The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Romey, John

Analyses

Measures Piece Phrase Number
10–20 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll

Comments

HR STAG in first measure
3–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
5–6 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Tenorizans moves 2>3
6–6 C'est a moy qu'en veult ce coqu 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
6–8 C'est a moy qu'en veult ce coqu 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–11 C'est a moy qu'en veult ce coqu 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Cadence avoided at end of phrase
12–12 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation

Comments

HR SIMPLE as well as HR DACTYLL
14–15 C'est a moy qu'en veult ce coqu 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca

Comments

Romanesca in S and T
15–17 C'est a moy qu'en veult ce coqu 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
17–19 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
20–20 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
21–22 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
30–31 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–4 J'ay le fruit tant désiré 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
8–11 J'ay le fruit tant désiré 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
11–15 J'ay le fruit tant désiré 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Tenor 2>1 completes cadence to G that was avoided in phrase 2
4–6 J'ay le fruit tant désiré 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
6–8 J'ay le fruit tant désiré 2 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

no 2>1 in tenorizans

16–21 J'ay le fruit tant désiré 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
17–19 J'ay le fruit tant désiré 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
19–19 J'ay le fruit tant désiré 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

on "Augmenter" longer notes under a ligature plus phrases 5 and 6 elided here
20–21 J'ay le fruit tant désiré 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
21–23 J'ay le fruit tant désiré 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Bassus
23–24 J'ay le fruit tant désiré 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
24–26 J'ay le fruit tant désiré 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
25–28 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Superius
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (@1 or @8)
Contratenor
Text Treatment
Text Overlap
27–29 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Superius
Voice Role (Upper Voice 2 NIM)
Tenor

Comments

T is late in entrance
5–5 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
7–8 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
8–9 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
9–12 Vous estes un fascheux homme 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
9–12 Vous estes un fascheux homme 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
12–12 Vous estes un fascheux homme 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
13–13 Vous estes un fascheux homme 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
14–16 Vous estes un fascheux homme 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
14–16 Vous estes un fascheux homme 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
15–15 Vous estes un fascheux homme 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–17 Vous estes un fascheux homme 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
17–22 Vous estes un fascheux homme 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
24–25 Vous estes un fascheux homme 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
26–27 Vous estes un fascheux homme 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
25–28 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Superius
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (@1 or @8)
Superius
28–31 Vous estes un fascheux homme 11 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap
30–32 Vous estes un fascheux homme 12 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap
35–41 Vous estes un fascheux homme 15 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Refrain
Repeat, Exact or Varied?
35–37 Vous estes un fascheux homme 15 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Superius
39–40 Vous estes un fascheux homme 15 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Tenorizans 2>3 to evade cadence
41–43 Vous estes un fascheux homme 16 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Refrain
Repeat, Exact or Varied?
44–47 Vous estes un fascheux homme 16 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
44–47 Vous estes un fascheux homme 16 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2

Comments

Pitches are identical but the meter is triple instead of duple
46–47 Vous estes un fascheux homme 16 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 Quand j'ay esté quinze heures avec vous 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–5 Quand j'ay esté quinze heures avec vous 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
4–5 Quand j'ay esté quinze heures avec vous 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–5 Quand j'ay esté quinze heures avec vous 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
3–5 Quand j'ay esté quinze heures avec vous 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
1–3 Quand j'ay esté quinze heures avec vous 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–7 Quand j'ay esté quinze heures avec vous 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
6–7 Quand j'ay esté quinze heures avec vous 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
8–8 Quand j'ay esté quinze heures avec vous 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap
11–13 Quand j'ay esté quinze heures avec vous 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
13–15 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
17–18 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–2 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
3–3 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
Text Treatment
Text Overlap
5–7 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Si vous aviez comme moy faim 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–8 Si vous aviez comme moy faim 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8–10 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
10–12 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
12–13 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
12–15 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
16–17 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
17–21 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation
Repeat Kind
Final Repeat
Earlier Phrase
7
17–18 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
20–21 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
21–26 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
21–26 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
21–22 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
Voice Role (@1 or @8)
Superius
24–26 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
2–3 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
2–3 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–5 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
5–6 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
6–10 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
11–12 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
12–12 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
15–16 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Comes 1)
Tenor
17–18 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
19–20 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
20–22 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Contratenor
24–25 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Bass is Silent through both measures
26–28 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Declamation
27–28 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
31–31 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
33–34 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
34–34 Madame je vous remercie/ De m'avoir esté si rebourse 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
34–35 Madame je vous remercie/ De m'avoir esté si rebourse 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
37–39 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
40–40 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor

Comments

B/T returns from measures 37-39 ID, but S/T does not
1–3 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–1 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

long note on "lons"
1–4 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
3–5 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
5–6 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
6–6 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
5–8 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Bassus
Voice Role (Lower Voice 2 NIM)
Superius
Voice Role (@4)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga, Invertible Counterpoint
7–9 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Other Counterpoint
Stretto Fuga
10–12 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
12–14 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
12–14 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
15–16 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–17 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
18–19 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–19 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
20–24 Long temps y a, innocente pucelle 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
24–24 Long temps y a, innocente pucelle 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
24–30 Long temps y a, innocente pucelle 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
28–29 Long temps y a, innocente pucelle 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
29–35 Long temps y a, innocente pucelle 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
Repeat Kind
Da Capo
Earlier Phrase
6
Repeat, Exact or Varied?
34–35 Long temps y a, innocente pucelle 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
56–56 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
59–61 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
61–65 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
61–65 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
61–65 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

triple meter = drinking song?
64–65 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–1 Musiciens qui chantez à plaisir 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–6 Musiciens qui chantez à plaisir 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
5–9 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Overlap
5–6 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
7–8 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Imitation in S breaks the time interval
9–10 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
10–11 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
12–13 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–15 Musiciens qui chantez à plaisir 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
14–19 Musiciens qui chantez à plaisir 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

RESTS S/CT - CT/T ADDED 14-15
18–27 Musiciens qui chantez à plaisir 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
27–28 Musiciens qui chantez à plaisir 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
27–28 Musiciens qui chantez à plaisir 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
28–30 Musiciens qui chantez à plaisir 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
30–32 Musiciens qui chantez à plaisir 5 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Ct/B Silent
32–33 Musiciens qui chantez à plaisir 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
34–36 Musiciens qui chantez à plaisir 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
37–39 Musiciens qui chantez à plaisir 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
39–44 Musiciens qui chantez à plaisir 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
43–52 Musiciens qui chantez à plaisir 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
50–52 Musiciens qui chantez à plaisir 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
52–53 Musiciens qui chantez à plaisir 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
54–55 Musiciens qui chantez à plaisir 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
55–55 Musiciens qui chantez à plaisir 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
1–2 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
1–3 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
2–4 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Tenor
Other Formulas
Romanesca
Other Counterpoint
Invertible Counterpoint
4–6 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
5–7 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
6–7 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
6–8 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
10–10 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
11–12 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–16 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
15–16 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
18–18 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
18–20 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Other Formulas
Romanesca
22–23 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
22–26 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
25–26 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
26–28 Ça ces beaux yeux, ça ceste bouche 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
29–30 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
29–30 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
30–33 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–2 J'endure tout, c'est bien raison 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
2–4 J'endure tout, c'est bien raison 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
4–6 J'endure tout, c'est bien raison 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
5–10 J'endure tout, c'est bien raison 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

long melissma on "mignon"
9–10 J'endure tout, c'est bien raison 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
10–13 J'endure tout, c'est bien raison 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
13–21 J'endure tout, c'est bien raison 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

long melissma extended...

14–21 J'endure tout, c'est bien raison 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

"mignon" melissma is now on "m'adonne"
22–28 J'endure tout, c'est bien raison 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2

Comments

Rep of 5-8
23–24 J'endure tout, c'est bien raison 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
24–24 J'endure tout, c'est bien raison 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Text overlap obscures cadence

25–27 J'endure tout, c'est bien raison 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
26–30 J'endure tout, c'est bien raison 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
26–28 J'endure tout, c'est bien raison 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
27–29 J'endure tout, c'est bien raison 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
30–30 J'endure tout, c'est bien raison 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap

Comments

TEXT OVERLAP obscures cadence

31–38 J'endure tout, c'est bien raison 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
30–32 J'endure tout, c'est bien raison 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
35–36 J'endure tout, c'est bien raison 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 J'endure tout, c'est bien raison 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Other
7–7 J'endure tout, c'est bien raison 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
9–9 J'endure tout, c'est bien raison 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

Eb on "corps"

9–10 J'endure tout, c'est bien raison 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
12–13 J'endure tout, c'est bien raison 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Enjambment
29–31 J'endure tout, c'est bien raison 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
1–2 Ce disoit une jeune dame 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
3–4 Ce disoit une jeune dame 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–5 Ce disoit une jeune dame 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Dux 2)
Tenor
Other Formulas
Romanesca
Text Treatment
Text Overlap
7–7 Ce disoit une jeune dame 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
9–9 Ce disoit une jeune dame 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

Eb on "corps"
9–10 Ce disoit une jeune dame 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
12–13 Ce disoit une jeune dame 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Enjambment
15–17 Ce disoit une jeune dame 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
19–22 Ce disoit une jeune dame 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap
21–22 Ce disoit une jeune dame 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
22–24 Ce disoit une jeune dame 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
25–27 Ce disoit une jeune dame 7 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

S 2>3
29–31 Ce disoit une jeune dame 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
30–31 Ce disoit une jeune dame 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
31–33 Ce disoit une jeune dame 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
35–36 Ce disoit une jeune dame 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
37–37 Ce disoit une jeune dame 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
37–37 Ce disoit une jeune dame 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

ON WORD "CELA"
36–41 Ce disoit une jeune dame 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
37–38 Ce disoit une jeune dame 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
40–42 Ce disoit une jeune dame 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 Quand je voy ma mignonne rire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@4)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
3–3 Quand je voy ma mignonne rire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–3 Quand je voy ma mignonne rire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
4–5 Quand je voy ma mignonne rire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
7–9 Quand je voy ma mignonne rire 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
10–11 Quand je voy ma mignonne rire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation
13–13 Quand je voy ma mignonne rire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–16 Quand je voy ma mignonne rire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Superius
Other Counterpoint
Stretto Fuga
14–16 Quand je voy ma mignonne rire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
16–16 Quand je voy ma mignonne rire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–17 Quand je voy ma mignonne rire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
16–19 Quand je voy ma mignonne rire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
18–19 Quand je voy ma mignonne rire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Je ne veulx plus de mon malheur me plaindre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
3–3 Je ne veulx plus de mon malheur me plaindre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–5 Je ne veulx plus de mon malheur me plaindre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Dux 2)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
6–7 Je ne veulx plus de mon malheur me plaindre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

2>3 for evaded cadence instead of 2>1
6–7 Je ne veulx plus de mon malheur me plaindre 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
7–9 Je ne veulx plus de mon malheur me plaindre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
11–12 Je ne veulx plus de mon malheur me plaindre 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–7 Je ne veulx plus de mon malheur me plaindre 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–12 Je ne veulx plus de mon malheur me plaindre 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–14 Je ne veulx plus de mon malheur me plaindre 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
14–15 Je ne veulx plus de mon malheur me plaindre 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
15–17 Je ne veulx plus de mon malheur me plaindre 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Text Treatment
Text Overlap
16–17 Je ne veulx plus de mon malheur me plaindre 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
18–20 Je ne veulx plus de mon malheur me plaindre 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
20–22 Je ne veulx plus de mon malheur me plaindre 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
21–23 Je ne veulx plus de mon malheur me plaindre 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Text Treatment
Text Overlap
21–25 Je ne veulx plus de mon malheur me plaindre 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
25–26 Je ne veulx plus de mon malheur me plaindre 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
26–28 Je ne veulx plus de mon malheur me plaindre 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
27–29 Je ne veulx plus de mon malheur me plaindre 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
28–29 Je ne veulx plus de mon malheur me plaindre 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
30–30 Je ne veulx plus de mon malheur me plaindre 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
30–36 Je ne veulx plus de mon malheur me plaindre 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
35–41 Je ne veulx plus de mon malheur me plaindre 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
5–7 Puisque tu veulx mettre fin à ta plaincte 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
7–9 Puisque tu veulx mettre fin à ta plaincte 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
8–9 Puisque tu veulx mettre fin à ta plaincte 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
10–11 Puisque tu veulx mettre fin à ta plaincte 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–7 Puisque tu veulx mettre fin à ta plaincte 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–11 Puisque tu veulx mettre fin à ta plaincte 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–17 Puisque tu veulx mettre fin à ta plaincte 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
12–12 Puisque tu veulx mettre fin à ta plaincte 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
16–16 Puisque tu veulx mettre fin à ta plaincte 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–20 Puisque tu veulx mettre fin à ta plaincte 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
20–21 Puisque tu veulx mettre fin à ta plaincte 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
22–24 Puisque tu veulx mettre fin à ta plaincte 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
25–26 Puisque tu veulx mettre fin à ta plaincte 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
26–28 Puisque tu veulx mettre fin à ta plaincte 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Other Counterpoint
Stretto Fuga
28–31 Puisque tu veulx mettre fin à ta plaincte 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Text Treatment
Text Overlap
31–32 Puisque tu veulx mettre fin à ta plaincte 8 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

ficta picardy third?
33–39 Puisque tu veulx mettre fin à ta plaincte 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
39–44 Puisque tu veulx mettre fin à ta plaincte 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
1–2 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
5–6 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
9–10 Où cerchez-vous du dieu d'amour l'empire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–6 Où cerchez-vous du dieu d'amour l'empire 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–11 Où cerchez-vous du dieu d'amour l'empire 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–13 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
14–15 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–17 Où cerchez-vous du dieu d'amour l'empire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
19–20 Où cerchez-vous du dieu d'amour l'empire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
23–25 Où cerchez-vous du dieu d'amour l'empire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

S/B Silent during cadential resolution
28–29 Où cerchez-vous du dieu d'amour l'empire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
30–31 Où cerchez-vous du dieu d'amour l'empire 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
33–35 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
33–37 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
36–38 Où cerchez-vous du dieu d'amour l'empire 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 Il est permis trouver au lict s'amie 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
3–4 Il est permis trouver au lict s'amie 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–4 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
4–6 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Contratenor
6–7 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
7–7 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Parallel 5ths S-T
7–8 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Ct 2>3 to evade cadence.
8–11 Il est permis trouver au lict s'amie 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Ct/B Staggered post-cadence

10–15 Il est permis trouver au lict s'amie 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
15–15 Il est permis trouver au lict s'amie 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
15–17 Il est permis trouver au lict s'amie 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
15–18 Il est permis trouver au lict s'amie 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
18–18 Il est permis trouver au lict s'amie 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–22 Il est permis trouver au lict s'amie 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
22–24 Il est permis trouver au lict s'amie 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
24–27 Il est permis trouver au lict s'amie 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
27–27 Il est permis trouver au lict s'amie 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
28–29 Il est permis trouver au lict s'amie 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation

Comments

"plus sollempnel"
28–32 Il est permis trouver au lict s'amie 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
30–32 Il est permis trouver au lict s'amie 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–2 Un jour dormoit Colin en my des prez 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
2–3 Un jour dormoit Colin en my des prez 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Other Counterpoint
Invertible Counterpoint
4–5 Un jour dormoit Colin en my des prez 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–7 Un jour dormoit Colin en my des prez 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Text Treatment
Text Overlap
6–7 Un jour dormoit Colin en my des prez 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
10–11 Un jour dormoit Colin en my des prez 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
11–12 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
12–13 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
12–13 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
13–14 Un jour dormoit Colin en my des prez 3 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Bass cadences on G
13–13 Un jour dormoit Colin en my des prez 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
14–17 Un jour dormoit Colin en my des prez 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
17–18 Un jour dormoit Colin en my des prez 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–23 Un jour dormoit Colin en my des prez 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Representation

Comments

Eb on "mais" Ct and B
22–23 Un jour dormoit Colin en my des prez 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
23–24 Un jour dormoit Colin en my des prez 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
23–24 Un jour dormoit Colin en my des prez 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
25–26 Un jour dormoit Colin en my des prez 6 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

T 2>3 to evade cadence
25–27 Un jour dormoit Colin en my des prez 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap
27–29 Un jour dormoit Colin en my des prez 7 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Incomplete = no bass
29–32 Un jour dormoit Colin en my des prez 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
33–37 Un jour dormoit Colin en my des prez 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
33–34 Un jour dormoit Colin en my des prez 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
33–35 Un jour dormoit Colin en my des prez 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Other Counterpoint
Stretto Fuga
36–37 Un jour dormoit Colin en my des prez 9 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

No Bass
37–40 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
37–43 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
41–42 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
41–42 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
42–43 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Puisqu'à t'aimer ne reçoy que tourment 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–4 Puisqu'à t'aimer ne reçoy que tourment 1 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

evaded cad 2>3
4–5 Puisqu'à t'aimer ne reçoy que tourment 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Superius
8–10 Puisqu'à t'aimer ne reçoy que tourment 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Puisqu'à t'aimer ne reçoy que tourment 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–11 Puisqu'à t'aimer ne reçoy que tourment 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–11 Puisqu'à t'aimer ne reçoy que tourment 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
11–14 Puisqu'à t'aimer ne reçoy que tourment 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
13–15 Puisqu'à t'aimer ne reçoy que tourment 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
15–16 Puisqu'à t'aimer ne reçoy que tourment 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Other Counterpoint
Stretto Fuga
17–19 Puisqu'à t'aimer ne reçoy que tourment 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–19 Puisqu'à t'aimer ne reçoy que tourment 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
19–23 Puisqu'à t'aimer ne reçoy que tourment 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
23–29 Puisqu'à t'aimer ne reçoy que tourment 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–2 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–6 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
5–6 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
6–6 Si je te voy, qui est ce que desire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
7–9 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
9–12 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
10–12 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
12–13 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–14 Si je te voy, qui est ce que desire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
1–6 Si je te voy, qui est ce que desire 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–13 Si je te voy, qui est ce que desire 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
15–16 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
17–19 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (@5)
Tenor
20–22 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
21–24 Si je te voy, qui est ce que desire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
24–26 Si je te voy, qui est ce que desire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
27–32 Si je te voy, qui est ce que desire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
30–32 Si je te voy, qui est ce que desire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
33–40 Si je te voy, qui est ce que desire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
36–37 Si je te voy, qui est ce que desire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
37–38 Si je te voy, qui est ce que desire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
38–40 Si je te voy, qui est ce que desire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 Quelque yvrongne de par le monde 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
3–6 Quelque yvrongne de par le monde 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Superius
Voice Role (@4)
Tenor
Other Counterpoint
S Entry first half note shortened to a quarter note
6–6 Quelque yvrongne de par le monde 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
7–8 Quelque yvrongne de par le monde 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
9–10 Quelque yvrongne de par le monde 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
12–14 Quelque yvrongne de par le monde 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–17 Quelque yvrongne de par le monde 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Other Counterpoint
Second pair is not exact because bass is offset by a half note
16–17 Quelque yvrongne de par le monde 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
17–20 Quelque yvrongne de par le monde 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
18–20 Quelque yvrongne de par le monde 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
19–20 Quelque yvrongne de par le monde 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
20–23 Quelque yvrongne de par le monde 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
25–25 Quelque yvrongne de par le monde 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
25–29 Quelque yvrongne de par le monde 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
27–29 Quelque yvrongne de par le monde 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
28–30 Quelque yvrongne de par le monde 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Contratenor
32–33 Quelque yvrongne de par le monde 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
34–35 Quelque yvrongne de par le monde 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
33–36 Quelque yvrongne de par le monde 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
34–37 Quelque yvrongne de par le monde 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
37–37 Quelque yvrongne de par le monde 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
37–39 Quelque yvrongne de par le monde 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
41–43 Quelque yvrongne de par le monde 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
43–45 Quelque yvrongne de par le monde 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
45–50 Quelque yvrongne de par le monde 11 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
49–58 Quelque yvrongne de par le monde 12 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
1–2 Jehan se jouant un jour avec Jehannette 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation
2–3 Jehan se jouant un jour avec Jehannette 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
3–3 Jehan se jouant un jour avec Jehannette 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–5 Jehan se jouant un jour avec Jehannette 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation
6–7 Jehan se jouant un jour avec Jehannette 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
7–11 Jehan se jouant un jour avec Jehannette 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
12–15 Jehan se jouant un jour avec Jehannette 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
14–15 Jehan se jouant un jour avec Jehannette 4 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

S 2>3 to evade cadence
15–17 Jehan se jouant un jour avec Jehannette 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
Other Counterpoint
T first quarter note shortened to a half note or S entry lengthened to a half note
17–18 Jehan se jouant un jour avec Jehannette 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
19–21 Jehan se jouant un jour avec Jehannette 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
21–24 Jehan se jouant un jour avec Jehannette 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
21–24 Jehan se jouant un jour avec Jehannette 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
23–25 Jehan se jouant un jour avec Jehannette 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
25–26 Jehan se jouant un jour avec Jehannette 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
25–27 Jehan se jouant un jour avec Jehannette 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
28–31 Jehan se jouant un jour avec Jehannette 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
30–31 Jehan se jouant un jour avec Jehannette 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation
31–31 Jehan se jouant un jour avec Jehannette 7 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

CT 2>3 FOR EVADED CADENCE
34–35 Jehan se jouant un jour avec Jehannette 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
36–39 Jehan se jouant un jour avec Jehannette 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
36–37 Jehan se jouant un jour avec Jehannette 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
38–39 Jehan se jouant un jour avec Jehannette 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
39–40 Jehan se jouant un jour avec Jehannette 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
40–41 Jehan se jouant un jour avec Jehannette 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (@5)
Tenor
43–44 Jehan se jouant un jour avec Jehannette 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–2 Qui diable nous a faict ces jours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (@5)
Superius
1–2 Qui diable nous a faict ces jours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
1–3 Qui diable nous a faict ces jours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
3–4 Qui diable nous a faict ces jours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
6–7 Qui diable nous a faict ces jours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
7–11 Qui diable nous a faict ces jours 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
10–11 Qui diable nous a faict ces jours 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
11–14 Qui diable nous a faict ces jours 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–15 Qui diable nous a faict ces jours 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
15–16 Qui diable nous a faict ces jours 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–17 Qui diable nous a faict ces jours 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

"Jupiter"
18–19 Qui diable nous a faict ces jours 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
22–23 Qui diable nous a faict ces jours 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
24–25 Qui diable nous a faict ces jours 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
24–25 Qui diable nous a faict ces jours 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
24–28 Qui diable nous a faict ces jours 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
26–27 Qui diable nous a faict ces jours 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
28–29 Qui diable nous a faict ces jours 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap

Comments

2>3 in Ct
29–31 Qui diable nous a faict ces jours 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
30–31 Qui diable nous a faict ces jours 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
32–34 Qui diable nous a faict ces jours 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
32–34 Qui diable nous a faict ces jours 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
33–34 Qui diable nous a faict ces jours 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
34–37 Qui diable nous a faict ces jours 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
34–37 Qui diable nous a faict ces jours 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
36–37 Qui diable nous a faict ces jours 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Jamais amour sans guerre n'est parfaict 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Comes 2)
Superius
Other Counterpoint
Invertible Counterpoint, S entrance delayed
2–2 Jamais amour sans guerre n'est parfaict 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

D-C dissonance as the words "guerre" and "amour" overlap
5–7 Jamais amour sans guerre n'est parfaict 1 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Ct doesn't resolve 2>1 but is silent at resolution
7–8 Jamais amour sans guerre n'est parfaict 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
11–12 Jamais amour sans guerre n'est parfaict 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–7 Jamais amour sans guerre n'est parfaict 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–12 Jamais amour sans guerre n'est parfaict 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
16–16 Jamais amour sans guerre n'est parfaict 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
13–17 Jamais amour sans guerre n'est parfaict 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
19–20 Jamais amour sans guerre n'est parfaict 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
20–21 Jamais amour sans guerre n'est parfaict 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
22–23 Jamais amour sans guerre n'est parfaict 7 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Incomplete = no bass
24–26 Jamais amour sans guerre n'est parfaict 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Superius
27–28 Jamais amour sans guerre n'est parfaict 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
28–31 Jamais amour sans guerre n'est parfaict 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
30–31 Jamais amour sans guerre n'est parfaict 9 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

2>3 in T
31–32 Jamais amour sans guerre n'est parfaict 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
32–36 Jamais amour sans guerre n'est parfaict 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
32–34 Jamais amour sans guerre n'est parfaict 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
34–36 Jamais amour sans guerre n'est parfaict 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–2 Jamais amour sans guerre n'est parfaict 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
2–4 Jamais amour sans guerre n'est parfaict 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
8–10 Jamais amour sans guerre n'est parfaict 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

long melissma on "plaisir"
1–5 Jamais amour sans guerre n'est parfaict 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–12 Jamais amour sans guerre n'est parfaict 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–19 Jamais amour sans guerre n'est parfaict 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

sustained long note on "maid" as rhetorical device
13–16 Jamais amour sans guerre n'est parfaict 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
16–17 Jamais amour sans guerre n'est parfaict 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

"conjoinctz" with text enjambment

19–19 Jamais amour sans guerre n'est parfaict 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–20 Jamais amour sans guerre n'est parfaict 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
23–24 Jamais amour sans guerre n'est parfaict 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
26–29 Jamais amour sans guerre n'est parfaict 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
29–33 Jamais amour sans guerre n'est parfaict 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Jamais amour sans guerre n'est parfaict 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–2 Tels menus plaidz conferment les amours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
1–2 Tels menus plaidz conferment les amours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
2–4 Tels menus plaidz conferment les amours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
3–5 Tels menus plaidz conferment les amours 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
8–10 Tels menus plaidz conferment les amours 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

long melissma on "plaisir"
11–12 Tels menus plaidz conferment les amours 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–5 Tels menus plaidz conferment les amours 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–12 Tels menus plaidz conferment les amours 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–19 Tels menus plaidz conferment les amours 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

sustained note on "mais" as a rhetorical device
13–16 Tels menus plaidz conferment les amours 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
16–17 Tels menus plaidz conferment les amours 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

text enjambment on "conjonctz"
19–19 Tels menus plaidz conferment les amours 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–20 Tels menus plaidz conferment les amours 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
21–22 Tels menus plaidz conferment les amours 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
23–24 Tels menus plaidz conferment les amours 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
25–26 Tels menus plaidz conferment les amours 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
26–29 Tels menus plaidz conferment les amours 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
29–33 Tels menus plaidz conferment les amours 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Tels menus plaidz conferment les amours 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
33–34 Tels menus plaidz conferment les amours 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Contratenor
32–37 Tels menus plaidz conferment les amours 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Ct and B varied
35–37 Tels menus plaidz conferment les amours 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–2 Recepte pour un flux de bourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
1–3 Recepte pour un flux de bourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
2–4 Recepte pour un flux de bourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
4–5 Recepte pour un flux de bourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
4–6 Recepte pour un flux de bourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Other Formulas
Romanesca
6–8 Recepte pour un flux de bourse 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
8–11 Recepte pour un flux de bourse 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Contratenor
9–11 Recepte pour un flux de bourse 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Comes 2)
Superius
12–14 Recepte pour un flux de bourse 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
15–16 Recepte pour un flux de bourse 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
18–20 Recepte pour un flux de bourse 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
21–22 Recepte pour un flux de bourse 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
23–26 Recepte pour un flux de bourse 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
24–27 Recepte pour un flux de bourse 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
26–28 Recepte pour un flux de bourse 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
28–29 Recepte pour un flux de bourse 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
30–32 Recepte pour un flux de bourse 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
32–34 Recepte pour un flux de bourse 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–7 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor
Voice Role (@5)
Contratenor
7–9 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
11–13 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
9–10 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Other Counterpoint
Invertible Counterpoint
10–10 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
10–10 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
11–13 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
13–15 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
13–15 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
16–19 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Other Formulas
Romanesca
17–19 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Formulas
Romanesca
19–21 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–32 Monsieur l'Abbé et monsieur son vallet 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Varied Tenor added at opening
19–32 Monsieur l'Abbé et monsieur son vallet 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
19–32 Monsieur l'Abbé et monsieur son vallet 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

varied= tenor added in opening
31–39 Monsieur l'Abbé et monsieur son vallet 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
40–40 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
40–41 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
43–44 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
44–45 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

"mais" elongated
44–48 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@4)
Contratenor
49–50 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
50–51 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Other Counterpoint
Stretto Fuga
50–51 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Other Counterpoint
Stretto Fuga
53–54 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Other Counterpoint
Stretto Fuga
55–57 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Other Counterpoint
Stretto Fuga
58–58 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
58–60 Monsieur l'Abbé et monsieur son vallet 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
61–63 Monsieur l'Abbé et monsieur son vallet 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
63–64 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
63–67 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@4)
Contratenor
67–69 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
68–71 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
63–71 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
70–71 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
71–72 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Tenor silent in cadence

71–73 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
73–75 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
75–77 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
75–77 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
70–78 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
1–2 Quand suis au lict pour prendre mon repos 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
4–4 Quand suis au lict pour prendre mon repos 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
6–8 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
5–5 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
8–10 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Quand suis au lict pour prendre mon repos 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–11 Quand suis au lict pour prendre mon repos 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–13 Quand suis au lict pour prendre mon repos 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
13–15 Quand suis au lict pour prendre mon repos 5 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

S does not resolve until beginning of following phrase
14–16 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@4)
Superius
Other Counterpoint
Stretto Fuga
17–18 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
18–18 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
18–23 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
19–21 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
22–22 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
22–23 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
23–23 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
23–30 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
23–25 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
24–27 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
28–30 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–1 Prendre plaisir en aymant loyaulment 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
5–6 Prendre plaisir en aymant loyaulment 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
6–6 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
6–7 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
6–7 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
6–7 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
1–6 Prendre plaisir en aymant loyaulment 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–13 Prendre plaisir en aymant loyaulment 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–12 Prendre plaisir en aymant loyaulment 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
13–18 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
13–13 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
15–16 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
17–18 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
17–18 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
17–18 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
17–22 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
20–21 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
17–22 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
23–23 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
24–24 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

"et" elongated
24–29 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
23–25 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
27–29 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
28–34 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
28–29 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
30–34 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
31–34 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–5 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
3–5 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

bass silent on resolution
5–6 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
9–10 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
11–15 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
14–15 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
15–17 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
18–19 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–19 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
19–25 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
23–25 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

evaded bass moves to D
25–27 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
29–31 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
31–32 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
32–33 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
34–36 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

incomplete no bass
36–38 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
37–37 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
38–41 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
38–40 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
40–41 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Tenor 2>3
41–51 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
41–51 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Metrically offset and candential resolutions elongated
50–52 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
51–52 A tout jamais d'un vouloir immortel 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
53–55 A tout jamais d'un vouloir immortel 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
55–56 A tout jamais d'un vouloir immortel 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
55–56 A tout jamais d'un vouloir immortel 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
Text Treatment
Text Representation

Comments

long note descending tetrachord "la grand doulceur" and "craulte" on the repeat
4–9 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Representation

Comments

Long melissmas particularly in S on "visaige" and "couraige"
4–7 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
4–8 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
8–9 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
9–14 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
13–16 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
17–8 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–9 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–18 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
19–19 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
19–19 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
19–22 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
25–26 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Representation

Comments

"ones chantant"
37–30 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
28–30 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
30–30 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
30–31 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
30–35 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
30–32 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
33–35 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
33–35 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
35–35 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
35–38 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
35–42 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
39–40 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
40–42 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–19 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
19–22 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
23–25 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
9–18 La grant doulceur de vostre cler visaige 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
1–9 La grant doulceur de vostre cler visaige 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
9–14 La grant doulceur de vostre cler visaige 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
13–16 La grant doulceur de vostre cler visaige 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
17–18 La grant doulceur de vostre cler visaige 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
Text Treatment
Text Representation

Comments

long note descending tetrachord "le grand coulceur" and "crualte" on repeat
4–9 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
Text Treatment
Text Representation

Comments

lon melissmas in S on "visaige" and "couraige"
4–7 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
4–8 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
8–9 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 D'amour me plainctz et du mal que je sens 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
4–5 D'amour me plainctz et du mal que je sens 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
11–12 D'amour me plainctz et du mal que je sens 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–5 D'amour me plainctz et du mal que je sens 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–12 D'amour me plainctz et du mal que je sens 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–13 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
14–19 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Other Counterpoint
Stretto Fuga
17–19 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Incomplete T silent
19–22 D'amour me plainctz et du mal que je sens 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
22–23 D'amour me plainctz et du mal que je sens 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
22–26 D'amour me plainctz et du mal que je sens 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
24–24 D'amour me plainctz et du mal que je sens 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
26–26 D'amour me plainctz et du mal que je sens 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Enjambment
26–30 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
26–38 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
30–35 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Other Counterpoint
Stretto Fuga
30–33 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
35–38 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
36–38 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 Plaisir, prouffit, honneur, advancement 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
4–5 Plaisir, prouffit, honneur, advancement 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
6–7 Plaisir, prouffit, honneur, advancement 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Superius
9–11 Plaisir, prouffit, honneur, advancement 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
10–17 Plaisir, prouffit, honneur, advancement 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Ct/B holdover

16–21 Plaisir, prouffit, honneur, advancement 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
20–21 Plaisir, prouffit, honneur, advancement 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Text Treatment
Text Overlap
22–25 Plaisir, prouffit, honneur, advancement 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Superius
25–26 Plaisir, prouffit, honneur, advancement 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
27–30 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Formulas
Romanesca
27–28 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
30–31 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

T silent B early entry on G
31–34 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
33–35 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
34–36 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
36–37 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
38–40 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@4)
Tenor
41–42 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
42–44 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–1 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
2–2 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
5–6 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
6–6 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
6–8 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
9–11 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–6 Amour se doibt figurer une rose 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–11 Amour se doibt figurer une rose 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–15 Amour se doibt figurer une rose 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
18–18 Amour se doibt figurer une rose 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
18–19 Amour se doibt figurer une rose 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Text Treatment
Text Overlap
19–20 Amour se doibt figurer une rose 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
20–25 Amour se doibt figurer une rose 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
24–25 Amour se doibt figurer une rose 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
25–28 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
26–27 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
27–29 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
30–30 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
30–33 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

stays in duple meter but same rhythmically as original triple meter version

33–38 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

repeat of measures 25-29 only
1–4 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@4)
Tenor
3–7 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
5–7 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
7–10 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Tenor
Other Counterpoint
Invertible Counterpoint
10–14 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
13–14 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–21 Jamais amour n'aura ceste puissance 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

metrically offset
20–28 Jamais amour n'aura ceste puissance 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

metrically offset
28–28 Jamais amour n'aura ceste puissance 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
28–30 Jamais amour n'aura ceste puissance 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Superius
30–32 Jamais amour n'aura ceste puissance 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
31–33 Jamais amour n'aura ceste puissance 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
33–35 Jamais amour n'aura ceste puissance 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
36–38 Jamais amour n'aura ceste puissance 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
38–44 Jamais amour n'aura ceste puissance 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
44–52 Jamais amour n'aura ceste puissance 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
51–57 Jamais amour n'aura ceste puissance 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
57–65 Jamais amour n'aura ceste puissance 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
1–5 Si pour amans la lune est importune 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
1–1 Si pour amans la lune est importune 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–5 Si pour amans la lune est importune 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
5–7 Si pour amans la lune est importune 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Formulas
Romanesca
8–9 Si pour amans la lune est importune 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–5 Si pour amans la lune est importune 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–9 Si pour amans la lune est importune 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–10 Si pour amans la lune est importune 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
10–12 Si pour amans la lune est importune 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
13–16 Si pour amans la lune est importune 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
15–16 Si pour amans la lune est importune 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–17 Si pour amans la lune est importune 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
17–19 Si pour amans la lune est importune 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
19–20 Si pour amans la lune est importune 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
21–21 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
21–21 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

"et" elongated
21–23 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
23–25 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
25–25 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
25–30 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
29–30 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
31–31 Si pour amans la lune est importune 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
31–35 Si pour amans la lune est importune 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
35–40 Si pour amans la lune est importune 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
1–3 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–1 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

"O" long note
3–5 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
4–5 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Enjambment
5–8 O vous mes yeulx qui avez incité 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
8–10 O vous mes yeulx qui avez incité 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–5 O vous mes yeulx qui avez incité 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–11 O vous mes yeulx qui avez incité 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–13 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Other Formulas
Romanesca
11–13 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Formulas
Romanesca
13–15 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
15–16 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
17–18 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
18–20 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
19–21 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
22–22 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
22–25 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
22–26 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
24–25 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Enjambment

Comments
25–29 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
25–28 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
28–29 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–5 Un galland le fit et refit 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Superius
Other Counterpoint
Stretto Fuga
3–4 Un galland le fit et refit 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Other Counterpoint
Stretto Fuga
4–5 Un galland le fit et refit 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
6–7 Un galland le fit et refit 2 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

T resolves to begin next phrase but silent at resolution

7–9 Un galland le fit et refit 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
8–10 Un galland le fit et refit 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
11–12 Un galland le fit et refit 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
11–14 Un galland le fit et refit 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Cadence is complete

14–16 Un galland le fit et refit 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
15–17 Un galland le fit et refit 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
18–19 Un galland le fit et refit 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
18–20 Un galland le fit et refit 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
20–24 Un galland le fit et refit 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
23–24 Un galland le fit et refit 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
24–27 Un galland le fit et refit 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
26–27 Un galland le fit et refit 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
27–32 Un galland le fit et refit 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Other Counterpoint
Stretto Fuga
31–32 Un galland le fit et refit 8 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Ct 2>3
32–34 Un galland le fit et refit 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Lower Voice 2 NIM)
Superius
Voice Role (Comes 1)
Tenor
Other Counterpoint
Stretto Fuga
35–36 Un galland le fit et refit 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
35–39 Un galland le fit et refit 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Other Counterpoint
Stretto Fuga
37–39 Un galland le fit et refit 10 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Bass 5>6
39–42 Un galland le fit et refit 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
42–45 Un galland le fit et refit 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

FINAL CADENCE not evaded
1–1 D'un amy fainct je ne me puis deffaire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–4 D'un amy fainct je ne me puis deffaire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Dux 2)
Superius
4–6 D'un amy fainct je ne me puis deffaire 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
6–9 D'un amy fainct je ne me puis deffaire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
9–11 D'un amy fainct je ne me puis deffaire 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
12–12 D'un amy fainct je ne me puis deffaire 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Declamation

Comments

"Las" long note
13–18 D'un amy fainct je ne me puis deffaire 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
18–23 D'un amy fainct je ne me puis deffaire 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
23–24 D'un amy fainct je ne me puis deffaire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
25–25 D'un amy fainct je ne me puis deffaire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
23–24 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
25–25 D'un amy fainct je ne me puis deffaire 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
33–33 D'un amy fainct je ne me puis deffaire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Representation

Comments

"ha" HR Stagger to imitate laughter
34–35 D'un amy fainct je ne me puis deffaire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
28–30 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Other Counterpoint
S quarter note entrance is a half note, so it enters early
30–32 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
32–33 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
35–36 D'un amy fainct je ne me puis deffaire 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
36–36 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
36–40 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
37–40 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
39–40 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–3 Je voudrois ce gentil clerc estre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
1–1 Je voudrois ce gentil clerc estre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–4 Je voudrois ce gentil clerc estre 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
1–4 Je voudrois ce gentil clerc estre 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3–6 Je voudrois ce gentil clerc estre 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
6–7 Je voudrois ce gentil clerc estre 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
3–7 Je voudrois ce gentil clerc estre 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8–8 Je voudrois ce gentil clerc estre 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
8–10 Je voudrois ce gentil clerc estre 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
8–10 Je voudrois ce gentil clerc estre 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Simple
10–10 Je voudrois ce gentil clerc estre 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
10–13 Je voudrois ce gentil clerc estre 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
12–13 Je voudrois ce gentil clerc estre 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
13–15 Je voudrois ce gentil clerc estre 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Superius
16–16 Je voudrois ce gentil clerc estre 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
15–19 Je voudrois ce gentil clerc estre 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
18–19 Je voudrois ce gentil clerc estre 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
20–20 Je voudrois ce gentil clerc estre 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Pause
20–23 Je voudrois ce gentil clerc estre 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Rhythm slightly different
20–23 Je voudrois ce gentil clerc estre 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
22–27 Je voudrois ce gentil clerc estre 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
22–27 Je voudrois ce gentil clerc estre 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
1–4 Amour que tu me fais de mal 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Tenor
3–4 Amour que tu me fais de mal 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Formulas
Romanesca
3–5 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Overlap
6–8 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (@1 or @8)
Superius
10–11 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
130
Is Cadence?
No

Comments

Ct 2>3
1–5 Amour que tu me fais de mal 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3–11 Amour que tu me fais de mal 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–13 Amour que tu me fais de mal 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
14–15 Amour que tu me fais de mal 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
15–16 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
17–18 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
17–19 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–23 Amour que tu me fais de mal 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
22–23 Amour que tu me fais de mal 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
22–23 Amour que tu me fais de mal 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
24–25 Amour que tu me fais de mal 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dactyll
26–28 Amour que tu me fais de mal 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
28–30 Amour que tu me fais de mal 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Other Counterpoint
Stretto Fuga
29–31 Amour que tu me fais de mal 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
32–32 Amour que tu me fais de mal 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
33–34 Amour que tu me fais de mal 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
34–35 Amour que tu me fais de mal 11 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Stagger
37–38 Amour que tu me fais de mal 11 Details
Analysis ID
Analyst
130
Is Cadence?
No
38–40 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Other Counterpoint
rhythm slightly different
41–43 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
42–48 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Passant melancolie 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
4–4 Passant melancolie 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Enjambment
4–7 Passant melancolie 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
6–7 Passant melancolie 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–4 Passant melancolie 3 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–7 Passant melancolie 4 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8–11 Passant melancolie 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
11–11 Passant melancolie 5 Details
Analysis ID
Analyst
130
Is Cadence?
No
Text Treatment
Text Enjambment
11–13 Passant melancolie 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
13–13 Passant melancolie 6 Details
Analysis ID
Analyst
130
Is Cadence?
No
14–16 Passant melancolie 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
15–16 Passant melancolie 7 Details
Analysis ID
Analyst
130
Is Cadence?
No
16–19 Passant melancolie 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
16–19 Passant melancolie 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
19–19 Passant melancolie 8 Details
Analysis ID
Analyst
130
Is Cadence?
No
19–21 Passant melancolie 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
19–21 Passant melancolie 9 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
22–25 Passant melancolie 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
HR Dance
22–25 Passant melancolie 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
23–25 Passant melancolie 10 Details
Analysis ID
Analyst
130
Is Cadence?
No
1–5 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
1–6 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@4)
Tenor
Other Counterpoint
Invertible Counterpoint
5–8 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
6–7 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
8–10 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
130
Is Cadence?
No
10–11 Rossignolet qui chante au verd bois 2 Details
Analysis ID
Analyst
130
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
15–17 Rossignolet qui chante au verd bois 3 Details
Analysis ID