The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Belkot, John

Analyses

Measures Piece Phrase Number
1–2 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Simple
1–3 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
4–4 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
4–5 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
5–8 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
8–10 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
11–12 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
11–12 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
Text Treatment
Text Overlap
12–14 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Bassus
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
13–13 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
14–14 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
15–16 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
16–17 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
17–18 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
19–19 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Text Treatment
Text Pause
19–20 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
21–22 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
22–23 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
23–30 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
1–4 Cupido pour ses appetitz vers des mouches alla 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–3 Cupido pour ses appetitz vers des mouches alla 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
4–5 Cupido pour ses appetitz vers des mouches alla 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
5–5 Cupido pour ses appetitz vers des mouches alla 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
6–7 Cupido pour ses appetitz vers des mouches alla 2 Details
Analysis ID
Analyst
28
Is Cadence?
No

Comments

Phrygian
6–7 Cupido pour ses appetitz vers des mouches alla 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
7–8 Cupido pour ses appetitz vers des mouches alla 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor

Comments

Tenor entry is presented in inversion (not invertible counterpoint). Motive of the rising/descending third presented as FI.
8–9 Cupido pour ses appetitz vers des mouches alla 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
8–9 Cupido pour ses appetitz vers des mouches alla 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
8–9 Cupido pour ses appetitz vers des mouches alla 3 Details
Analysis ID
Analyst
28
Is Cadence?
No

Comments

Internal phrase resolution. Not a cadence. Leading tone absent.
11–12 Cupido pour ses appetitz vers des mouches alla 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Text Treatment
Text Overlap

Comments

Text overlap occurs in mm. 9-10.
12–12 Cupido pour ses appetitz vers des mouches alla 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Simple
11–12 Cupido pour ses appetitz vers des mouches alla 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
12–14 Cupido pour ses appetitz vers des mouches alla 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Text Treatment
Text Representation

Comments

All voice parts have melisma on "vola"
13–14 Cupido pour ses appetitz vers des mouches alla 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
14–18 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
18–19 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
28
Is Cadence?
No
15–19 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
28
Is Cadence?
No
19–20 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
28
Is Cadence?
No
20–22 Cupido pour ses appetitz vers des mouches alla 6 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
21–22 Cupido pour ses appetitz vers des mouches alla 6 Details
Analysis ID
Analyst
28
Is Cadence?
No
23–24 Cupido pour ses appetitz vers des mouches alla 6 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Formulas
Romanesca
24–25 Cupido pour ses appetitz vers des mouches alla 6 Details
Analysis ID
Analyst
28
Is Cadence?
No
1–4 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor

Comments

Tenor @ 5th below; Bassus @ 4th below
5–5 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
5–7 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Other Counterpoint
Stretto Fuga

Comments

Text repeat
8–9 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
9–10 Faisons le dire mensonger 1 Details
Analysis ID
Analyst
28
Is Cadence?
No
10–12 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Dance
12–13 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
Other Formulas
Romanesca
13–15 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Simple
15–16 Faisons le dire mensonger 2 Details
Analysis ID
Analyst
28
Is Cadence?
No
16–18 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Simple
18–19 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
HR Stagger
19–20 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
16–20 Faisons le dire mensonger 3 Details
Analysis ID
Analyst
28
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
3
Repeat, Exact or Varied?

Comments

Soprano rises from D to F on the repeat instead of F to F on the 1st pass. 1st and 2nd Endings.
22–23 Faisons le dire mensonger 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
24–25 Faisons le dire mensonger 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Other Formulas
Romanesca
25–26 Faisons le dire mensonger 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
20–26 Faisons le dire mensonger 4 Details
Analysis ID
Analyst
28
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
4
Repeat, Exact or Varied?