis ID Analyst 33 Is Cadence? No
49–50	Maistre Lubin de sang rassis	12	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor
3–5	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
3–3	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–9	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@4) Superius Voice Role (Above) Superius
10–11	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–13	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
14–15	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
21–21	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
18–21	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
19–20	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
23–25	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
24–27	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
25–26	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
29–32	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
30–32	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
30–33	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
32–38	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
39–41	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius Voice Role (Below) Bassus
34–36	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
35–41	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
42–42	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
43–44	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
44–45	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
45–45	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
45–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
45–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
44–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Counterpoint Stretto Fuga
48–50	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
49–51	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
49–53	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
53–54	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
55–55	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
56–59	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
57–58	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
57–58	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
59–59	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
60–64	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Varied in the bassus.
1–4	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
2–3	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–7	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Si mon grand mal ne peult finir	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–8	Si mon grand mal ne peult finir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
9–9	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Pause
9–9	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Declamation
10–13	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
13–14	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No
17–19	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No
16–16	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments Phrygian cadence on "Et si se meurt"
19–20	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–23	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
24–26	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
24–28	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Open/closed endings.
1–1	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
2–3	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
10–12	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–8	Poste esgaré par trop adventureux	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–13	Poste esgaré par trop adventureux	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
14–14	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
15–15	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
18–19	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–22	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
21–22	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Mais" interjects previous phrase.
24–26	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
25–26	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
31–33	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
32–32	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–38	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Superius Voice Role (Above) Superius
39–39	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
38–42	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Comments @7 above.
42–43	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
43–48	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
44–45	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
46–46	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
43–48	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
3–4	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
4–4	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–7	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
5–7	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor
12–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 33 Is Cadence? No
13–15	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Bassus Voice Role (Below) Bassus
15–16	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
16–18	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Sus, sus, ma seur, prendz bon couraige	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Contratenor Voice Role (Below) Contratenor
21–22	Sus, sus, ma seur, prendz bon couraige	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
22–25	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
30–33	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor
28–30	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
32–33	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
36–36	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–38	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor
37–38	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
38–40	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint, Stretto Fuga
40–41	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
41–42	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–45	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrases 7 and 8. First ending varies from mm 28-30 of phrase 7.
1–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Declamation
4–4	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Elle disoit : faictes tout bellement	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Elle disoit : faictes tout bellement	3	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Tost" with shorter note values.
12–12	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–22	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
20–21	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
22–24	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
24–24	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus
27–27	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–31	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 6 Repeat, Exact or Varied? Comments First ending varies from material in opening mm. of phrase 6; first ending open--cad. evaded; second ending closed.
1–2	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
1–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
5–7	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
8–10	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No Comments Reverse romanesca.
9–11	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Du jeu d'aymer Martin fort curieux	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–11	Du jeu d'aymer Martin fort curieux	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–15	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
20–21	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
24–25	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
23–24	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
31–32	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–35	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
39–40	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–9	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor
11–12	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–7	Faire ne puis sans dueil & desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–14	Faire ne puis sans dueil & desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending continues to next phrase.
15–20	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
15–15	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
22–23	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
25–26	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Formulas Romanesca
29–31	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
31–32	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
36–37	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 33 Is Cadence? No
39–40	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 33 Is Cadence? No
40–42	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
45–45	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No
46–47	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No
34–48	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase

The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

Magruder, Katherine

Analyses

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