The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Clement, Deanna

Analyses

Measures Piece Phrase Number
1–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
1–2 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
2–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–5 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
4–5 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–4 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
5–6 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
6–8 C'est a moy qu'en veult ce coqu 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Ct holds last syllable of previous line.
8–11 C'est a moy qu'en veult ce coqu 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Non-Double Leading Tone Cadence (also Displaced: Ct/B to G) in ms. 10-11 replaces Evaded, Displaced, Inverted Authentic Cadence (T/Ct to D) in ms. 5-6.
11–13 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dactyll
Other Formulas
Romanesca
Repeat Kind
Final Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
13–14 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–13 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation
13–15 C'est a moy qu'en veult ce coqu 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
Repeat Kind
Final Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
14–15 C'est a moy qu'en veult ce coqu 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
13–15 C'est a moy qu'en veult ce coqu 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Declamation
15–17 C'est a moy qu'en veult ce coqu 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
15–17 C'est a moy qu'en veult ce coqu 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
17–19 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

Ending cadence rhythms varied to accommodate text repetition and new material.
20–20 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
20–21 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
21–23 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Formulas
Romanesca
23–24 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
21–22 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
19–22 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Below)
Contratenor
17–24 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–3 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
3–6 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus
6–6 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
6–6 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
7–8 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
2–6 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Introduced in Ct while S finishes its role in FI: Ct > S @8ve Above.
7–8 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Declamation
9–10 Vous estes un fascheux homme 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
9–10 Vous estes un fascheux homme 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Declamation
11–12 Vous estes un fascheux homme 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
12–12 Vous estes un fascheux homme 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–12 Vous estes un fascheux homme 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Declamation
13–14 Vous estes un fascheux homme 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
14–14 Vous estes un fascheux homme 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–15 Vous estes un fascheux homme 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
15–15 Vous estes un fascheux homme 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
15–16 Vous estes un fascheux homme 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

extension of phrase on the words, "ou hay."
17–23 Vous estes un fascheux homme 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Ct, T, and B vary in ms. 17-21, forming what might be termed a loose FI: B > Ct @5 above, but in which the Ct inverts the B.
23–25 Vous estes un fascheux homme 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
2
Repeat, Exact or Varied?
25–28 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
26–27 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
27–28 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
25–28 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
28–30 Vous estes un fascheux homme 11 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
29–30 Vous estes un fascheux homme 11 Details
Analysis ID
Analyst
25
Is Cadence?
No
30–32 Vous estes un fascheux homme 12 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

T removed; ACC3 now between S and Ct
32–33 Vous estes un fascheux homme 13 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

B and T staggered from S and Ct; S and Ct in ACC6.
33–35 Vous estes un fascheux homme 14 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

B staggered from S/Ct/T; ACC6: S/T; ending of phrase expanded
35–41 Vous estes un fascheux homme 15 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Original FI: Ct > S @ 8 above returns, accompanied by B like the accompanying line introduced in the first refrain; additional entrance of Ct and S's line in T in ms. 38; new material in ms. 39-41.
41–43 Vous estes un fascheux homme 16 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
2
Repeat, Exact or Varied?
44–47 Vous estes un fascheux homme 16 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

HR Simple translated into HR Dance; B forms clearer ACC5/3 with T.
1–3 Quand j'ay esté quinze heures avec vous 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–3 Quand j'ay esté quinze heures avec vous 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–5 Quand j'ay esté quinze heures avec vous 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
4–5 Quand j'ay esté quinze heures avec vous 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–5 Quand j'ay esté quinze heures avec vous 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Declamation
1–3 Quand j'ay esté quinze heures avec vous 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3–5 Quand j'ay esté quinze heures avec vous 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
6–8 Quand j'ay esté quinze heures avec vous 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
7–7 Quand j'ay esté quinze heures avec vous 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
8–10 Quand j'ay esté quinze heures avec vous 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
8–10 Quand j'ay esté quinze heures avec vous 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
10–10 Quand j'ay esté quinze heures avec vous 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–13 Quand j'ay esté quinze heures avec vous 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
13–15 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

Text repeat overlaps Displaced Authentic Cadence (B/T) to D in ms. 15.
15–18 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
17–17 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
15–18 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
18–18 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–3 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
2–4 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–4 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple

Comments

Also FI: S > T @ 8ve Above.
6–7 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–7 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
6–7 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–7 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
1–4 Si vous aviez comme moy faim 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–8 Si vous aviez comme moy faim 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8–12 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
10–12 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
11–12 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
12–15 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor

Comments

FI accompanied by same gesture in T a third below; Ct features the same gesture inverted.
13–14 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–16 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
16–17 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–16 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Formulas
Romanesca
17–21 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
20–21 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
17–21 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
21–22 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
23–27 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
24–26 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
22–27 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–2 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–4 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
2–3 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
2–3 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–5 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–3 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
1–3 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
5–7 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Formulas
Romanesca
6–7 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
7–8 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
9–10 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
10–10 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
10–11 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–12 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–5 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct anticipates PEn: B > Ct > S @ 8ve Above
6–9 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
15–17 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
18–20 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
15–18 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
17–18 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
19–20 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
17–20 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
20–22 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
22–23 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
24–25 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
20–20 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Enters in T, part of FI: T > Ct @ 4th Above
20–23 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Other Counterpoint
Invertible Counterpoint
20–23 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
26–28 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
27–28 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
28–29 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
Voice Role (Above)
Contratenor
29–32 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
30–31 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
32–34 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
33–34 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
34–34 Madame je vous remercie/ De m'avoir esté si rebourse 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct/T enter.
34–36 Madame je vous remercie/ De m'avoir esté si rebourse 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
35–35 Madame je vous remercie/ De m'avoir esté si rebourse 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Formulas
Romanesca
37–37 Madame je vous remercie/ De m'avoir esté si rebourse 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
40–42 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
42–43 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
43–43 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
37–42 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Contratenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
1–3 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
1–3 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–4 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
4–5 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
5–6 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
10–12 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
9–10 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
5–6 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

In Ct, begins PEn: Ct > T > B @ 5th Below, 8ve Below.
7–9 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
5–7 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
12–16 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
12–14 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–16 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
15–16 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
18–19 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
17–19 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
19–19 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Pause
16–17 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
20–24 Long temps y a, innocente pucelle 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
23–24 Long temps y a, innocente pucelle 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
24–30 Long temps y a, innocente pucelle 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
29–38 Long temps y a, innocente pucelle 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
1–2 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–4 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–5 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–5 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–5 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
2–4 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Other Counterpoint
Invertible Counterpoint
6–8 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga

Comments

Ct anticipates T's entrance.
9–12 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–12 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
8–10 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
10–11 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
13–14 Ça ces beaux yeux, ça ceste bouche 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
12–12 Ça ces beaux yeux, ça ceste bouche 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct anticipates T entrance
15–15 Ça ces beaux yeux, ça ceste bouche 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
15–16 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
15–17 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
17–18 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–15 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct and T enter as part of a PEn: Ct > T > B @ 4th Below, 8ve Below.
14–15 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–16 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
18–19 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
18–18 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
18–19 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
19–20 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
18–18 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

B enters as part of an FI: B > T @ 5th Above.
20–20 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
21–21 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
21–22 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
22–23 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
21–23 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
20–23 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
23–26 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
25–26 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
23–23 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

B enters, interrupting Authentic Cadence (S/T): D.
26–28 Ça ces beaux yeux, ça ceste bouche 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
Voice Role (Above)
Contratenor
28–28 Ça ces beaux yeux, ça ceste bouche 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
28–29 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
29–30 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
30–33 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
32–33 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
28–29 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S interrupts Evaded, Inverted, Displaced Authentic Cadence (S/T): F
27–34 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

Varied T accompaniment leading into the final repeat.
1–4 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
2–2 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–4 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–6 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–5 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
5–6 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–2 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
7–10 Où cerchez-vous du dieu d'amour l'empire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
7–7 Où cerchez-vous du dieu d'amour l'empire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
9–10 Où cerchez-vous du dieu d'amour l'empire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–6 Où cerchez-vous du dieu d'amour l'empire 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–11 Où cerchez-vous du dieu d'amour l'empire 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–15 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–15 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–15 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–13 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
15–17 Où cerchez-vous du dieu d'amour l'empire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
16–18 Où cerchez-vous du dieu d'amour l'empire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
17–18 Où cerchez-vous du dieu d'amour l'empire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
19–20 Où cerchez-vous du dieu d'amour l'empire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
15–16 Où cerchez-vous du dieu d'amour l'empire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct enters with anticipatory entrance leading into PEn (stacked): B > T > Ct @ 5th Above.
21–25 Où cerchez-vous du dieu d'amour l'empire 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
22–23 Où cerchez-vous du dieu d'amour l'empire 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
24–25 Où cerchez-vous du dieu d'amour l'empire 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
20–21 Où cerchez-vous du dieu d'amour l'empire 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
25–26 Où cerchez-vous du dieu d'amour l'empire 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
25–27 Où cerchez-vous du dieu d'amour l'empire 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
27–28 Où cerchez-vous du dieu d'amour l'empire 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
28–29 Où cerchez-vous du dieu d'amour l'empire 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
28–29 Où cerchez-vous du dieu d'amour l'empire 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
29–31 Où cerchez-vous du dieu d'amour l'empire 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
29–30 Où cerchez-vous du dieu d'amour l'empire 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
30–31 Où cerchez-vous du dieu d'amour l'empire 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
31–33 Où cerchez-vous du dieu d'amour l'empire 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
32–33 Où cerchez-vous du dieu d'amour l'empire 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
33–35 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
37–37 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
36–38 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
34–38 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
33–34 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

B enters with beginning of FI: B > T @ 5th Above.
1–4 Il est permis trouver au lict s'amie 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments
1–2 Il est permis trouver au lict s'amie 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
2–4 Il est permis trouver au lict s'amie 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–4 Il est permis trouver au lict s'amie 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–6 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
5–7 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
7–8 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–4 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct anticipates FI: B > Ct @ 8ve Above.
8–8 Il est permis trouver au lict s'amie 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S begins a varied direct repeat of Phrase 1.
8–11 Il est permis trouver au lict s'amie 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
11–15 Il est permis trouver au lict s'amie 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Cadence formed without Text Overlap.
14–16 Il est permis trouver au lict s'amie 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Pause
15–18 Il est permis trouver au lict s'amie 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
17–18 Il est permis trouver au lict s'amie 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
22–23 Il est permis trouver au lict s'amie 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Formulas
Romanesca
19–22 Il est permis trouver au lict s'amie 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
23–24 Il est permis trouver au lict s'amie 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
19–24 Il est permis trouver au lict s'amie 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Declamation
24–27 Il est permis trouver au lict s'amie 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
26–27 Il est permis trouver au lict s'amie 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
29–30 Il est permis trouver au lict s'amie 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
30–32 Il est permis trouver au lict s'amie 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
28–32 Il est permis trouver au lict s'amie 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
28–33 Il est permis trouver au lict s'amie 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

Varied voicing in Ct, ms. 33
1–3 Un jour dormoit Colin en my des prez 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint
3–3 Un jour dormoit Colin en my des prez 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–5 Un jour dormoit Colin en my des prez 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Enjambment
3–5 Un jour dormoit Colin en my des prez 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S line continues in to the first four syllables of the next phrase without cadence. Other voices follow.
10–11 Un jour dormoit Colin en my des prez 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
11–11 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct anticipates PEn: S > B > T @ 8ve Below, 5th above.
12–13 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
13–13 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
13–14 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Enjambment

Comments

S continues into next line's first four syllables, with other voices following suit.
14–16 Un jour dormoit Colin en my des prez 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
14–17 Un jour dormoit Colin en my des prez 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
17–18 Un jour dormoit Colin en my des prez 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
13–14 Un jour dormoit Colin en my des prez 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S introduces HR Stagger
19–22 Un jour dormoit Colin en my des prez 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
19–20 Un jour dormoit Colin en my des prez 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dactyll
22–23 Un jour dormoit Colin en my des prez 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
23–24 Un jour dormoit Colin en my des prez 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
25–26 Un jour dormoit Colin en my des prez 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
26–29 Un jour dormoit Colin en my des prez 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
23–24 Un jour dormoit Colin en my des prez 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
28–29 Un jour dormoit Colin en my des prez 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
25–26 Un jour dormoit Colin en my des prez 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S introduces HR Stagger.
30–33 Un jour dormoit Colin en my des prez 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
29–29 Un jour dormoit Colin en my des prez 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

T introduces PEn: T > B > S @ 5th Below, 8ve Above.
29–32 Un jour dormoit Colin en my des prez 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Stretto fuga
32–33 Un jour dormoit Colin en my des prez 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
36–37 Un jour dormoit Colin en my des prez 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
33–34 Un jour dormoit Colin en my des prez 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
33–36 Un jour dormoit Colin en my des prez 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?

Comments

Varied lead-in to repeat because of the cadence preceding the first iteration.
37–40 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
39–40 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
42–43 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
41–43 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
37–46 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–3 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
3–6 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dance
3–6 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–3 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
5–7 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Pause
7–8 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
12–13 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
9–13 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
9–12 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
13–15 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Pause
9–13 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
1–6 Si je te voy, qui est ce que desire 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–14 Si je te voy, qui est ce que desire 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
15–17 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Simple
17–19 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
17–18 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
20–22 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
17–21 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (@4)
Contratenor
Voice Role (Above)
Tenor
21–24 Si je te voy, qui est ce que desire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
23–24 Si je te voy, qui est ce que desire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
24–25 Si je te voy, qui est ce que desire 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
27–32 Si je te voy, qui est ce que desire 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
27–32 Si je te voy, qui est ce que desire 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
20–22 Tels menus plaidz conferment les amours 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
27–32 Si je te voy, qui est ce que desire 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
33–41 Si je te voy, qui est ce que desire 8 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
2–3 Tels menus plaidz conferment les amours 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
4–5 Tels menus plaidz conferment les amours 1 Details
Analysis ID
Analyst
25
Is Cadence?
No
5–10 Tels menus plaidz conferment les amours 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Representation

Comments

In S of FI in ms. 8-10, "plaisir" is floridly ornamented.
11–12 Tels menus plaidz conferment les amours 2 Details
Analysis ID
Analyst
25
Is Cadence?
No
1–5 Tels menus plaidz conferment les amours 3 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
2–15 Tels menus plaidz conferment les amours 4 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–15 Tels menus plaidz conferment les amours 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Dactyll
16–16 Tels menus plaidz conferment les amours 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
16–17 Tels menus plaidz conferment les amours 5 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Enjambment

Comments

HR Simple texture flows straight into next phrase without a clear cut cadence.
21–22 Tels menus plaidz conferment les amours 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
20–22 Tels menus plaidz conferment les amours 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
18–19 Tels menus plaidz conferment les amours 6 Details
Analysis ID
Analyst
25
Is Cadence?
No
22–24 Tels menus plaidz conferment les amours 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
24–25 Tels menus plaidz conferment les amours 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
25–26 Tels menus plaidz conferment les amours 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
26–29 Tels menus plaidz conferment les amours 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
28–29 Tels menus plaidz conferment les amours 7 Details
Analysis ID
Analyst
25
Is Cadence?
No
29–33 Tels menus plaidz conferment les amours 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Tels menus plaidz conferment les amours 9 Details
Analysis ID
Analyst
25
Is Cadence?
No
32–33 Tels menus plaidz conferment les amours 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Text Treatment
Text Overlap

Comments

T introduces the ID: T;B > S;Ct @ 8ve Above, 5th Below.
33–40 Tels menus plaidz conferment les amours 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Beginning of the repeat has ACC3: Ct/B. Also, the voicing of the ending cadence differs.
32–35 Tels menus plaidz conferment les amours 10 Details
Analysis ID
Analyst
25
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
36–37 Tels menus plaidz conferment les amours 10 Details
Analysis ID
Analyst
25
Is Cadence?
No