The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Toy, Trey

Analyses

Measures Piece Phrase Number
19–31 Monsieur l'Abbé et monsieur son vallet 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
11–12 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–3 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–7 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
9–11 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–10 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Contratenor
1–6 Monsieur l'Abbé et monsieur son vallet 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
12–14 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
12–14 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
16–18 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 Monsieur l'Abbé et monsieur son vallet 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
31–38 Monsieur l'Abbé et monsieur son vallet 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
39–41 Monsieur l'Abbé et monsieur son vallet 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
40–43 Monsieur l'Abbé et monsieur son vallet 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
42–43 Monsieur l'Abbé et monsieur son vallet 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
43–48 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Bassus
48–49 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
45–49 Monsieur l'Abbé et monsieur son vallet 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
56–57 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
49–51 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@5)
Superius
52–54 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Other Counterpoint
Stretto Fuga
54–57 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

begin PEn from second rhythmic unit of CT and S

49–57 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Declamation

Comments

Declamation by repetition: "Car nostre abbé toute la nuict ne veult"
56–57 Monsieur l'Abbé et monsieur son vallet 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
57–62 Monsieur l'Abbé et monsieur son vallet 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
57–57 Monsieur l'Abbé et monsieur son vallet 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
57–60 Monsieur l'Abbé et monsieur son vallet 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
60–62 Monsieur l'Abbé et monsieur son vallet 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
62–65 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Contratenor
66–68 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
66–66 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
64–68 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
67–68 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
69–70 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
70–73 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
74–77 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
73–75 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
72–72 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

Parellel 5ths CT/T
75–77 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–3 Quand suis au lict pour prendre mon repos 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Superius
3–4 Quand suis au lict pour prendre mon repos 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–4 Quand suis au lict pour prendre mon repos 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–6 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
6–10 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
6–6 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
6–8 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
9–10 Quand suis au lict pour prendre mon repos 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–4 Quand suis au lict pour prendre mon repos 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–10 Quand suis au lict pour prendre mon repos 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–13 Quand suis au lict pour prendre mon repos 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
12–12 Quand suis au lict pour prendre mon repos 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
14–15 Quand suis au lict pour prendre mon repos 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

Incomplete, evaded and inverted cadence on "sourde oreille"
14–16 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
17–18 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
17–17 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
17–18 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–18 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
14–15 Quand suis au lict pour prendre mon repos 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
19–21 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
22–23 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
21–23 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
22–23 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–26 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
26–28 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
29–30 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
23–23 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
1–3 Prendre plaisir en aymant loyaulment 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
1–1 Prendre plaisir en aymant loyaulment 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
1–2 Prendre plaisir en aymant loyaulment 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–6 Prendre plaisir en aymant loyaulment 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–12 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
6–7 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
9–9 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
9–10 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–11 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–12 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–6 Prendre plaisir en aymant loyaulment 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
1–6 Prendre plaisir en aymant loyaulment 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–13 Prendre plaisir en aymant loyaulment 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–18 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
13–13 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
15–16 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
13–16 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
13–15 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–16 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

first of two cadences in phrase
17–18 Prendre plaisir en aymant loyaulment 5 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

second of two cadences in phrase
17–22 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
18–18 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
19–21 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–22 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
17–18 Prendre plaisir en aymant loyaulment 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
23–25 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
26–27 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
23–27 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–28 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
22–23 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
28–34 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
29–29 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
30–32 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
32–34 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
28–29 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
1–5 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
5–10 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
9–10 A tout jamais d'un vouloir immortel 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
11–15 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
15–17 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
12–14 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
13–14 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
17–19 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 A tout jamais d'un vouloir immortel 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–25 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
19–20 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
20–22 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–25 A tout jamais d'un vouloir immortel 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Exact
25–28 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
25–27 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
29–31 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
27–29 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–28 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
29–29 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
29–30 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
31–32 A tout jamais d'un vouloir immortel 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
32–33 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
36–38 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
38–41 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
32–34 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
40–41 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

T moves up to E before S moves to D
50–52 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
37–37 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
38–40 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
51–56 A tout jamais d'un vouloir immortel 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
56–56 A tout jamais d'un vouloir immortel 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
51–52 A tout jamais d'un vouloir immortel 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
41–51 A tout jamais d'un vouloir immortel 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

mm. 41-51 repeat mm. 32-41 (repeat within a single phrase, repetition of text)
62–77 Monsieur l'Abbé et monsieur son vallet 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
69–77 Monsieur l'Abbé et monsieur son vallet 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Repeat, Exact or Varied?
18–30 Quand suis au lict pour prendre mon repos 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
23–30 Quand suis au lict pour prendre mon repos 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Repeat, Exact or Varied?
23–34 Prendre plaisir en aymant loyaulment 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
28–34 Prendre plaisir en aymant loyaulment 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
Exact
1–4 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
4–7 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Bassus
4–5 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–8 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
8–9 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–9 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Declamation

Comments

melismas (especially in S) on "visaige"(and on "couraige" with repeat)
9–14 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
14–16 La grant doulceur de vostre cler visaige 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
10–14 La grant doulceur de vostre cler visaige 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–18 La grant doulceur de vostre cler visaige 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
17–18 La grant doulceur de vostre cler visaige 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–9 La grant doulceur de vostre cler visaige 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
9–18 La grant doulceur de vostre cler visaige 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
19–22 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
23–24 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
22–22 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
23–24 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 La grant doulceur de vostre cler visaige 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
25–30 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
25–25 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
29–30 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
25–25 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
30–32 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
33–34 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
30–32 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
33–33 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
33–34 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
34–35 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
30–35 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
35–42 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
35–38 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
38–41 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
41–42 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
34–36 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
29–31 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
1–3 La grant doulceur de vostre cler visaige 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

descending tetrachords on "La grand doulceur"(and on "La cruaulté at repeat)
25–26 La grant doulceur de vostre cler visaige 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

HR at "Ores chantant"
30–35 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

simple HR on "de vie" and active/imitative style on "mort" (see phrase 8)
34–35 La grant doulceur de vostre cler visaige 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

displaced phrygian cadence on "mort avoir"
35–42 La grant doulceur de vostre cler visaige 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

simple HR style on "Je vis" and more active at "je meurs" -- corresponds to relationship of "vie" and "mort" in phrase 7
1–4 D'amour me plainctz et du mal que je sens 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
3–4 D'amour me plainctz et du mal que je sens 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–7 D'amour me plainctz et du mal que je sens 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
4–7 D'amour me plainctz et du mal que je sens 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
7–12 D'amour me plainctz et du mal que je sens 2 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

active/imitative texture, but no direct point of imitation
10–11 D'amour me plainctz et du mal que je sens 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
11–12 D'amour me plainctz et du mal que je sens 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–5 D'amour me plainctz et du mal que je sens 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–12 D'amour me plainctz et du mal que je sens 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4–5 D'amour me plainctz et du mal que je sens 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
12–13 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
14–19 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Other Counterpoint
Stretto Fuga
12–14 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–16 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
17–19 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

also P3 T/B
17–18 D'amour me plainctz et du mal que je sens 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–21 D'amour me plainctz et du mal que je sens 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
20–22 D'amour me plainctz et du mal que je sens 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
21–22 D'amour me plainctz et du mal que je sens 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 D'amour me plainctz et du mal que je sens 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
22–26 D'amour me plainctz et du mal que je sens 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
24–24 D'amour me plainctz et du mal que je sens 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
22–26 D'amour me plainctz et du mal que je sens 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
26–26 D'amour me plainctz et du mal que je sens 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
26–30 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
30–35 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Counterpoint
Stretto Fuga
35–38 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
26–29 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
33–34 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
35–36 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
38–39 D'amour me plainctz et du mal que je sens 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–22 D'amour me plainctz et du mal que je sens 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

descending tetrachord for "Quand pour aimer le malheur ainsi croist"
1–3 Plaisir, prouffit, honneur, advancement 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
4–5 Plaisir, prouffit, honneur, advancement 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
6–6 Plaisir, prouffit, honneur, advancement 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–8 Plaisir, prouffit, honneur, advancement 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
8–8 Plaisir, prouffit, honneur, advancement 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
9–10 Plaisir, prouffit, honneur, advancement 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
9–10 Plaisir, prouffit, honneur, advancement 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 Plaisir, prouffit, honneur, advancement 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
10–17 Plaisir, prouffit, honneur, advancement 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
16–21 Plaisir, prouffit, honneur, advancement 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
20–22 Plaisir, prouffit, honneur, advancement 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
22–25 Plaisir, prouffit, honneur, advancement 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
25–26 Plaisir, prouffit, honneur, advancement 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
25–27 Plaisir, prouffit, honneur, advancement 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
25–27 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
28–30 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
27–29 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
30–31 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
25–26 Plaisir, prouffit, honneur, advancement 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
31–32 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
31–31 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
31–34 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
33–34 Plaisir, prouffit, honneur, advancement 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
34–36 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
38–40 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@4)
Tenor
41–43 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
39–40 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
40–41 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
43–44 Plaisir, prouffit, honneur, advancement 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–2 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–1 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
3–5 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
1–6 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–6 Amour se doibt figurer une rose 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
7–8 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
6–10 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–11 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–7 Amour se doibt figurer une rose 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
1–6 Amour se doibt figurer une rose 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–11 Amour se doibt figurer une rose 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
15–16 Amour se doibt figurer une rose 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
12–16 Amour se doibt figurer une rose 5 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

S/T P6 14-15
15–16 Amour se doibt figurer une rose 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
16–18 Amour se doibt figurer une rose 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
18–20 Amour se doibt figurer une rose 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
17–18 Amour se doibt figurer une rose 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–20 Amour se doibt figurer une rose 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–20 Amour se doibt figurer une rose 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
16–18 Amour se doibt figurer une rose 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
20–25 Amour se doibt figurer une rose 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Representation

Comments

HR Dance on "Mais d'amytié"
24–25 Amour se doibt figurer une rose 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
25–28 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
28–29 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
29–31 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
30–33 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Now creates triple meter feel in duple meter
33–38 Amour se doibt figurer une rose 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

corresponds to mm. 25-29
1–4 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@4)
Tenor
Other Counterpoint
Invertible Counterpoint
4–7 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
3–4 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–6 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 Jamais amour n'aura ceste puissance 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
7–10 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Tenor
Other Counterpoint
Invertible Counterpoint
10–14 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
7–8 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–14 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
13–14 Jamais amour n'aura ceste puissance 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
14–21 Jamais amour n'aura ceste puissance 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
20–28 Jamais amour n'aura ceste puissance 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
28–30 Jamais amour n'aura ceste puissance 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor
30–32 Jamais amour n'aura ceste puissance 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
32–33 Jamais amour n'aura ceste puissance 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
33–35 Jamais amour n'aura ceste puissance 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
33–39 Jamais amour n'aura ceste puissance 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
33–34 Jamais amour n'aura ceste puissance 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
37–38 Jamais amour n'aura ceste puissance 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
38–44 Jamais amour n'aura ceste puissance 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
44–52 Jamais amour n'aura ceste puissance 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
51–57 Jamais amour n'aura ceste puissance 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

varied but corresponds exactly to previous repeats
57–65 Jamais amour n'aura ceste puissance 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

overall D.C. repeat pattern (phrases 7 & 8) comes to 1, 2, 1, 2
1–5 Si pour amans la lune est importune 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
1–1 Si pour amans la lune est importune 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–5 Si pour amans la lune est importune 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–7 Si pour amans la lune est importune 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
5–9 Si pour amans la lune est importune 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
8–9 Si pour amans la lune est importune 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–5 Si pour amans la lune est importune 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–9 Si pour amans la lune est importune 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–12 Si pour amans la lune est importune 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
13–16 Si pour amans la lune est importune 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
15–16 Si pour amans la lune est importune 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
9–11 Si pour amans la lune est importune 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
17–17 Si pour amans la lune est importune 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
18–19 Si pour amans la lune est importune 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
17–20 Si pour amans la lune est importune 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–20 Si pour amans la lune est importune 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–25 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
21–22 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
23–23 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
24–25 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
20–22 Si pour amans la lune est importune 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
25–30 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
25–27 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–30 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
30–30 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–26 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
31–35 Si pour amans la lune est importune 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
30–30 Si pour amans la lune est importune 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
35–40 Si pour amans la lune est importune 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
6–8 Si pour amans la lune est importune 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

descending tetrachords on "qu'elle monstre"
25–28 Si pour amans la lune est importune 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

HR with agogic accents on "choir" and "grand"
1–3 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–5 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
4–5 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–6 O vous mes yeulx qui avez incité 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
5–8 O vous mes yeulx qui avez incité 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
5–5 O vous mes yeulx qui avez incité 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 O vous mes yeulx qui avez incité 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
8–10 O vous mes yeulx qui avez incité 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–5 O vous mes yeulx qui avez incité 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
1–5 O vous mes yeulx qui avez incité 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–10 O vous mes yeulx qui avez incité 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–12 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Other Counterpoint
Stretto Fuga
12–14 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
10–10 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
11–12 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
14–15 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
14–15 O vous mes yeulx qui avez incité 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–18 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
17–17 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
18–21 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Other Formulas
Romanesca
20–21 O vous mes yeulx qui avez incité 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
22–25 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
21–23 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
24–25 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
24–25 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
25–28 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
25–25 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
26–27 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
28–29 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
25–25 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
22–25 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

somber, simple style for "Dont vient cela que la punition"
22–25 O vous mes yeulx qui avez incité 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
25–29 O vous mes yeulx qui avez incité 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–4 Un galland le fit et refit 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@4)
Tenor
Other Counterpoint
Invertible Counterpoint
3–5 Un galland le fit et refit 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Other Counterpoint
Invertible Counterpoint

Comments

B from PEn
4–5 Un galland le fit et refit 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–6 Un galland le fit et refit 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Other Counterpoint
Stretto Fuga
6–7 Un galland le fit et refit 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
6–7 Un galland le fit et refit 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–5 Un galland le fit et refit 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
7–12 Un galland le fit et refit 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
11–14 Un galland le fit et refit 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

CAD is complete
14–17 Un galland le fit et refit 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
17–20 Un galland le fit et refit 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
15–16 Un galland le fit et refit 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–20 Un galland le fit et refit 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
20–24 Un galland le fit et refit 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
23–24 Un galland le fit et refit 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–26 Un galland le fit et refit 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Contratenor
27–27 Un galland le fit et refit 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–32 Un galland le fit et refit 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
31–32 Un galland le fit et refit 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
31–32 Un galland le fit et refit 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
32–34 Un galland le fit et refit 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Bassus
Other Counterpoint
Stretto Fuga

Comments

also possible FI btw S or B and CT
33–34 Un galland le fit et refit 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
35–35 Un galland le fit et refit 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
35–36 Un galland le fit et refit 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
32–32 Un galland le fit et refit 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
35–39 Un galland le fit et refit 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
37–38 Un galland le fit et refit 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
38–39 Un galland le fit et refit 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
35–36 Un galland le fit et refit 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
39–42 Un galland le fit et refit 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
42–45 Un galland le fit et refit 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Final CAD is not evaded
1–2 D'un amy fainct je ne me puis deffaire 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–4 D'un amy fainct je ne me puis deffaire 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Other Counterpoint
Invertible Counterpoint
5–6 D'un amy fainct je ne me puis deffaire 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–8 D'un amy fainct je ne me puis deffaire 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
6–8 D'un amy fainct je ne me puis deffaire 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
8–11 D'un amy fainct je ne me puis deffaire 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Other Counterpoint
Stretto Fuga
7–9 D'un amy fainct je ne me puis deffaire 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–11 D'un amy fainct je ne me puis deffaire 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
12–18 D'un amy fainct je ne me puis deffaire 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
18–23 D'un amy fainct je ne me puis deffaire 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
23–24 D'un amy fainct je ne me puis deffaire 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
25–27 D'un amy fainct je ne me puis deffaire 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
25–25 D'un amy fainct je ne me puis deffaire 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
26–29 D'un amy fainct je ne me puis deffaire 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
27–28 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
28–31 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
29–30 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
32–33 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–29 D'un amy fainct je ne me puis deffaire 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
33–36 D'un amy fainct je ne me puis deffaire 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
33–33 D'un amy fainct je ne me puis deffaire 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap
35–36 D'un amy fainct je ne me puis deffaire 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
36–40 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
37–38 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
37–39 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
39–39 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
39–40 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
36–36 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
37–38 D'un amy fainct je ne me puis deffaire 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
33–34 D'un amy fainct je ne me puis deffaire 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

Staggered HR on "Ha"
1–1 Je voudrois ce gentil clerc estre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–3 Je voudrois ce gentil clerc estre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
3–4 Je voudrois ce gentil clerc estre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–6 Je voudrois ce gentil clerc estre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
5–7 Je voudrois ce gentil clerc estre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 Je voudrois ce gentil clerc estre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–4 Je voudrois ce gentil clerc estre 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3–7 Je voudrois ce gentil clerc estre 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8–10 Je voudrois ce gentil clerc estre 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
10–10 Je voudrois ce gentil clerc estre 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
7–9 Je voudrois ce gentil clerc estre 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
10–13 Je voudrois ce gentil clerc estre 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
10–11 Je voudrois ce gentil clerc estre 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
12–13 Je voudrois ce gentil clerc estre 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
13–15 Je voudrois ce gentil clerc estre 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Bassus
15–16 Je voudrois ce gentil clerc estre 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
15–16 Je voudrois ce gentil clerc estre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
16–19 Je voudrois ce gentil clerc estre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
16–17 Je voudrois ce gentil clerc estre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
17–18 Je voudrois ce gentil clerc estre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 Je voudrois ce gentil clerc estre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
20–23 Je voudrois ce gentil clerc estre 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
22–27 Je voudrois ce gentil clerc estre 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
20–23 Je voudrois ce gentil clerc estre 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
22–27 Je voudrois ce gentil clerc estre 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
1–4 Amour que tu me fais de mal 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
2–3 Amour que tu me fais de mal 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–4 Amour que tu me fais de mal 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
3–5 Amour que tu me fais de mal 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
6–8 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
7–10 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Other Counterpoint
Invertible Counterpoint
8–10 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor

Comments

alternate interpretation
4–6 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
5–6 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
8–9 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–11 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–11 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–5 Amour que tu me fais de mal 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
1–5 Amour que tu me fais de mal 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3–11 Amour que tu me fais de mal 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–15 Amour que tu me fais de mal 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
13–14 Amour que tu me fais de mal 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
13–14 Amour que tu me fais de mal 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
14–15 Amour que tu me fais de mal 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–16 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
15–16 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus

Comments

alternate interpretation
17–18 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus

Comments

B leaps to @8
16–18 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 Amour que tu me fais de mal 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–20 Amour que tu me fais de mal 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Other Counterpoint
Invertible Counterpoint
21–23 Amour que tu me fais de mal 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
22–23 Amour que tu me fais de mal 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
22–23 Amour que tu me fais de mal 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–25 Amour que tu me fais de mal 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
24–27 Amour que tu me fais de mal 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
27–28 Amour que tu me fais de mal 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–28 Amour que tu me fais de mal 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
28–30 Amour que tu me fais de mal 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Other Counterpoint
Stretto Fuga
29–31 Amour que tu me fais de mal 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
30–31 Amour que tu me fais de mal 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–28 Amour que tu me fais de mal 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
30–31 Amour que tu me fais de mal 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
31–33 Amour que tu me fais de mal 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
32–34 Amour que tu me fais de mal 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
33–34 Amour que tu me fais de mal 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
30–31 Amour que tu me fais de mal 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
34–36 Amour que tu me fais de mal 11 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
36–37 Amour que tu me fais de mal 11 Details
Analysis ID
Analyst
126
Is Cadence?
No
37–38 Amour que tu me fais de mal 11 Details
Analysis ID
Analyst
126
Is Cadence?
No
34–34 Amour que tu me fais de mal 11 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
38–40 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
40–42 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
42–45 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
126
Is Cadence?
No
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
42–42 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
126
Is Cadence?
No
45–46 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
126
Is Cadence?
No
47–48 Amour que tu me fais de mal 12 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–2 Passant melancolie 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause

Comments

pause begins piece
1–4 Passant melancolie 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
3–4 Passant melancolie 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
4–7 Passant melancolie 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
6–7 Passant melancolie 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–4 Passant melancolie 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–7 Passant melancolie 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8–11 Passant melancolie 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
10–11 Passant melancolie 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
11–11 Passant melancolie 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
11–13 Passant melancolie 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
13–14 Passant melancolie 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
14–16 Passant melancolie 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
15–16 Passant melancolie 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
16–19 Passant melancolie 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
19–19 Passant melancolie 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
19–21 Passant melancolie 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Formulas
Romanesca
21–22 Passant melancolie 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
22–25 Passant melancolie 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
23–25 Passant melancolie 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–21 Passant melancolie 9 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
22–25 Passant melancolie 10 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
1–6 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Superius
Voice Role (@4)
Tenor
Other Counterpoint
Invertible Counterpoint
5–8 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
4–5 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–6 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–9 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
9–10 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–12 Rossignolet qui chante au verd bois 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Bassus
10–14 Rossignolet qui chante au verd bois 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
12–15 Rossignolet qui chante au verd bois 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–17 Rossignolet qui chante au verd bois 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
16–18 Rossignolet qui chante au verd bois 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
18–19 Rossignolet qui chante au verd bois 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
20–20 Rossignolet qui chante au verd bois 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
17–19 Rossignolet qui chante au verd bois 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–22 Rossignolet qui chante au verd bois 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–15 Rossignolet qui chante au verd bois 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
22–22 Rossignolet qui chante au verd bois 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–25 Rossignolet qui chante au verd bois 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
25–26 Rossignolet qui chante au verd bois 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–22 Rossignolet qui chante au verd bois 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
26–28 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@5)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
27–30 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@5)
Contratenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

S>CT from previous PEn
28–30 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

T>B from previous ID
30–32 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Other Counterpoint
Stretto Fuga
31–33 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

T from previous FI
32–34 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Other Counterpoint
Stretto Fuga
34–34 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
33–34 Rossignolet qui chante au verd bois 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
34–36 Rossignolet qui chante au verd bois 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
35–38 Rossignolet qui chante au verd bois 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
37–38 Rossignolet qui chante au verd bois 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
32–34 Rossignolet qui chante au verd bois 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
38–41 Rossignolet qui chante au verd bois 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Other Counterpoint
Invertible Counterpoint
42–45 Rossignolet qui chante au verd bois 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Tenor
40–41 Rossignolet qui chante au verd bois 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
42–42 Rossignolet qui chante au verd bois 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
46–47 Rossignolet qui chante au verd bois 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
38–38 Rossignolet qui chante au verd bois 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
48–50 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
50–52 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius

Comments

repetition of previous PEn without first entry
52–54 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
54–56 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
54–55 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
49–49 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
49–50 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
52–53 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
56–56 Rossignolet qui chante au verd bois 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–6 Rossignolet qui chante au verd bois 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

Imitative and heavily figured texture of the entire piece reflects the opening words: "Rossignolet qui chante." Also, "Rossignolet" is sung solo in S to open the piece.
27–39 Rossignolet qui chante au verd bois 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
6

Comments

refrain of "Car je suis vostre ami" in phrases 5, 6 and 7.
1–4 Si vous l'avez rendez le moy 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Superius
3–5 Si vous l'avez rendez le moy 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–5 Si vous l'avez rendez le moy 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
5–7 Si vous l'avez rendez le moy 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
5–5 Si vous l'avez rendez le moy 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–6 Si vous l'avez rendez le moy 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–6 Si vous l'avez rendez le moy 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 Si vous l'avez rendez le moy 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
7–11 Si vous l'avez rendez le moy 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
11–12 Si vous l'avez rendez le moy 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–12 Si vous l'avez rendez le moy 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–15 Si vous l'avez rendez le moy 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Superius
Voice Role (@5)
Contratenor
15–15 Si vous l'avez rendez le moy 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
15–19 Si vous l'avez rendez le moy 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
4
Repeat, Exact or Varied?

Comments

DR of mm. 12-15
19–21 Si vous l'avez rendez le moy 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Other Counterpoint
Stretto Fuga
20–21 Si vous l'avez rendez le moy 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–23 Si vous l'avez rendez le moy 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
23–24 Si vous l'avez rendez le moy 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
23–23 Si vous l'avez rendez le moy 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–24 Si vous l'avez rendez le moy 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–25 Si vous l'avez rendez le moy 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
26–28 Si vous l'avez rendez le moy 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
25–26 Si vous l'avez rendez le moy 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–28 Si vous l'avez rendez le moy 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
28–30 Si vous l'avez rendez le moy 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
31–33 Si vous l'avez rendez le moy 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
34–36 Si vous l'avez rendez le moy 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Other Counterpoint
Invertible Counterpoint
41–42 Si vous l'avez rendez le moy 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
36–42 Si vous l'avez rendez le moy 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

FR mm. 28-34
1–2 Veoir, deviser et converser 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–5 Veoir, deviser et converser 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
5–5 Veoir, deviser et converser 1 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

Or Plagal CAD
5–8 Veoir, deviser et converser 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
7–8 Veoir, deviser et converser 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–5 Veoir, deviser et converser 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–8 Veoir, deviser et converser 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
9–13 Veoir, deviser et converser 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
12–13 Veoir, deviser et converser 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
8–10 Veoir, deviser et converser 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
14–17 Veoir, deviser et converser 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
16–17 Veoir, deviser et converser 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–21 Veoir, deviser et converser 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
20–21 Veoir, deviser et converser 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
17–18 Veoir, deviser et converser 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
20–22 Veoir, deviser et converser 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Text Treatment
Text Representation

Comments

Only point of imitation in the entire piece on "Femme jamais n'est destrappé"
23–25 Veoir, deviser et converser 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–3 Robin vouloit sa femme battre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@4)
Superius
3–3 Robin vouloit sa femme battre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
3–5 Robin vouloit sa femme battre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Other Counterpoint
Stretto Fuga
3–4 Robin vouloit sa femme battre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–5 Robin vouloit sa femme battre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–5 Robin vouloit sa femme battre 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–7 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
6–9 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor

Comments

leaps from @8 to @5, tagging from @5
7–9 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
8–11 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
5–6 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
8–9 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
10–12 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–5 Robin vouloit sa femme battre 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
1–5 Robin vouloit sa femme battre 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–12 Robin vouloit sa femme battre 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–15 Robin vouloit sa femme battre 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor

Comments

first entry in S @8, second entry in S @4, tagging from @8
15–16 Robin vouloit sa femme battre 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
15–16 Robin vouloit sa femme battre 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
16–18 Robin vouloit sa femme battre 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor

Comments

entries appear early (could be false), but all periodic
17–19 Robin vouloit sa femme battre 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Bassus
Other Counterpoint
Invertible Counterpoint
18–18 Robin vouloit sa femme battre 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 Robin vouloit sa femme battre 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
20–21 Robin vouloit sa femme battre 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
18–20 Robin vouloit sa femme battre 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–20 Robin vouloit sa femme battre 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
18–19 Robin vouloit sa femme battre 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
21–23 Robin vouloit sa femme battre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
21–21 Robin vouloit sa femme battre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
23–26 Robin vouloit sa femme battre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius

Comments

begin PEn from "-la"
23–26 Robin vouloit sa femme battre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor

Comments

alternate analysis, begin FI from "Voi-"
22–22 Robin vouloit sa femme battre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
24–25 Robin vouloit sa femme battre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
27–28 Robin vouloit sa femme battre 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–3 Une safrette safrettant 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Bassus
3–3 Une safrette safrettant 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–5 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Other Counterpoint
Stretto Fuga
5–8 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Superius
3–4 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–6 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
5–6 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
7–9 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
7–9 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–3 Une safrette safrettant 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
8–11 Une safrette safrettant 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
11–16 Une safrette safrettant 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
16–19 Une safrette safrettant 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
18–20 Une safrette safrettant 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–21 Une safrette safrettant 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
20–22 Une safrette safrettant 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Contratenor
Other Counterpoint
Invertible Counterpoint
21–23 Une safrette safrettant 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
20–21 Une safrette safrettant 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
23–24 Une safrette safrettant 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–20 Une safrette safrettant 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
24–27 Une safrette safrettant 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Tenor
Other Counterpoint
Invertible Counterpoint

Comments

also II5 CT/T 25-26
27–28 Une safrette safrettant 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
23–24 Une safrette safrettant 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
23–25 Une safrette safrettant 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Representation

Comments

staggered and periodic entries for on "Voila"
28–30 Une safrette safrettant 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Contratenor
Other Counterpoint
Invertible Counterpoint
29–31 Une safrette safrettant 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
31–33 Une safrette safrettant 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
33–34 Une safrette safrettant 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
28–29 Une safrette safrettant 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
34–39 Une safrette safrettant 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
39–44 Une safrette safrettant 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–1 Le temps vouldroit de soy trop presumer 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–4 Le temps vouldroit de soy trop presumer 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
3–4 Le temps vouldroit de soy trop presumer 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–7 Le temps vouldroit de soy trop presumer 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Superius
Other Counterpoint
Stretto Fuga
5–6 Le temps vouldroit de soy trop presumer 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–6 Le temps vouldroit de soy trop presumer 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
6–7 Le temps vouldroit de soy trop presumer 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
8–9 Le temps vouldroit de soy trop presumer 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
9–14 Le temps vouldroit de soy trop presumer 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
9–11 Le temps vouldroit de soy trop presumer 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
12–14 Le temps vouldroit de soy trop presumer 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
13–20 Le temps vouldroit de soy trop presumer 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
19–22 Le temps vouldroit de soy trop presumer 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
22–24 Le temps vouldroit de soy trop presumer 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
24–25 Le temps vouldroit de soy trop presumer 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–20 Le temps vouldroit de soy trop presumer 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
25–27 Le temps vouldroit de soy trop presumer 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Other Counterpoint
Invertible Counterpoint
27–27 Le temps vouldroit de soy trop presumer 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
28–30 Le temps vouldroit de soy trop presumer 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
30–32 Le temps vouldroit de soy trop presumer 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
33–34 Le temps vouldroit de soy trop presumer 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
34–36 Le temps vouldroit de soy trop presumer 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
38–39 Le temps vouldroit de soy trop presumer 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
34–34 Le temps vouldroit de soy trop presumer 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

could also be FI (see tag mm. 34-36)
34–40 Le temps vouldroit de soy trop presumer 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple

Comments

could also be FI 34-36 (see tag)
39–40 Le temps vouldroit de soy trop presumer 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
1–1 Si j'ay grand desir de la veoir 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–4 Si j'ay grand desir de la veoir 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
2–4 Si j'ay grand desir de la veoir 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Enjambment
3–5 Si j'ay grand desir de la veoir 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@4)
Superius
5–7 Si j'ay grand desir de la veoir 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Superius
8–9 Si j'ay grand desir de la veoir 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–4 Si j'ay grand desir de la veoir 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
1–3 Si j'ay grand desir de la veoir 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3–9 Si j'ay grand desir de la veoir 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–14 Si j'ay grand desir de la veoir 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
13–13 Si j'ay grand desir de la veoir 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
9–11 Si j'ay grand desir de la veoir 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
15–18 Si j'ay grand desir de la veoir 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dance
15–15 Si j'ay grand desir de la veoir 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
17–18 Si j'ay grand desir de la veoir 6 Details
Analysis ID
Analyst
126
Is Cadence?
No

Comments

one could also mark NoCAD as the "cadence" resolves on the penultimate syllable
18–19 Si j'ay grand desir de la veoir 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger
18–22 Si j'ay grand desir de la veoir 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
20–22 Si j'ay grand desir de la veoir 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–24 Si j'ay grand desir de la veoir 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Other Counterpoint
Invertible Counterpoint
23–26 Si j'ay grand desir de la veoir 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
25–26 Si j'ay grand desir de la veoir 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
26–28 Si j'ay grand desir de la veoir 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–22 Si j'ay grand desir de la veoir 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
18–22 Si j'ay grand desir de la veoir 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
21–28 Si j'ay grand desir de la veoir 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–1 Si me voyez face triste et dolente 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–4 Si me voyez face triste et dolente 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
1–2 Si me voyez face triste et dolente 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
2–4 Si me voyez face triste et dolente 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
3–4 Si me voyez face triste et dolente 1 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–9 Si me voyez face triste et dolente 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

not a traditional 3 voice -1 voice HR stagger, but staggered entries in abnormal format, not purely imitative (no definite points of imitation), and not purely HR
8–9 Si me voyez face triste et dolente 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
4–7 Si me voyez face triste et dolente 2 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor

Comments

POSSIBLE FI, if one does not take this section to be a disjointed HR (see tag mm. 4-9)
1–4 Si me voyez face triste et dolente 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
1–4 Si me voyez face triste et dolente 3 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–9 Si me voyez face triste et dolente 4 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–10 Si me voyez face triste et dolente 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
10–14 Si me voyez face triste et dolente 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
12–13 Si me voyez face triste et dolente 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
13–14 Si me voyez face triste et dolente 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
8–10 Si me voyez face triste et dolente 5 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Pause
13–18 Si me voyez face triste et dolente 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

another atypical, disjointed section of HR, tagging as HR stagger with acknowledgement that this is not a tradition instance
15–18 Si me voyez face triste et dolente 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor

Comments

another POSSIBLE FI, if one does not take this section to be a disjointed, atypical HR passage (see tag for mm. 13-18)
17–18 Si me voyez face triste et dolente 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
13–14 Si me voyez face triste et dolente 6 Details
Analysis ID
Analyst
126
Is Cadence?
No
Text Treatment
Text Overlap
19–19 Si me voyez face triste et dolente 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Dactyll
19–22 Si me voyez face triste et dolente 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
20–21 Si me voyez face triste et dolente 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
21–22 Si me voyez face triste et dolente 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
22–24 Si me voyez face triste et dolente 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Bassus
Other Counterpoint
Invertible Counterpoint
25–29 Si me voyez face triste et dolente 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Other Presentation Type
HR Simple
27–29 Si me voyez face triste et dolente 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
19–22 Si me voyez face triste et dolente 7 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
22–29 Si me voyez face triste et dolente 8 Details
Analysis ID
Analyst
126
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?