The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Derycz, Pierre

Analyses

Measures Piece Phrase Number
4–4 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–6 Je ne cognois femme en ceste contrée 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
4–8 Je ne cognois femme en ceste contrée 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
4–6 Je ne cognois femme en ceste contrée 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
9–10 Je ne cognois femme en ceste contrée 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
10–11 Je ne cognois femme en ceste contrée 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
11–13 Je ne cognois femme en ceste contrée 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
13–16 Je ne cognois femme en ceste contrée 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Other Counterpoint
Stretto Fuga
11–18 Je ne cognois femme en ceste contrée 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Shortened superius entry (m. 11) and extra bassus entry (m. 12) differ from the opening of phrase 1.
15–21 Je ne cognois femme en ceste contrée 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
21–23 Je ne cognois femme en ceste contrée 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint

Comments

First note of Countertenor shortened for text clarity.
21–21 Je ne cognois femme en ceste contrée 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
24–25 Je ne cognois femme en ceste contrée 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
25–25 Je ne cognois femme en ceste contrée 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
25–26 Je ne cognois femme en ceste contrée 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
29–30 Je ne cognois femme en ceste contrée 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
33–34 Je ne cognois femme en ceste contrée 7 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

No suspension, 7>5, 2>3.
35–36 Je ne cognois femme en ceste contrée 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
34–35 Je ne cognois femme en ceste contrée 8 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

In middle of phrase.
38–39 Je ne cognois femme en ceste contrée 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
39–41 Je ne cognois femme en ceste contrée 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint
41–44 Je ne cognois femme en ceste contrée 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
39–46 Je ne cognois femme en ceste contrée 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Extra Ct entrance (m. 39) and shortened S and B entries (mm. 39 and 40) differ from the opening of phrase 1.
43–49 Je ne cognois femme en ceste contrée 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
1–4 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
4–5 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
4–5 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

In m. 5, musica ficta dictates G# in Superius, but PEn entrance in Tenor is G-natural.
5–9 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus

Comments

Bassus entry occurs significantly later than previous entry in tenor.
8–10 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
9–10 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
10–11 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
5–5 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
15–16 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
13–15 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
16–18 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
16–18 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
16–20 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
19–20 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
16–20 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
3
Repeat, Exact or Varied?
20–27 Faisons le dire mensonger 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
24–26 Faisons le dire mensonger 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
25–26 Faisons le dire mensonger 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–2 Si l'amyitié n'est que conjonction 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
3–4 Si l'amyitié n'est que conjonction 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
4–6 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
5–6 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
8–10 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Representation

Comments

Melismatic parallel 3rds in S/B illustrate "qui se suivent."
9–10 Si l'amyitié n'est que conjonction 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–4 Si l'amyitié n'est que conjonction 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–10 Si l'amyitié n'est que conjonction 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–13 Si l'amyitié n'est que conjonction 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Declamation
14–16 Si l'amyitié n'est que conjonction 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Representation

Comments

Both cadences are evaded; illustrates "estrange semble."
20–21 Si l'amyitié n'est que conjonction 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
20–21 Si l'amyitié n'est que conjonction 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
21–21 Si l'amyitié n'est que conjonction 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
21–23 Si l'amyitié n'est que conjonction 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius

Comments

@ 6 above
19–25 Si l'amyitié n'est que conjonction 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Extra entry in Tenor (m. 21).
25–32 Si l'amyitié n'est que conjonction 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
27–33 Si l'amyitié n'est que conjonction 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–2 Si je cuidois (pour gemir et complaindre) 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Stagger
3–4 Si je cuidois (pour gemir et complaindre) 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
6–8 Si je cuidois (pour gemir et complaindre) 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
8–9 Si je cuidois (pour gemir et complaindre) 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–4 Si je cuidois (pour gemir et complaindre) 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–10 Si je cuidois (pour gemir et complaindre) 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–11 Si je cuidois (pour gemir et complaindre) 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
12–13 Si je cuidois (pour gemir et complaindre) 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
13–15 Si je cuidois (pour gemir et complaindre) 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
15–16 Si je cuidois (pour gemir et complaindre) 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
16–17 Si je cuidois (pour gemir et complaindre) 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
17–19 Si je cuidois (pour gemir et complaindre) 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Declamation
17–19 Si je cuidois (pour gemir et complaindre) 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
21–22 Si je cuidois (pour gemir et complaindre) 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
29–30 Si je cuidois (pour gemir et complaindre) 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
19–22 Si je cuidois (pour gemir et complaindre) 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Extra entry in Tenor and delayed entry in Bassus (m. 29) differ from opening of phrase 7 in mm. 17-18.
22–24 Si je cuidois (pour gemir et complaindre) 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Declamation
24–25 Si je cuidois (pour gemir et complaindre) 8 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

Middle of phrase.
25–27 Si je cuidois (pour gemir et complaindre) 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

First note in Tenor shortened for text setting; last entrance in Countertenor delayed.
27–28 Si je cuidois (pour gemir et complaindre) 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
25–27 Si je cuidois (pour gemir et complaindre) 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Representation

Comments

Melismas in all four voices represent "croist."
27–29 Si je cuidois (pour gemir et complaindre) 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
22–31 Si je cuidois (pour gemir et complaindre) 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–4 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
4–5 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Representation

Comments

Middle of phrase.
5–7 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
6–6 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
7–8 Je ne suis pas si sot berger 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
8–9 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
8–9 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
9–9 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
9–10 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
8–16 Je ne suis pas si sot berger 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Superius and Countertenor entries in mm. 8-9 provide link into phrase 2 that differs from opening of phrase 1.
16–17 Je ne suis pas si sot berger 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Stagger
18–20 Je ne suis pas si sot berger 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Enjambment
18–18 Je ne suis pas si sot berger 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
19–19 Je ne suis pas si sot berger 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
19–20 Je ne suis pas si sot berger 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
21–22 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
Text Treatment
Text Declamation
23–23 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
24–27 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
24–26 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Enjambment
23–24 Je ne suis pas si sot berger 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
25–26 Je ne suis pas si sot berger 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
24–27 Je ne suis pas si sot berger 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
1–3 A ce matin d'un beau bouquet de rose 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
5–5 A ce matin d'un beau bouquet de rose 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
4–6 A ce matin d'un beau bouquet de rose 1 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

Both cadences to D. Problematic musica ficta (C-sharp in Superius, m. 4; C-sharp in Tenor, m. 6).
5–6 A ce matin d'un beau bouquet de rose 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
5–6 A ce matin d'un beau bouquet de rose 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
6–9 A ce matin d'un beau bouquet de rose 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
10–11 A ce matin d'un beau bouquet de rose 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–6 A ce matin d'un beau bouquet de rose 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–12 A ce matin d'un beau bouquet de rose 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–17 A ce matin d'un beau bouquet de rose 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Declamation
13–14 A ce matin d'un beau bouquet de rose 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
16–17 A ce matin d'un beau bouquet de rose 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
18–19 A ce matin d'un beau bouquet de rose 6 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

In middle of phrase.
20–21 A ce matin d'un beau bouquet de rose 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
21–24 A ce matin d'un beau bouquet de rose 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint
24–25 A ce matin d'un beau bouquet de rose 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
25–26 A ce matin d'un beau bouquet de rose 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
25–29 A ce matin d'un beau bouquet de rose 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
27–29 A ce matin d'un beau bouquet de rose 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
29–29 A ce matin d'un beau bouquet de rose 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
29–30 A ce matin d'un beau bouquet de rose 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
31–36 A ce matin d'un beau bouquet de rose 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

In m. 31: Contratenor, Bassus and Superius entries are shortened.
33–36 A ce matin d'un beau bouquet de rose 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
35–41 A ce matin d'un beau bouquet de rose 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
35–43 A ce matin d'un beau bouquet de rose 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
1–3 Je suis honteux et n'ose descouvrir 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation
3–5 Je suis honteux et n'ose descouvrir 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
4–10 Je suis honteux et n'ose descouvrir 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Enjambment
4–6 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
5–7 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint
8–10 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
7–8 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
9–10 Je suis honteux et n'ose descouvrir 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–5 Je suis honteux et n'ose descouvrir 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–11 Je suis honteux et n'ose descouvrir 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–12 Je suis honteux et n'ose descouvrir 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
12–15 Je suis honteux et n'ose descouvrir 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
15–16 Je suis honteux et n'ose descouvrir 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
18–20 Je suis honteux et n'ose descouvrir 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
20–21 Je suis honteux et n'ose descouvrir 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
21–23 Je suis honteux et n'ose descouvrir 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Pause
22–27 Je suis honteux et n'ose descouvrir 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
32–36 Je suis honteux et n'ose descouvrir 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Diminution by half of first two notes of phrase (mm. 32-33).
26–32 Je suis honteux et n'ose descouvrir 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
35–41 Je suis honteux et n'ose descouvrir 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–4 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Declamation
1–3 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–4 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
5–8 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
8–9 Las, si amour nouveau conseil n'apporte 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
9–11 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
10–12 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
11–13 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Stagger
13–15 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
14–15 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
16–17 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
17–18 Las, si amour nouveau conseil n'apporte 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
18–21 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
19–21 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
22–24 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
25–27 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
26–28 Las, si amour nouveau conseil n'apporte 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
27–29 Las, si amour nouveau conseil n'apporte 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Pause
29–37 Las, si amour nouveau conseil n'apporte 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
4
Repeat, Exact or Varied?
1–1 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Declamation
5–6 Si Salamandre en flamme vit c'est peu 1 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

No suspension.
6–8 Si Salamandre en flamme vit c'est peu 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
11–12 Si Salamandre en flamme vit c'est peu 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
12–13 Si Salamandre en flamme vit c'est peu 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
12–17 Si Salamandre en flamme vit c'est peu 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

m. 12 differs from m. 1.
17–23 Si Salamandre en flamme vit c'est peu 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

m. 23.1 has no 3rd in the chord, contrarily to m. 12.
23–24 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
23–25 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
24–26 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
26–26 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
26–27 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
27–27 Si Salamandre en flamme vit c'est peu 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
27–29 Si Salamandre en flamme vit c'est peu 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga

Comments

First note in Tenor shortened by half.
30–31 Si Salamandre en flamme vit c'est peu 6 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

In middle of phrase.
31–32 Si Salamandre en flamme vit c'est peu 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
32–33 Si Salamandre en flamme vit c'est peu 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
33–35 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga

Comments

Additional entry in Superius m. 35 with augmented first note.
34–35 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
37–39 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
36–36 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
38–39 Si Salamandre en flamme vit c'est peu 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
39–41 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Contratenor
Voice Role (@4)
Superius
Voice Role (Above)
Contratenor
42–42 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
42–43 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
43–44 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
41–43 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
44–45 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
39–46 Si Salamandre en flamme vit c'est peu 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–4 Mais dont vient que vous, damoyselles 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Dance
4–4 Mais dont vient que vous, damoyselles 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
6–8 Mais dont vient que vous, damoyselles 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–4 Mais dont vient que vous, damoyselles 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–8 Mais dont vient que vous, damoyselles 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
9–10 Mais dont vient que vous, damoyselles 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
10–11 Mais dont vient que vous, damoyselles 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
11–11 Mais dont vient que vous, damoyselles 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
12–13 Mais dont vient que vous, damoyselles 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
14–15 Mais dont vient que vous, damoyselles 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
15–16 Mais dont vient que vous, damoyselles 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
17–18 Mais dont vient que vous, damoyselles 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
17–18 Mais dont vient que vous, damoyselles 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
20–21 Mais dont vient que vous, damoyselles 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
21–22 Mais dont vient que vous, damoyselles 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
21–23 Mais dont vient que vous, damoyselles 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Pause
25–26 Mais dont vient que vous, damoyselles 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
23–26 Mais dont vient que vous, damoyselles 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

mm. 25-26 differ from mm. 3-4.
27–27 Mais dont vient que vous, damoyselles 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
26–28 Mais dont vient que vous, damoyselles 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
27–28 Mais dont vient que vous, damoyselles 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
26–31 Mais dont vient que vous, damoyselles 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

mm. 26-28 differ from mm. 4-6.
1–3 Chasse rigueur loing de toy qui es belle 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
2–4 Chasse rigueur loing de toy qui es belle 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
4–5 Chasse rigueur loing de toy qui es belle 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
5–7 Chasse rigueur loing de toy qui es belle 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
7–8 Chasse rigueur loing de toy qui es belle 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–5 Chasse rigueur loing de toy qui es belle 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–9 Chasse rigueur loing de toy qui es belle 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
9–11 Chasse rigueur loing de toy qui es belle 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Below)
Bassus

Comments

@ 6 below
11–12 Chasse rigueur loing de toy qui es belle 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
12–12 Chasse rigueur loing de toy qui es belle 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
16–17 Chasse rigueur loing de toy qui es belle 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
17–19 Chasse rigueur loing de toy qui es belle 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
20–21 Chasse rigueur loing de toy qui es belle 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
21–22 Chasse rigueur loing de toy qui es belle 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
20–22 Chasse rigueur loing de toy qui es belle 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
22–24 Chasse rigueur loing de toy qui es belle 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
25–26 Chasse rigueur loing de toy qui es belle 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
26–30 Chasse rigueur loing de toy qui es belle 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
31–35 Chasse rigueur loing de toy qui es belle 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
33–34 Chasse rigueur loing de toy qui es belle 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
35–36 Chasse rigueur loing de toy qui es belle 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–2 L'aveuglé Dieu qui partout vole nud 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
2–4 L'aveuglé Dieu qui partout vole nud 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
4–4 L'aveuglé Dieu qui partout vole nud 1 Details
Analysis ID
Analyst
32
Is Cadence?
No

Comments

No suspension
5–6 L'aveuglé Dieu qui partout vole nud 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
5–7 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Above)
Superius

Comments

@ 6 above
6–8 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
7–8 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
8–10 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Stagger
8–8 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
5–6 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
5–14 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Enjambment
8–9 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
12–13 L'aveuglé Dieu qui partout vole nud 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–6 L'aveuglé Dieu qui partout vole nud 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–14 L'aveuglé Dieu qui partout vole nud 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
14–15 L'aveuglé Dieu qui partout vole nud 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Stagger
18–19 L'aveuglé Dieu qui partout vole nud 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
19–21 L'aveuglé Dieu qui partout vole nud 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Pause
20–21 L'aveuglé Dieu qui partout vole nud 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
22–23 L'aveuglé Dieu qui partout vole nud 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
20–21 L'aveuglé Dieu qui partout vole nud 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Formulas
Romanesca
25–26 L'aveuglé Dieu qui partout vole nud 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
26–31 L'aveuglé Dieu qui partout vole nud 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Dance
29–30 L'aveuglé Dieu qui partout vole nud 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
37–38 L'aveuglé Dieu qui partout vole nud 8 Details
Analysis ID
Analyst
32
Is Cadence?
No
37–38 L'aveuglé Dieu qui partout vole nud 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Overlap
37–43 L'aveuglé Dieu qui partout vole nud 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Enjambment
39–43 L'aveuglé Dieu qui partout vole nud 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?

Comments

Tenor in 1st ending different than in mm. 37-38.
38–43 L'aveuglé Dieu qui partout vole nud 9 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Countertenor and Bassus different in mm. 37-38 than in m. 1-2.
42–52 L'aveuglé Dieu qui partout vole nud 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
42–50 L'aveuglé Dieu qui partout vole nud 10 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Bassus in m. 46 different than in m. 9.
1–2 Rien plus ne quiers, ma dame me contente 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Stagger
2–3 Rien plus ne quiers, ma dame me contente 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
3–5 Rien plus ne quiers, ma dame me contente 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
6–7 Rien plus ne quiers, ma dame me contente 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
7–8 Rien plus ne quiers, ma dame me contente 1 Details
Analysis ID
Analyst
32
Is Cadence?
No
8–10 Rien plus ne quiers, ma dame me contente 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Text Treatment
Text Pause
9–10 Rien plus ne quiers, ma dame me contente 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
11–12 Rien plus ne quiers, ma dame me contente 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
12–14 Rien plus ne quiers, ma dame me contente 2 Details
Analysis ID
Analyst
32
Is Cadence?
No
1–8 Rien plus ne quiers, ma dame me contente 3 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
9–14 Rien plus ne quiers, ma dame me contente 4 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
15–17 Rien plus ne quiers, ma dame me contente 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
17–18 Rien plus ne quiers, ma dame me contente 5 Details
Analysis ID
Analyst
32
Is Cadence?
No
18–20 Rien plus ne quiers, ma dame me contente 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
23–24 Rien plus ne quiers, ma dame me contente 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
24–24 Rien plus ne quiers, ma dame me contente 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
23–24 Rien plus ne quiers, ma dame me contente 6 Details
Analysis ID
Analyst
32
Is Cadence?
No
25–26 Rien plus ne quiers, ma dame me contente 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
25–25 Rien plus ne quiers, ma dame me contente 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
HR Simple
28–29 Rien plus ne quiers, ma dame me contente 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
29–30 Rien plus ne quiers, ma dame me contente 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
29–34 Rien plus ne quiers, ma dame me contente 7 Details
Analysis ID
Analyst
32
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Countertenor in m. 31 different than in m. 25.