Magruder, Katherine

Analyses

Measures	Piece	Phrase Number
1–2	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
4–4	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–10	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus Text Treatment Text Representation
11–12	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
12–14	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@4) Bassus Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
13–13	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Comments Maybe CadInCad 15-16--displaced, inverted, incomplete T/Ct to F.
17–18	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
19–20	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca Text Treatment Text Pause
22–23	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No
23–30	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied? Comments Repeat first 1/2 phrase 4, rhythmically displaced 1/2 measure.
2–3	Vous me changez pour un aultre, madame	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
4–4	Vous me changez pour un aultre, madame	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–7	Vous me changez pour un aultre, madame	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Vous me changez pour un aultre, madame	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments Prolonged rhythm--"pour un temps"
7–8	Vous me changez pour un aultre, madame	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Vous me changez pour un aultre, madame	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–8	Vous me changez pour un aultre, madame	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
9–11	Vous me changez pour un aultre, madame	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
10–11	Vous me changez pour un aultre, madame	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
14–15	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
12–13	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Vous me changez pour un aultre, madame	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Vous me changez pour un aultre, madame	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
20–22	Vous me changez pour un aultre, madame	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "tant bien mon faict j'entends" with authentic cadence to A
22–23	Vous me changez pour un aultre, madame	8	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Vous me changez pour un aultre, madame	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Vous me changez pour un aultre, madame	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Un gros prieur son petit filz baisoit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
4–5	Un gros prieur son petit filz baisoit	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Un gros prieur son petit filz baisoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Un gros prieur son petit filz baisoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–12	Un gros prieur son petit filz baisoit	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–10	Un gros prieur son petit filz baisoit	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
11–12	Un gros prieur son petit filz baisoit	3	Details
Analysis ID Analyst 33 Is Cadence? No
12–15	Un gros prieur son petit filz baisoit	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Some variation in rhythmic values.
13–14	Un gros prieur son petit filz baisoit	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Un gros prieur son petit filz baisoit	4	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Un gros prieur son petit filz baisoit	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–16	Un gros prieur son petit filz baisoit	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Un gros prieur son petit filz baisoit	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–20	Un gros prieur son petit filz baisoit	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Un gros prieur son petit filz baisoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Un gros prieur son petit filz baisoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Un gros prieur son petit filz baisoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Un gros prieur son petit filz baisoit	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
24–24	Un gros prieur son petit filz baisoit	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–27	Un gros prieur son petit filz baisoit	9	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Un gros prieur son petit filz baisoit	9	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–29	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No
31–33	Un gros prieur son petit filz baisoit	10	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Si la beaulté doit perir en peu d'heure	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Si la beaulté doit perir en peu d'heure	1	Details
Analysis ID Analyst 33 Is Cadence? No Comments Phrygian cad mm. 7-8 Ct/B: D
10–10	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
11–11	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Si la beaulté doit perir en peu d'heure	2	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Si la beaulté doit perir en peu d'heure	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
21–21	Si la beaulté doit perir en peu d'heure	3	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Si la beaulté doit perir en peu d'heure	3	Details
Analysis ID Analyst 33 Is Cadence? No
29–32	Si la beaulté doit perir en peu d'heure	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Un fin mary voyant sa chambriere	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Bassus Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Contratenor Voice Role (Lower Voice 2 NIM) Superius
3–4	Un fin mary voyant sa chambriere	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Ma mère veult que je file	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–6	Un fin mary voyant sa chambriere	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–8	Un fin mary voyant sa chambriere	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Un fin mary voyant sa chambriere	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Un fin mary voyant sa chambriere	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
14–15	Un fin mary voyant sa chambriere	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Un fin mary voyant sa chambriere	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
20–21	Un fin mary voyant sa chambriere	4	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Un fin mary voyant sa chambriere	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–27	Un fin mary voyant sa chambriere	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Declamation
26–27	Un fin mary voyant sa chambriere	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–32	Un fin mary voyant sa chambriere	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
32–33	Un fin mary voyant sa chambriere	6	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
33–36	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Contratenor
37–38	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "L'amour" with ascending 4th.
35–36	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Un fin mary voyant sa chambriere	7	Details
Analysis ID Analyst 33 Is Cadence? No
39–39	Un fin mary voyant sa chambriere	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
44–45	Un fin mary voyant sa chambriere	8	Details
Analysis ID Analyst 33 Is Cadence? No
48–49	Un fin mary voyant sa chambriere	9	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Ma mère veult que je file	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–3	Ma mère veult que je file	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–11	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
3–4	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
3–6	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
4–5	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Ma mère veult que je file	2	Details
Analysis ID Analyst 33 Is Cadence? No
3–12	Ma mère veult que je file	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments 2nd ending in phrase 4 moves to phrase 5. Ending for phrase 2 is closed.
12–14	Ma mère veult que je file	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
13–14	Ma mère veult que je file	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–16	Ma mère veult que je file	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Ma mère veult que je file	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
16–17	Ma mère veult que je file	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–20	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
20–21	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Ma mère veult que je file	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–31	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
31–37	Ma mère veult que je file	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending closed.
1–2	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
4–5	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius
3–3	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Joye et santé, ma demoiselle	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–7	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius
8–10	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus
7–8	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Joye et santé, ma demoiselle	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–13	Joye et santé, ma demoiselle	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
12–13	Joye et santé, ma demoiselle	3	Details
Analysis ID Analyst 33 Is Cadence? No
13–15	Joye et santé, ma demoiselle	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	Joye et santé, ma demoiselle	4	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Joye et santé, ma demoiselle	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Joye et santé, ma demoiselle	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Joye et santé, ma demoiselle	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
20–21	Joye et santé, ma demoiselle	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–26	Joye et santé, ma demoiselle	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Rhythm displaced.
26–34	Joye et santé, ma demoiselle	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Rhythm displaced.
1–1	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–2	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Jouons beau jeu tout en riant	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–5	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Jouons beau jeu tout en riant	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Jouons beau jeu tout en riant	3	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Jouons beau jeu tout en riant	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Jouons beau jeu tout en riant	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
12–13	Jouons beau jeu tout en riant	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Melancholie" with descending scale.
13–14	Jouons beau jeu tout en riant	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
15–15	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
17–17	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Jouons beau jeu tout en riant	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Jouons beau jeu tout en riant	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Jouons beau jeu tout en riant	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Jouons beau jeu tout en riant	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Jouons beau jeu tout en riant	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap
24–24	Jouons beau jeu tout en riant	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Jouons beau jeu tout en riant	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Jouons beau jeu tout en riant	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–30	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No
27–29	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
30–31	Jouons beau jeu tout en riant	9	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	Jouons beau jeu tout en riant	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
31–32	Jouons beau jeu tout en riant	10	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Jouons beau jeu tout en riant	10	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–7	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Dire me fault par desespoir contrainct	1	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–15	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
14–15	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Dire me fault par desespoir contrainct	2	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
17–19	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius
23–23	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Dire me fault par desespoir contrainct	3	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
29–29	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No
33–36	Dire me fault par desespoir contrainct	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Or my doint Dieu bonne adventure	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–4	Or my doint Dieu bonne adventure	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Or my doint Dieu bonne adventure	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Or my doint Dieu bonne adventure	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Text Treatment Text Overlap
6–7	Or my doint Dieu bonne adventure	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Or my doint Dieu bonne adventure	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
13–13	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No Comments Almost a PEn tonal here--S and B enter together, followed by T.
14–15	Or my doint Dieu bonne adventure	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–18	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
19–20	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No
20–22	Or my doint Dieu bonne adventure	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Ho le meschant qui a ployé	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–5	Ho le meschant qui a ployé	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca
3–5	Ho le meschant qui a ployé	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Ho le meschant qui a ployé	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap
5–6	Ho le meschant qui a ployé	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Ho le meschant qui a ployé	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–11	Ho le meschant qui a ployé	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
11–12	Ho le meschant qui a ployé	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Material from end of mm. 5 and beginning of 6 not repeated.
12–14	Ho le meschant qui a ployé	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
13–13	Ho le meschant qui a ployé	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Ho le meschant qui a ployé	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–17	Ho le meschant qui a ployé	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	Ho le meschant qui a ployé	6	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Ho le meschant qui a ployé	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint Text Treatment Text Overlap
19–20	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus
21–22	Ho le meschant qui a ployé	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Ho le meschant qui a ployé	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
23–24	Ho le meschant qui a ployé	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Ho le meschant qui a ployé	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Au feu d'amour qui ne se peult estaindre	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–11	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Voice Role (Above) Superius
12–12	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Au feu d'amour qui ne se peult estaindre	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–7	Au feu d'amour qui ne se peult estaindre	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–14	Au feu d'amour qui ne se peult estaindre	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
17–17	Au feu d'amour qui ne se peult estaindre	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Au feu d'amour qui ne se peult estaindre	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Comments CT echoes without pair.
19–21	Au feu d'amour qui ne se peult estaindre	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–25	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Au feu d'amour qui ne se peult estaindre	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–33	Au feu d'amour qui ne se peult estaindre	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
32–42	Au feu d'amour qui ne se peult estaindre	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Rhythmic values altered slightly, melody same.
1–4	Cupido pour ses appetitz vers des mouches alla	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Cupido pour ses appetitz vers des mouches alla	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
3–3	Cupido pour ses appetitz vers des mouches alla	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Tenor
5–5	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Cupido pour ses appetitz vers des mouches alla	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Cupido pour ses appetitz vers des mouches alla	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
9–10	Cupido pour ses appetitz vers des mouches alla	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
9–9	Cupido pour ses appetitz vers des mouches alla	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Cupido pour ses appetitz vers des mouches alla	4	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Cupido pour ses appetitz vers des mouches alla	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Vola" and "flight" with ascending line.
12–13	Cupido pour ses appetitz vers des mouches alla	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–17	Cupido pour ses appetitz vers des mouches alla	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
18–19	Cupido pour ses appetitz vers des mouches alla	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
20–20	Cupido pour ses appetitz vers des mouches alla	5	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus
20–21	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Text Treatment Text Overlap
22–24	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca Text Treatment Text Representation Comments "La plainte" with descending line.
24–24	Cupido pour ses appetitz vers des mouches alla	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–28	Cupido pour ses appetitz vers des mouches alla	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
28–31	Cupido pour ses appetitz vers des mouches alla	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
3–4	Puis que malheur me tient rigueur	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Puis que malheur me tient rigueur	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Puis que malheur me tient rigueur	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Puis que malheur me tient rigueur	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–9	Puis que malheur me tient rigueur	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
10–14	Puis que malheur me tient rigueur	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
13–14	Puis que malheur me tient rigueur	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Puis que malheur me tient rigueur	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–16	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Puis que malheur me tient rigueur	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–23	Puis que malheur me tient rigueur	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Puis que malheur me tient rigueur	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Puis que malheur me tient rigueur	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Puis que malheur me tient rigueur	8	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Dieu doinct le bon jour à m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Dieu doinct le bon jour à m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–6	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Dieu doinct le bon jour à m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–10	Dieu doinct le bon jour à m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Rhythm adjusted for text overlap.
9–10	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
12–13	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
15–17	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
17–18	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–19	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–26	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–33	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (@5) Bassus Voice Role (Below) Tenor
2–3	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–2	Allons aux champs sur la verdure	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
4–4	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–7	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
7–7	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–12	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 2 Repeat, Exact or Varied? Comments Rhythm displaced by half note.
7–8	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Allons aux champs sur la verdure	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Allons aux champs sur la verdure	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–13	Allons aux champs sur la verdure	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Superius in 2nd ending moves to new phrase.
13–15	Allons aux champs sur la verdure	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
15–18	Allons aux champs sur la verdure	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor Other Counterpoint Invertible Counterpoint
17–18	Allons aux champs sur la verdure	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
17–21	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Contratenor Voice Role (Below) Contratenor
21–22	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Allons aux champs sur la verdure	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
25–26	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–29	Allons aux champs sur la verdure	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@5) Bassus Voice Role (Below) Bassus
26–28	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
30–33	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Ct line repeats text from phrase 8.
29–30	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–37	Allons aux champs sur la verdure	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats first part of phrase, displaced by half note.
1–1	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
4–4	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–4	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
4–5	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@5) Contratenor Voice Role (Above) Contratenor
5–6	Ce friant oeil qui toujours estincelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
9–9	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–10	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Ce friant oeil qui toujours estincelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Ce friant oeil qui toujours estincelle	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–12	Ce friant oeil qui toujours estincelle	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments 2nd ending measure length shortened by half.
13–13	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
13–15	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Ce friant oeil qui toujours estincelle	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
17–18	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–24	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius
18–19	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Ce friant oeil qui toujours estincelle	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–26	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
28–28	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius
30–31	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–32	Ce friant oeil qui toujours estincelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
33–34	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
34–37	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
36–38	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Ce friant oeil qui toujours estincelle	8	Details
Analysis ID Analyst 33 Is Cadence? No
39–39	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
39–40	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius
40–41	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
41–42	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
42–43	Ce friant oeil qui toujours estincelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
43–43	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
43–44	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
44–44	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
43–44	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
44–45	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor
45–47	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 10 Repeat, Exact or Varied? Comments Repeats mm. 43-44 with elongated note values.
46–47	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
48–48	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
49–50	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
51–51	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
52–53	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
54–63	Ce friant oeil qui toujours estincelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Open/closed endings.
1–1	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–3	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
4–5	Je souffre passion/ D'une amour forte	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
8–8	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Je souffre passion/ D'une amour forte	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Je souffre passion/ D'une amour forte	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–11	Je souffre passion/ D'une amour forte	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor
15–16	Je souffre passion/ D'une amour forte	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–18	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
19–20	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Je souffre passion/ D'une amour forte	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–26	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
22–24	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Je souffre passion/ D'une amour forte	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–31	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Text Treatment Text Declamation
28–29	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Je souffre passion/ D'une amour forte	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Je souffre passion/ D'une amour forte	9	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Je souffre passion/ D'une amour forte	9	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–36	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No
36–36	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No
38–43	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Displaced by half note.
43–49	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Displaced by half note.
37–38	Je souffre passion/ D'une amour forte	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
2–3	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Si pour t'avoir tant loyaument aymée	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
4–6	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
4–7	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Contratenor
6–7	Si pour t'avoir tant loyaument aymée	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Si pour t'avoir tant loyaument aymée	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–7	Si pour t'avoir tant loyaument aymée	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
8–11	Si pour t'avoir tant loyaument aymée	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
11–11	Si pour t'avoir tant loyaument aymée	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
10–11	Si pour t'avoir tant loyaument aymée	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–15	Si pour t'avoir tant loyaument aymée	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
15–15	Si pour t'avoir tant loyaument aymée	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
14–15	Si pour t'avoir tant loyaument aymée	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–19	Si pour t'avoir tant loyaument aymée	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 5 Repeat, Exact or Varied? Comments Last measures continue to new phrase
20–21	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No
23–26	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
26–29	Si pour t'avoir tant loyaument aymée	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–2	Qui souhaittez d'avoir tout le plaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
4–4	Qui souhaittez d'avoir tout le plaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Qui souhaittez d'avoir tout le plaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Overlap
6–7	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–11	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Below) Contratenor
9–10	Qui souhaittez d'avoir tout le plaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–12	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Voice Role (Above) Superius
14–14	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus
15–16	Qui souhaittez d'avoir tout le plaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Qui souhaittez d'avoir tout le plaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Mais" interjects during cadence of previous phrase.
20–20	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
21–21	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
21–22	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Qui souhaittez d'avoir tout le plaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Qui souhaittez d'avoir tout le plaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Qui souhaittez d'avoir tout le plaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
31–32	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Qui souhaittez d'avoir tout le plaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Qui souhaittez d'avoir tout le plaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–36	Qui souhaittez d'avoir tout le plaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
43–46	Qui souhaittez d'avoir tout le plaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Tenor
5–7	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Qu'est-il besoing cercher toutes les nuictz	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–9	Qu'est-il besoing cercher toutes les nuictz	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
9–12	Qu'est-il besoing cercher toutes les nuictz	2	Details
Analysis ID Analyst 33 Is Cadence? No Comments Almost HR Simple except for T line.
13–15	Qu'est-il besoing cercher toutes les nuictz	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–9	Qu'est-il besoing cercher toutes les nuictz	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–15	Qu'est-il besoing cercher toutes les nuictz	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
15–15	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
15–19	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
15–19	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Qu'est-il besoing cercher toutes les nuictz	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
22–22	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Qu'est-il besoing cercher toutes les nuictz	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–26	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
27–27	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Qu'est-il besoing cercher toutes les nuictz	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
31–33	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–34	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–34	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
33–34	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–36	Qu'est-il besoing cercher toutes les nuictz	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@4) Contratenor Voice Role (Below) Contratenor
2–2	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Margot s'endormit sur un lict	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–5	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
2–3	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
5–5	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
7–8	Margot s'endormit sur un lict	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–8	Margot s'endormit sur un lict	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–11	Margot s'endormit sur un lict	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Displaced by half note, overlap in T line.
10–13	Margot s'endormit sur un lict	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Opening material originally in S and Ct now in T and B.
9–13	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
9–10	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
10–11	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Margot s'endormit sur un lict	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Slightly adjusted intervals and rhythms.
17–17	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
17–19	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
18–19	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Margot s'endormit sur un lict	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Margot s'endormit sur un lict	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Margot s'endormit sur un lict	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
21–22	Margot s'endormit sur un lict	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–26	Margot s'endormit sur un lict	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
24–26	Margot s'endormit sur un lict	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Margot s'endormit sur un lict	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
29–29	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Above) Contratenor
30–31	Margot s'endormit sur un lict	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–34	Margot s'endormit sur un lict	9	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Margot s'endormit sur un lict	9	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Margot s'endormit sur un lict	9	Details
Analysis ID Analyst 33 Is Cadence? No
35–35	Margot s'endormit sur un lict	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–36	Margot s'endormit sur un lict	10	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Margot s'endormit sur un lict	10	Details
Analysis ID Analyst 33 Is Cadence? No
37–37	Margot s'endormit sur un lict	11	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
37–40	Margot s'endormit sur un lict	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
40–40	Margot s'endormit sur un lict	12	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
41–42	Margot s'endormit sur un lict	12	Details
Analysis ID Analyst 33 Is Cadence? No
42–45	Margot s'endormit sur un lict	12	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	La terre, l'eau, l'air, le feu et les cieulx	1	Details
Analysis ID Analyst 33 Is Cadence? No Comments No cadence--avoided
8–10	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–11	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
11–11	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	La terre, l'eau, l'air, le feu et les cieulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–19	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	La terre, l'eau, l'air, le feu et les cieulx	3	Details
Analysis ID Analyst 33 Is Cadence? No Comments No cadence--avoided.
22–25	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–26	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
26–26	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	La terre, l'eau, l'air, le feu et les cieulx	4	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
30–32	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
32–32	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	La terre, l'eau, l'air, le feu et les cieulx	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor
33–36	La terre, l'eau, l'air, le feu et les cieulx	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
37–41	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
38–38	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor uses text from previous phrase.
40–41	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No
40–41	La terre, l'eau, l'air, le feu et les cieulx	7	Details
Analysis ID Analyst 33 Is Cadence? No
43–43	La terre, l'eau, l'air, le feu et les cieulx	8	Details
Analysis ID Analyst 33 Is Cadence? No
44–44	La terre, l'eau, l'air, le feu et les cieulx	8	Details
Analysis ID Analyst 33 Is Cadence? No
45–45	La terre, l'eau, l'air, le feu et les cieulx	8	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	La terre, l'eau, l'air, le feu et les cieulx	9	Details
Analysis ID Analyst 33 Is Cadence? No
49–50	La terre, l'eau, l'air, le feu et les cieulx	9	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
52–52	La terre, l'eau, l'air, le feu et les cieulx	9	Details
Analysis ID Analyst 33 Is Cadence? No
49–52	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
56–56	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
55–55	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No
55–55	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No Comments Canonically derived tenor.
59–59	La terre, l'eau, l'air, le feu et les cieulx	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
3–5	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–2	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Sur la verdure du pré florissant, m'amye ouy	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–8	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
8–9	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Superius
10–12	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–13	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Sur la verdure du pré florissant, m'amye ouy	2	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
14–17	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–16	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Sur la verdure du pré florissant, m'amye ouy	3	Details
Analysis ID Analyst 33 Is Cadence? No
18–21	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@4) Tenor Voice Role (Below) Tenor
19–19	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Sur la verdure du pré florissant, m'amye ouy	4	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Sur la verdure du pré florissant, m'amye ouy	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
24–24	Sur la verdure du pré florissant, m'amye ouy	5	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Sur la verdure du pré florissant, m'amye ouy	5	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Un forgeron aussi vieulx que le temps	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius
3–3	Un forgeron aussi vieulx que le temps	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Un forgeron aussi vieulx que le temps	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Un forgeron aussi vieulx que le temps	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
6–6	Un forgeron aussi vieulx que le temps	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Un forgeron aussi vieulx que le temps	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Un forgeron aussi vieulx que le temps	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
3–9	Un forgeron aussi vieulx que le temps	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending continues to phrase 5.
9–9	Un forgeron aussi vieulx que le temps	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Un forgeron aussi vieulx que le temps	5	Details
Analysis ID Analyst 33 Is Cadence? No
9–12	Un forgeron aussi vieulx que le temps	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
12–17	Un forgeron aussi vieulx que le temps	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
14–16	Un forgeron aussi vieulx que le temps	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Un forgeron aussi vieulx que le temps	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Un forgeron aussi vieulx que le temps	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
18–20	Un forgeron aussi vieulx que le temps	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Un forgeron aussi vieulx que le temps	7	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Un forgeron aussi vieulx que le temps	8	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Un forgeron aussi vieulx que le temps	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Un forgeron aussi vieulx que le temps	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Un forgeron aussi vieulx que le temps	9	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Un forgeron aussi vieulx que le temps	9	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
30–32	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
33–34	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	Un forgeron aussi vieulx que le temps	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
3–4	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Amour remply de pitié et de zelle	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–8	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Amour remply de pitié et de zelle	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–12	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
13–14	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Amour remply de pitié et de zelle	3	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Amour remply de pitié et de zelle	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–10	Amour remply de pitié et de zelle	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
9–17	Amour remply de pitié et de zelle	6	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 3 Repeat, Exact or Varied? Comments Second ending continues to next phrase.
17–17	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–20	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
18–18	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Amour remply de pitié et de zelle	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Amour remply de pitié et de zelle	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–26	Amour remply de pitié et de zelle	8	Details
Analysis ID Analyst 33 Is Cadence? No
23–26	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
23–25	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Above) Tenor
26–26	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Amour remply de pitié et de zelle	9	Details
Analysis ID Analyst 33 Is Cadence? No
29–33	Amour remply de pitié et de zelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
32–34	Amour remply de pitié et de zelle	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Comments @7 above.
36–39	Amour remply de pitié et de zelle	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Maistre Lubin de sang rassis	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Stretto Fuga
1–4	Maistre Lubin de sang rassis	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–7	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–9	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–11	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Tenor entry displaced by half note.
6–11	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
10–12	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 33 Is Cadence? No
16–21	Maistre Lubin de sang rassis	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Stretto Fuga
15–21	Maistre Lubin de sang rassis	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
21–23	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
20–24	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
24–25	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
25–25	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Maistre Lubin de sang rassis	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–30	Maistre Lubin de sang rassis	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
32–32	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–32	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
32–33	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–36	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
33–36	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 33 Is Cadence? No
36–36	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
36–43	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
41–42	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 33 Is Cadence? No
46–47	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
47–47	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 33 Is Cadence? No
46–47	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 33 Is Cadence? No
49–49	Maistre Lubin de sang rassis	12	Details
Analysis ID Analyst 33 Is Cadence? No
49–50	Maistre Lubin de sang rassis	12	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor
3–5	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
3–3	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–9	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@4) Superius Voice Role (Above) Superius
10–11	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–13	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
14–15	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
21–21	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
18–21	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
19–20	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
23–25	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
24–27	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
25–26	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
29–29	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
29–32	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No
30–32	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
30–33	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
32–38	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
39–41	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius Voice Role (Below) Bassus
34–36	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
35–41	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
42–42	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
43–44	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
44–45	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
45–45	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
45–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
45–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
44–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Counterpoint Stretto Fuga
48–50	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
49–51	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
49–53	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
53–54	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
55–55	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
56–59	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
57–58	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
57–58	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
59–59	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
60–64	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Varied in the bassus.
1–4	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
2–3	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–7	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Si mon grand mal ne peult finir	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–8	Si mon grand mal ne peult finir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
9–9	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Pause
9–9	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Declamation
10–13	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
13–14	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No
17–19	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No
16–16	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments Phrygian cadence on "Et si se meurt"
19–20	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–23	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
24–26	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No
24–28	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Open/closed endings.
1–1	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
2–3	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
10–12	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–8	Poste esgaré par trop adventureux	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–13	Poste esgaré par trop adventureux	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
14–14	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
15–15	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
18–19	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–22	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
21–22	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Mais" interjects previous phrase.
24–26	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
25–26	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
31–33	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
32–32	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
35–38	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Superius Voice Role (Above) Superius
39–39	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
38–42	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Comments @7 above.
42–43	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
43–48	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
44–45	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
46–46	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
43–48	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
3–4	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
4–4	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–7	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
5–7	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor
12–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 33 Is Cadence? No
13–15	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Bassus Voice Role (Below) Bassus
15–16	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
16–18	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Sus, sus, ma seur, prendz bon couraige	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Contratenor Voice Role (Below) Contratenor
21–22	Sus, sus, ma seur, prendz bon couraige	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
22–25	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–28	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
30–33	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor
28–30	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
32–33	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
36–36	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–38	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor
37–38	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
38–40	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint, Stretto Fuga
40–41	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
41–42	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–45	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrases 7 and 8. First ending varies from mm 28-30 of phrase 7.
1–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Declamation
4–4	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Elle disoit : faictes tout bellement	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Elle disoit : faictes tout bellement	3	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Tost" with shorter note values.
12–12	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–22	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
20–21	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
22–24	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
24–24	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus
27–27	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–31	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 6 Repeat, Exact or Varied? Comments First ending varies from material in opening mm. of phrase 6; first ending open--cad. evaded; second ending closed.
1–2	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
1–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
5–7	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
8–10	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No Comments Reverse romanesca.
9–11	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Du jeu d'aymer Martin fort curieux	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–11	Du jeu d'aymer Martin fort curieux	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–15	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
20–21	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
24–25	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
23–24	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
31–32	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–35	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
39–40	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–9	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor
11–12	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–7	Faire ne puis sans dueil & desplaisir	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–14	Faire ne puis sans dueil & desplaisir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending continues to next phrase.
15–20	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
15–15	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
22–23	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
25–26	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Formulas Romanesca
29–31	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
31–32	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 33 Is Cadence? No
36–37	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 33 Is Cadence? No
39–40	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 33 Is Cadence? No
40–42	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
45–45	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No
46–47	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No
34–48	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Repeats phrase 9 and 10. Varied by open/closed endings.
1–2	Belle comere Dieu vous gard	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
2–2	Belle comere Dieu vous gard	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Belle comere Dieu vous gard	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
3–4	Belle comere Dieu vous gard	2	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Belle comere Dieu vous gard	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–7	Belle comere Dieu vous gard	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
7–9	Belle comere Dieu vous gard	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Displaced by 1/2 measure.
9–12	Belle comere Dieu vous gard	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Belle comere Dieu vous gard	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Belle comere Dieu vous gard	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Belle comere Dieu vous gard	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
14–14	Belle comere Dieu vous gard	6	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Belle comere Dieu vous gard	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
15–19	Belle comere Dieu vous gard	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
16–17	Belle comere Dieu vous gard	7	Details
Analysis ID Analyst 33 Is Cadence? No
17–17	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
15–19	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 33 Is Cadence? No
17–19	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 33 Is Cadence? No
15–21	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrase 7 and 8.
1–4	Celer ne puis ny dire le tourment	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
5–6	Celer ne puis ny dire le tourment	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
7–8	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Celer ne puis ny dire le tourment	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–11	Celer ne puis ny dire le tourment	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending continues to next phrase.
11–12	Celer ne puis ny dire le tourment	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
14–15	Celer ne puis ny dire le tourment	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Celer ne puis ny dire le tourment	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Celer ne puis ny dire le tourment	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Celer ne puis ny dire le tourment	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus
24–24	Celer ne puis ny dire le tourment	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–29	Celer ne puis ny dire le tourment	8	Details
Analysis ID Analyst 33 Is Cadence? No
21–32	Celer ne puis ny dire le tourment	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrases 7 and 8.
29–30	Celer ne puis ny dire le tourment	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@4) Bassus Voice Role (Below) Bassus
4–4	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–2	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Un vieil souldard prioit une fillette	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor
7–9	Un vieil souldard prioit une fillette	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Un vieil souldard prioit une fillette	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Un vieil souldard prioit une fillette	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
9–14	Un vieil souldard prioit une fillette	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Displaced 1/2 measure; first note is 2 quarters rather than half note.
14–15	Un vieil souldard prioit une fillette	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Displaced 1/2 measure, alter rhythmic values.
18–20	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
18–18	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Un vieil souldard prioit une fillette	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Un vieil souldard prioit une fillette	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–31	Un vieil souldard prioit une fillette	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Un vieil souldard prioit une fillette	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
30–31	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 33 Is Cadence? No Comments Rarity: II 5ths between Ct and T.
33–35	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–35	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrases 7 and 8. First ending varies from mm. 26.
1–1	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
2–3	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
5–5	Faictes si vous plaist vostre aumosne	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
5–7	Faictes si vous plaist vostre aumosne	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Faictes si vous plaist vostre aumosne	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Faictes si vous plaist vostre aumosne	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
8–10	Faictes si vous plaist vostre aumosne	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–14	Faictes si vous plaist vostre aumosne	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
15–18	Faictes si vous plaist vostre aumosne	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
1–2	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint Comments Or: 1-4 ID CT>S>T>B
1–2	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint Comments Or: 1-4 ID CT>S>T>B
2–2	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–6	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@4) Tenor Voice Role (Above) Tenor
4–6	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
3–3	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Un jeune moine bien adroit	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–9	Un jeune moine bien adroit	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor Comments Or ID--S varies slightly.
9–9	Un jeune moine bien adroit	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Un jeune moine bien adroit	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–18	Un jeune moine bien adroit	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
18–22	Un jeune moine bien adroit	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
21–23	Un jeune moine bien adroit	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
24–25	Un jeune moine bien adroit	5	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Un jeune moine bien adroit	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
26–27	Un jeune moine bien adroit	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Un jeune moine bien adroit	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
27–28	Un jeune moine bien adroit	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Un jeune moine bien adroit	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
28–29	Un jeune moine bien adroit	7	Details
Analysis ID Analyst 33 Is Cadence? No Comments Almost repeat of phrase 5.
30–31	Un jeune moine bien adroit	7	Details
Analysis ID Analyst 33 Is Cadence? No
31–34	Un jeune moine bien adroit	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 6 Repeat, Exact or Varied?
34–35	Un jeune moine bien adroit	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
34–36	Un jeune moine bien adroit	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@4) Contratenor Voice Role (Above) Contratenor Other Counterpoint Invertible Counterpoint Comments Or ID: rhythm varies from opening motive in mm. 34 versus mm. 35
36–37	Un jeune moine bien adroit	9	Details
Analysis ID Analyst 33 Is Cadence? No
37–39	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 33 Is Cadence? No
38–38	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 33 Is Cadence? No
39–40	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 33 Is Cadence? No
40–42	Un jeune moine bien adroit	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@4) Superius Voice Role (Below) Superius
42–43	Un jeune moine bien adroit	11	Details
Analysis ID Analyst 33 Is Cadence? No
44–45	Un jeune moine bien adroit	11	Details
Analysis ID Analyst 33 Is Cadence? No
44–45	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
44–47	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
47–47	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 33 Is Cadence? No
48–48	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
52–52	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 33 Is Cadence? No
48–49	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Declamation
51–51	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Mais" interrupts doubtful cadence.
51–53	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
53–54	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 33 Is Cadence? No
54–55	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 33 Is Cadence? No
55–56	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
55–56	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor
57–60	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus
50–63	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 14 Repeat, Exact or Varied? Comments Repeats phrases 13 and 14--first ending varies from beginning of phrase 13.
60–63	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 33 Is Cadence? No
2–4	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
2–5	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
4–7	Ma bouche n'ose dire/ Mon apparent desir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
6–7	Ma bouche n'ose dire/ Mon apparent desir	2	Details
Analysis ID Analyst 33 Is Cadence? No
4–7	Ma bouche n'ose dire/ Mon apparent desir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
7–10	Ma bouche n'ose dire/ Mon apparent desir	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Ct and T varied start.
10–13	Ma bouche n'ose dire/ Mon apparent desir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments B in mm. 13 moves up to G.
13–14	Ma bouche n'ose dire/ Mon apparent desir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Tenor
13–13	Ma bouche n'ose dire/ Mon apparent desir	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Ma bouche n'ose dire/ Mon apparent desir	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Ma bouche n'ose dire/ Mon apparent desir	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
16–16	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	Ma bouche n'ose dire/ Mon apparent desir	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
19–20	Ma bouche n'ose dire/ Mon apparent desir	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Ma bouche n'ose dire/ Mon apparent desir	7	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
22–22	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 33 Is Cadence? No
19–26	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrases 7 and 8.
24–26	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
1–2	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–7	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–7	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Fauxbourdon
7–8	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–12	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–12	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–13	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
13–15	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 33 Is Cadence? No
13–15	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Comments Ct enters @3 below. This passage almost a NIM.
14–14	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 33 Is Cadence? No
19–27	Plus je la voy de beaucoup estimée	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
1–5	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
3–6	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
7–7	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
7–9	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
8–9	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Below) Contratenor
9–10	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 33 Is Cadence? No
16–16	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Above) Contratenor
18–19	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 33 Is Cadence? No
17–19	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
20–21	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Comme le feu sans chaleur ne peut estre	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
22–23	Comme le feu sans chaleur ne peut estre	4	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Comme le feu sans chaleur ne peut estre	4	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Comme le feu sans chaleur ne peut estre	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
24–24	Comme le feu sans chaleur ne peut estre	4	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Comme le feu sans chaleur ne peut estre	4	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Comme le feu sans chaleur ne peut estre	5	Details
Analysis ID Analyst 33 Is Cadence? No
25–27	Comme le feu sans chaleur ne peut estre	5	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Comme le feu sans chaleur ne peut estre	5	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No
30–32	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
32–33	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No
32–33	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No
34–36	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
33–34	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No
39–40	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No
40–41	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 33 Is Cadence? No
43–45	Comme le feu sans chaleur ne peut estre	7	Details
Analysis ID Analyst 33 Is Cadence? No
41–45	Comme le feu sans chaleur ne peut estre	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
46–47	Comme le feu sans chaleur ne peut estre	7	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	Comme le feu sans chaleur ne peut estre	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
47–55	Comme le feu sans chaleur ne peut estre	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Some note values varied.
3–3	En l'eau, en l'eau jette toy vistement	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–4	En l'eau, en l'eau jette toy vistement	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
3–4	En l'eau, en l'eau jette toy vistement	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Tenor Comments @ 3 below.
5–9	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Contratenor
6–8	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–12	En l'eau, en l'eau jette toy vistement	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Overlap from previous phrase, see mm. 9.
12–17	En l'eau, en l'eau jette toy vistement	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
17–18	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
17–20	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–23	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
23–24	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–27	En l'eau, en l'eau jette toy vistement	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	En l'eau, en l'eau jette toy vistement	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
28–29	En l'eau, en l'eau jette toy vistement	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–35	En l'eau, en l'eau jette toy vistement	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Embellished Ct reinterprets ID and NIM of phrase 2 as FI. 29-30 FI B>T @ 5 above. 30-35 FI S>T @ 8 below.
25–35	En l'eau, en l'eau jette toy vistement	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrases 7 and 8.
1–2	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
3–3	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–7	Ung doulx baiser m'est bien permis de prendre	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–6	Ung doulx baiser m'est bien permis de prendre	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Ung doulx baiser m'est bien permis de prendre	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–12	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
13–14	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus Voice Role (Below) Bassus
14–14	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 33 Is Cadence? No
17–23	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied?
21–22	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Triste et marry, pensif, melancolique	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
3–4	Triste et marry, pensif, melancolique	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Triste et marry, pensif, melancolique	1	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Melancholique" with phrygian cadence to A
4–4	Triste et marry, pensif, melancolique	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–8	Triste et marry, pensif, melancolique	2	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–10	Triste et marry, pensif, melancolique	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
9–11	Triste et marry, pensif, melancolique	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Triste et marry, pensif, melancolique	3	Details
Analysis ID Analyst 33 Is Cadence? No
12–13	Triste et marry, pensif, melancolique	4	Details
Analysis ID Analyst 33 Is Cadence? No
12–13	Triste et marry, pensif, melancolique	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Triste et marry, pensif, melancolique	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
16–16	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
16–18	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
14–14	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Triste et marry, pensif, melancolique	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
18–19	Triste et marry, pensif, melancolique	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor Comments Also S from next phrase.
19–19	Triste et marry, pensif, melancolique	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
19–19	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@4) Tenor Voice Role (Below) Tenor
20–20	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–24	Triste et marry, pensif, melancolique	8	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Triste et marry, pensif, melancolique	8	Details
Analysis ID Analyst 33 Is Cadence? No
24–26	Triste et marry, pensif, melancolique	9	Details
Analysis ID Analyst 33 Is Cadence? No
26–26	Triste et marry, pensif, melancolique	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
27–28	Triste et marry, pensif, melancolique	10	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Triste et marry, pensif, melancolique	11	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
29–29	Triste et marry, pensif, melancolique	11	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Triste et marry, pensif, melancolique	11	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Triste et marry, pensif, melancolique	12	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
29–31	Triste et marry, pensif, melancolique	12	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	Triste et marry, pensif, melancolique	12	Details
Analysis ID Analyst 33 Is Cadence? No
31–34	Triste et marry, pensif, melancolique	13	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus
32–33	Triste et marry, pensif, melancolique	13	Details
Analysis ID Analyst 33 Is Cadence? No
34–37	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Voice Role (Above) Superius
34–36	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 33 Is Cadence? No
37–37	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dactyll
1–4	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–2	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–5	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Bassus Voice Role (Above) Bassus Other Counterpoint Invertible Counterpoint
4–5	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
4–10	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@4) Contratenor Voice Role (Below) Contratenor
7–7	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Un mesnagier qui sa femme accusoit	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–12	Un mesnagier qui sa femme accusoit	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
14–15	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–17	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–23	Un mesnagier qui sa femme accusoit	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor
22–23	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
23–24	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
24–26	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius
26–30	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Superius Voice Role (Above) Superius Other Counterpoint Stretto Fuga
26–30	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No Comments ID features Ct and T at one time interval.
30–30	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–33	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
33–33	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
34–34	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 33 Is Cadence? No
36–37	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–37	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
37–38	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 33 Is Cadence? No
39–41	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 33 Is Cadence? No
40–41	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 33 Is Cadence? No
39–43	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
43–45	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
43–45	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 33 Is Cadence? No Comments PEn tonal in first three voices of ID.
47–48	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 33 Is Cadence? No
47–48	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 33 Is Cadence? No
48–48	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 33 Is Cadence? No
48–49	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
48–50	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor
53–55	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (Below) Contratenor Other Counterpoint Stretto Fuga
55–56	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 33 Is Cadence? No
55–57	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor
57–59	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 33 Is Cadence? No Comments Extended cad in cad echoes earlier subjects.
1–5	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@4) Tenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
2–5	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–9	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
6–8	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–12	S'amour vous a donné mon coeur en gaige	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–15	S'amour vous a donné mon coeur en gaige	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	S'amour vous a donné mon coeur en gaige	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	S'amour vous a donné mon coeur en gaige	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	S'amour vous a donné mon coeur en gaige	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Formulas Romanesca
18–19	S'amour vous a donné mon coeur en gaige	4	Details
Analysis ID Analyst 33 Is Cadence? No
18–21	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
23–24	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
23–24	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	S'amour vous a donné mon coeur en gaige	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
25–26	S'amour vous a donné mon coeur en gaige	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Comments @ 3 below.
26–28	S'amour vous a donné mon coeur en gaige	6	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	S'amour vous a donné mon coeur en gaige	6	Details
Analysis ID Analyst 33 Is Cadence? No
28–30	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
28–30	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 33 Is Cadence? No Comments PEn tonal could be interpreted as ID with Ct.
30–30	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 33 Is Cadence? No
31–32	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–36	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–36	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 33 Is Cadence? No
35–37	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
35–38	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 33 Is Cadence? No
39–39	S'amour vous a donné mon coeur en gaige	9	Details
Analysis ID Analyst 33 Is Cadence? No
39–40	S'amour vous a donné mon coeur en gaige	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius
40–40	S'amour vous a donné mon coeur en gaige	9	Details
Analysis ID Analyst 33 Is Cadence? No
42–43	S'amour vous a donné mon coeur en gaige	9	Details
Analysis ID Analyst 33 Is Cadence? No
43–44	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 33 Is Cadence? No
45–46	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@5) Bassus Voice Role (Below) Bassus
46–46	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 33 Is Cadence? No
48–48	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 33 Is Cadence? No
43–59	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Repeats phrases 9 and 10.
1–2	Or sus or sus qu'on se resveille	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–1	Or sus or sus qu'on se resveille	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Or sus or sus qu'on se resveille	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Fauxbourdon
5–6	Or sus or sus qu'on se resveille	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–9	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@5) Bassus Voice Role (Below) Bassus
8–8	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 33 Is Cadence? No
17–23	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Or sus or sus qu'on se resveille	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
20–20	Or sus or sus qu'on se resveille	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
23–24	Or sus or sus qu'on se resveille	4	Details
Analysis ID Analyst 33 Is Cadence? No
25–31	Or sus or sus qu'on se resveille	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
25–31	Or sus or sus qu'on se resveille	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 5 Repeat, Exact or Varied?
1–2	Or sus, pas je ne veulx refaire	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@5) Superius
1–4	Or sus, pas je ne veulx refaire	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Or sus, pas je ne veulx refaire	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Or sus, pas je ne veulx refaire	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Or sus, pas je ne veulx refaire	2	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Or sus, pas je ne veulx refaire	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Or sus, pas je ne veulx refaire	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–9	Or sus, pas je ne veulx refaire	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Some altered note values.
10–11	Or sus, pas je ne veulx refaire	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Or sus, pas je ne veulx refaire	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Or sus, pas je ne veulx refaire	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
12–13	Or sus, pas je ne veulx refaire	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Or sus, pas je ne veulx refaire	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	Or sus, pas je ne veulx refaire	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
15–16	Or sus, pas je ne veulx refaire	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Or sus, pas je ne veulx refaire	7	Details
Analysis ID Analyst 33 Is Cadence? No
17–17	Or sus, pas je ne veulx refaire	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
18–18	Or sus, pas je ne veulx refaire	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Or sus, pas je ne veulx refaire	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
20–21	Or sus, pas je ne veulx refaire	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
21–22	Or sus, pas je ne veulx refaire	8	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Or sus, pas je ne veulx refaire	8	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Or sus, pas je ne veulx refaire	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Comments Ct @ 6 above.
23–24	Or sus, pas je ne veulx refaire	9	Details
Analysis ID Analyst 33 Is Cadence? No
24–26	Or sus, pas je ne veulx refaire	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
26–28	Or sus, pas je ne veulx refaire	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	Je suis bien aise qu'elle est belle	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
2–3	Je suis bien aise qu'elle est belle	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Je suis bien aise qu'elle est belle	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Je suis bien aise qu'elle est belle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
5–8	Je suis bien aise qu'elle est belle	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
9–10	Je suis bien aise qu'elle est belle	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Je suis bien aise qu'elle est belle	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–11	Je suis bien aise qu'elle est belle	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending continues with next phrase, new material.
11–12	Je suis bien aise qu'elle est belle	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Je suis bien aise qu'elle est belle	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Je suis bien aise qu'elle est belle	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Je suis bien aise qu'elle est belle	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
15–16	Je suis bien aise qu'elle est belle	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Je suis bien aise qu'elle est belle	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
17–18	Je suis bien aise qu'elle est belle	7	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Je suis bien aise qu'elle est belle	7	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	Je suis bien aise qu'elle est belle	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–19	Je suis bien aise qu'elle est belle	8	Details
Analysis ID Analyst 33 Is Cadence? No
18–21	Je suis bien aise qu'elle est belle	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Lower Voice 2 NIM) Contratenor Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Tenor
22–25	Je suis bien aise qu'elle est belle	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
21–22	Je suis bien aise qu'elle est belle	8	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Je suis bien aise qu'elle est belle	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	Je suis bien aise qu'elle est belle	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Un bon vieillard qui n'avoit que le bec	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@5) Tenor
2–3	Un bon vieillard qui n'avoit que le bec	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Un bon vieillard qui n'avoit que le bec	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Un bon vieillard qui n'avoit que le bec	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
6–6	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Un bon vieillard qui n'avoit que le bec	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–10	Un bon vieillard qui n'avoit que le bec	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
10–11	Un bon vieillard qui n'avoit que le bec	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Comments @ 6 above.
13–13	Un bon vieillard qui n'avoit que le bec	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–15	Un bon vieillard qui n'avoit que le bec	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
15–15	Un bon vieillard qui n'avoit que le bec	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Un bon vieillard qui n'avoit que le bec	6	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Un bon vieillard qui n'avoit que le bec	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus
19–19	Un bon vieillard qui n'avoit que le bec	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Un bon vieillard qui n'avoit que le bec	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–23	Un bon vieillard qui n'avoit que le bec	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Contratenor
23–24	Un bon vieillard qui n'avoit que le bec	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–28	Un bon vieillard qui n'avoit que le bec	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
29–30	Un bon vieillard qui n'avoit que le bec	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Un bon vieillard qui n'avoit que le bec	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
31–35	Un bon vieillard qui n'avoit que le bec	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus
35–36	Un bon vieillard qui n'avoit que le bec	9	Details
Analysis ID Analyst 33 Is Cadence? No
36–36	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
36–38	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@5) Tenor
39–39	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 33 Is Cadence? No
40–42	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Contratenor
40–41	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 33 Is Cadence? No
42–45	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–3	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor
4–4	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Pause
6–6	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–10	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Mon ami est en grace si parfaict	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–10	Mon ami est en grace si parfaict	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
10–11	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
10–12	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
13–13	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–17	Mon ami est en grace si parfaict	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
17–18	Mon ami est en grace si parfaict	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–22	Mon ami est en grace si parfaict	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Text pause changes value of first note.
23–28	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
1–2	Soleil qui tout voit par ma foy	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
3–3	Soleil qui tout voit par ma foy	1	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
2–3	Soleil qui tout voit par ma foy	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Soleil qui tout voit par ma foy	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Soleil qui tout voit par ma foy	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Soleil qui tout voit par ma foy	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Soleil qui tout voit par ma foy	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–10	Soleil qui tout voit par ma foy	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
8–11	Soleil qui tout voit par ma foy	3	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Soleil qui tout voit par ma foy	3	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Soleil qui tout voit par ma foy	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Soleil qui tout voit par ma foy	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
11–15	Soleil qui tout voit par ma foy	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Repeats mm. 3-4 of phrase 1, and all of phrase 2.
15–15	Soleil qui tout voit par ma foy	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
15–17	Soleil qui tout voit par ma foy	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–18	Soleil qui tout voit par ma foy	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Soleil qui tout voit par ma foy	5	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Soleil qui tout voit par ma foy	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
20–21	Soleil qui tout voit par ma foy	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Soleil qui tout voit par ma foy	6	Details
Analysis ID Analyst 33 Is Cadence? No Comments In middle of phrase.
21–22	Soleil qui tout voit par ma foy	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Soleil qui tout voit par ma foy	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
22–25	Soleil qui tout voit par ma foy	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Soleil qui tout voit par ma foy	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Soleil qui tout voit par ma foy	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
26–28	Soleil qui tout voit par ma foy	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@5) Tenor Other Counterpoint Invertible Counterpoint
28–29	Soleil qui tout voit par ma foy	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–32	Soleil qui tout voit par ma foy	8	Details
Analysis ID Analyst 33 Is Cadence? No
2–2	Si me voyez face triste et dolente	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–6	Si me voyez face triste et dolente	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius
4–7	Si me voyez face triste et dolente	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
6–7	Si me voyez face triste et dolente	1	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Si me voyez face triste et dolente	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Si me voyez face triste et dolente	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
9–11	Si me voyez face triste et dolente	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Comments S enters @6 above.
13–14	Si me voyez face triste et dolente	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–7	Si me voyez face triste et dolente	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–15	Si me voyez face triste et dolente	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments 1st and 2nd endings.
15–15	Si me voyez face triste et dolente	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
16–17	Si me voyez face triste et dolente	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Si me voyez face triste et dolente	5	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Si me voyez face triste et dolente	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Si me voyez face triste et dolente	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
24–25	Si me voyez face triste et dolente	6	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Si me voyez face triste et dolente	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
24–26	Si me voyez face triste et dolente	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@4) Tenor
27–29	Si me voyez face triste et dolente	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Comments T @2 below.
29–30	Si me voyez face triste et dolente	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
30–31	Si me voyez face triste et dolente	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–31	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@5) Contratenor Other Counterpoint Invertible Counterpoint Text Treatment Text Overlap
31–34	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Bassus
33–34	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–38	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@5) Tenor
31–32	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No Comments Middle of phrase.
37–38	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No
38–41	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Bassus
42–43	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No
36–47	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments 1st and 2nd endings.
43–46	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@4) Tenor
42–47	Si me voyez face triste et dolente	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–3	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–4	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor
3–5	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@4) Superius
4–5	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	Or suis-je bien sur tous le miserable	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Or suis-je bien sur tous le miserable	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@5) Bassus Other Counterpoint Invertible Counterpoint Comments Ct enters with B @3 below S.
8–10	Or suis-je bien sur tous le miserable	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor
9–9	Or suis-je bien sur tous le miserable	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Or suis-je bien sur tous le miserable	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Or suis-je bien sur tous le miserable	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Or suis-je bien sur tous le miserable	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–7	Or suis-je bien sur tous le miserable	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–13	Or suis-je bien sur tous le miserable	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments 1st and 2nd endings.
13–15	Or suis-je bien sur tous le miserable	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Other Counterpoint Invertible Counterpoint
13–14	Or suis-je bien sur tous le miserable	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Or suis-je bien sur tous le miserable	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Or suis-je bien sur tous le miserable	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Or suis-je bien sur tous le miserable	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
16–18	Or suis-je bien sur tous le miserable	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Or suis-je bien sur tous le miserable	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
17–19	Or suis-je bien sur tous le miserable	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Lower Voice 2 NIM) Contratenor Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Comments @6 below
20–21	Or suis-je bien sur tous le miserable	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
21–22	Or suis-je bien sur tous le miserable	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Or suis-je bien sur tous le miserable	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
25–27	Or suis-je bien sur tous le miserable	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
22–28	Or suis-je bien sur tous le miserable	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 1 Repeat, Exact or Varied? Comments Repeats part of phrase 1, variations in note values.
27–28	Or suis-je bien sur tous le miserable	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Or suis-je bien sur tous le miserable	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor
29–31	Or suis-je bien sur tous le miserable	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor
23–34	Or suis-je bien sur tous le miserable	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Repeats phrase 7 and 8.
32–34	Or suis-je bien sur tous le miserable	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	O qui aura sur mon heur advantage	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@5) Tenor Other Counterpoint Invertible Counterpoint
3–3	O qui aura sur mon heur advantage	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	O qui aura sur mon heur advantage	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–6	O qui aura sur mon heur advantage	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Superius
6–7	O qui aura sur mon heur advantage	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–13	O qui aura sur mon heur advantage	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Comments B @6 below.
11–11	O qui aura sur mon heur advantage	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–13	O qui aura sur mon heur advantage	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–15	O qui aura sur mon heur advantage	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Ct enters on C, making CMaj sonority.
15–22	O qui aura sur mon heur advantage	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Altered note value for 'n'eust'
22–23	O qui aura sur mon heur advantage	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Comments Ct @6 below. T enters with S.
23–24	O qui aura sur mon heur advantage	5	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	O qui aura sur mon heur advantage	5	Details
Analysis ID Analyst 33 Is Cadence? No
26–28	O qui aura sur mon heur advantage	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
28–29	O qui aura sur mon heur advantage	6	Details
Analysis ID Analyst 33 Is Cadence? No
29–31	O qui aura sur mon heur advantage	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Superius Comments T enters with S @5 above.
31–32	O qui aura sur mon heur advantage	7	Details
Analysis ID Analyst 33 Is Cadence? No
33–33	O qui aura sur mon heur advantage	7	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	O qui aura sur mon heur advantage	8	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	O qui aura sur mon heur advantage	8	Details
Analysis ID Analyst 33 Is Cadence? No
37–40	O qui aura sur mon heur advantage	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	J'ay baisé m'amye à mon aise	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–2	J'ay baisé m'amye à mon aise	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	J'ay baisé m'amye à mon aise	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–6	J'ay baisé m'amye à mon aise	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor Comments Ct enters with B.
7–7	J'ay baisé m'amye à mon aise	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	J'ay baisé m'amye à mon aise	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	J'ay baisé m'amye à mon aise	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	J'ay baisé m'amye à mon aise	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–11	J'ay baisé m'amye à mon aise	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Second ending continues to next phrase.
11–13	J'ay baisé m'amye à mon aise	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	J'ay baisé m'amye à mon aise	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
13–14	J'ay baisé m'amye à mon aise	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–16	J'ay baisé m'amye à mon aise	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@4) Tenor Other Counterpoint Invertible Counterpoint
15–16	J'ay baisé m'amye à mon aise	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	J'ay baisé m'amye à mon aise	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
17–18	J'ay baisé m'amye à mon aise	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–23	J'ay baisé m'amye à mon aise	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
23–29	J'ay baisé m'amye à mon aise	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
1–3	Pourquoy fais-tu à aultre chere	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius
2–3	Pourquoy fais-tu à aultre chere	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Comments T @7 above.
4–5	Pourquoy fais-tu à aultre chere	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Pourquoy fais-tu à aultre chere	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–8	Pourquoy fais-tu à aultre chere	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
9–9	Pourquoy fais-tu à aultre chere	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Pourquoy fais-tu à aultre chere	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–10	Pourquoy fais-tu à aultre chere	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments First and second endings.
10–11	Pourquoy fais-tu à aultre chere	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@4) Tenor Other Counterpoint Invertible Counterpoint
12–13	Pourquoy fais-tu à aultre chere	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–13	Pourquoy fais-tu à aultre chere	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Pourquoy fais-tu à aultre chere	5	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Pourquoy fais-tu à aultre chere	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca
16–17	Pourquoy fais-tu à aultre chere	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
15–16	Pourquoy fais-tu à aultre chere	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Pourquoy fais-tu à aultre chere	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Pourquoy fais-tu à aultre chere	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
18–20	Pourquoy fais-tu à aultre chere	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor Comments T enters with S.
22–22	Pourquoy fais-tu à aultre chere	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Pourquoy fais-tu à aultre chere	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
22–24	Pourquoy fais-tu à aultre chere	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius
24–24	Pourquoy fais-tu à aultre chere	8	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Pourquoy fais-tu à aultre chere	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor
20–27	Pourquoy fais-tu à aultre chere	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Repeats phrases 7 & 8.
25–26	Pourquoy fais-tu à aultre chere	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Quand tant me mectz devant mes yeulx	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–3	Quand tant me mectz devant mes yeulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Quand tant me mectz devant mes yeulx	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Quand tant me mectz devant mes yeulx	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
5–6	Quand tant me mectz devant mes yeulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Quand tant me mectz devant mes yeulx	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Quand tant me mectz devant mes yeulx	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
3–7	Quand tant me mectz devant mes yeulx	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
7–8	Quand tant me mectz devant mes yeulx	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
8–8	Quand tant me mectz devant mes yeulx	5	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Quand tant me mectz devant mes yeulx	5	Details
Analysis ID Analyst 33 Is Cadence? No
10–10	Quand tant me mectz devant mes yeulx	5	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Quand tant me mectz devant mes yeulx	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
11–12	Quand tant me mectz devant mes yeulx	6	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Quand tant me mectz devant mes yeulx	6	Details
Analysis ID Analyst 33 Is Cadence? No
13–16	Quand tant me mectz devant mes yeulx	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
13–16	Quand tant me mectz devant mes yeulx	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
16–17	Quand tant me mectz devant mes yeulx	7	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Quand tant me mectz devant mes yeulx	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
21–22	Quand tant me mectz devant mes yeulx	8	Details
Analysis ID Analyst 33 Is Cadence? No
21–23	Quand tant me mectz devant mes yeulx	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@5) Contratenor
24–25	Quand tant me mectz devant mes yeulx	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@5) Contratenor
26–26	Quand tant me mectz devant mes yeulx	9	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Quand tant me mectz devant mes yeulx	9	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	Ce qu'il [=qui] me faict si aysément jaloux	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Ce qu'il [=qui] me faict si aysément jaloux	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Ce qu'il [=qui] me faict si aysément jaloux	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–7	Ce qu'il [=qui] me faict si aysément jaloux	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius
7–7	Ce qu'il [=qui] me faict si aysément jaloux	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–9	Ce qu'il [=qui] me faict si aysément jaloux	2	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 2 Repeat, Exact or Varied?
10–10	Ce qu'il [=qui] me faict si aysément jaloux	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
10–11	Ce qu'il [=qui] me faict si aysément jaloux	2	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Ce qu'il [=qui] me faict si aysément jaloux	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	Ce qu'il [=qui] me faict si aysément jaloux	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–12	Ce qu'il [=qui] me faict si aysément jaloux	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Ce qu'il [=qui] me faict si aysément jaloux	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
14–14	Ce qu'il [=qui] me faict si aysément jaloux	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Ce qu'il [=qui] me faict si aysément jaloux	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Pause
15–16	Ce qu'il [=qui] me faict si aysément jaloux	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Ce qu'il [=qui] me faict si aysément jaloux	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–17	Ce qu'il [=qui] me faict si aysément jaloux	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
18–20	Ce qu'il [=qui] me faict si aysément jaloux	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Comments T @2 above.
20–21	Ce qu'il [=qui] me faict si aysément jaloux	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–23	Ce qu'il [=qui] me faict si aysément jaloux	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Bassus
24–24	Ce qu'il [=qui] me faict si aysément jaloux	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Ce qu'il [=qui] me faict si aysément jaloux	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
26–28	Ce qu'il [=qui] me faict si aysément jaloux	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Bassus Other Counterpoint Invertible Counterpoint
28–28	Ce qu'il [=qui] me faict si aysément jaloux	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Ce qu'il [=qui] me faict si aysément jaloux	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Ce qu'il [=qui] me faict si aysément jaloux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
32–32	Ce qu'il [=qui] me faict si aysément jaloux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
33–34	Ce qu'il [=qui] me faict si aysément jaloux	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–36	Ce qu'il [=qui] me faict si aysément jaloux	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@5) Contratenor
36–37	Ce qu'il [=qui] me faict si aysément jaloux	8	Details
Analysis ID Analyst 33 Is Cadence? No
37–38	Ce qu'il [=qui] me faict si aysément jaloux	8	Details
Analysis ID Analyst 33 Is Cadence? No
32–40	Ce qu'il [=qui] me faict si aysément jaloux	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Endings; rhythm not staggered second time.
1–2	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
1–3	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
4–4	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–7	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Tenor Voice Role (@5) Bassus
7–8	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–8	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Other Counterpoint Invertible Counterpoint
13–14	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No
10–13	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Superius
14–14	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	Je me veulx tant a son vouloir offrir	3	Details
Analysis ID Analyst 33 Is Cadence? No
15–17	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No
18–22	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Tenor Voice Role (@5) Bassus
17–26	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied? Comments Note values altered in first ending.
23–24	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Petite damoyselle, Amour donnez lieu	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–1	Petite damoyselle, Amour donnez lieu	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Petite damoyselle, Amour donnez lieu	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–5	Petite damoyselle, Amour donnez lieu	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Petite damoyselle, Amour donnez lieu	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Petite damoyselle, Amour donnez lieu	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
6–8	Petite damoyselle, Amour donnez lieu	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
9–11	Petite damoyselle, Amour donnez lieu	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–11	Petite damoyselle, Amour donnez lieu	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Pause
13–13	Petite damoyselle, Amour donnez lieu	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Petite damoyselle, Amour donnez lieu	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap
14–14	Petite damoyselle, Amour donnez lieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Petite damoyselle, Amour donnez lieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Petite damoyselle, Amour donnez lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
18–18	Petite damoyselle, Amour donnez lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Petite damoyselle, Amour donnez lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
19–19	Petite damoyselle, Amour donnez lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Petite damoyselle, Amour donnez lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
17–23	Petite damoyselle, Amour donnez lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
17–23	Petite damoyselle, Amour donnez lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
21–22	Petite damoyselle, Amour donnez lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Or perdz-je celle en qui gist tout mon bien	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@5) Tenor Other Counterpoint Invertible Counterpoint
2–4	Or perdz-je celle en qui gist tout mon bien	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Or perdz-je celle en qui gist tout mon bien	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Or perdz-je celle en qui gist tout mon bien	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Or perdz-je celle en qui gist tout mon bien	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–7	Or perdz-je celle en qui gist tout mon bien	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@5) Bassus Comments S enters with T.
8–9	Or perdz-je celle en qui gist tout mon bien	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Or perdz-je celle en qui gist tout mon bien	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Or perdz-je celle en qui gist tout mon bien	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–10	Or perdz-je celle en qui gist tout mon bien	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments First and second endings.
11–13	Or perdz-je celle en qui gist tout mon bien	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
14–15	Or perdz-je celle en qui gist tout mon bien	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–15	Or perdz-je celle en qui gist tout mon bien	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Contratenor
15–16	Or perdz-je celle en qui gist tout mon bien	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Or perdz-je celle en qui gist tout mon bien	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Or perdz-je celle en qui gist tout mon bien	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus
19–20	Or perdz-je celle en qui gist tout mon bien	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Or perdz-je celle en qui gist tout mon bien	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	Or perdz-je celle en qui gist tout mon bien	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–20	Or perdz-je celle en qui gist tout mon bien	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Contratenor Voice Role (Lower Voice 2 NIM) Tenor
20–21	Or perdz-je celle en qui gist tout mon bien	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–24	Or perdz-je celle en qui gist tout mon bien	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
22–23	Or perdz-je celle en qui gist tout mon bien	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Or perdz-je celle en qui gist tout mon bien	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
25–26	Or perdz-je celle en qui gist tout mon bien	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Or perdz-je celle en qui gist tout mon bien	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–27	Or perdz-je celle en qui gist tout mon bien	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
30–31	Or perdz-je celle en qui gist tout mon bien	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@5) Tenor
31–32	Or perdz-je celle en qui gist tout mon bien	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
29–36	Or perdz-je celle en qui gist tout mon bien	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Altered note values in second ending.
33–36	Or perdz-je celle en qui gist tout mon bien	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	De ceans jusque chez m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor
3–3	De ceans jusque chez m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	De ceans jusque chez m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	De ceans jusque chez m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–8	De ceans jusque chez m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
5–7	De ceans jusque chez m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	De ceans jusque chez m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–5	De ceans jusque chez m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–10	De ceans jusque chez m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments First and second endings.
10–11	De ceans jusque chez m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
10–10	De ceans jusque chez m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	De ceans jusque chez m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–13	De ceans jusque chez m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	De ceans jusque chez m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
14–15	De ceans jusque chez m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–16	De ceans jusque chez m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	De ceans jusque chez m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–18	De ceans jusque chez m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–22	De ceans jusque chez m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments "Voce" corresponds with fast rhythms.
19–27	De ceans jusque chez m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Second ending features PEn S/Ct/T/B @4.
19–22	De ceans jusque chez m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor
23–23	De ceans jusque chez m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–27	De ceans jusque chez m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Cent baysers au departir	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–2	Cent baysers au departir	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Cent baysers au departir	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
4–4	Cent baysers au departir	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Cent baysers au departir	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
5–5	Cent baysers au departir	3	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Cent baysers au departir	3	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Cent baysers au departir	3	Details
Analysis ID Analyst 33 Is Cadence? No Comments Almost direct repeat of phrase 1. Different interval patterns, same Cad.
7–7	Cent baysers au departir	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
8–8	Cent baysers au departir	4	Details
Analysis ID Analyst 33 Is Cadence? No
10–10	Cent baysers au departir	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
10–11	Cent baysers au departir	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–14	Cent baysers au departir	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Tenor
13–14	Cent baysers au departir	6	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Cent baysers au departir	7	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Cent baysers au departir	7	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Cent baysers au departir	7	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Cent baysers au departir	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
17–17	Cent baysers au departir	8	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Cent baysers au departir	8	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Cent baysers au departir	9	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 3 Repeat, Exact or Varied?
20–22	Cent baysers au departir	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 4 Repeat, Exact or Varied?
1–1	Petit jardin a Vénus consacré	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–3	Petit jardin a Vénus consacré	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–4	Petit jardin a Vénus consacré	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Petit jardin a Vénus consacré	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
4–6	Petit jardin a Vénus consacré	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Petit jardin a Vénus consacré	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Petit jardin a Vénus consacré	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–9	Petit jardin a Vénus consacré	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments First and second endings.
9–12	Petit jardin a Vénus consacré	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
9–11	Petit jardin a Vénus consacré	5	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Petit jardin a Vénus consacré	5	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Petit jardin a Vénus consacré	5	Details
Analysis ID Analyst 33 Is Cadence? No
12–12	Petit jardin a Vénus consacré	6	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Petit jardin a Vénus consacré	6	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Petit jardin a Vénus consacré	6	Details
Analysis ID Analyst 33 Is Cadence? No
14–15	Petit jardin a Vénus consacré	6	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Petit jardin a Vénus consacré	7	Details
Analysis ID Analyst 33 Is Cadence? No
15–19	Petit jardin a Vénus consacré	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
17–18	Petit jardin a Vénus consacré	7	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Petit jardin a Vénus consacré	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
19–20	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
19–20	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No
16–25	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Text pause.
16–25	Petit jardin a Vénus consacré	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Qu'est-ce qu'amour, l'un dit que c'est un dieu	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Tenor
2–3	Qu'est-ce qu'amour, l'un dit que c'est un dieu	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor
5–6	Qu'est-ce qu'amour, l'un dit que c'est un dieu	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Qu'est-ce qu'amour, l'un dit que c'est un dieu	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
7–7	Qu'est-ce qu'amour, l'un dit que c'est un dieu	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
7–8	Qu'est-ce qu'amour, l'un dit que c'est un dieu	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Qu'est-ce qu'amour, l'un dit que c'est un dieu	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor
12–12	Qu'est-ce qu'amour, l'un dit que c'est un dieu	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Qu'est-ce qu'amour, l'un dit que c'est un dieu	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–12	Qu'est-ce qu'amour, l'un dit que c'est un dieu	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Qu'est-ce qu'amour, l'un dit que c'est un dieu	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–16	Qu'est-ce qu'amour, l'un dit que c'est un dieu	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Qu'est-ce qu'amour, l'un dit que c'est un dieu	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–19	Qu'est-ce qu'amour, l'un dit que c'est un dieu	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Superius
18–18	Qu'est-ce qu'amour, l'un dit que c'est un dieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–20	Qu'est-ce qu'amour, l'un dit que c'est un dieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Qu'est-ce qu'amour, l'un dit que c'est un dieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–21	Qu'est-ce qu'amour, l'un dit que c'est un dieu	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Comments Ct @6 above.
22–22	Qu'est-ce qu'amour, l'un dit que c'est un dieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
22–24	Qu'est-ce qu'amour, l'un dit que c'est un dieu	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@5) Bassus Other Counterpoint Invertible Counterpoint
22–24	Qu'est-ce qu'amour, l'un dit que c'est un dieu	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–25	Qu'est-ce qu'amour, l'un dit que c'est un dieu	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Qu'est-ce qu'amour, l'un dit que c'est un dieu	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Qu'est-ce qu'amour, l'un dit que c'est un dieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
28–29	Qu'est-ce qu'amour, l'un dit que c'est un dieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–30	Qu'est-ce qu'amour, l'un dit que c'est un dieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–31	Qu'est-ce qu'amour, l'un dit que c'est un dieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor
30–30	Qu'est-ce qu'amour, l'un dit que c'est un dieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	Qu'est-ce qu'amour, l'un dit que c'est un dieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor
37–38	Qu'est-ce qu'amour, l'un dit que c'est un dieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Si la roze croist sans l'espine	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
2–2	Si la roze croist sans l'espine	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Si la roze croist sans l'espine	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Si la roze croist sans l'espine	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Si la roze croist sans l'espine	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor
6–6	Si la roze croist sans l'espine	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Si la roze croist sans l'espine	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–10	Si la roze croist sans l'espine	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor
10–10	Si la roze croist sans l'espine	3	Details
Analysis ID Analyst 33 Is Cadence? No
10–10	Si la roze croist sans l'espine	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
10–11	Si la roze croist sans l'espine	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Tenor Other Counterpoint Invertible Counterpoint
10–11	Si la roze croist sans l'espine	4	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Si la roze croist sans l'espine	4	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	Si la roze croist sans l'espine	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–16	Si la roze croist sans l'espine	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
16–16	Si la roze croist sans l'espine	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Si la roze croist sans l'espine	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (@5) Contratenor
18–19	Si la roze croist sans l'espine	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Comments Ct @3 below.
19–19	Si la roze croist sans l'espine	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
20–20	Si la roze croist sans l'espine	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Si la roze croist sans l'espine	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
21–22	Si la roze croist sans l'espine	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Si la roze croist sans l'espine	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–25	Si la roze croist sans l'espine	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@5) Tenor
27–27	Si la roze croist sans l'espine	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	Si la roze croist sans l'espine	8	Details
Analysis ID Analyst 33 Is Cadence? No
21–30	Si la roze croist sans l'espine	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
21–30	Si la roze croist sans l'espine	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Robin couché à mesme terre	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Comments Ct @3 below.
1–3	Robin couché à mesme terre	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Robin couché à mesme terre	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Robin couché à mesme terre	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@4) Superius
4–5	Robin couché à mesme terre	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Robin couché à mesme terre	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Robin couché à mesme terre	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
3–7	Robin couché à mesme terre	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments First and second endings, closed/open.
7–9	Robin couché à mesme terre	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Comments Ct @3 below.
7–8	Robin couché à mesme terre	5	Details
Analysis ID Analyst 33 Is Cadence? No
9–11	Robin couché à mesme terre	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
11–11	Robin couché à mesme terre	5	Details
Analysis ID Analyst 33 Is Cadence? No
10–11	Robin couché à mesme terre	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
10–13	Robin couché à mesme terre	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
11–12	Robin couché à mesme terre	6	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Robin couché à mesme terre	6	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Robin couché à mesme terre	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Comments B is tacet.
14–15	Robin couché à mesme terre	7	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Robin couché à mesme terre	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Robin couché à mesme terre	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Resolves Phrygian T/S: A, inverted.
18–18	Robin couché à mesme terre	9	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Robin couché à mesme terre	9	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Robin couché à mesme terre	9	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Robin couché à mesme terre	9	Details
Analysis ID Analyst 33 Is Cadence? No
24–24	Robin couché à mesme terre	9	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Robin couché à mesme terre	10	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Robin couché à mesme terre	10	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Robin couché à mesme terre	10	Details
Analysis ID Analyst 33 Is Cadence? No
27–32	Robin couché à mesme terre	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Closed ending. Altered note values "et" in T.
1–3	Avant que partiez de ce lieu	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–2	Avant que partiez de ce lieu	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–2	Avant que partiez de ce lieu	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Avant que partiez de ce lieu	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Avant que partiez de ce lieu	2	Details
Analysis ID Analyst 33 Is Cadence? No
3–3	Avant que partiez de ce lieu	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Avant que partiez de ce lieu	2	Details
Analysis ID Analyst 33 Is Cadence? No Comments Phrygian motion to A in T.
1–3	Avant que partiez de ce lieu	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
3–9	Avant que partiez de ce lieu	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Altered S line.
9–11	Avant que partiez de ce lieu	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Comments T@6 below.
12–13	Avant que partiez de ce lieu	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor
14–15	Avant que partiez de ce lieu	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Avant que partiez de ce lieu	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–17	Avant que partiez de ce lieu	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
16–17	Avant que partiez de ce lieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Avant que partiez de ce lieu	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Avant que partiez de ce lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Avant que partiez de ce lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Contratenor
22–22	Avant que partiez de ce lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
25–26	Avant que partiez de ce lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No
19–25	Avant que partiez de ce lieu	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 5 Repeat, Exact or Varied? Comments Note length alterations.
26–27	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Other Counterpoint Invertible Counterpoint
26–27	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
30–32	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–30	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (@5) Contratenor
30–32	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Comments S @ 6 above.
35–36	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@5) Contratenor
33–34	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Avant que partiez de ce lieu	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	Las, si tu veulx en aultre part aymer	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
1–2	Las, si tu veulx en aultre part aymer	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	Las, si tu veulx en aultre part aymer	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Las, si tu veulx en aultre part aymer	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
4–4	Las, si tu veulx en aultre part aymer	2	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Las, si tu veulx en aultre part aymer	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–8	Las, si tu veulx en aultre part aymer	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Comments Ct @3 above. T and S enter together.
8–8	Las, si tu veulx en aultre part aymer	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Las, si tu veulx en aultre part aymer	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	Las, si tu veulx en aultre part aymer	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Las, si tu veulx en aultre part aymer	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–11	Las, si tu veulx en aultre part aymer	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Text pause in mm. 11 and HR dance.
12–15	Las, si tu veulx en aultre part aymer	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
12–12	Las, si tu veulx en aultre part aymer	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	Las, si tu veulx en aultre part aymer	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–16	Las, si tu veulx en aultre part aymer	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
17–18	Las, si tu veulx en aultre part aymer	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–19	Las, si tu veulx en aultre part aymer	6	Details
Analysis ID Analyst 33 Is Cadence? No
20–22	Las, si tu veulx en aultre part aymer	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
21–22	Las, si tu veulx en aultre part aymer	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Las, si tu veulx en aultre part aymer	7	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Las, si tu veulx en aultre part aymer	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@5) Contratenor Other Counterpoint Invertible Counterpoint
25–26	Las, si tu veulx en aultre part aymer	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (@4) Contratenor
27–28	Las, si tu veulx en aultre part aymer	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	Las, si tu veulx en aultre part aymer	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Comments Ct @ 6 below.
29–30	Las, si tu veulx en aultre part aymer	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Qui la vous faict tant regarder	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor
4–8	Qui la vous faict tant regarder	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@5) Bassus
4–4	Qui la vous faict tant regarder	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Qui la vous faict tant regarder	1	Details
Analysis ID Analyst 33 Is Cadence? No
6–6	Qui la vous faict tant regarder	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Qui la vous faict tant regarder	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–8	Qui la vous faict tant regarder	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@5) Tenor
8–11	Qui la vous faict tant regarder	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor
10–10	Qui la vous faict tant regarder	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Qui la vous faict tant regarder	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
11–11	Qui la vous faict tant regarder	2	Details
Analysis ID Analyst 33 Is Cadence? No
13–13	Qui la vous faict tant regarder	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–8	Qui la vous faict tant regarder	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–13	Qui la vous faict tant regarder	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
14–14	Qui la vous faict tant regarder	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
14–15	Qui la vous faict tant regarder	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–15	Qui la vous faict tant regarder	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–19	Qui la vous faict tant regarder	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
17–17	Qui la vous faict tant regarder	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Qui la vous faict tant regarder	6	Details
Analysis ID Analyst 33 Is Cadence? No
18–19	Qui la vous faict tant regarder	6	Details
Analysis ID Analyst 33 Is Cadence? No
19–20	Qui la vous faict tant regarder	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
21–22	Qui la vous faict tant regarder	7	Details
Analysis ID Analyst 33 Is Cadence? No
22–22	Qui la vous faict tant regarder	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
23–24	Qui la vous faict tant regarder	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
23–24	Qui la vous faict tant regarder	8	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Qui la vous faict tant regarder	8	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Qui la vous faict tant regarder	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Bassus
30–31	Qui la vous faict tant regarder	9	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
30–31	Qui la vous faict tant regarder	9	Details
Analysis ID Analyst 33 Is Cadence? No Comments Also CadinCad with text enjamb.
29–31	Qui la vous faict tant regarder	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
30–32	Qui la vous faict tant regarder	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
32–34	Qui la vous faict tant regarder	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
32–32	Qui la vous faict tant regarder	10	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Qui la vous faict tant regarder	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	Quelqu'un me disoit l'aultre jour	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor
4–5	Quelqu'un me disoit l'aultre jour	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–6	Quelqu'un me disoit l'aultre jour	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
4–6	Quelqu'un me disoit l'aultre jour	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius Comments Ct @6 above.
7–8	Quelqu'un me disoit l'aultre jour	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
8–9	Quelqu'un me disoit l'aultre jour	2	Details
Analysis ID Analyst 33 Is Cadence? No
10–15	Quelqu'un me disoit l'aultre jour	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
14–18	Quelqu'un me disoit l'aultre jour	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
18–20	Quelqu'un me disoit l'aultre jour	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@4) Bassus
19–20	Quelqu'un me disoit l'aultre jour	5	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Quelqu'un me disoit l'aultre jour	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Quelqu'un me disoit l'aultre jour	5	Details
Analysis ID Analyst 33 Is Cadence? No
22–23	Quelqu'un me disoit l'aultre jour	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
22–25	Quelqu'un me disoit l'aultre jour	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Superius
24–25	Quelqu'un me disoit l'aultre jour	6	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	Quelqu'un me disoit l'aultre jour	7	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
25–28	Quelqu'un me disoit l'aultre jour	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Other Counterpoint Invertible Counterpoint Comments T @3 above.
27–28	Quelqu'un me disoit l'aultre jour	7	Details
Analysis ID Analyst 33 Is Cadence? No
30–30	Quelqu'un me disoit l'aultre jour	7	Details
Analysis ID Analyst 33 Is Cadence? No
31–34	Quelqu'un me disoit l'aultre jour	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
30–30	Quelqu'un me disoit l'aultre jour	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap
32–34	Quelqu'un me disoit l'aultre jour	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–35	Quelqu'un me disoit l'aultre jour	8	Details
Analysis ID Analyst 33 Is Cadence? No
35–36	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Comments Ct @2 above.
36–36	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No
36–37	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No
41–42	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No
39–39	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No
38–38	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
39–40	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
42–42	Quelqu'un me disoit l'aultre jour	9	Details
Analysis ID Analyst 33 Is Cadence? No
42–43	Quelqu'un me disoit l'aultre jour	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
45–46	Quelqu'un me disoit l'aultre jour	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
45–49	Quelqu'un me disoit l'aultre jour	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
45–45	Quelqu'un me disoit l'aultre jour	10	Details
Analysis ID Analyst 33 Is Cadence? No
48–49	Quelqu'un me disoit l'aultre jour	10	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	Si je cognois que l'on ayme m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Declamation
1–3	Si je cognois que l'on ayme m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–6	Si je cognois que l'on ayme m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
5–5	Si je cognois que l'on ayme m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–6	Si je cognois que l'on ayme m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Si je cognois que l'on ayme m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
7–7	Si je cognois que l'on ayme m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–11	Si je cognois que l'on ayme m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
8–9	Si je cognois que l'on ayme m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–11	Si je cognois que l'on ayme m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–9	Si je cognois que l'on ayme m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Si je cognois que l'on ayme m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–6	Si je cognois que l'on ayme m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–13	Si je cognois que l'on ayme m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Closed/ open endings.
13–16	Si je cognois que l'on ayme m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Bassus Other Counterpoint Invertible Counterpoint
16–16	Si je cognois que l'on ayme m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	Si je cognois que l'on ayme m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	Si je cognois que l'on ayme m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–18	Si je cognois que l'on ayme m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
18–20	Si je cognois que l'on ayme m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
19–20	Si je cognois que l'on ayme m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Si je cognois que l'on ayme m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
20–20	Si je cognois que l'on ayme m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	Si je cognois que l'on ayme m'amye	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	Si je cognois que l'on ayme m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–25	Si je cognois que l'on ayme m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
26–27	Si je cognois que l'on ayme m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
24–26	Si je cognois que l'on ayme m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
26–27	Si je cognois que l'on ayme m'amye	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–29	Si je cognois que l'on ayme m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Other Counterpoint Invertible Counterpoint
29–30	Si je cognois que l'on ayme m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
31–31	Si je cognois que l'on ayme m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
29–38	Si je cognois que l'on ayme m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Revoiced PEn.
33–33	Si je cognois que l'on ayme m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
35–38	Si je cognois que l'on ayme m'amye	8	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	En ce verd moys, temps opportun	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Dance
2–3	En ce verd moys, temps opportun	1	Details
Analysis ID Analyst 33 Is Cadence? No
3–4	En ce verd moys, temps opportun	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	En ce verd moys, temps opportun	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Other Counterpoint Invertible Counterpoint
5–5	En ce verd moys, temps opportun	2	Details
Analysis ID Analyst 33 Is Cadence? No
6–7	En ce verd moys, temps opportun	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Comments Ct enters with T.
5–8	En ce verd moys, temps opportun	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
5–6	En ce verd moys, temps opportun	2	Details
Analysis ID Analyst 33 Is Cadence? No
9–10	En ce verd moys, temps opportun	2	Details
Analysis ID Analyst 33 Is Cadence? No
1–4	En ce verd moys, temps opportun	3	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–11	En ce verd moys, temps opportun	4	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Open/closed endings.
11–13	En ce verd moys, temps opportun	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Superius Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
12–12	En ce verd moys, temps opportun	5	Details
Analysis ID Analyst 33 Is Cadence? No
13–14	En ce verd moys, temps opportun	5	Details
Analysis ID Analyst 33 Is Cadence? No
15–16	En ce verd moys, temps opportun	5	Details
Analysis ID Analyst 33 Is Cadence? No
16–17	En ce verd moys, temps opportun	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
20–20	En ce verd moys, temps opportun	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	En ce verd moys, temps opportun	6	Details
Analysis ID Analyst 33 Is Cadence? No
21–22	En ce verd moys, temps opportun	6	Details
Analysis ID Analyst 33 Is Cadence? No
17–18	En ce verd moys, temps opportun	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Representation Comments Play on "mot", hocket.
21–21	En ce verd moys, temps opportun	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–23	En ce verd moys, temps opportun	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	En ce verd moys, temps opportun	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
23–24	En ce verd moys, temps opportun	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus
25–25	En ce verd moys, temps opportun	7	Details
Analysis ID Analyst 33 Is Cadence? No
25–26	En ce verd moys, temps opportun	7	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	En ce verd moys, temps opportun	8	Details
Analysis ID Analyst 33 Is Cadence? No
27–28	En ce verd moys, temps opportun	8	Details
Analysis ID Analyst 33 Is Cadence? No
28–29	En ce verd moys, temps opportun	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@4) Superius
30–33	En ce verd moys, temps opportun	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@5) Tenor
35–36	En ce verd moys, temps opportun	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius
34–35	En ce verd moys, temps opportun	9	Details
Analysis ID Analyst 33 Is Cadence? No
38–39	En ce verd moys, temps opportun	9	Details
Analysis ID Analyst 33 Is Cadence? No
1–1	Je ly au cueur de m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
1–2	Je ly au cueur de m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius
1–3	Je ly au cueur de m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor
3–4	Je ly au cueur de m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
5–5	Je ly au cueur de m'amye	1	Details
Analysis ID Analyst 33 Is Cadence? No
4–5	Je ly au cueur de m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
5–6	Je ly au cueur de m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
5–7	Je ly au cueur de m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
4–6	Je ly au cueur de m'amye	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius
9–9	Je ly au cueur de m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
8–8	Je ly au cueur de m'amye	3	Details
Analysis ID Analyst 33 Is Cadence? No
11–12	Je ly au cueur de m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Other Counterpoint Invertible Counterpoint
13–16	Je ly au cueur de m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius Voice Role (@5) Contratenor
10–10	Je ly au cueur de m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No
14–14	Je ly au cueur de m'amye	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
16–17	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Formulas Romanesca
18–19	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
9–22	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 3 Repeat, Exact or Varied?
9–22	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied?
9–22	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 5 Repeat, Exact or Varied?
18–18	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
18–18	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
21–21	Je ly au cueur de m'amye	5	Details
Analysis ID Analyst 33 Is Cadence? No
1–3	Malade si fut ma mignonne	1	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint
3–3	Malade si fut ma mignonne	1	Details
Analysis ID Analyst 33 Is Cadence? No
2–3	Malade si fut ma mignonne	2	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
2–5	Malade si fut ma mignonne	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint
4–7	Malade si fut ma mignonne	2	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius
8–9	Malade si fut ma mignonne	2	Details
Analysis ID Analyst 33 Is Cadence? No
8–9	Malade si fut ma mignonne	3	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
8–10	Malade si fut ma mignonne	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Comments S @6 above.
9–13	Malade si fut ma mignonne	3	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor
10–11	Malade si fut ma mignonne	3	Details
Analysis ID Analyst 33 Is Cadence? No
12–13	Malade si fut ma mignonne	3	Details
Analysis ID Analyst 33 Is Cadence? No
12–14	Malade si fut ma mignonne	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
11–15	Malade si fut ma mignonne	4	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Bassus
17–17	Malade si fut ma mignonne	4	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Enjambment
15–16	Malade si fut ma mignonne	4	Details
Analysis ID Analyst 33 Is Cadence? No
17–17	Malade si fut ma mignonne	4	Details
Analysis ID Analyst 33 Is Cadence? No
16–21	Malade si fut ma mignonne	5	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@5) Superius
20–21	Malade si fut ma mignonne	5	Details
Analysis ID Analyst 33 Is Cadence? No
19–21	Malade si fut ma mignonne	6	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
19–22	Malade si fut ma mignonne	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Bassus
20–23	Malade si fut ma mignonne	6	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus
23–24	Malade si fut ma mignonne	6	Details
Analysis ID Analyst 33 Is Cadence? No
23–24	Malade si fut ma mignonne	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Stagger
23–25	Malade si fut ma mignonne	7	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor
26–28	Malade si fut ma mignonne	7	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Refrain Earlier Phrase 7 Repeat, Exact or Varied? Comments S & Ct voices repeat in T &B.
26–26	Malade si fut ma mignonne	7	Details
Analysis ID Analyst 33 Is Cadence? No
29–32	Malade si fut ma mignonne	8	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type HR Simple
30–33	Malade si fut ma mignonne	8	Details
Analysis ID Analyst 33 Is Cadence? No
33–34	Malade si fut ma mignonne	8	Details
Analysis ID Analyst 33 Is Cadence? No
34–37	Malade si fut ma mignonne	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Tenor
35–38	Malade si fut ma mignonne	9	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Bassus Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Contratenor Voice Role (Lower Voice 2 NIM) Superius
37–37	Malade si fut ma mignonne	9	Details
Analysis ID Analyst 33 Is Cadence? No
36–37	Malade si fut ma mignonne	10	Details
Analysis ID Analyst 33 Is Cadence? No Text Treatment Text Overlap
39–40	Malade si fut ma mignonne	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
36–38	Malade si fut ma mignonne	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint
37–39	Malade si fut ma mignonne	10	Details
Analysis ID Analyst 33 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor
41–42	Malade si fut ma mignonne	10	Details
Analysis ID Analyst 33 Is Cadence? No
43–51	Malade si fut ma mignonne	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
43–51	Malade si fut ma mignonne	10	Details
Analysis ID Analyst 33 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Mm. 50, altered note values.

The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

Magruder, Katherine

Analyses

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