Holscher, Joshua

Analyses

Measures	Piece	Phrase Number
1–4	Maistre Lubin de sang rassis	1	Details
Analysis ID Analyst 29 Is Cadence? No Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
3–4	Maistre Lubin de sang rassis	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Maistre Lubin de sang rassis	2	Details
Analysis ID Analyst 29 Is Cadence? No
6–9	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
8–11	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Bassus begins 1 half-note earlier
10–11	Maistre Lubin de sang rassis	3	Details
Analysis ID Analyst 29 Is Cadence? No
10–11	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
10–13	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–15	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
14–15	Maistre Lubin de sang rassis	4	Details
Analysis ID Analyst 29 Is Cadence? No
16–19	Maistre Lubin de sang rassis	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Tenor Voice Role (@4) Contratenor Voice Role (Below) Contratenor
19–21	Maistre Lubin de sang rassis	5	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
23–24	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 29 Is Cadence? No
24–25	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (@5) Bassus Voice Role (Above) Contratenor Voice Role (Below) Bassus
25–26	Maistre Lubin de sang rassis	6	Details
Analysis ID Analyst 29 Is Cadence? No
27–29	Maistre Lubin de sang rassis	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
27–29	Maistre Lubin de sang rassis	7	Details
Analysis ID Analyst 29 Is Cadence? No
29–30	Maistre Lubin de sang rassis	7	Details
Analysis ID Analyst 29 Is Cadence? No
30–33	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
31–33	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
30–31	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Maistre Lubin de sang rassis	8	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (@5) Contratenor Voice Role (@4) Contratenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint, Stretto Fuga
34–35	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus
34–35	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
34–36	Maistre Lubin de sang rassis	9	Details
Analysis ID Analyst 29 Is Cadence? No
34–36	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
36–43	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
41–42	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 29 Is Cadence? No
45–47	Maistre Lubin de sang rassis	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
42–44	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
46–46	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 29 Is Cadence? No
47–47	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 29 Is Cadence? No
42–48	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 11 Repeat, Exact or Varied?
48–48	Maistre Lubin de sang rassis	11	Details
Analysis ID Analyst 29 Is Cadence? No
48–51	Maistre Lubin de sang rassis	12	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
48–51	Maistre Lubin de sang rassis	12	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 12 Repeat, Exact or Varied?
50–51	Maistre Lubin de sang rassis	12	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
2–6	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
6–8	Sans avoir faict nul desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
7–8	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
7–9	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
12–14	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No
16–18	Sans avoir faict nul desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
15–16	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
18–31	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor
22–22	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	Sans avoir faict nul desplaisir	3	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
23–25	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
28–29	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 29 Is Cadence? No
29–32	Sans avoir faict nul desplaisir	4	Details
Analysis ID Analyst 29 Is Cadence? No
30–33	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
32–38	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
37–41	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
39–41	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
43–44	Sans avoir faict nul desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No
46–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause Comments Pause: Ct interrupts article and noun ("au [pause] coeur")
44–46	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus
44–48	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No
47–48	Sans avoir faict nul desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No
48–50	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
49–51	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No
49–53	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
52–54	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No
53–55	Sans avoir faict nul desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No
57–59	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No
62–63	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No
59–64	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Varied Repeat: Bassus completes cadential motion
58–60	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No
63–64	Sans avoir faict nul desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
1–3	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 29 Is Cadence? No
2–3	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Si mon grand mal ne peult finir	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–4	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
5–5	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Tenor enters on dissonance
5–6	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–7	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Si mon grand mal ne peult finir	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–4	Si mon grand mal ne peult finir	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–8	Si mon grand mal ne peult finir	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
8–8	Si mon grand mal ne peult finir	4	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
9–9	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
9–11	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
12–13	Si mon grand mal ne peult finir	5	Details
Analysis ID Analyst 29 Is Cadence? No
12–15	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
12–14	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
13–14	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Si mon grand mal ne peult finir	6	Details
Analysis ID Analyst 29 Is Cadence? No
16–16	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation Comments Text Declaim: whole note pause at "meurt"
17–20	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
15–17	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 29 Is Cadence? No
17–19	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 29 Is Cadence? No
19–20	Si mon grand mal ne peult finir	7	Details
Analysis ID Analyst 29 Is Cadence? No
19–20	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
20–24	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
24–26	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 29 Is Cadence? No
19–25	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Varied Repeat: Evaded cadence of first ending becomes authentic for 2nd ending.
24–25	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 tenorizans motion (1st ending)
24–25	Si mon grand mal ne peult finir	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments Authentic Cadence: 2nd Ending.
1–3	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
6–7	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–5	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Poste esgaré par trop adventureux	1	Details
Analysis ID Analyst 29 Is Cadence? No
8–10	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
10–11	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
10–12	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–10	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 29 Is Cadence? No
12–13	Poste esgaré par trop adventureux	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–8	Poste esgaré par trop adventureux	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–13	Poste esgaré par trop adventureux	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
14–16	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
15–16	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Poste esgaré par trop adventureux	5	Details
Analysis ID Analyst 29 Is Cadence? No
18–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
20–22	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 29 Is Cadence? No
20–20	Poste esgaré par trop adventureux	6	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: no half-step cantizans; almost a NDLT
22–23	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
20–22	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
21–22	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: no half-step cantizans
23–24	Poste esgaré par trop adventureux	7	Details
Analysis ID Analyst 29 Is Cadence? No
25–27	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 29 Is Cadence? No
27–27	Poste esgaré par trop adventureux	8	Details
Analysis ID Analyst 29 Is Cadence? No
27–27	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
27–27	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
27–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Representation Comments Text Representation: Absolute HR for phrase"Que mon parler il luy plaise escouter"
30–30	Poste esgaré par trop adventureux	9	Details
Analysis ID Analyst 29 Is Cadence? No
30–32	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (@5) Bassus Voice Role (Above) Contratenor Voice Role (Below) Bassus
31–33	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
30–31	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 29 Is Cadence? No
35–36	Poste esgaré par trop adventureux	10	Details
Analysis ID Analyst 29 Is Cadence? No
35–36	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
35–38	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Bassus Voice Role (@4) Superius Voice Role (Above) Superius Voice Role (Below) Bassus
44–47	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
47–47	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 29 Is Cadence? No
44–45	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 29 Is Cadence? No Comments Incomplete Cadence: Neither T nor B completes motion
47–48	Poste esgaré par trop adventureux	11	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint, Stretto Fuga
3–4	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (@4) Superius Voice Role (Above) Superius Voice Role (Below) Tenor
2–3	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Sus, sus, ma seur, prendz bon couraige	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Sus, sus, ma seur, prendz bon couraige	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–10	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
11–12	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
12–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 29 Is Cadence? No
13–13	Sus, sus, ma seur, prendz bon couraige	3	Details
Analysis ID Analyst 29 Is Cadence? No
13–14	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
14–16	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
15–16	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor
16–18	Sus, sus, ma seur, prendz bon couraige	4	Details
Analysis ID Analyst 29 Is Cadence? No
17–20	Sus, sus, ma seur, prendz bon couraige	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
19–21	Sus, sus, ma seur, prendz bon couraige	5	Details
Analysis ID Analyst 29 Is Cadence? No
21–22	Sus, sus, ma seur, prendz bon couraige	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 5>6 Bassus motion
22–22	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
22–28	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
26–27	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 29 Is Cadence? No
27–28	Sus, sus, ma seur, prendz bon couraige	6	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus
30–32	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
30–33	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 29 Is Cadence? No
28–35	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Varied Repeat: opening gesture changes.
33–34	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
32–33	Sus, sus, ma seur, prendz bon couraige	7	Details
Analysis ID Analyst 29 Is Cadence? No
33–38	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
38–40	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
40–41	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 29 Is Cadence? No
33–42	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
35–36	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 29 Is Cadence? No
37–38	Sus, sus, ma seur, prendz bon couraige	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Comments Alternating 4/3 in S/Ct and Ct/T
3–3	Elle disoit : faictes tout bellement	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
5–7	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Elle disoit : faictes tout bellement	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–12	Elle disoit : faictes tout bellement	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
8–11	Elle disoit : faictes tout bellement	3	Details
Analysis ID Analyst 29 Is Cadence? No
11–12	Elle disoit : faictes tout bellement	3	Details
Analysis ID Analyst 29 Is Cadence? No
12–13	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
15–16	Elle disoit : faictes tout bellement	4	Details
Analysis ID Analyst 29 Is Cadence? No
16–17	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
16–18	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
20–21	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
19–20	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 29 Is Cadence? No
21–22	Elle disoit : faictes tout bellement	5	Details
Analysis ID Analyst 29 Is Cadence? No
20–22	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
20–22	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Below) Contratenor
22–24	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
26–28	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
20–29	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 6 Repeat, Exact or Varied?
28–29	Elle disoit : faictes tout bellement	6	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
2–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
1–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 29 Is Cadence? No
1–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
3–3	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Du jeu d'aymer Martin fort curieux	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
5–6	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
5–7	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–10	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–11	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 29 Is Cadence? No
11–11	Du jeu d'aymer Martin fort curieux	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–6	Du jeu d'aymer Martin fort curieux	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–11	Du jeu d'aymer Martin fort curieux	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–15	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
12–15	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 29 Is Cadence? No
15–15	Du jeu d'aymer Martin fort curieux	5	Details
Analysis ID Analyst 29 Is Cadence? No
16–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 29 Is Cadence? No
17–19	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
17–18	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Fauxbourdon
19–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 29 Is Cadence? No
19–20	Du jeu d'aymer Martin fort curieux	6	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
21–22	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 29 Is Cadence? No
22–22	Du jeu d'aymer Martin fort curieux	7	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
23–25	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
23–24	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 29 Is Cadence? No
26–26	Du jeu d'aymer Martin fort curieux	8	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
26–28	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
27–27	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 29 Is Cadence? No
28–28	Du jeu d'aymer Martin fort curieux	9	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
31–32	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 29 Is Cadence? No
33–35	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 29 Is Cadence? No
35–35	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 29 Is Cadence? No
37–39	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 29 Is Cadence? No
35–36	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 29 Is Cadence? No
39–40	Du jeu d'aymer Martin fort curieux	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
4–5	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–5	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–7	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Faire ne puis sans dueil & desplaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–9	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus Comments NIM: Some variation to retain consonant verticals, but basic module is the same for both pairs.
9–14	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
10–11	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No
13–14	Faire ne puis sans dueil & desplaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–7	Faire ne puis sans dueil & desplaisir	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–14	Faire ne puis sans dueil & desplaisir	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
15–20	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
15–20	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Faire ne puis sans dueil & desplaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No
18–20	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No
21–23	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text representation: long melisma on the word "souspire"
22–23	Faire ne puis sans dueil & desplaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
23–25	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
25–27	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
28–29	Faire ne puis sans dueil & desplaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No
28–30	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
29–31	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca Comments ACC 8/3: S/B
31–33	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Faire ne puis sans dueil & desplaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No
33–40	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: T voice begins a half-note later
33–40	Faire ne puis sans dueil & desplaisir	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
40–47	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: S voice quarter-note figure in ms. 44 changes.
40–47	Faire ne puis sans dueil & desplaisir	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
1–2	Belle comere Dieu vous gard	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
2–2	Belle comere Dieu vous gard	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Belle comere Dieu vous gard	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Comments Reverse Romanesca
4–5	Belle comere Dieu vous gard	2	Details
Analysis ID Analyst 29 Is Cadence? No
5–7	Belle comere Dieu vous gard	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
5–6	Belle comere Dieu vous gard	3	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Belle comere Dieu vous gard	3	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Belle comere Dieu vous gard	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
7–9	Belle comere Dieu vous gard	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
9–9	Belle comere Dieu vous gard	4	Details
Analysis ID Analyst 29 Is Cadence? No
9–11	Belle comere Dieu vous gard	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
11–12	Belle comere Dieu vous gard	5	Details
Analysis ID Analyst 29 Is Cadence? No
11–13	Belle comere Dieu vous gard	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
11–12	Belle comere Dieu vous gard	5	Details
Analysis ID Analyst 29 Is Cadence? No
12–12	Belle comere Dieu vous gard	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
14–14	Belle comere Dieu vous gard	6	Details
Analysis ID Analyst 29 Is Cadence? No
14–14	Belle comere Dieu vous gard	6	Details
Analysis ID Analyst 29 Is Cadence? No
15–15	Belle comere Dieu vous gard	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
15–17	Belle comere Dieu vous gard	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
15–17	Belle comere Dieu vous gard	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
16–17	Belle comere Dieu vous gard	7	Details
Analysis ID Analyst 29 Is Cadence? No
15–19	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
17–20	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
18–20	Belle comere Dieu vous gard	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Celer ne puis ny dire le tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
1–3	Celer ne puis ny dire le tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
2–4	Celer ne puis ny dire le tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
3–4	Celer ne puis ny dire le tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Celer ne puis ny dire le tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–6	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
6–9	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
7–10	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–10	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–11	Celer ne puis ny dire le tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–6	Celer ne puis ny dire le tourment	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–11	Celer ne puis ny dire le tourment	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–12	Celer ne puis ny dire le tourment	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
11–13	Celer ne puis ny dire le tourment	5	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Celer ne puis ny dire le tourment	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: Bassus does not complete cadential motion
16–18	Celer ne puis ny dire le tourment	6	Details
Analysis ID Analyst 29 Is Cadence? No
15–18	Celer ne puis ny dire le tourment	6	Details
Analysis ID Analyst 29 Is Cadence? No
18–19	Celer ne puis ny dire le tourment	6	Details
Analysis ID Analyst 29 Is Cadence? No
19–21	Celer ne puis ny dire le tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
22–23	Celer ne puis ny dire le tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
20–22	Celer ne puis ny dire le tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No
19–25	Celer ne puis ny dire le tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
23–25	Celer ne puis ny dire le tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded CADinCAD: 2>3 tenorizans motion in Ct
27–27	Celer ne puis ny dire le tourment	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation Comments Text declamation: "Mort"
25–29	Celer ne puis ny dire le tourment	8	Details
Analysis ID Analyst 29 Is Cadence? No
24–30	Celer ne puis ny dire le tourment	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
29–30	Celer ne puis ny dire le tourment	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus Comments FI: First note of B is tonal
1–3	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
2–4	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
3–4	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
4–6	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
5–6	Un vieil souldard prioit une fillette	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–8	Un vieil souldard prioit une fillette	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (@4) Tenor Voice Role (Below) Contratenor
7–8	Un vieil souldard prioit une fillette	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–9	Un vieil souldard prioit une fillette	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
8–9	Un vieil souldard prioit une fillette	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–14	Un vieil souldard prioit une fillette	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
14–18	Un vieil souldard prioit une fillette	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: 8th note figure reduces to single quarter in Ms. 15; ct terminates cadence on B-flat instead of D.
18–19	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
18–20	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor Comments PEn: Also Tonal
19–21	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
21–22	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
21–22	Un vieil souldard prioit une fillette	5	Details
Analysis ID Analyst 29 Is Cadence? No
22–24	Un vieil souldard prioit une fillette	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
22–23	Un vieil souldard prioit une fillette	6	Details
Analysis ID Analyst 29 Is Cadence? No
22–26	Un vieil souldard prioit une fillette	6	Details
Analysis ID Analyst 29 Is Cadence? No Comments Parallel 5ths: S/Ct
24–26	Un vieil souldard prioit une fillette	6	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Un vieil souldard prioit une fillette	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
26–27	Un vieil souldard prioit une fillette	7	Details
Analysis ID Analyst 29 Is Cadence? No
27–29	Un vieil souldard prioit une fillette	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not complete phrase.
29–30	Un vieil souldard prioit une fillette	7	Details
Analysis ID Analyst 29 Is Cadence? No
25–30	Un vieil souldard prioit une fillette	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Varied Repeat: Ct opens phrase a whole note later, entering with half-notes on G.
29–30	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
29–31	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor Comments FI: Tonal
31–32	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 29 Is Cadence? No
32–34	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
33–34	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 29 Is Cadence? No
29–34	Un vieil souldard prioit une fillette	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–4	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
2–3	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
3–4	Faictes si vous plaist vostre aumosne	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–7	Faictes si vous plaist vostre aumosne	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
6–7	Faictes si vous plaist vostre aumosne	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–10	Faictes si vous plaist vostre aumosne	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Ct plays D instead of G, T descends, and B begins on B-flat instead of G, all in ms. 8.
11–14	Faictes si vous plaist vostre aumosne	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
15–18	Faictes si vous plaist vostre aumosne	5	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
1–2	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
3–6	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@5) Contratenor Voice Role (Above) Contratenor
5–7	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
2–4	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–8	Un jeune moine bien adroit	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–10	Un jeune moine bien adroit	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
10–11	Un jeune moine bien adroit	2	Details
Analysis ID Analyst 29 Is Cadence? No
11–18	Un jeune moine bien adroit	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
18–22	Un jeune moine bien adroit	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
22–23	Un jeune moine bien adroit	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
23–27	Un jeune moine bien adroit	5	Details
Analysis ID Analyst 29 Is Cadence? No
24–25	Un jeune moine bien adroit	5	Details
Analysis ID Analyst 29 Is Cadence? No
25–28	Un jeune moine bien adroit	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
23–27	Un jeune moine bien adroit	6	Details
Analysis ID Analyst 29 Is Cadence? No
27–28	Un jeune moine bien adroit	6	Details
Analysis ID Analyst 29 Is Cadence? No
28–31	Un jeune moine bien adroit	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 5 Repeat, Exact or Varied? Comments Varied Repeat: Prase begins at different time units, but terminates the same.
31–34	Un jeune moine bien adroit	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 6 Repeat, Exact or Varied?
34–35	Un jeune moine bien adroit	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
35–37	Un jeune moine bien adroit	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
36–37	Un jeune moine bien adroit	9	Details
Analysis ID Analyst 29 Is Cadence? No
37–37	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
37–37	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
37–40	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not perform phrase.
37–39	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 29 Is Cadence? No
39–40	Un jeune moine bien adroit	10	Details
Analysis ID Analyst 29 Is Cadence? No
40–42	Un jeune moine bien adroit	11	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
42–45	Un jeune moine bien adroit	11	Details
Analysis ID Analyst 29 Is Cadence? No
44–45	Un jeune moine bien adroit	11	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 5>6 motion in Bassus
44–45	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
44–47	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
47–48	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 29 Is Cadence? No
47–48	Un jeune moine bien adroit	12	Details
Analysis ID Analyst 29 Is Cadence? No
48–48	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
48–50	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
52–54	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 29 Is Cadence? No
49–55	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 13 Repeat, Exact or Varied?
54–55	Un jeune moine bien adroit	13	Details
Analysis ID Analyst 29 Is Cadence? No
55–56	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor Text Treatment Text Overlap
57–58	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Bassus Voice Role (@5) Contratenor Voice Role (Above) Contratenor Voice Role (Below) Bassus
57–59	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Above) Tenor
55–62	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 14 Repeat, Exact or Varied? Comments Varied Repeat: Ct terminates on D instead of B-flat.
60–63	Un jeune moine bien adroit	14	Details
Analysis ID Analyst 29 Is Cadence? No
1–4	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
2–5	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
4–4	Ma bouche n'ose dire/ Mon apparent desir	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–7	Ma bouche n'ose dire/ Mon apparent desir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
6–7	Ma bouche n'ose dire/ Mon apparent desir	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–10	Ma bouche n'ose dire/ Mon apparent desir	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: Ct and T swap initial pitch-classes.
10–13	Ma bouche n'ose dire/ Mon apparent desir	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: Ct ends on B-flat; Bassus ends on G an octave higher.
13–14	Ma bouche n'ose dire/ Mon apparent desir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
13–14	Ma bouche n'ose dire/ Mon apparent desir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
14–16	Ma bouche n'ose dire/ Mon apparent desir	5	Details
Analysis ID Analyst 29 Is Cadence? No
15–15	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
16–18	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
16–16	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Ma bouche n'ose dire/ Mon apparent desir	6	Details
Analysis ID Analyst 29 Is Cadence? No
18–21	Ma bouche n'ose dire/ Mon apparent desir	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
18–21	Ma bouche n'ose dire/ Mon apparent desir	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Varied Repeat: T begins on G instead of B-flat
20–21	Ma bouche n'ose dire/ Mon apparent desir	7	Details
Analysis ID Analyst 29 Is Cadence? No
21–22	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
21–23	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (@5) Bassus Voice Role (Below) Tenor
22–22	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 29 Is Cadence? No
21–25	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
23–25	Ma bouche n'ose dire/ Mon apparent desir	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
5–6	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments ACC 4: S/Ct
4–7	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst 29 Is Cadence? No
8–9	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Nearly Romanesca
10–12	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 29 Is Cadence? No
11–12	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 29 Is Cadence? No
12–13	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst 29 Is Cadence? No
13–15	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 29 Is Cadence? No
16–17	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 29 Is Cadence? No
14–16	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst 29 Is Cadence? No
19–26	Plus je la voy de beaucoup estimée	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
19–26	Plus je la voy de beaucoup estimée	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied?
1–6	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint
3–4	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–5	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–8	Comme le feu sans chaleur ne peut estre	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–7	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
8–9	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–10	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
9–11	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
11–12	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Comme le feu sans chaleur ne peut estre	2	Details
Analysis ID Analyst 29 Is Cadence? No
16–17	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Above) Contratenor
16–16	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 29 Is Cadence? No
17–19	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
18–19	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Comme le feu sans chaleur ne peut estre	3	Details
Analysis ID Analyst 29 Is Cadence? No Comments T begins following phrase without resolution of cadence.
24–25	Comme le feu sans chaleur ne peut estre	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: T and B both resolve to F instead of C.
24–26	Comme le feu sans chaleur ne peut estre	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
25–27	Comme le feu sans chaleur ne peut estre	5	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Comme le feu sans chaleur ne peut estre	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 tenorizans motion
30–32	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
31–32	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
32–34	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 29 Is Cadence? No
34–36	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
37–38	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 29 Is Cadence? No
40–41	Comme le feu sans chaleur ne peut estre	6	Details
Analysis ID Analyst 29 Is Cadence? No
41–48	Comme le feu sans chaleur ne peut estre	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: Ct, T & B open homophonically with S; also 8th note figure in ms. 45 not present in phrase 1.
47–55	Comme le feu sans chaleur ne peut estre	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: minor rhythmic modifications in Ct (ms. 49, 51-52, 53, 54), S (ms. 54, 55), and T (ms. 54).
1–2	En l'eau, en l'eau jette toy vistement	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
2–4	En l'eau, en l'eau jette toy vistement	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
3–4	En l'eau, en l'eau jette toy vistement	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Contratenor Voice Role (Lower Voice 2 NIM) Tenor
5–8	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
6–8	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–9	En l'eau, en l'eau jette toy vistement	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–12	En l'eau, en l'eau jette toy vistement	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
12–17	En l'eau, en l'eau jette toy vistement	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
17–20	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
19–19	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	En l'eau, en l'eau jette toy vistement	5	Details
Analysis ID Analyst 29 Is Cadence? No
21–22	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
23–24	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
21–23	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	En l'eau, en l'eau jette toy vistement	6	Details
Analysis ID Analyst 29 Is Cadence? No Comments No half-step cantizans.
25–27	En l'eau, en l'eau jette toy vistement	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Comments Also ACC 4/3: Ct/T; ACC 5/8: T/B
26–28	En l'eau, en l'eau jette toy vistement	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (@5) Bassus Voice Role (Below) Tenor Other Counterpoint Stretto Fuga
25–29	En l'eau, en l'eau jette toy vistement	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
28–29	En l'eau, en l'eau jette toy vistement	7	Details
Analysis ID Analyst 29 Is Cadence? No
29–34	En l'eau, en l'eau jette toy vistement	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Refrain Earlier Phrase 2 Repeat, Exact or Varied? Comments Ct opens with unique gesture, B opens on F, and whole-note cadential opening in T is divided into half-notes.
29–34	En l'eau, en l'eau jette toy vistement	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–2	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
3–3	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments Non-cadential dissonance at downbeat
5–5	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–7	Ung doulx baiser m'est bien permis de prendre	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–7	Ung doulx baiser m'est bien permis de prendre	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
8–9	Ung doulx baiser m'est bien permis de prendre	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
9–10	Ung doulx baiser m'est bien permis de prendre	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Parallel 5ths: S/T
10–11	Ung doulx baiser m'est bien permis de prendre	2	Details
Analysis ID Analyst 29 Is Cadence? No
11–13	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 29 Is Cadence? No
14–14	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 29 Is Cadence? No Comments Parallel 5ths: S/Ct
14–14	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Ung doulx baiser m'est bien permis de prendre	3	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 29 Is Cadence? No
19–19	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments Parallel 5ths: S/Ct
16–22	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied? Comments Evaded cadence becomes perfect authentic; bassus cadences on F an octave lower.
21–22	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments First Ending
21–22	Ung doulx baiser m'est bien permis de prendre	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments 2nd Ending
1–4	Triste et marry, pensif, melancolique	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
1–3	Triste et marry, pensif, melancolique	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–4	Triste et marry, pensif, melancolique	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–8	Triste et marry, pensif, melancolique	2	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: Ct figures a dotted-half and eighth-note figure in ms. 7, as opposed to two half notes in phrase 1.
10–11	Triste et marry, pensif, melancolique	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
11–11	Triste et marry, pensif, melancolique	3	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: no half-step cantizans.
12–13	Triste et marry, pensif, melancolique	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
13–13	Triste et marry, pensif, melancolique	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: no half-step cantizans; 2>3 tenorizans motion
14–15	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
14–15	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 29 Is Cadence? No
16–18	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
17–18	Triste et marry, pensif, melancolique	5	Details
Analysis ID Analyst 29 Is Cadence? No
18–19	Triste et marry, pensif, melancolique	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor Comments Superius does not perform this phrase.
19–19	Triste et marry, pensif, melancolique	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
19–19	Triste et marry, pensif, melancolique	6	Details
Analysis ID Analyst 29 Is Cadence? No
19–19	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
19–20	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor Comments Bassus does not perform this phrase.
20–21	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
20–21	Triste et marry, pensif, melancolique	7	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Triste et marry, pensif, melancolique	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap
20–24	Triste et marry, pensif, melancolique	8	Details
Analysis ID Analyst 29 Is Cadence? No
22–24	Triste et marry, pensif, melancolique	8	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	Triste et marry, pensif, melancolique	8	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Triste et marry, pensif, melancolique	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
24–25	Triste et marry, pensif, melancolique	9	Details
Analysis ID Analyst 29 Is Cadence? No
24–26	Triste et marry, pensif, melancolique	9	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not perform this phrase.
25–26	Triste et marry, pensif, melancolique	9	Details
Analysis ID Analyst 29 Is Cadence? No Comments Three voice texture.
26–28	Triste et marry, pensif, melancolique	10	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not perform this phrase.
26–27	Triste et marry, pensif, melancolique	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
26–28	Triste et marry, pensif, melancolique	10	Details
Analysis ID Analyst 29 Is Cadence? No
28–28	Triste et marry, pensif, melancolique	10	Details
Analysis ID Analyst 29 Is Cadence? No
28–30	Triste et marry, pensif, melancolique	11	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
29–30	Triste et marry, pensif, melancolique	11	Details
Analysis ID Analyst 29 Is Cadence? No
29–31	Triste et marry, pensif, melancolique	11	Details
Analysis ID Analyst 29 Is Cadence? No
29–30	Triste et marry, pensif, melancolique	11	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: no half-step cantizans.
30–32	Triste et marry, pensif, melancolique	12	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 11 Repeat, Exact or Varied? Comments Varied Repeat: HR Stagger from phrase 11 is now HR Simple.
31–32	Triste et marry, pensif, melancolique	13	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
32–32	Triste et marry, pensif, melancolique	13	Details
Analysis ID Analyst 29 Is Cadence? No
32–34	Triste et marry, pensif, melancolique	13	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not complete this phrase.
34–34	Triste et marry, pensif, melancolique	13	Details
Analysis ID Analyst 29 Is Cadence? No
38–40	Triste et marry, pensif, melancolique	13	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 13 Repeat, Exact or Varied? Comments Varied Repeat: Phrase begins in perfect homorhythm.
34–37	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor
37–38	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 29 Is Cadence? No
44–45	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 29 Is Cadence? No
40–45	Triste et marry, pensif, melancolique	14	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 14 Repeat, Exact or Varied? Comments Varied Repeat: Ends in a plagal cadence.
1–2	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
2–3	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
3–4	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
3–4	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
4–5	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor
4–5	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Un mesnagier qui sa femme accusoit	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
5–7	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@5) Bassus Voice Role (@4) Contratenor Voice Role (Below) Contratenor
5–9	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
10–11	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–9	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence terminates on a dissonance.
11–12	Un mesnagier qui sa femme accusoit	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–5	Un mesnagier qui sa femme accusoit	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–12	Un mesnagier qui sa femme accusoit	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–14	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
15–17	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@4) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
16–18	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Un mesnagier qui sa femme accusoit	5	Details
Analysis ID Analyst 29 Is Cadence? No
19–23	Un mesnagier qui sa femme accusoit	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (@4) Tenor Voice Role (Below) Contratenor
23–24	Un mesnagier qui sa femme accusoit	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
24–25	Un mesnagier qui sa femme accusoit	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
22–24	Un mesnagier qui sa femme accusoit	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
25–25	Un mesnagier qui sa femme accusoit	6	Details
Analysis ID Analyst 29 Is Cadence? No
22–27	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
26–27	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@4) Superius Voice Role (Above) Superius
27–28	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
27–30	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
32–33	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Un mesnagier qui sa femme accusoit	7	Details
Analysis ID Analyst 29 Is Cadence? No
34–34	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
34–36	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
39–43	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 29 Is Cadence? No
40–41	Un mesnagier qui sa femme accusoit	8	Details
Analysis ID Analyst 29 Is Cadence? No
39–43	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
43–44	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
44–45	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
43–45	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@4) Contratenor Voice Role (Above) Contratenor
45–48	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation Comments Text Declaim: "Coqu"
47–48	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No
47–48	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No
48–49	Un mesnagier qui sa femme accusoit	9	Details
Analysis ID Analyst 29 Is Cadence? No
49–51	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: "Tant" repeated many times.
49–50	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
52–53	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 29 Is Cadence? No
53–59	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Varied Repeat: Ends with a plagal coda
57–57	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 29 Is Cadence? No
58–59	Un mesnagier qui sa femme accusoit	10	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: Plagal Coda.
1–3	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor
2–5	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
2–5	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	S'amour vous a donné mon coeur en gaige	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–10	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
6–8	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–12	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 29 Is Cadence? No
10–11	S'amour vous a donné mon coeur en gaige	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–12	S'amour vous a donné mon coeur en gaige	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
12–14	S'amour vous a donné mon coeur en gaige	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
14–15	S'amour vous a donné mon coeur en gaige	3	Details
Analysis ID Analyst 29 Is Cadence? No
15–16	S'amour vous a donné mon coeur en gaige	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Other Formulas Romanesca
15–16	S'amour vous a donné mon coeur en gaige	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
18–19	S'amour vous a donné mon coeur en gaige	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: 2>3 tenorizans
19–22	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus
20–22	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
20–21	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	S'amour vous a donné mon coeur en gaige	5	Details
Analysis ID Analyst 29 Is Cadence? No
24–25	S'amour vous a donné mon coeur en gaige	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
27–28	S'amour vous a donné mon coeur en gaige	6	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 tenorizans motion
28–31	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
31–31	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 29 Is Cadence? No
31–32	S'amour vous a donné mon coeur en gaige	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not complete cadential motion.
32–34	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
35–38	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
34–36	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 29 Is Cadence? No
34–35	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
37–38	S'amour vous a donné mon coeur en gaige	8	Details
Analysis ID Analyst 29 Is Cadence? No
39–39	S'amour vous a donné mon coeur en gaige	9	Details
Analysis ID Analyst 29 Is Cadence? No
41–43	S'amour vous a donné mon coeur en gaige	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
42–43	S'amour vous a donné mon coeur en gaige	9	Details
Analysis ID Analyst 29 Is Cadence? No
43–45	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
44–45	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 29 Is Cadence? No
45–46	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
46–46	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 29 Is Cadence? No
47–48	S'amour vous a donné mon coeur en gaige	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Or sus or sus qu'on se resveille	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
1–4	Or sus or sus qu'on se resveille	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Or sus or sus qu'on se resveille	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–8	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
7–9	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor
11–12	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–12	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
13–14	Or sus or sus qu'on se resveille	2	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
14–15	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: "Rossignol" performed by Ct with a rising melodic fifth.
14–15	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 29 Is Cadence? No
18–19	Or sus or sus qu'on se resveille	3	Details
Analysis ID Analyst 29 Is Cadence? No
19–21	Or sus or sus qu'on se resveille	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
19–23	Or sus or sus qu'on se resveille	4	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Or sus or sus qu'on se resveille	4	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	Or sus or sus qu'on se resveille	4	Details
Analysis ID Analyst 29 Is Cadence? No
25–30	Or sus or sus qu'on se resveille	5	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Ct voice ends on D instead of B.
25–30	Or sus or sus qu'on se resveille	5	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 5 Repeat, Exact or Varied?
1–3	C'est a moy qu'en veult ce coqu	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll Comments HR Dactyll AND Stagger
2–3	C'est a moy qu'en veult ce coqu	1	Details
Analysis ID Analyst 29 Is Cadence? No
2–3	C'est a moy qu'en veult ce coqu	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments Also ACC 5/8: Ct/B
3–4	C'est a moy qu'en veult ce coqu	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–5	C'est a moy qu'en veult ce coqu	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (@5) Superius Voice Role (@4) Contratenor Voice Role (Above) Superius Voice Role (Below) Contratenor Other Counterpoint Invertible Counterpoint
4–5	C'est a moy qu'en veult ce coqu	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca Comments Also ACC 4/3: S/Ct and ACC 8/3: T/B
5–6	C'est a moy qu'en veult ce coqu	2	Details
Analysis ID Analyst 29 Is Cadence? No
6–8	C'est a moy qu'en veult ce coqu	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: initial note's rhythmic value cut in half
6–6	C'est a moy qu'en veult ce coqu	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
8–11	C'est a moy qu'en veult ce coqu	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
10–11	C'est a moy qu'en veult ce coqu	4	Details
Analysis ID Analyst 29 Is Cadence? No
11–13	C'est a moy qu'en veult ce coqu	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Declamation
13–14	C'est a moy qu'en veult ce coqu	5	Details
Analysis ID Analyst 29 Is Cadence? No
13–15	C'est a moy qu'en veult ce coqu	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca Comments Also ACC 4/3: S/Ct; ACC 5/8: Ct/B; ACC 3/4: Ct/T
14–15	C'est a moy qu'en veult ce coqu	6	Details
Analysis ID Analyst 29 Is Cadence? No
15–17	C'est a moy qu'en veult ce coqu	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 5 Repeat, Exact or Varied?
17–19	C'est a moy qu'en veult ce coqu	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 6 Repeat, Exact or Varied?
19–20	C'est a moy qu'en veult ce coqu	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
23–24	C'est a moy qu'en veult ce coqu	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	J'ay le fruit tant désiré	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Stretto Fuga
4–6	J'ay le fruit tant désiré	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
7–8	J'ay le fruit tant désiré	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Incomplete Cadence: Tenor does not descend from A, but rests instead.
8–11	J'ay le fruit tant désiré	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: Incipit note's duration cut in half.
11–15	J'ay le fruit tant désiré	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: Cadence is now completed.
13–15	J'ay le fruit tant désiré	4	Details
Analysis ID Analyst 29 Is Cadence? No
16–21	J'ay le fruit tant désiré	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
17–18	J'ay le fruit tant désiré	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca Text Treatment Text Enjambment
17–18	J'ay le fruit tant désiré	5	Details
Analysis ID Analyst 29 Is Cadence? No
18–21	J'ay le fruit tant désiré	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca
20–21	J'ay le fruit tant désiré	6	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	J'ay le fruit tant désiré	7	Details
Analysis ID Analyst 29 Is Cadence? No
25–27	J'ay le fruit tant désiré	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
23–29	J'ay le fruit tant désiré	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
27–30	J'ay le fruit tant désiré	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Text Treatment Text Enjambment Comments Text Enjambment and Overlap
27–29	J'ay le fruit tant désiré	9	Details
Analysis ID Analyst 29 Is Cadence? No
25–32	J'ay le fruit tant désiré	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied? Comments Final note is sustained for twice its original value.
1–3	Vous estes un fascheux homme	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
3–5	Vous estes un fascheux homme	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus Voice Role (Below) Bassus
6–6	Vous estes un fascheux homme	1	Details
Analysis ID Analyst 29 Is Cadence? No
1–6	Vous estes un fascheux homme	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments Ct in higher vocal range than S
6–6	Vous estes un fascheux homme	1	Details
Analysis ID Analyst 29 Is Cadence? No
2–6	Vous estes un fascheux homme	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
7–8	Vous estes un fascheux homme	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Comments S/Ct Parallel 5ths
8–9	Vous estes un fascheux homme	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–10	Vous estes un fascheux homme	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Comments Only S/Ct perform this phrase
11–12	Vous estes un fascheux homme	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
12–12	Vous estes un fascheux homme	4	Details
Analysis ID Analyst 29 Is Cadence? No
13–14	Vous estes un fascheux homme	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
13–14	Vous estes un fascheux homme	5	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Vous estes un fascheux homme	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Comments Also ACC 5/8: T/B and Ct/B
15–15	Vous estes un fascheux homme	6	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Vous estes un fascheux homme	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap Comments TEXT OVERLAP: Ct performes phrase 7 while other voices sing phrase 6 in Homorhythm.
15–16	Vous estes un fascheux homme	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 6 Repeat, Exact or Varied?
16–17	Vous estes un fascheux homme	7	Details
Analysis ID Analyst 29 Is Cadence? No
17–17	Vous estes un fascheux homme	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
20–21	Vous estes un fascheux homme	8	Details
Analysis ID Analyst 29 Is Cadence? No
18–20	Vous estes un fascheux homme	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
19–19	Vous estes un fascheux homme	8	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Vous estes un fascheux homme	8	Details
Analysis ID Analyst 29 Is Cadence? No
19–19	Vous estes un fascheux homme	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
21–23	Vous estes un fascheux homme	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
24–25	Vous estes un fascheux homme	9	Details
Analysis ID Analyst 29 Is Cadence? No
25–27	Vous estes un fascheux homme	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
25–28	Vous estes un fascheux homme	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
27–28	Vous estes un fascheux homme	10	Details
Analysis ID Analyst 29 Is Cadence? No
28–30	Vous estes un fascheux homme	11	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Text Treatment Text Overlap Comments Text Overlap and Repeat
29–30	Vous estes un fascheux homme	11	Details
Analysis ID Analyst 29 Is Cadence? No Comments Lacks dissonance and half-step cantizans motion
30–32	Vous estes un fascheux homme	12	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Other Formulas Romanesca
30–32	Vous estes un fascheux homme	12	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
32–33	Vous estes un fascheux homme	12	Details
Analysis ID Analyst 29 Is Cadence? No
32–34	Vous estes un fascheux homme	13	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
31–33	Vous estes un fascheux homme	13	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
33–33	Vous estes un fascheux homme	13	Details
Analysis ID Analyst 29 Is Cadence? No Comments S/Ct Parallel 5ths
32–33	Vous estes un fascheux homme	13	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Vous estes un fascheux homme	14	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
34–35	Vous estes un fascheux homme	14	Details
Analysis ID Analyst 29 Is Cadence? No
34–35	Vous estes un fascheux homme	14	Details
Analysis ID Analyst 29 Is Cadence? No
35–35	Vous estes un fascheux homme	15	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
35–39	Vous estes un fascheux homme	15	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
39–40	Vous estes un fascheux homme	15	Details
Analysis ID Analyst 29 Is Cadence? No
41–43	Vous estes un fascheux homme	16	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
44–47	Vous estes un fascheux homme	16	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Rhythm & durational values change, but pitches remain the same.
46–47	Vous estes un fascheux homme	16	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Quand j'ay esté quinze heures avec vous	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
2–2	Quand j'ay esté quinze heures avec vous	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca Comments Also ACC 4/3: S/Ct; ACC 5/8: T/B
2–3	Quand j'ay esté quinze heures avec vous	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Quand j'ay esté quinze heures avec vous	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
4–5	Quand j'ay esté quinze heures avec vous	2	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Quand j'ay esté quinze heures avec vous	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Quand j'ay esté quinze heures avec vous	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
3–5	Quand j'ay esté quinze heures avec vous	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
6–8	Quand j'ay esté quinze heures avec vous	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Declamation
7–8	Quand j'ay esté quinze heures avec vous	5	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Quand j'ay esté quinze heures avec vous	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
7–8	Quand j'ay esté quinze heures avec vous	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap Comments Final word of phrase 5 rhymes with initial word of phrase 6, while they are performed simultaneously
8–10	Quand j'ay esté quinze heures avec vous	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
10–10	Quand j'ay esté quinze heures avec vous	6	Details
Analysis ID Analyst 29 Is Cadence? No
11–13	Quand j'ay esté quinze heures avec vous	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 5 Repeat, Exact or Varied?
13–15	Quand j'ay esté quinze heures avec vous	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 6 Repeat, Exact or Varied? Comments Varied Repeat: S in ms. 14 doubles quarter notes, interrupting strict HR.
15–15	Quand j'ay esté quinze heures avec vous	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
16–18	Quand j'ay esté quinze heures avec vous	8	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Quand j'ay esté quinze heures avec vous	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Si vous aviez comme moy faim	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
1–4	Si vous aviez comme moy faim	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
2–3	Si vous aviez comme moy faim	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Si vous aviez comme moy faim	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Si vous aviez comme moy faim	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
3–5	Si vous aviez comme moy faim	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
4–5	Si vous aviez comme moy faim	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Reverse Romanesca
6–7	Si vous aviez comme moy faim	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–4	Si vous aviez comme moy faim	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–8	Si vous aviez comme moy faim	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–14	Ce disoit une jeune dame	3	Details
Analysis ID Analyst 29 Is Cadence? No
8–10	Si vous aviez comme moy faim	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
10–12	Si vous aviez comme moy faim	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
11–13	Si vous aviez comme moy faim	5	Details
Analysis ID Analyst 29 Is Cadence? No
12–15	Si vous aviez comme moy faim	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
16–17	Si vous aviez comme moy faim	6	Details
Analysis ID Analyst 29 Is Cadence? No
17–20	Si vous aviez comme moy faim	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
18–18	Si vous aviez comme moy faim	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Introduction of E-flat on the word 'mort.'
20–21	Si vous aviez comme moy faim	7	Details
Analysis ID Analyst 29 Is Cadence? No
17–21	Si vous aviez comme moy faim	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Only Ct/B perform first not of phrase upon repeat.
21–23	Si vous aviez comme moy faim	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments Staggered T/B>S/Ct repeats in strict HR.
23–25	Si vous aviez comme moy faim	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments Also ACC 4: Ct/T
25–26	Si vous aviez comme moy faim	8	Details
Analysis ID Analyst 29 Is Cadence? No
21–26	Si vous aviez comme moy faim	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Madame je vous remercie/ De m'avoir esté si rebourse	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
1–4	Madame je vous remercie/ De m'avoir esté si rebourse	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
2–3	Madame je vous remercie/ De m'avoir esté si rebourse	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Madame je vous remercie/ De m'avoir esté si rebourse	1	Details
Analysis ID Analyst 29 Is Cadence? No
11–12	Madame je vous remercie/ De m'avoir esté si rebourse	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–12	Madame je vous remercie/ De m'avoir esté si rebourse	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
6–9	Madame je vous remercie/ De m'avoir esté si rebourse	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
13–15	Madame je vous remercie/ De m'avoir esté si rebourse	2	Details
Analysis ID Analyst 29 Is Cadence? No
15–20	Madame je vous remercie/ De m'avoir esté si rebourse	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
15–20	Madame je vous remercie/ De m'avoir esté si rebourse	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
17–18	Madame je vous remercie/ De m'avoir esté si rebourse	3	Details
Analysis ID Analyst 29 Is Cadence? No
19–20	Madame je vous remercie/ De m'avoir esté si rebourse	3	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Madame je vous remercie/ De m'avoir esté si rebourse	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID
24–25	Madame je vous remercie/ De m'avoir esté si rebourse	4	Details
Analysis ID Analyst 29 Is Cadence? No
26–28	Madame je vous remercie/ De m'avoir esté si rebourse	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca Text Treatment Text Declamation Comments Also ACC 3/4: S/Ct; ACC 8/3: S/B
27–28	Madame je vous remercie/ De m'avoir esté si rebourse	5	Details
Analysis ID Analyst 29 Is Cadence? No
29–30	Madame je vous remercie/ De m'avoir esté si rebourse	6	Details
Analysis ID Analyst 29 Is Cadence? No
32–34	Madame je vous remercie/ De m'avoir esté si rebourse	6	Details
Analysis ID Analyst 29 Is Cadence? No
30–31	Madame je vous remercie/ De m'avoir esté si rebourse	6	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Madame je vous remercie/ De m'avoir esté si rebourse	6	Details
Analysis ID Analyst 29 Is Cadence? No
34–34	Madame je vous remercie/ De m'avoir esté si rebourse	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
35–35	Madame je vous remercie/ De m'avoir esté si rebourse	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
36–37	Madame je vous remercie/ De m'avoir esté si rebourse	7	Details
Analysis ID Analyst 29 Is Cadence? No
37–40	Madame je vous remercie/ De m'avoir esté si rebourse	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@4) Tenor Voice Role (Above) Tenor
40–42	Madame je vous remercie/ De m'avoir esté si rebourse	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments ID: B>T returns, but is not followed by Ct>S this time.
41–41	Madame je vous remercie/ De m'avoir esté si rebourse	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments Parallel 5ths: S/Ct
42–43	Madame je vous remercie/ De m'avoir esté si rebourse	8	Details
Analysis ID Analyst 29 Is Cadence? No
41–42	Madame je vous remercie/ De m'avoir esté si rebourse	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–4	Long temps y a, innocente pucelle	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll Comments Also ACC 4/3: S/Ct; ACC 8/3: S/B; ACC 5/8: Ct/B
3–4	Long temps y a, innocente pucelle	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
5–6	Long temps y a, innocente pucelle	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Long temps y a, innocente pucelle	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
5–8	Long temps y a, innocente pucelle	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Below) Tenor
7–9	Long temps y a, innocente pucelle	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor
8–10	Long temps y a, innocente pucelle	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments ACC 5/8: T/B
10–12	Long temps y a, innocente pucelle	2	Details
Analysis ID Analyst 29 Is Cadence? No
12–16	Long temps y a, innocente pucelle	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
12–14	Long temps y a, innocente pucelle	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
15–16	Long temps y a, innocente pucelle	3	Details
Analysis ID Analyst 29 Is Cadence? No
17–19	Long temps y a, innocente pucelle	3	Details
Analysis ID Analyst 29 Is Cadence? No
19–19	Long temps y a, innocente pucelle	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
20–24	Long temps y a, innocente pucelle	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
23–24	Long temps y a, innocente pucelle	4	Details
Analysis ID Analyst 29 Is Cadence? No
24–30	Long temps y a, innocente pucelle	5	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
29–35	Long temps y a, innocente pucelle	6	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
29–35	Long temps y a, innocente pucelle	6	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 6 Repeat, Exact or Varied?
1–5	Musiciens qui chantez à plaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
2–3	Musiciens qui chantez à plaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Musiciens qui chantez à plaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Musiciens qui chantez à plaisir	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Musiciens qui chantez à plaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
5–9	Musiciens qui chantez à plaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@5) Superius Voice Role (Above) Superius
7–8	Musiciens qui chantez à plaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Contratenor Voice Role (@4) Tenor Voice Role (Above) Contratenor Voice Role (Below) Tenor Other Counterpoint Invertible Counterpoint, Stretto Fuga
9–10	Musiciens qui chantez à plaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@1 or @8) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
10–11	Musiciens qui chantez à plaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Voice Role (@5) Contratenor Voice Role (Above) Contratenor
12–13	Musiciens qui chantez à plaisir	2	Details
Analysis ID Analyst 29 Is Cadence? No
14–19	Musiciens qui chantez à plaisir	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments S/Ct pair begins in HR with T/B.
14–15	Musiciens qui chantez à plaisir	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
18–27	Musiciens qui chantez à plaisir	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Bassus completes cadence and sustains.
27–28	Musiciens qui chantez à plaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
28–30	Musiciens qui chantez à plaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus
31–32	Musiciens qui chantez à plaisir	5	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Musiciens qui chantez à plaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
34–36	Musiciens qui chantez à plaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
36–37	Musiciens qui chantez à plaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No
37–39	Musiciens qui chantez à plaisir	6	Details
Analysis ID Analyst 29 Is Cadence? No
39–44	Musiciens qui chantez à plaisir	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments S/Ct NIM pair is harmonized with Ct/B at opening of phrase.
43–52	Musiciens qui chantez à plaisir	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
52–53	Musiciens qui chantez à plaisir	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
53–54	Musiciens qui chantez à plaisir	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus Voice Role (Below) Bassus
55–55	Musiciens qui chantez à plaisir	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Fauxbourdon
54–55	Musiciens qui chantez à plaisir	9	Details
Analysis ID Analyst 29 Is Cadence? No
55–56	Musiciens qui chantez à plaisir	9	Details
Analysis ID Analyst 29 Is Cadence? No
55–56	Musiciens qui chantez à plaisir	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
61–63	Musiciens qui chantez à plaisir	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
60–61	Musiciens qui chantez à plaisir	10	Details
Analysis ID Analyst 29 Is Cadence? No
64–65	Musiciens qui chantez à plaisir	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Ça ces beaux yeux, ça ceste bouche	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Other Formulas Romanesca
1–3	Ça ces beaux yeux, ça ceste bouche	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
2–4	Ça ces beaux yeux, ça ceste bouche	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
3–4	Ça ces beaux yeux, ça ceste bouche	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–5	Ça ces beaux yeux, ça ceste bouche	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
4–6	Ça ces beaux yeux, ça ceste bouche	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–7	Ça ces beaux yeux, ça ceste bouche	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
6–7	Ça ces beaux yeux, ça ceste bouche	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
6–8	Ça ces beaux yeux, ça ceste bouche	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
5–12	Ça ces beaux yeux, ça ceste bouche	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: "Mille fois" repeats several times.
2–3	Puisque tu veulx mettre fin à ta plaincte	1	Details
Analysis ID Analyst 29 Is Cadence? No
11–12	Ça ces beaux yeux, ça ceste bouche	2	Details
Analysis ID Analyst 29 Is Cadence? No
13–14	Ça ces beaux yeux, ça ceste bouche	3	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Ça ces beaux yeux, ça ceste bouche	3	Details
Analysis ID Analyst 29 Is Cadence? No
14–16	Ça ces beaux yeux, ça ceste bouche	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus Text Treatment Text Overlap
17–18	Ça ces beaux yeux, ça ceste bouche	4	Details
Analysis ID Analyst 29 Is Cadence? No
18–18	Ça ces beaux yeux, ça ceste bouche	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
18–20	Ça ces beaux yeux, ça ceste bouche	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Formulas Romanesca
22–23	Ça ces beaux yeux, ça ceste bouche	5	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Ça ces beaux yeux, ça ceste bouche	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
22–26	Ça ces beaux yeux, ça ceste bouche	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
25–26	Ça ces beaux yeux, ça ceste bouche	6	Details
Analysis ID Analyst 29 Is Cadence? No
26–28	Ça ces beaux yeux, ça ceste bouche	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Also ACC 5/8: T/B
26–28	Ça ces beaux yeux, ça ceste bouche	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments T begins a whole step higher on G, rather than on F.
27–28	Ça ces beaux yeux, ça ceste bouche	7	Details
Analysis ID Analyst 29 Is Cadence? No
28–28	Ça ces beaux yeux, ça ceste bouche	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
30–33	Ça ces beaux yeux, ça ceste bouche	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Comments Reverse Romanesca
28–33	Ça ces beaux yeux, ça ceste bouche	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
29–30	Ça ces beaux yeux, ça ceste bouche	8	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Ça ces beaux yeux, ça ceste bouche	8	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Puisque tu veulx mettre fin à ta plaincte	1	Details
Analysis ID Analyst 29 Is Cadence? No
1–1	J'endure tout, c'est bien raison	1	Details
Analysis ID Analyst 29 Is Cadence? No
2–3	J'endure tout, c'est bien raison	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	J'endure tout, c'est bien raison	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–6	J'endure tout, c'est bien raison	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
6–7	J'endure tout, c'est bien raison	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–10	J'endure tout, c'est bien raison	2	Details
Analysis ID Analyst 29 Is Cadence? No
10–13	J'endure tout, c'est bien raison	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
13–21	J'endure tout, c'est bien raison	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Tenor melisma is extended three bars.
20–21	J'endure tout, c'est bien raison	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments Text overlap obscures cadence
20–21	J'endure tout, c'est bien raison	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
21–23	J'endure tout, c'est bien raison	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
23–24	J'endure tout, c'est bien raison	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca Comments Also ACC 4/3: S/Ct
24–24	J'endure tout, c'est bien raison	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments Text overlap obscures cadence
24–24	J'endure tout, c'est bien raison	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
24–26	J'endure tout, c'est bien raison	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
26–27	J'endure tout, c'est bien raison	6	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus is incomplete
26–28	J'endure tout, c'est bien raison	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor Text Treatment Text Overlap
27–29	J'endure tout, c'est bien raison	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor Text Treatment Text Representation Comments Text Representation: E-flat on the word "oeil" ('eye')
29–30	J'endure tout, c'est bien raison	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
30–30	J'endure tout, c'est bien raison	7	Details
Analysis ID Analyst 29 Is Cadence? No
26–30	J'endure tout, c'est bien raison	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Incipit intervals change.
30–30	J'endure tout, c'est bien raison	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
30–32	J'endure tout, c'est bien raison	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
30–36	J'endure tout, c'est bien raison	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Varied at Cadence: 2nd ending is authentic while 1st ending is evaded.
35–36	J'endure tout, c'est bien raison	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments 1st ending cadence is evaded; 2nd ending is just authentic.
1–2	Ce disoit une jeune dame	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
1–3	Ce disoit une jeune dame	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not perform phrase 1.
4–4	Ce disoit une jeune dame	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments S/Ct dissonance at downbeat.
3–4	Ce disoit une jeune dame	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Ce disoit une jeune dame	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
3–5	Ce disoit une jeune dame	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@4) Tenor Voice Role (Below) Tenor
4–5	Ce disoit une jeune dame	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
4–6	Ce disoit une jeune dame	2	Details
Analysis ID Analyst 29 Is Cadence? No
5–7	Ce disoit une jeune dame	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–7	Ce disoit une jeune dame	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–7	Ce disoit une jeune dame	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
8–9	Ce disoit une jeune dame	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca Text Treatment Text Representation Comments Text Representation: E-flat introduced on the word "corps"
9–10	Ce disoit une jeune dame	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
12–13	Ce disoit une jeune dame	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
12–13	Ce disoit une jeune dame	3	Details
Analysis ID Analyst 29 Is Cadence? No
15–15	Ce disoit une jeune dame	4	Details
Analysis ID Analyst 29 Is Cadence? No
15–17	Ce disoit une jeune dame	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus
18–19	Ce disoit une jeune dame	5	Details
Analysis ID Analyst 29 Is Cadence? No
19–22	Ce disoit une jeune dame	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Comments Also ACC 4/3: S/Ct
19–19	Ce disoit une jeune dame	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
21–22	Ce disoit une jeune dame	6	Details
Analysis ID Analyst 29 Is Cadence? No
22–24	Ce disoit une jeune dame	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
23–25	Ce disoit une jeune dame	7	Details
Analysis ID Analyst 29 Is Cadence? No
25–27	Ce disoit une jeune dame	7	Details
Analysis ID Analyst 29 Is Cadence? No
29–31	Ce disoit une jeune dame	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
30–31	Ce disoit une jeune dame	8	Details
Analysis ID Analyst 29 Is Cadence? No
31–33	Ce disoit une jeune dame	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
35–36	Ce disoit une jeune dame	9	Details
Analysis ID Analyst 29 Is Cadence? No
36–36	Ce disoit une jeune dame	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
36–37	Ce disoit une jeune dame	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation Comments Text Declaim: Emphasis on "Cela"
37–38	Ce disoit une jeune dame	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
37–41	Ce disoit une jeune dame	10	Details
Analysis ID Analyst 29 Is Cadence? No
36–41	Ce disoit une jeune dame	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
40–42	Ce disoit une jeune dame	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Quand je voy ma mignonne rire	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor
1–2	Quand je voy ma mignonne rire	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
2–2	Quand je voy ma mignonne rire	1	Details
Analysis ID Analyst 29 Is Cadence? No
2–3	Quand je voy ma mignonne rire	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Quand je voy ma mignonne rire	2	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Quand je voy ma mignonne rire	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments missing cantizans motion.
5–7	Quand je voy ma mignonne rire	3	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Quand je voy ma mignonne rire	3	Details
Analysis ID Analyst 29 Is Cadence? No
9–9	Quand je voy ma mignonne rire	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: no dissonance suspension/resolution.
10–11	Quand je voy ma mignonne rire	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
11–11	Quand je voy ma mignonne rire	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence lacks dissonance preparation/suspension and half-step cantizans motion.
11–13	Quand je voy ma mignonne rire	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
13–13	Quand je voy ma mignonne rire	6	Details
Analysis ID Analyst 29 Is Cadence? No
14–16	Quand je voy ma mignonne rire	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@1 or @8) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
14–16	Quand je voy ma mignonne rire	7	Details
Analysis ID Analyst 29 Is Cadence? No
14–16	Quand je voy ma mignonne rire	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
15–16	Quand je voy ma mignonne rire	7	Details
Analysis ID Analyst 29 Is Cadence? No
16–17	Quand je voy ma mignonne rire	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
18–18	Quand je voy ma mignonne rire	8	Details
Analysis ID Analyst 29 Is Cadence? No
16–19	Quand je voy ma mignonne rire	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
18–19	Quand je voy ma mignonne rire	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–5	Je ne veulx plus de mon malheur me plaindre	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–5	Je ne veulx plus de mon malheur me plaindre	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (@5) Bassus Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
5–6	Je ne veulx plus de mon malheur me plaindre	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Je ne veulx plus de mon malheur me plaindre	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Je ne veulx plus de mon malheur me plaindre	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–8	Je ne veulx plus de mon malheur me plaindre	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@4) Superius Voice Role (Below) Superius
7–9	Je ne veulx plus de mon malheur me plaindre	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor
9–11	Je ne veulx plus de mon malheur me plaindre	2	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Je ne veulx plus de mon malheur me plaindre	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
11–12	Je ne veulx plus de mon malheur me plaindre	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–7	Je ne veulx plus de mon malheur me plaindre	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–12	Je ne veulx plus de mon malheur me plaindre	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: final whole note reduced to half note.
12–14	Je ne veulx plus de mon malheur me plaindre	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
14–15	Je ne veulx plus de mon malheur me plaindre	5	Details
Analysis ID Analyst 29 Is Cadence? No
15–15	Je ne veulx plus de mon malheur me plaindre	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
15–17	Je ne veulx plus de mon malheur me plaindre	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (@5) Bassus Voice Role (Below) Tenor Other Counterpoint Stretto Fuga
16–17	Je ne veulx plus de mon malheur me plaindre	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Cadence at "pensif"
18–20	Je ne veulx plus de mon malheur me plaindre	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
21–22	Je ne veulx plus de mon malheur me plaindre	6	Details
Analysis ID Analyst 29 Is Cadence? No
21–22	Je ne veulx plus de mon malheur me plaindre	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
21–23	Je ne veulx plus de mon malheur me plaindre	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
22–24	Je ne veulx plus de mon malheur me plaindre	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
25–26	Je ne veulx plus de mon malheur me plaindre	7	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Je ne veulx plus de mon malheur me plaindre	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
26–28	Je ne veulx plus de mon malheur me plaindre	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus Voice Role (Below) Bassus
27–29	Je ne veulx plus de mon malheur me plaindre	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Other Formulas Romanesca
28–29	Je ne veulx plus de mon malheur me plaindre	8	Details
Analysis ID Analyst 29 Is Cadence? No
30–36	Je ne veulx plus de mon malheur me plaindre	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: All voices begin simultaneously and Bassus does not cadence.
30–36	Je ne veulx plus de mon malheur me plaindre	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
35–41	Je ne veulx plus de mon malheur me plaindre	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: moderate changes in Ct and B in ms. 37, and S in ms. 40.
35–41	Je ne veulx plus de mon malheur me plaindre	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
2–2	Puisque tu veulx mettre fin à ta plaincte	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–6	Puisque tu veulx mettre fin à ta plaincte	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–7	Puisque tu veulx mettre fin à ta plaincte	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation Comments Text Declaim: Long melisma on "plaincte"
7–9	Puisque tu veulx mettre fin à ta plaincte	2	Details
Analysis ID Analyst 29 Is Cadence? No
10–11	Puisque tu veulx mettre fin à ta plaincte	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–7	Puisque tu veulx mettre fin à ta plaincte	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–11	Puisque tu veulx mettre fin à ta plaincte	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–15	Puisque tu veulx mettre fin à ta plaincte	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
15–15	Puisque tu veulx mettre fin à ta plaincte	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments S/Ct dissonance at downbeat
15–16	Puisque tu veulx mettre fin à ta plaincte	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: only S/Ct end the phrase at this point.
16–17	Puisque tu veulx mettre fin à ta plaincte	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
17–18	Puisque tu veulx mettre fin à ta plaincte	6	Details
Analysis ID Analyst 29 Is Cadence? No
19–20	Puisque tu veulx mettre fin à ta plaincte	6	Details
Analysis ID Analyst 29 Is Cadence? No
17–20	Puisque tu veulx mettre fin à ta plaincte	6	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Puisque tu veulx mettre fin à ta plaincte	6	Details
Analysis ID Analyst 29 Is Cadence? No
21–24	Puisque tu veulx mettre fin à ta plaincte	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Above) Superius Comments T>S @6th
21–26	Puisque tu veulx mettre fin à ta plaincte	7	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Puisque tu veulx mettre fin à ta plaincte	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: S does not complete cadence simultaneously, creating a dissonance.
29–30	Puisque tu veulx mettre fin à ta plaincte	8	Details
Analysis ID Analyst 29 Is Cadence? No
30–32	Puisque tu veulx mettre fin à ta plaincte	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
31–32	Puisque tu veulx mettre fin à ta plaincte	8	Details
Analysis ID Analyst 29 Is Cadence? No
33–39	Puisque tu veulx mettre fin à ta plaincte	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
33–39	Puisque tu veulx mettre fin à ta plaincte	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
39–44	Puisque tu veulx mettre fin à ta plaincte	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
39–44	Puisque tu veulx mettre fin à ta plaincte	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
1–2	Où cerchez-vous du dieu d'amour l'empire	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
1–4	Où cerchez-vous du dieu d'amour l'empire	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–5	Où cerchez-vous du dieu d'amour l'empire	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
4–4	Où cerchez-vous du dieu d'amour l'empire	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Où cerchez-vous du dieu d'amour l'empire	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–6	Où cerchez-vous du dieu d'amour l'empire	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
6–7	Où cerchez-vous du dieu d'amour l'empire	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–9	Où cerchez-vous du dieu d'amour l'empire	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–10	Où cerchez-vous du dieu d'amour l'empire	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–6	Où cerchez-vous du dieu d'amour l'empire	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–11	Où cerchez-vous du dieu d'amour l'empire	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–13	Où cerchez-vous du dieu d'amour l'empire	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
14–15	Où cerchez-vous du dieu d'amour l'empire	5	Details
Analysis ID Analyst 29 Is Cadence? No
15–15	Où cerchez-vous du dieu d'amour l'empire	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
15–17	Où cerchez-vous du dieu d'amour l'empire	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@5) Tenor Voice Role (Above) Tenor Other Counterpoint Stretto Fuga
19–20	Où cerchez-vous du dieu d'amour l'empire	6	Details
Analysis ID Analyst 29 Is Cadence? No
21–24	Où cerchez-vous du dieu d'amour l'empire	7	Details
Analysis ID Analyst 29 Is Cadence? No
21–23	Où cerchez-vous du dieu d'amour l'empire	7	Details
Analysis ID Analyst 29 Is Cadence? No
23–25	Où cerchez-vous du dieu d'amour l'empire	7	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Où cerchez-vous du dieu d'amour l'empire	8	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Où cerchez-vous du dieu d'amour l'empire	8	Details
Analysis ID Analyst 29 Is Cadence? No
29–30	Où cerchez-vous du dieu d'amour l'empire	9	Details
Analysis ID Analyst 29 Is Cadence? No
32–34	Où cerchez-vous du dieu d'amour l'empire	9	Details
Analysis ID Analyst 29 Is Cadence? No Comments Text Representation: Lack of cadence at "on' n'auroit point d'yeulx"
30–31	Où cerchez-vous du dieu d'amour l'empire	9	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Où cerchez-vous du dieu d'amour l'empire	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
33–35	Où cerchez-vous du dieu d'amour l'empire	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
36–36	Où cerchez-vous du dieu d'amour l'empire	10	Details
Analysis ID Analyst 29 Is Cadence? No
33–38	Où cerchez-vous du dieu d'amour l'empire	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
36–38	Où cerchez-vous du dieu d'amour l'empire	10	Details
Analysis ID Analyst 29 Is Cadence? No
18–19	Tels menus plaidz conferment les amours	6	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Il est permis trouver au lict s'amie	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
2–2	Il est permis trouver au lict s'amie	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Il est permis trouver au lict s'amie	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–4	Il est permis trouver au lict s'amie	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
4–6	Il est permis trouver au lict s'amie	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Contratenor Voice Role (@5) Tenor Voice Role (Above) Contratenor Voice Role (Below) Tenor
6–7	Il est permis trouver au lict s'amie	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus Voice Role (Below) Bassus Other Counterpoint Stretto fuga
5–7	Il est permis trouver au lict s'amie	2	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Il est permis trouver au lict s'amie	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 Tenorizans
8–11	Il est permis trouver au lict s'amie	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: Ct and B voices are staggered with S.
10–15	Il est permis trouver au lict s'amie	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
15–18	Il est permis trouver au lict s'amie	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
15–17	Il est permis trouver au lict s'amie	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
17–18	Il est permis trouver au lict s'amie	5	Details
Analysis ID Analyst 29 Is Cadence? No
17–18	Il est permis trouver au lict s'amie	5	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: No half-step cantizans descent.
19–22	Il est permis trouver au lict s'amie	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
22–23	Il est permis trouver au lict s'amie	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
23–24	Il est permis trouver au lict s'amie	6	Details
Analysis ID Analyst 29 Is Cadence? No
24–26	Il est permis trouver au lict s'amie	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Below) Tenor
24–27	Il est permis trouver au lict s'amie	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
26–27	Il est permis trouver au lict s'amie	7	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Il est permis trouver au lict s'amie	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Declamation Comments Text Declaim: "plus sollempnel"
29–31	Il est permis trouver au lict s'amie	8	Details
Analysis ID Analyst 29 Is Cadence? No
28–32	Il est permis trouver au lict s'amie	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
31–32	Il est permis trouver au lict s'amie	8	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Un jour dormoit Colin en my des prez	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint
3–4	Un jour dormoit Colin en my des prez	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
4–5	Un jour dormoit Colin en my des prez	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–5	Un jour dormoit Colin en my des prez	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
5–6	Un jour dormoit Colin en my des prez	2	Details
Analysis ID Analyst 29 Is Cadence? No
3–6	Un jour dormoit Colin en my des prez	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
10–11	Un jour dormoit Colin en my des prez	2	Details
Analysis ID Analyst 29 Is Cadence? No
11–12	Un jour dormoit Colin en my des prez	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
11–12	Un jour dormoit Colin en my des prez	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
12–13	Un jour dormoit Colin en my des prez	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
13–14	Un jour dormoit Colin en my des prez	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
13–14	Un jour dormoit Colin en my des prez	3	Details
Analysis ID Analyst 29 Is Cadence? No
13–14	Un jour dormoit Colin en my des prez	4	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
14–16	Un jour dormoit Colin en my des prez	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
17–18	Un jour dormoit Colin en my des prez	4	Details
Analysis ID Analyst 29 Is Cadence? No
19–19	Un jour dormoit Colin en my des prez	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Introduction of E-flat on "Mais"
19–19	Un jour dormoit Colin en my des prez	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
19–23	Un jour dormoit Colin en my des prez	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll Comments Reverse Romanesca
22–23	Un jour dormoit Colin en my des prez	5	Details
Analysis ID Analyst 29 Is Cadence? No
23–24	Un jour dormoit Colin en my des prez	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
25–26	Un jour dormoit Colin en my des prez	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
25–26	Un jour dormoit Colin en my des prez	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
25–26	Un jour dormoit Colin en my des prez	6	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 tenorizans motion.
25–26	Un jour dormoit Colin en my des prez	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
28–29	Un jour dormoit Colin en my des prez	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: "pour eviter" with an incomplete Bassus cadence; as well as text overlap.
20–20	Tels menus plaidz conferment les amours	6	Details
Analysis ID Analyst 29 Is Cadence? No
29–30	Un jour dormoit Colin en my des prez	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
29–30	Un jour dormoit Colin en my des prez	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
29–32	Un jour dormoit Colin en my des prez	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Stretto fuga
31–33	Un jour dormoit Colin en my des prez	8	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Un jour dormoit Colin en my des prez	8	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Un jour dormoit Colin en my des prez	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
33–35	Un jour dormoit Colin en my des prez	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
33–37	Un jour dormoit Colin en my des prez	9	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
36–37	Un jour dormoit Colin en my des prez	9	Details
Analysis ID Analyst 29 Is Cadence? No
37–40	Un jour dormoit Colin en my des prez	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
40–42	Un jour dormoit Colin en my des prez	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
41–42	Un jour dormoit Colin en my des prez	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
38–38	Un jour dormoit Colin en my des prez	10	Details
Analysis ID Analyst 29 Is Cadence? No Comments Dissonance on Downbeat
37–43	Un jour dormoit Colin en my des prez	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
42–43	Un jour dormoit Colin en my des prez	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–3	Puisqu'à t'aimer ne reçoy que tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
2–3	Puisqu'à t'aimer ne reçoy que tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
3–4	Puisqu'à t'aimer ne reçoy que tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 tenorizans motion
3–4	Puisqu'à t'aimer ne reçoy que tourment	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Evaded cadence at "tourment"
6–8	Puisqu'à t'aimer ne reçoy que tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No
8–9	Puisqu'à t'aimer ne reçoy que tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–10	Puisqu'à t'aimer ne reçoy que tourment	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–4	Puisqu'à t'aimer ne reçoy que tourment	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–11	Puisqu'à t'aimer ne reçoy que tourment	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–11	Puisqu'à t'aimer ne reçoy que tourment	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
11–14	Puisqu'à t'aimer ne reçoy que tourment	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
14–15	Puisqu'à t'aimer ne reçoy que tourment	5	Details
Analysis ID Analyst 29 Is Cadence? No
15–17	Puisqu'à t'aimer ne reçoy que tourment	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
16–18	Puisqu'à t'aimer ne reçoy que tourment	6	Details
Analysis ID Analyst 29 Is Cadence? No
18–19	Puisqu'à t'aimer ne reçoy que tourment	6	Details
Analysis ID Analyst 29 Is Cadence? No
19–19	Puisqu'à t'aimer ne reçoy que tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
19–23	Puisqu'à t'aimer ne reçoy que tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Varied Repeat: Except for T, other 3 voices articulate the melody slightly differently.
21–22	Tels menus plaidz conferment les amours	6	Details
Analysis ID Analyst 29 Is Cadence? No
19–23	Puisqu'à t'aimer ne reçoy que tourment	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Varied Repeat: Superius's first note is C instead of G
23–29	Puisqu'à t'aimer ne reçoy que tourment	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Varied Repeat: Superius adds anticipatory C in ms. 27.
23–29	Puisqu'à t'aimer ne reçoy que tourment	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–2	Si je te voy, qui est ce que desire	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
3–6	Si je te voy, qui est ce que desire	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
1–6	Si je te voy, qui est ce que desire	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Si je te voy, qui est ce que desire	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–6	Si je te voy, qui est ce que desire	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
7–9	Si je te voy, qui est ce que desire	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll
7–8	Si je te voy, qui est ce que desire	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–12	Si je te voy, qui est ce que desire	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (@4) Superius Voice Role (Above) Superius Voice Role (Below) Contratenor Other Counterpoint Invertible Counterpoint, Stretto Fuga
12–13	Si je te voy, qui est ce que desire	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–6	Si je te voy, qui est ce que desire	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–13	Si je te voy, qui est ce que desire	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
14–14	Si je te voy, qui est ce que desire	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
15–16	Si je te voy, qui est ce que desire	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dactyll Comments ACC 5/8: Ct/B
17–20	Si je te voy, qui est ce que desire	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor Comments NIM: occurs @ 5 above.
17–18	Si je te voy, qui est ce que desire	5	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Si je te voy, qui est ce que desire	5	Details
Analysis ID Analyst 29 Is Cadence? No
21–24	Si je te voy, qui est ce que desire	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
24–25	Si je te voy, qui est ce que desire	6	Details
Analysis ID Analyst 29 Is Cadence? No
27–32	Si je te voy, qui est ce que desire	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
27–32	Si je te voy, qui est ce que desire	7	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
33–40	Si je te voy, qui est ce que desire	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
33–40	Si je te voy, qui est ce que desire	8	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–5	Quelque yvrongne de par le monde	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Tenor Voice Role (Below) Tenor
3–6	Quelque yvrongne de par le monde	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@4) Bassus Voice Role (Above) Contratenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
5–7	Quelque yvrongne de par le monde	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
4–6	Quelque yvrongne de par le monde	1	Details
Analysis ID Analyst 29 Is Cadence? No
5–6	Quelque yvrongne de par le monde	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
11–11	Quelque yvrongne de par le monde	2	Details
Analysis ID Analyst 29 Is Cadence? No
12–12	Quelque yvrongne de par le monde	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–10	Quelque yvrongne de par le monde	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Bassus Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
7–8	Quelque yvrongne de par le monde	2	Details
Analysis ID Analyst 29 Is Cadence? No
13–14	Quelque yvrongne de par le monde	2	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Quelque yvrongne de par le monde	6	Details
Analysis ID Analyst 29 Is Cadence? No
14–14	Quelque yvrongne de par le monde	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
14–17	Quelque yvrongne de par le monde	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Bassus Voice Role (@4) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
16–17	Quelque yvrongne de par le monde	3	Details
Analysis ID Analyst 29 Is Cadence? No
17–17	Quelque yvrongne de par le monde	4	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
17–20	Quelque yvrongne de par le monde	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger Other Formulas Romanesca
19–20	Quelque yvrongne de par le monde	4	Details
Analysis ID Analyst 29 Is Cadence? No
20–23	Quelque yvrongne de par le monde	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
23–25	Quelque yvrongne de par le monde	5	Details
Analysis ID Analyst 29 Is Cadence? No
24–25	Quelque yvrongne de par le monde	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
25–26	Quelque yvrongne de par le monde	6	Details
Analysis ID Analyst 29 Is Cadence? No
25–29	Quelque yvrongne de par le monde	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
27–28	Quelque yvrongne de par le monde	6	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Quelque yvrongne de par le monde	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
28–32	Quelque yvrongne de par le monde	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Bassus Voice Role (@4) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
31–31	Quelque yvrongne de par le monde	7	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Quelque yvrongne de par le monde	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Above) Tenor
33–35	Quelque yvrongne de par le monde	7	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Quelque yvrongne de par le monde	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
33–36	Quelque yvrongne de par le monde	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
34–37	Quelque yvrongne de par le monde	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor
35–37	Quelque yvrongne de par le monde	8	Details
Analysis ID Analyst 29 Is Cadence? No
36–38	Quelque yvrongne de par le monde	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
36–37	Quelque yvrongne de par le monde	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
40–41	Quelque yvrongne de par le monde	9	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
41–42	Quelque yvrongne de par le monde	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
42–42	Quelque yvrongne de par le monde	10	Details
Analysis ID Analyst 29 Is Cadence? No
41–43	Quelque yvrongne de par le monde	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
43–45	Quelque yvrongne de par le monde	10	Details
Analysis ID Analyst 29 Is Cadence? No
45–50	Quelque yvrongne de par le monde	11	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
49–58	Quelque yvrongne de par le monde	12	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
1–2	Jehan se jouant un jour avec Jehannette	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
2–3	Jehan se jouant un jour avec Jehannette	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple Comments Also ACC 4/3: S/Ct & Ct/T
3–3	Jehan se jouant un jour avec Jehannette	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–5	Jehan se jouant un jour avec Jehannette	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
4–11	Jehan se jouant un jour avec Jehannette	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments
6–7	Jehan se jouant un jour avec Jehannette	2	Details
Analysis ID Analyst 29 Is Cadence? No Comments Cadence: No dissonance prep/suspension
7–11	Jehan se jouant un jour avec Jehannette	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca
6–7	Jehan se jouant un jour avec Jehannette	3	Details
Analysis ID Analyst 29 Is Cadence? No
12–15	Jehan se jouant un jour avec Jehannette	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
14–15	Jehan se jouant un jour avec Jehannette	4	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 5>6 Bassus motion
15–17	Jehan se jouant un jour avec Jehannette	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
20–21	Jehan se jouant un jour avec Jehannette	5	Details
Analysis ID Analyst 29 Is Cadence? No
21–24	Jehan se jouant un jour avec Jehannette	6	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@5) Contratenor Voice Role (Below) Contratenor Comments
23–24	Jehan se jouant un jour avec Jehannette	6	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Jehan se jouant un jour avec Jehannette	6	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Jehan se jouant un jour avec Jehannette	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
30–31	Jehan se jouant un jour avec Jehannette	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
28–31	Jehan se jouant un jour avec Jehannette	7	Details
Analysis ID Analyst 29 Is Cadence? No
31–31	Jehan se jouant un jour avec Jehannette	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 tenorizans motion
32–34	Jehan se jouant un jour avec Jehannette	8	Details
Analysis ID Analyst 29 Is Cadence? No
34–35	Jehan se jouant un jour avec Jehannette	8	Details
Analysis ID Analyst 29 Is Cadence? No
35–36	Jehan se jouant un jour avec Jehannette	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
36–37	Jehan se jouant un jour avec Jehannette	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Formulas Romanesca
38–39	Jehan se jouant un jour avec Jehannette	9	Details
Analysis ID Analyst 29 Is Cadence? No
40–43	Jehan se jouant un jour avec Jehannette	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation
39–39	Jehan se jouant un jour avec Jehannette	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
43–44	Jehan se jouant un jour avec Jehannette	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Qui diable nous a faict ces jours	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
5–6	Qui diable nous a faict ces jours	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Qui diable nous a faict ces jours	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–11	Qui diable nous a faict ces jours	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Dance
10–11	Qui diable nous a faict ces jours	2	Details
Analysis ID Analyst 29 Is Cadence? No
11–13	Qui diable nous a faict ces jours	3	Details
Analysis ID Analyst 29 Is Cadence? No
13–14	Qui diable nous a faict ces jours	3	Details
Analysis ID Analyst 29 Is Cadence? No
14–15	Qui diable nous a faict ces jours	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
15–15	Qui diable nous a faict ces jours	4	Details
Analysis ID Analyst 29 Is Cadence? No
16–16	Qui diable nous a faict ces jours	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
16–17	Qui diable nous a faict ces jours	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation Comments Text Declaim: "Jupiter"
17–18	Qui diable nous a faict ces jours	5	Details
Analysis ID Analyst 29 Is Cadence? No
18–19	Qui diable nous a faict ces jours	5	Details
Analysis ID Analyst 29 Is Cadence? No
19–19	Qui diable nous a faict ces jours	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
19–24	Qui diable nous a faict ces jours	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Bassus does not perform phrase referring to the object of the poem's youth.
19–21	Qui diable nous a faict ces jours	6	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Qui diable nous a faict ces jours	6	Details
Analysis ID Analyst 29 Is Cadence? No
24–24	Qui diable nous a faict ces jours	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
24–29	Qui diable nous a faict ces jours	7	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: S/Ct/T perform line three times: "trois nuits sans cesse"
27–29	Qui diable nous a faict ces jours	7	Details
Analysis ID Analyst 29 Is Cadence? No
28–29	Qui diable nous a faict ces jours	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Evaded Cadence: 2>3 tenorizans motion
29–31	Qui diable nous a faict ces jours	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments Also ACC 4: Ct/T
31–31	Qui diable nous a faict ces jours	8	Details
Analysis ID Analyst 29 Is Cadence? No Comments No suspension formula
32–34	Qui diable nous a faict ces jours	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
33–34	Qui diable nous a faict ces jours	9	Details
Analysis ID Analyst 29 Is Cadence? No
33–34	Qui diable nous a faict ces jours	9	Details
Analysis ID Analyst 29 Is Cadence? No
34–37	Qui diable nous a faict ces jours	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
36–37	Qui diable nous a faict ces jours	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Jamais amour sans guerre n'est parfaict	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor
2–2	Jamais amour sans guerre n'est parfaict	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Dissonance at "guerre"
4–4	Jamais amour sans guerre n'est parfaict	1	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Dissonance at "guerre"
5–6	Jamais amour sans guerre n'est parfaict	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–7	Jamais amour sans guerre n'est parfaict	1	Details
Analysis ID Analyst 29 Is Cadence? No
21–23	Jamais amour sans guerre n'est parfaict	7	Details
Analysis ID Analyst 29 Is Cadence? No
7–8	Jamais amour sans guerre n'est parfaict	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
7–10	Jamais amour sans guerre n'est parfaict	2	Details
Analysis ID Analyst 29 Is Cadence? No
10–11	Jamais amour sans guerre n'est parfaict	2	Details
Analysis ID Analyst 29 Is Cadence? No
11–12	Jamais amour sans guerre n'est parfaict	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–7	Jamais amour sans guerre n'est parfaict	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–12	Jamais amour sans guerre n'est parfaict	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–17	Jamais amour sans guerre n'est parfaict	5	Details
Analysis ID Analyst 29 Is Cadence? No
16–16	Jamais amour sans guerre n'est parfaict	5	Details
Analysis ID Analyst 29 Is Cadence? No
16–17	Jamais amour sans guerre n'est parfaict	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
19–19	Jamais amour sans guerre n'est parfaict	6	Details
Analysis ID Analyst 29 Is Cadence? No
18–19	Jamais amour sans guerre n'est parfaict	6	Details
Analysis ID Analyst 29 Is Cadence? No
19–20	Jamais amour sans guerre n'est parfaict	6	Details
Analysis ID Analyst 29 Is Cadence? No
20–21	Jamais amour sans guerre n'est parfaict	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
22–23	Jamais amour sans guerre n'est parfaict	7	Details
Analysis ID Analyst 29 Is Cadence? No
24–26	Jamais amour sans guerre n'est parfaict	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
26–26	Jamais amour sans guerre n'est parfaict	8	Details
Analysis ID Analyst 29 Is Cadence? No
27–28	Jamais amour sans guerre n'est parfaict	8	Details
Analysis ID Analyst 29 Is Cadence? No
28–31	Jamais amour sans guerre n'est parfaict	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
30–31	Jamais amour sans guerre n'est parfaict	9	Details
Analysis ID Analyst 29 Is Cadence? No
31–32	Jamais amour sans guerre n'est parfaict	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
30–31	Jamais amour sans guerre n'est parfaict	9	Details
Analysis ID Analyst 29 Is Cadence? No
31–32	Jamais amour sans guerre n'est parfaict	9	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Jamais amour sans guerre n'est parfaict	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
33–34	Jamais amour sans guerre n'est parfaict	10	Details
Analysis ID Analyst 29 Is Cadence? No
32–36	Jamais amour sans guerre n'est parfaict	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
35–36	Jamais amour sans guerre n'est parfaict	10	Details
Analysis ID Analyst 29 Is Cadence? No
1–2	Tels menus plaidz conferment les amours	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
1–2	Tels menus plaidz conferment les amours	1	Details
Analysis ID Analyst 29 Is Cadence? No
2–3	Tels menus plaidz conferment les amours	1	Details
Analysis ID Analyst 29 Is Cadence? No
3–3	Tels menus plaidz conferment les amours	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Fauxbourdon
4–5	Tels menus plaidz conferment les amours	1	Details
Analysis ID Analyst 29 Is Cadence? No Comments Bassus does not complete cadential motion.
8–10	Tels menus plaidz conferment les amours	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Long melisma at "plaisir"
10–12	Tels menus plaidz conferment les amours	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Authentic Cadence at the word "attaintz"
6–8	Tels menus plaidz conferment les amours	2	Details
Analysis ID Analyst 29 Is Cadence? No
1–5	Tels menus plaidz conferment les amours	3	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–12	Tels menus plaidz conferment les amours	4	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Tels menus plaidz conferment les amours	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Declamation Comments Text Declaim: Sustain on the word "Mais"
13–16	Tels menus plaidz conferment les amours	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
14–15	Tels menus plaidz conferment les amours	5	Details
Analysis ID Analyst 29 Is Cadence? No
16–17	Tels menus plaidz conferment les amours	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
16–17	Tels menus plaidz conferment les amours	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Enjambment at the the word "conjointcs"
17–19	Tels menus plaidz conferment les amours	5	Details
Analysis ID Analyst 29 Is Cadence? No
16–19	Tels menus plaidz conferment les amours	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
23–24	Tels menus plaidz conferment les amours	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor Voice Role (Below) Contratenor Comments FI: Tonal
24–25	Tels menus plaidz conferment les amours	7	Details
Analysis ID Analyst 29 Is Cadence? No
25–26	Tels menus plaidz conferment les amours	7	Details
Analysis ID Analyst 29 Is Cadence? No
26–27	Tels menus plaidz conferment les amours	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
26–29	Tels menus plaidz conferment les amours	8	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
28–29	Tels menus plaidz conferment les amours	8	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Representation Comments Text Representation: Displaced Cadence at "imparfaict"
29–33	Tels menus plaidz conferment les amours	9	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
32–33	Tels menus plaidz conferment les amours	9	Details
Analysis ID Analyst 29 Is Cadence? No
32–33	Tels menus plaidz conferment les amours	10	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
32–34	Tels menus plaidz conferment les amours	10	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
32–37	Tels menus plaidz conferment les amours	10	Details
Analysis ID Analyst 29 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied? Comments Varied Repeat: Ct enters with T; Ct ends on D instead of B; Bassus completes cadential motion to G.
36–37	Tels menus plaidz conferment les amours	10	Details
Analysis ID Analyst 29 Is Cadence? No Comments 1st ending: Bassus does not complete cadential motion; 2nd ending, bassus completes cadential motion.
1–2	Recepte pour un flux de bourse	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Stagger
1–3	Recepte pour un flux de bourse	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@4) Superius Voice Role (Above) Superius
3–6	Recepte pour un flux de bourse	1	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
2–4	Recepte pour un flux de bourse	1	Details
Analysis ID Analyst 29 Is Cadence? No
4–5	Recepte pour un flux de bourse	1	Details
Analysis ID Analyst 29 Is Cadence? No
6–8	Recepte pour un flux de bourse	1	Details
Analysis ID Analyst 29 Is Cadence? No
7–9	Recepte pour un flux de bourse	2	Details
Analysis ID Analyst 29 Is Cadence? No
9–12	Recepte pour un flux de bourse	2	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (@5) Bassus Voice Role (Above) Contratenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint
10–13	Recepte pour un flux de bourse	2	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Pause
11–13	Recepte pour un flux de bourse	3	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
12–14	Recepte pour un flux de bourse	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor Voice Role (@4) Superius Voice Role (Above) Contratenor
15–16	Recepte pour un flux de bourse	3	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type HR Simple
18–19	Recepte pour un flux de bourse	3	Details
Analysis ID Analyst 29 Is Cadence? No
20–23	Recepte pour un flux de bourse	4	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius
20–21	Recepte pour un flux de bourse	4	Details
Analysis ID Analyst 29 Is Cadence? No
22–23	Recepte pour un flux de bourse	4	Details
Analysis ID Analyst 29 Is Cadence? No
21–22	Recepte pour un flux de bourse	4	Details
Analysis ID Analyst 29 Is Cadence? No
23–23	Recepte pour un flux de bourse	4	Details
Analysis ID Analyst 29 Is Cadence? No
23–26	Recepte pour un flux de bourse	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius Voice Role (Above) Superius
24–27	Recepte pour un flux de bourse	5	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
26–27	Recepte pour un flux de bourse	5	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Enjambment
25–27	Recepte pour un flux de bourse	5	Details
Analysis ID Analyst 29 Is Cadence? No
26–27	Recepte pour un flux de bourse	6	Details
Analysis ID Analyst 29 Is Cadence? No Text Treatment Text Overlap
28–30	Recepte pour un flux de bourse	6	Details
Analysis ID Analyst 29 Is Cadence? No
29–30	Recepte pour un flux de bourse	6	Details
Analysis ID Analyst 29 Is Cadence? No
30–30	Recepte pour un flux de bourse	7	Details
Analysis ID Analyst 29 Is Cadence? No
31–32	Recepte pour un flux de bourse	7	Details
Analysis ID Analyst 29 Is Cadence? No
30–32	Recepte pour un flux de bourse	7	Details
Analysis ID Analyst 29 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus Voice Role (Below) Bassus
33–34	Recepte pour un flux de bourse	7	Details
Analysis ID Analyst 29 Is Cadence? No
36–37	Recepte pour un flux de bourse	7	Details
Analysis ID Analyst 29 Is Cadence? No Comments Plagal Coda

The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

Holscher, Joshua

Analyses

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