Bazinet, Genevieve

Analyses

Measures	Piece	Phrase Number
1–3	Quand contremont voirras retourner loyre	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Other Counterpoint Invertible Counterpoint
2–3	Quand contremont voirras retourner loyre	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus
6–6	Quand contremont voirras retourner loyre	1	Details
Analysis ID Analyst 125 Is Cadence? No
5–6	Quand contremont voirras retourner loyre	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
7–9	Quand contremont voirras retourner loyre	2	Details
Analysis ID Analyst 125 Is Cadence? No
9–10	Quand contremont voirras retourner loyre	2	Details
Analysis ID Analyst 125 Is Cadence? No
10–11	Quand contremont voirras retourner loyre	3	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Other Counterpoint Stretto Fuga
13–14	Quand contremont voirras retourner loyre	3	Details
Analysis ID Analyst 125 Is Cadence? No
19–20	Quand contremont voirras retourner loyre	4	Details
Analysis ID Analyst 125 Is Cadence? No
24–25	Quand contremont voirras retourner loyre	4	Details
Analysis ID Analyst 125 Is Cadence? No
25–32	Quand contremont voirras retourner loyre	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Da Capo Earlier Phrase 4 Repeat, Exact or Varied? Comments Bassus 25-32 is exact repeat of 17-24, but other voices varied, especially S and A.
31–32	Quand contremont voirras retourner loyre	4	Details
Analysis ID Analyst 125 Is Cadence? No
1–2	Elle voyant approcher mon départ	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
5–6	Elle voyant approcher mon départ	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
6–7	Elle voyant approcher mon départ	1	Details
Analysis ID Analyst 125 Is Cadence? No
7–9	Elle voyant approcher mon départ	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
11–12	Elle voyant approcher mon départ	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Representation Comments Descending parallel 4ths on "langueur" between Ct and T in bars 11-12.
12–15	Elle voyant approcher mon départ	3	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Representation Comments Long held notes on "las laisse"
12–15	Elle voyant approcher mon départ	3	Details
Analysis ID Analyst 125 Is Cadence? No
17–17	Elle voyant approcher mon départ	3	Details
Analysis ID Analyst 125 Is Cadence? No
18–21	Elle voyant approcher mon départ	4	Details
Analysis ID Analyst 125 Is Cadence? No
17–23	Elle voyant approcher mon départ	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied? Comments The repetition is exact, except for the first two words (au lieu), which are sung in HRTH the second time. Bars 19 onward are inside the repeat sign.
25–25	Elle voyant approcher mon départ	4	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause Comments Sets up the repetition of the final phrase.
23–24	Elle voyant approcher mon départ	4	Details
Analysis ID Analyst 125 Is Cadence? No
1–4	Or à ce jour le verd may se termine	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
4–5	Or à ce jour le verd may se termine	1	Details
Analysis ID Analyst 125 Is Cadence? No
5–7	Or à ce jour le verd may se termine	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
10–13	Or à ce jour le verd may se termine	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple Repeat Kind Other Earlier Phrase 2 Repeat, Exact or Varied? Comments Text Reprise: The whole text phrase is repeated in bars 10-13.
12–13	Or à ce jour le verd may se termine	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Representation Comments not really a cadence (although could be plagal to A), but held sonorities -A/E/A/C# which then move to B-flat/D/F/F.
13–13	Or à ce jour le verd may se termine	3	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Declamation Comments Text Declamation on word "Las": full sonorities and long held note.
14–16	Or à ce jour le verd may se termine	3	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
17–18	Or à ce jour le verd may se termine	3	Details
Analysis ID Analyst 125 Is Cadence? No
18–19	Or à ce jour le verd may se termine	4	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
18–21	Or à ce jour le verd may se termine	4	Details
Analysis ID Analyst 125 Is Cadence? No
22–22	Or à ce jour le verd may se termine	4	Details
Analysis ID Analyst 125 Is Cadence? No Comments Echo of NoCadence in bar 12-13, echoes the rhyme of the texts: "plaindre" to "peindre"
22–25	Or à ce jour le verd may se termine	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
25–25	Or à ce jour le verd may se termine	5	Details
Analysis ID Analyst 125 Is Cadence? No Comments Musical rhyme which echoes the end of phrases 2 and 4.
28–29	Or à ce jour le verd may se termine	6	Details
Analysis ID Analyst 125 Is Cadence? No
29–30	Or à ce jour le verd may se termine	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
29–30	Or à ce jour le verd may se termine	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
30–30	Or à ce jour le verd may se termine	7	Details
Analysis ID Analyst 125 Is Cadence? No
32–34	Or à ce jour le verd may se termine	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius
29–37	Or à ce jour le verd may se termine	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Other Earlier Phrase 7 Repeat, Exact or Varied? Comments Phrase 7 is stated twice, the second (bar 32-37) is a variation of the first with all four voices, versus the reduced, 3-part texture of the first statement.
36–37	Or à ce jour le verd may se termine	7	Details
Analysis ID Analyst 125 Is Cadence? No
37–38	Or à ce jour le verd may se termine	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Comments Ct anticipates the FI between T and S.
36–37	Or à ce jour le verd may se termine	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
40–41	Or à ce jour le verd may se termine	8	Details
Analysis ID Analyst 125 Is Cadence? No
42–43	Or à ce jour le verd may se termine	8	Details
Analysis ID Analyst 125 Is Cadence? No
46–47	Or à ce jour le verd may se termine	9	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
47–47	Or à ce jour le verd may se termine	9	Details
Analysis ID Analyst 125 Is Cadence? No
44–47	Or à ce jour le verd may se termine	9	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
47–50	Or à ce jour le verd may se termine	10	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
49–50	Or à ce jour le verd may se termine	10	Details
Analysis ID Analyst 125 Is Cadence? No
47–50	Or à ce jour le verd may se termine	10	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
50–51	Or à ce jour le verd may se termine	11	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
53–54	Or à ce jour le verd may se termine	11	Details
Analysis ID Analyst 125 Is Cadence? No
56–57	Or à ce jour le verd may se termine	11	Details
Analysis ID Analyst 125 Is Cadence? No
50–57	Or à ce jour le verd may se termine	11	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 11 Repeat, Exact or Varied?
1–2	Où est ce temps, dictes, mademoiselle	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
2–3	Où est ce temps, dictes, mademoiselle	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
3–4	Où est ce temps, dictes, mademoiselle	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Other Counterpoint Stretto Fuga
4–5	Où est ce temps, dictes, mademoiselle	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Contratenor
7–8	Où est ce temps, dictes, mademoiselle	1	Details
Analysis ID Analyst 125 Is Cadence? No
9–10	Où est ce temps, dictes, mademoiselle	2	Details
Analysis ID Analyst 125 Is Cadence? No
11–11	Où est ce temps, dictes, mademoiselle	2	Details
Analysis ID Analyst 125 Is Cadence? No
12–13	Où est ce temps, dictes, mademoiselle	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–8	Où est ce temps, dictes, mademoiselle	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–14	Où est ce temps, dictes, mademoiselle	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Où est ce temps, dictes, mademoiselle	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
14–15	Où est ce temps, dictes, mademoiselle	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
16–17	Où est ce temps, dictes, mademoiselle	5	Details
Analysis ID Analyst 125 Is Cadence? No
17–20	Où est ce temps, dictes, mademoiselle	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Contratenor Other Counterpoint Stretto Fuga
23–23	Où est ce temps, dictes, mademoiselle	6	Details
Analysis ID Analyst 125 Is Cadence? No
23–25	Où est ce temps, dictes, mademoiselle	7	Details
Analysis ID Analyst 125 Is Cadence? No
26–27	Où est ce temps, dictes, mademoiselle	7	Details
Analysis ID Analyst 125 Is Cadence? No
27–29	Où est ce temps, dictes, mademoiselle	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor
30–31	Où est ce temps, dictes, mademoiselle	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
32–33	Où est ce temps, dictes, mademoiselle	8	Details
Analysis ID Analyst 125 Is Cadence? No
30–31	Où est ce temps, dictes, mademoiselle	8	Details
Analysis ID Analyst 125 Is Cadence? No
34–34	Où est ce temps, dictes, mademoiselle	9	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
35–42	Où est ce temps, dictes, mademoiselle	9	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
42–45	Où est ce temps, dictes, mademoiselle	10	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments All but the last bar of Phrase 10 are the same as Phrase 2. Bar 46 is different because of the preparation for the final cadence.
35–42	Où est ce temps, dictes, mademoiselle	9	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
42–47	Où est ce temps, dictes, mademoiselle	10	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
46–47	Où est ce temps, dictes, mademoiselle	10	Details
Analysis ID Analyst 125 Is Cadence? No
1–4	Quand tant me mectz devant mes yeulx	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance
5–6	Quand tant me mectz devant mes yeulx	2	Details
Analysis ID Analyst 125 Is Cadence? No
7–8	Quand tant me mectz devant mes yeulx	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–4	Quand tant me mectz devant mes yeulx	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–8	Quand tant me mectz devant mes yeulx	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
8–8	Quand tant me mectz devant mes yeulx	4	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
9–10	Quand tant me mectz devant mes yeulx	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Other Counterpoint Stretto Fuga
11–12	Quand tant me mectz devant mes yeulx	5	Details
Analysis ID Analyst 125 Is Cadence? No
11–12	Quand tant me mectz devant mes yeulx	6	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
15–16	Quand tant me mectz devant mes yeulx	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
15–16	Quand tant me mectz devant mes yeulx	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Other Counterpoint Invertible Counterpoint
17–18	Quand tant me mectz devant mes yeulx	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
17–18	Quand tant me mectz devant mes yeulx	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
18–20	Quand tant me mectz devant mes yeulx	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@5) Bassus Other Counterpoint Invertible Counterpoint
22–23	Quand tant me mectz devant mes yeulx	8	Details
Analysis ID Analyst 125 Is Cadence? No
8–11	Quand tant me mectz devant mes yeulx	5	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 5 Repeat, Exact or Varied?
10–15	Quand tant me mectz devant mes yeulx	6	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 6 Repeat, Exact or Varied?
14–17	Quand tant me mectz devant mes yeulx	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
17–23	Quand tant me mectz devant mes yeulx	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Ce n'est poinct moy, mon oeil, qui te travaille	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
3–3	Ce n'est poinct moy, mon oeil, qui te travaille	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–6	Ce n'est poinct moy, mon oeil, qui te travaille	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dactyll
4–5	Ce n'est poinct moy, mon oeil, qui te travaille	2	Details
Analysis ID Analyst 125 Is Cadence? No
4–4	Ce n'est poinct moy, mon oeil, qui te travaille	2	Details
Analysis ID Analyst 125 Is Cadence? No
5–6	Ce n'est poinct moy, mon oeil, qui te travaille	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–3	Ce n'est poinct moy, mon oeil, qui te travaille	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–6	Ce n'est poinct moy, mon oeil, qui te travaille	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
7–9	Ce n'est poinct moy, mon oeil, qui te travaille	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
8–9	Ce n'est poinct moy, mon oeil, qui te travaille	5	Details
Analysis ID Analyst 125 Is Cadence? No
10–12	Ce n'est poinct moy, mon oeil, qui te travaille	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dactyll Comments Also parallel 4ths between Ct and T, bars 10-12.
12–12	Ce n'est poinct moy, mon oeil, qui te travaille	6	Details
Analysis ID Analyst 125 Is Cadence? No
12–14	Ce n'est poinct moy, mon oeil, qui te travaille	7	Details
Analysis ID Analyst 125 Is Cadence? No
14–15	Ce n'est poinct moy, mon oeil, qui te travaille	7	Details
Analysis ID Analyst 125 Is Cadence? No
15–16	Ce n'est poinct moy, mon oeil, qui te travaille	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
16–17	Ce n'est poinct moy, mon oeil, qui te travaille	8	Details
Analysis ID Analyst 125 Is Cadence? No
17–18	Ce n'est poinct moy, mon oeil, qui te travaille	8	Details
Analysis ID Analyst 125 Is Cadence? No
17–23	Ce n'est poinct moy, mon oeil, qui te travaille	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
23–24	Ce n'est poinct moy, mon oeil, qui te travaille	8	Details
Analysis ID Analyst 125 Is Cadence? No
1–1	Si m'amie a de fermeté	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
1–5	Si m'amie a de fermeté	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
4–5	Si m'amie a de fermeté	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Formulas Romanesca
4–5	Si m'amie a de fermeté	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
4–7	Si m'amie a de fermeté	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
8–9	Si m'amie a de fermeté	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–5	Si m'amie a de fermeté	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Phrase 3 opens with the tenor (9-10), which anticipates the S/F duo of bars 1-5, whereas phrase one opens with S, Ct and B.
4–11	Si m'amie a de fermeté	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–13	Si m'amie a de fermeté	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
15–17	Si m'amie a de fermeté	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
18–19	Si m'amie a de fermeté	5	Details
Analysis ID Analyst 125 Is Cadence? No
19–21	Si m'amie a de fermeté	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
22–23	Si m'amie a de fermeté	6	Details
Analysis ID Analyst 125 Is Cadence? No
23–24	Si m'amie a de fermeté	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Declamation
23–28	Si m'amie a de fermeté	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
27–28	Si m'amie a de fermeté	7	Details
Analysis ID Analyst 125 Is Cadence? No
23–28	Si m'amie a de fermeté	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
28–30	Si m'amie a de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Contratenor Other Counterpoint Invertible Counterpoint, Stretto Fuga
32–33	Si m'amie a de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No
37–38	Si m'amie a de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No
28–37	Si m'amie a de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Qui veult sçavoyr quelle est m'amye	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (@4) Contratenor Other Counterpoint Invertible Counterpoint
2–3	Qui veult sçavoyr quelle est m'amye	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (@4) Tenor
3–5	Qui veult sçavoyr quelle est m'amye	1	Details
Analysis ID Analyst 125 Is Cadence? No
3–5	Qui veult sçavoyr quelle est m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
6–10	Qui veult sçavoyr quelle est m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
3–13	Qui veult sçavoyr quelle est m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Declamation Comments The phrase is stated at least three times in each voice part, mostly with the same head-motif each time. (see S part, 3-10).
12–13	Qui veult sçavoyr quelle est m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No
13–18	Qui veult sçavoyr quelle est m'amye	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Almost Exact repetition, but written out, no use of repeat sign. The only variation is in the Ct in bar 13-14 which anticipates the tenor line in bar 14.
16–26	Qui veult sçavoyr quelle est m'amye	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
27–29	Qui veult sçavoyr quelle est m'amye	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
29–30	Qui veult sçavoyr quelle est m'amye	5	Details
Analysis ID Analyst 125 Is Cadence? No
30–35	Qui veult sçavoyr quelle est m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance
32–33	Qui veult sçavoyr quelle est m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No
34–35	Qui veult sçavoyr quelle est m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No
35–37	Qui veult sçavoyr quelle est m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@5) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
38–40	Qui veult sçavoyr quelle est m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Bassus Other Counterpoint Invertible Counterpoint Comments This Pen is an echo of the one in bars 35-37, built on the same soggetto but transposed.
40–41	Qui veult sçavoyr quelle est m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No
40–41	Qui veult sçavoyr quelle est m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap Comments The overlap occurs on the word "elle" which is the final word of phrase 7 and the first word of phrase 8. This results in more distortion of the phrase structure than is typical with text overlap.
44–45	Qui veult sçavoyr quelle est m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No
46–47	Qui veult sçavoyr quelle est m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No
1–2	Je ne suis devin ne prophète	1	Details
Analysis ID Analyst 125 Is Cadence? No
1–2	Je ne suis devin ne prophète	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
2–2	Je ne suis devin ne prophète	1	Details
Analysis ID Analyst 125 Is Cadence? No
2–4	Je ne suis devin ne prophète	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
4–5	Je ne suis devin ne prophète	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–2	Je ne suis devin ne prophète	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
2–6	Je ne suis devin ne prophète	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
6–9	Je ne suis devin ne prophète	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance
10–11	Je ne suis devin ne prophète	5	Details
Analysis ID Analyst 125 Is Cadence? No
11–13	Je ne suis devin ne prophète	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
12–13	Je ne suis devin ne prophète	6	Details
Analysis ID Analyst 125 Is Cadence? No Comments Tenor moves 2>3 from last word of phrase 6 to first word of phrase 7.
13–13	Je ne suis devin ne prophète	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
13–15	Je ne suis devin ne prophète	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
15–15	Je ne suis devin ne prophète	7	Details
Analysis ID Analyst 125 Is Cadence? No
16–17	Je ne suis devin ne prophète	8	Details
Analysis ID Analyst 125 Is Cadence? No
16–17	Je ne suis devin ne prophète	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
16–17	Je ne suis devin ne prophète	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Rhythm at end of phrase 8 (bar 17) is varied.
17–19	Je ne suis devin ne prophète	9	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
16–17	Je ne suis devin ne prophète	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
19–20	Je ne suis devin ne prophète	9	Details
Analysis ID Analyst 125 Is Cadence? No
17–20	Je ne suis devin ne prophète	9	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
20–22	Je ne suis devin ne prophète	10	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger Comments Also parallel 4ths between Ct and T (bar 20).
21–22	Je ne suis devin ne prophète	10	Details
Analysis ID Analyst 125 Is Cadence? No
20–22	Je ne suis devin ne prophète	10	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
1–2	Un bon vieillard qui n'avoit que le bec	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
2–3	Un bon vieillard qui n'avoit que le bec	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
4–5	Un bon vieillard qui n'avoit que le bec	1	Details
Analysis ID Analyst 125 Is Cadence? No
5–5	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
5–7	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus
8–8	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 125 Is Cadence? No
9–9	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 125 Is Cadence? No Comments The passage also has parallel fourths between S and Ct, resulting in brief Fauxbourdon.
10–11	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 125 Is Cadence? No
11–11	Un bon vieillard qui n'avoit que le bec	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
1–5	Un bon vieillard qui n'avoit que le bec	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–12	Un bon vieillard qui n'avoit que le bec	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Un bon vieillard qui n'avoit que le bec	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
15–16	Un bon vieillard qui n'avoit que le bec	5	Details
Analysis ID Analyst 125 Is Cadence? No
16–19	Un bon vieillard qui n'avoit que le bec	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance
19–20	Un bon vieillard qui n'avoit que le bec	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Bassus Other Counterpoint Invertible Counterpoint Comments The rhythm of S is varied, but the module does repeat.
20–21	Un bon vieillard qui n'avoit que le bec	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
20–24	Un bon vieillard qui n'avoit que le bec	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Representation Comments The words "Plus de cent fois" is repeated several times, each time as a "cadence" between two voice parts.
24–26	Un bon vieillard qui n'avoit que le bec	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Fauxbourdon
26–26	Un bon vieillard qui n'avoit que le bec	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Representation Comments Half cadence reflects unresolved situation in the text.
28–31	Un bon vieillard qui n'avoit que le bec	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Fauxbourdon Text Treatment Text Declamation Comments Text Declamation: HR used to set up the dialogue, "dict la dame fachée."
30–31	Un bon vieillard qui n'avoit que le bec	8	Details
Analysis ID Analyst 125 Is Cadence? No
31–31	Un bon vieillard qui n'avoit que le bec	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
32–36	Un bon vieillard qui n'avoit que le bec	9	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance
36–36	Un bon vieillard qui n'avoit que le bec	9	Details
Analysis ID Analyst 125 Is Cadence? No
37–40	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Other Counterpoint Invertible Counterpoint Comments The entries of the same soggetto in the Ct and T in bars 36-37 anticipate the PEn but are not part of it.
42–43	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 125 Is Cadence? No
43–51	Un bon vieillard qui n'avoit que le bec	10	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
1–3	Sur l'aubépin qui est en fleur	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
3–4	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
5–5	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No
7–7	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No
6–7	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@5) Tenor Other Counterpoint Stretto Fuga
7–8	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No
8–8	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No
9–9	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No
9–10	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No
8–10	Sur l'aubépin qui est en fleur	2	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Other Earlier Phrase 2 Repeat, Exact or Varied? Comments Text Reprise: bars 8-10 are an exact repetition of bars 6-8.
10–11	Sur l'aubépin qui est en fleur	3	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@5) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga Comments Bassus anticipates the Pen (bar 10), but is not part of it: the melodic contour does not match the other entries.
13–14	Sur l'aubépin qui est en fleur	4	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
13–14	Sur l'aubépin qui est en fleur	3	Details
Analysis ID Analyst 125 Is Cadence? No
18–20	Sur l'aubépin qui est en fleur	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Other Earlier Phrase 4 Repeat, Exact or Varied? Comments Text Reprise: bars 18-20 are an exact repeat of bars 16-18.
19–20	Sur l'aubépin qui est en fleur	4	Details
Analysis ID Analyst 125 Is Cadence? No
20–22	Sur l'aubépin qui est en fleur	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
22–24	Sur l'aubépin qui est en fleur	5	Details
Analysis ID Analyst 125 Is Cadence? No
25–25	Sur l'aubépin qui est en fleur	5	Details
Analysis ID Analyst 125 Is Cadence? No
25–27	Sur l'aubépin qui est en fleur	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus
26–28	Sur l'aubépin qui est en fleur	6	Details
Analysis ID Analyst 125 Is Cadence? No
27–27	Sur l'aubépin qui est en fleur	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@4) Tenor Other Counterpoint Invertible Counterpoint
28–28	Sur l'aubépin qui est en fleur	6	Details
Analysis ID Analyst 125 Is Cadence? No
29–29	Sur l'aubépin qui est en fleur	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
29–32	Sur l'aubépin qui est en fleur	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus
32–32	Sur l'aubépin qui est en fleur	7	Details
Analysis ID Analyst 125 Is Cadence? No
33–33	Sur l'aubépin qui est en fleur	8	Details
Analysis ID Analyst 125 Is Cadence? No
35–36	Sur l'aubépin qui est en fleur	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Fauxbourdon
38–39	Sur l'aubépin qui est en fleur	8	Details
Analysis ID Analyst 125 Is Cadence? No
41–43	Sur l'aubépin qui est en fleur	8	Details
Analysis ID Analyst 125 Is Cadence? No
44–45	Sur l'aubépin qui est en fleur	8	Details
Analysis ID Analyst 125 Is Cadence? No
29–32	Sur l'aubépin qui est en fleur	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Slight variation in the opening texture of the repeat -full HR not FI.
32–47	Sur l'aubépin qui est en fleur	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
2–3	Puisque voulez que de vous je m'absente	1	Details
Analysis ID Analyst 125 Is Cadence? No
6–7	Puisque voulez que de vous je m'absente	1	Details
Analysis ID Analyst 125 Is Cadence? No
7–8	Puisque voulez que de vous je m'absente	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor Other Counterpoint Invertible Counterpoint
8–10	Puisque voulez que de vous je m'absente	2	Details
Analysis ID Analyst 125 Is Cadence? No
9–10	Puisque voulez que de vous je m'absente	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
10–11	Puisque voulez que de vous je m'absente	2	Details
Analysis ID Analyst 125 Is Cadence? No
11–11	Puisque voulez que de vous je m'absente	3	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
11–14	Puisque voulez que de vous je m'absente	3	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
14–14	Puisque voulez que de vous je m'absente	3	Details
Analysis ID Analyst 125 Is Cadence? No
15–16	Puisque voulez que de vous je m'absente	3	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
16–18	Puisque voulez que de vous je m'absente	3	Details
Analysis ID Analyst 125 Is Cadence? No
18–18	Puisque voulez que de vous je m'absente	3	Details
Analysis ID Analyst 125 Is Cadence? No
18–21	Puisque voulez que de vous je m'absente	4	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
19–21	Puisque voulez que de vous je m'absente	4	Details
Analysis ID Analyst 125 Is Cadence? No
21–24	Puisque voulez que de vous je m'absente	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
23–24	Puisque voulez que de vous je m'absente	5	Details
Analysis ID Analyst 125 Is Cadence? No
24–27	Puisque voulez que de vous je m'absente	6	Details
Analysis ID Analyst 125 Is Cadence? No
26–27	Puisque voulez que de vous je m'absente	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
27–28	Puisque voulez que de vous je m'absente	6	Details
Analysis ID Analyst 125 Is Cadence? No
31–33	Puisque voulez que de vous je m'absente	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
32–33	Puisque voulez que de vous je m'absente	7	Details
Analysis ID Analyst 125 Is Cadence? No
33–33	Puisque voulez que de vous je m'absente	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
33–36	Puisque voulez que de vous je m'absente	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
35–35	Puisque voulez que de vous je m'absente	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
35–36	Puisque voulez que de vous je m'absente	8	Details
Analysis ID Analyst 125 Is Cadence? No
38–39	Puisque voulez que de vous je m'absente	8	Details
Analysis ID Analyst 125 Is Cadence? No
33–40	Puisque voulez que de vous je m'absente	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–2	Et vray Dieu, qu'il m'ennuye	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
2–3	Et vray Dieu, qu'il m'ennuye	1	Details
Analysis ID Analyst 125 Is Cadence? No
3–5	Et vray Dieu, qu'il m'ennuye	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
5–6	Et vray Dieu, qu'il m'ennuye	2	Details
Analysis ID Analyst 125 Is Cadence? No
6–6	Et vray Dieu, qu'il m'ennuye	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
1–3	Et vray Dieu, qu'il m'ennuye	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
3–7	Et vray Dieu, qu'il m'ennuye	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
7–9	Et vray Dieu, qu'il m'ennuye	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
9–9	Et vray Dieu, qu'il m'ennuye	5	Details
Analysis ID Analyst 125 Is Cadence? No
9–10	Et vray Dieu, qu'il m'ennuye	6	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
9–11	Et vray Dieu, qu'il m'ennuye	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
11–12	Et vray Dieu, qu'il m'ennuye	6	Details
Analysis ID Analyst 125 Is Cadence? No
13–15	Et vray Dieu, qu'il m'ennuye	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Slight variation in the length of the opening sonority in phrase 7 (bar 13), which is preceded by a pause.
15–19	Et vray Dieu, qu'il m'ennuye	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–13	Et vray Dieu, qu'il m'ennuye	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
13–15	Et vray Dieu, qu'il m'ennuye	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
15–19	Et vray Dieu, qu'il m'ennuye	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–2	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
1–4	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
4–4	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 125 Is Cadence? No
1–4	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@5) Contratenor
4–5	Mon ami est en grace si parfaict	1	Details
Analysis ID Analyst 125 Is Cadence? No Comments T moves 2>3, not 2>1.
5–6	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
5–6	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus
6–7	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
9–9	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 125 Is Cadence? No
10–11	Mon ami est en grace si parfaict	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–5	Mon ami est en grace si parfaict	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–11	Mon ami est en grace si parfaict	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–15	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Other Counterpoint Stretto Fuga Comments The interval of imitation is at the 6th above.
14–15	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 125 Is Cadence? No
15–16	Mon ami est en grace si parfaict	5	Details
Analysis ID Analyst 125 Is Cadence? No
16–17	Mon ami est en grace si parfaict	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
18–19	Mon ami est en grace si parfaict	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
22–23	Mon ami est en grace si parfaict	6	Details
Analysis ID Analyst 125 Is Cadence? No
23–25	Mon ami est en grace si parfaict	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
26–27	Mon ami est en grace si parfaict	7	Details
Analysis ID Analyst 125 Is Cadence? No
29–30	Mon ami est en grace si parfaict	7	Details
Analysis ID Analyst 125 Is Cadence? No
23–30	Mon ami est en grace si parfaict	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Exact repeat except for opening sonority, which is presented in strict HR in the repeat (bar 44) rather than Stagger at bar 23-24.
30–33	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 125 Is Cadence? No
33–35	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Comments Imitation is at the 6th above.
37–38	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Comments Imitation is at the 6th below.
37–38	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 125 Is Cadence? No
38–39	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 125 Is Cadence? No
42–43	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 125 Is Cadence? No
30–43	Mon ami est en grace si parfaict	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	N'ayez plus peur, mary jaloux	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
1–1	N'ayez plus peur, mary jaloux	1	Details
Analysis ID Analyst 125 Is Cadence? No
1–4	N'ayez plus peur, mary jaloux	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor
4–4	N'ayez plus peur, mary jaloux	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–4	N'ayez plus peur, mary jaloux	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
5–5	N'ayez plus peur, mary jaloux	2	Details
Analysis ID Analyst 125 Is Cadence? No
7–8	N'ayez plus peur, mary jaloux	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–4	N'ayez plus peur, mary jaloux	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Exception: Ct opening note value is shorter in the repeat.
9–9	Pour avoir fille en mariage	2	Details
Analysis ID Analyst 125 Is Cadence? No
4–10	N'ayez plus peur, mary jaloux	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Exception: final note of Ct (bar 9) is shorter in the repeat than in Phrase 2.
11–12	N'ayez plus peur, mary jaloux	5	Details
Analysis ID Analyst 125 Is Cadence? No
11–12	N'ayez plus peur, mary jaloux	5	Details
Analysis ID Analyst 125 Is Cadence? No
12–13	N'ayez plus peur, mary jaloux	5	Details
Analysis ID Analyst 125 Is Cadence? No
13–14	N'ayez plus peur, mary jaloux	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Stacked Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
15–16	N'ayez plus peur, mary jaloux	6	Details
Analysis ID Analyst 125 Is Cadence? No
18–19	N'ayez plus peur, mary jaloux	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
20–21	N'ayez plus peur, mary jaloux	7	Details
Analysis ID Analyst 125 Is Cadence? No
16–21	N'ayez plus peur, mary jaloux	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Exception: missing the opening "Fi" in the B in the repeat.
21–24	N'ayez plus peur, mary jaloux	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
21–22	N'ayez plus peur, mary jaloux	8	Details
Analysis ID Analyst 125 Is Cadence? No
25–26	N'ayez plus peur, mary jaloux	8	Details
Analysis ID Analyst 125 Is Cadence? No
27–28	N'ayez plus peur, mary jaloux	8	Details
Analysis ID Analyst 125 Is Cadence? No
21–29	N'ayez plus peur, mary jaloux	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
3–4	Dieu doinct le bon jour à m'amye	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
4–5	Dieu doinct le bon jour à m'amye	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–5	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
4–6	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus
6–6	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No
6–7	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No
8–9	Dieu doinct le bon jour à m'amye	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–5	Dieu doinct le bon jour à m'amye	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–10	Dieu doinct le bon jour à m'amye	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
10–12	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Tenor Other Counterpoint Invertible Counterpoint
12–14	Dieu doinct le bon jour à m'amye	5	Details
Analysis ID Analyst 125 Is Cadence? No
12–14	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
12–15	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@4) Tenor
15–16	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No
16–17	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No Comments Ct does not remain on 'g.'
18–19	Dieu doinct le bon jour à m'amye	6	Details
Analysis ID Analyst 125 Is Cadence? No
19–19	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
19–21	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus
20–21	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
21–22	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No
19–22	Dieu doinct le bon jour à m'amye	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
21–22	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
21–23	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Other Counterpoint Stretto Fuga
25–25	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No
26–27	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No
21–28	Dieu doinct le bon jour à m'amye	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Si le pouvoir de Diane a esté	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@5) Bassus
1–2	Si le pouvoir de Diane a esté	1	Details
Analysis ID Analyst 125 Is Cadence? No
2–4	Si le pouvoir de Diane a esté	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–4	Si le pouvoir de Diane a esté	1	Details
Analysis ID Analyst 125 Is Cadence? No
3–4	Si le pouvoir de Diane a esté	1	Details
Analysis ID Analyst 125 Is Cadence? No
5–7	Si le pouvoir de Diane a esté	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
6–6	Si le pouvoir de Diane a esté	4	Details
Analysis ID Analyst 125 Is Cadence? No
7–7	Si le pouvoir de Diane a esté	2	Details
Analysis ID Analyst 125 Is Cadence? No
7–8	Si le pouvoir de Diane a esté	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Formulas Romanesca
8–9	Si le pouvoir de Diane a esté	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–5	Si le pouvoir de Diane a esté	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–9	Si le pouvoir de Diane a esté	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
10–10	Si le pouvoir de Diane a esté	5	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
10–12	Si le pouvoir de Diane a esté	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
10–14	Si le pouvoir de Diane a esté	5	Details
Analysis ID Analyst 125 Is Cadence? No
10–13	Si le pouvoir de Diane a esté	5	Details
Analysis ID Analyst 125 Is Cadence? No
13–14	Si le pouvoir de Diane a esté	5	Details
Analysis ID Analyst 125 Is Cadence? No
14–17	Si le pouvoir de Diane a esté	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
17–18	Si le pouvoir de Diane a esté	6	Details
Analysis ID Analyst 125 Is Cadence? No
18–19	Si le pouvoir de Diane a esté	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus
21–22	Si le pouvoir de Diane a esté	7	Details
Analysis ID Analyst 125 Is Cadence? No Comments B moves 7>6 instead of 7>8.
18–22	Si le pouvoir de Diane a esté	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
22–24	Si le pouvoir de Diane a esté	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint
24–24	Si le pouvoir de Diane a esté	8	Details
Analysis ID Analyst 125 Is Cadence? No
26–27	Si le pouvoir de Diane a esté	8	Details
Analysis ID Analyst 125 Is Cadence? No
22–28	Si le pouvoir de Diane a esté	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–4	Pour avoir fille en mariage	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Bassus Voice Role (Lower Voice 2 NIM) Tenor Other Counterpoint Invertible Counterpoint
2–3	Pour avoir fille en mariage	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–8	Pour avoir fille en mariage	1	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Ct in bar 4 is varied resulting in a change in the opening sonority of the first NIM module.
4–4	Pour avoir fille en mariage	1	Details
Analysis ID Analyst 125 Is Cadence? No
7–8	Pour avoir fille en mariage	1	Details
Analysis ID Analyst 125 Is Cadence? No
8–12	Pour avoir fille en mariage	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
9–10	Pour avoir fille en mariage	2	Details
Analysis ID Analyst 125 Is Cadence? No
11–11	Pour avoir fille en mariage	2	Details
Analysis ID Analyst 125 Is Cadence? No
11–12	Pour avoir fille en mariage	2	Details
Analysis ID Analyst 125 Is Cadence? No Comments Ct moves 7>6 instead of 7>8
12–14	Pour avoir fille en mariage	2	Details
Analysis ID Analyst 125 Is Cadence? No
14–15	Pour avoir fille en mariage	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–8	Pour avoir fille en mariage	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
8–16	Pour avoir fille en mariage	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
16–16	Pour avoir fille en mariage	4	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
17–19	Pour avoir fille en mariage	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance Comments Also parallel 4ths between S and Ct, resulting in Fauxbourdon.
18–18	Pour avoir fille en mariage	5	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
20–24	Pour avoir fille en mariage	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Fauxbourdon
21–22	Pour avoir fille en mariage	5	Details
Analysis ID Analyst 125 Is Cadence? No
22–24	Pour avoir fille en mariage	5	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Other Earlier Phrase 5 Repeat, Exact or Varied? Comments Text Reprise: bars 22-24 are exact repeat of bars 20 -22.
24–30	Pour avoir fille en mariage	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance
24–25	Pour avoir fille en mariage	6	Details
Analysis ID Analyst 125 Is Cadence? No
25–30	Pour avoir fille en mariage	6	Details
Analysis ID Analyst 125 Is Cadence? No Comments Also parallel 4ths between S and Ct resulting in Fauxbourdon.
29–30	Pour avoir fille en mariage	6	Details
Analysis ID Analyst 125 Is Cadence? No
30–31	Pour avoir fille en mariage	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Comments This duo anticipates the ID that begins in bar 31-32 with T/S.
31–34	Pour avoir fille en mariage	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Superius Other Counterpoint Invertible Counterpoint
33–34	Pour avoir fille en mariage	7	Details
Analysis ID Analyst 125 Is Cadence? No
37–37	Pour avoir fille en mariage	7	Details
Analysis ID Analyst 125 Is Cadence? No
30–37	Pour avoir fille en mariage	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
37–42	Pour avoir fille en mariage	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
37–39	Pour avoir fille en mariage	8	Details
Analysis ID Analyst 125 Is Cadence? No
39–39	Pour avoir fille en mariage	8	Details
Analysis ID Analyst 125 Is Cadence? No
38–39	Pour avoir fille en mariage	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
40–41	Pour avoir fille en mariage	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple Repeat Kind Other Earlier Phrase 8 Repeat, Exact or Varied? Comments Text Reprise: This passage is a varied repetition of bars 38-39, but in HR simple rather than Stagger and with varied rhythm and leading to a full cadence.
41–42	Pour avoir fille en mariage	8	Details
Analysis ID Analyst 125 Is Cadence? No
38–43	Pour avoir fille en mariage	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–4	Il n'est que d'estre sur l'herbette	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor Other Counterpoint Invertible Counterpoint
3–5	Il n'est que d'estre sur l'herbette	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus
4–5	Il n'est que d'estre sur l'herbette	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–5	Il n'est que d'estre sur l'herbette	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
5–7	Il n'est que d'estre sur l'herbette	2	Details
Analysis ID Analyst 125 Is Cadence? No
7–8	Il n'est que d'estre sur l'herbette	2	Details
Analysis ID Analyst 125 Is Cadence? No
9–11	Il n'est que d'estre sur l'herbette	2	Details
Analysis ID Analyst 125 Is Cadence? No
11–12	Il n'est que d'estre sur l'herbette	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–4	Il n'est que d'estre sur l'herbette	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Exception: repeat starts with Ct (bar 12), which anticipates the Pen.
4–14	Il n'est que d'estre sur l'herbette	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
14–16	Il n'est que d'estre sur l'herbette	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Tenor
17–17	Il n'est que d'estre sur l'herbette	5	Details
Analysis ID Analyst 125 Is Cadence? No
18–18	Il n'est que d'estre sur l'herbette	5	Details
Analysis ID Analyst 125 Is Cadence? No
18–18	Il n'est que d'estre sur l'herbette	6	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
22–23	Il n'est que d'estre sur l'herbette	6	Details
Analysis ID Analyst 125 Is Cadence? No
23–24	Il n'est que d'estre sur l'herbette	6	Details
Analysis ID Analyst 125 Is Cadence? No
24–25	Il n'est que d'estre sur l'herbette	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Other Counterpoint Stretto Fuga
26–28	Il n'est que d'estre sur l'herbette	7	Details
Analysis ID Analyst 125 Is Cadence? No
27–28	Il n'est que d'estre sur l'herbette	7	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Declamation Repeat Kind Other Earlier Phrase 7 Repeat, Exact or Varied? Comments Text Reprise: bars 27-28 are repeated in bars 28-29, resulting in a four-part NIM, and also resulting in Text declamation through repetition on "houpe gay."
24–28	Il n'est que d'estre sur l'herbette	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Exception: the repeat begins with HR Stagger, whereas the fist statement of Phrase 7 opens with FI.
27–29	Il n'est que d'estre sur l'herbette	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
26–27	Il n'est que d'estre sur l'herbette	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
31–32	Il n'est que d'estre sur l'herbette	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
30–31	Il n'est que d'estre sur l'herbette	8	Details
Analysis ID Analyst 125 Is Cadence? No
26–33	Il n'est que d'estre sur l'herbette	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	En amour y a du plaisir	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Fauxbourdon
1–3	En amour y a du plaisir	1	Details
Analysis ID Analyst 125 Is Cadence? No
2–3	En amour y a du plaisir	1	Details
Analysis ID Analyst 125 Is Cadence? No
3–6	En amour y a du plaisir	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
3–6	En amour y a du plaisir	2	Details
Analysis ID Analyst 125 Is Cadence? No
5–5	En amour y a du plaisir	2	Details
Analysis ID Analyst 125 Is Cadence? No
6–8	En amour y a du plaisir	3	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
6–8	En amour y a du plaisir	3	Details
Analysis ID Analyst 125 Is Cadence? No
8–8	En amour y a du plaisir	3	Details
Analysis ID Analyst 125 Is Cadence? No
8–11	En amour y a du plaisir	4	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
9–11	En amour y a du plaisir	4	Details
Analysis ID Analyst 125 Is Cadence? No
11–11	En amour y a du plaisir	4	Details
Analysis ID Analyst 125 Is Cadence? No
11–13	En amour y a du plaisir	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
13–13	En amour y a du plaisir	5	Details
Analysis ID Analyst 125 Is Cadence? No
13–16	En amour y a du plaisir	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
13–14	En amour y a du plaisir	6	Details
Analysis ID Analyst 125 Is Cadence? No
14–15	En amour y a du plaisir	6	Details
Analysis ID Analyst 125 Is Cadence? No
15–16	En amour y a du plaisir	6	Details
Analysis ID Analyst 125 Is Cadence? No
16–19	En amour y a du plaisir	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
18–19	En amour y a du plaisir	7	Details
Analysis ID Analyst 125 Is Cadence? No
19–19	En amour y a du plaisir	7	Details
Analysis ID Analyst 125 Is Cadence? No
16–19	En amour y a du plaisir	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
19–24	En amour y a du plaisir	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Declamation Comments Text declamation through repetition of words but with different melody: 19-22=22-24.
22–24	En amour y a du plaisir	8	Details
Analysis ID Analyst 125 Is Cadence? No
22–24	En amour y a du plaisir	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Fauxbourdon
21–22	En amour y a du plaisir	8	Details
Analysis ID Analyst 125 Is Cadence? No
24–25	En amour y a du plaisir	8	Details
Analysis ID Analyst 125 Is Cadence? No
19–26	En amour y a du plaisir	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Un gay berger prioit une bergiere	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Tenor Voice Role (Comes 2) Bassus Voice Role (@4) Contratenor Comments S has one additional entry of the soggetto after the ID is complete (bar 4-5).
6–7	Un gay berger prioit une bergiere	1	Details
Analysis ID Analyst 125 Is Cadence? No
7–10	Un gay berger prioit une bergiere	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
10–11	Un gay berger prioit une bergiere	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
10–11	Un gay berger prioit une bergiere	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@4) Bassus
13–14	Un gay berger prioit une bergiere	2	Details
Analysis ID Analyst 125 Is Cadence? No
14–14	Un gay berger prioit une bergiere	3	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
14–20	Un gay berger prioit une bergiere	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
20–27	Un gay berger prioit une bergiere	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Exception: the final cadence of Phrase 4 is different, lacking the extra flourish in the Tenor. This cadence is noted in a separate entry (bar 26-27, Authentic cadence to G, S/T).
26–27	Un gay berger prioit une bergiere	4	Details
Analysis ID Analyst 125 Is Cadence? No
27–33	Un gay berger prioit une bergiere	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Dance
31–32	Un gay berger prioit une bergiere	5	Details
Analysis ID Analyst 125 Is Cadence? No
32–33	Un gay berger prioit une bergiere	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Contratenor Voice Role (Upper Voice 2 NIM) Tenor Voice Role (Lower Voice 2 NIM) Bassus
33–35	Un gay berger prioit une bergiere	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
34–35	Un gay berger prioit une bergiere	6	Details
Analysis ID Analyst 125 Is Cadence? No
35–38	Un gay berger prioit une bergiere	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Other Counterpoint Stretto Fuga
38–39	Un gay berger prioit une bergiere	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Other Counterpoint Stretto Fuga Comments This is an additional duo entry following the ID, however the Ct/S duo does not reappear, this is therefore just FI for bars 38-39.
41–42	Un gay berger prioit une bergiere	7	Details
Analysis ID Analyst 125 Is Cadence? No
48–49	Un gay berger prioit une bergiere	7	Details
Analysis ID Analyst 125 Is Cadence? No
35–42	Un gay berger prioit une bergiere	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
49–41	Un gay berger prioit une bergiere	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (@5) Superius
42–49	Un gay berger prioit une bergiere	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
1–2	Je suys a vous mais sçavez vous comment	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
2–3	Je suys a vous mais sçavez vous comment	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
4–5	Je suys a vous mais sçavez vous comment	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–5	Je suys a vous mais sçavez vous comment	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
5–6	Je suys a vous mais sçavez vous comment	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
8–9	Je suys a vous mais sçavez vous comment	2	Details
Analysis ID Analyst 125 Is Cadence? No
9–13	Je suys a vous mais sçavez vous comment	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
13–18	Je suys a vous mais sçavez vous comment	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments Exception: The final note of the cadence is shorter in the repeat (bar 18)
18–19	Je suys a vous mais sçavez vous comment	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius
21–22	Je suys a vous mais sçavez vous comment	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Tenor Other Counterpoint Stretto Fuga
23–24	Je suys a vous mais sçavez vous comment	5	Details
Analysis ID Analyst 125 Is Cadence? No
24–24	Je suys a vous mais sçavez vous comment	5	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
25–25	Je suys a vous mais sçavez vous comment	6	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Declamation
25–27	Je suys a vous mais sçavez vous comment	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
27–28	Je suys a vous mais sçavez vous comment	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
29–31	Je suys a vous mais sçavez vous comment	6	Details
Analysis ID Analyst 125 Is Cadence? No
29–31	Je suys a vous mais sçavez vous comment	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Text Treatment Text Overlap
33–34	Je suys a vous mais sçavez vous comment	7	Details
Analysis ID Analyst 125 Is Cadence? No
30–34	Je suys a vous mais sçavez vous comment	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
33–34	Je suys a vous mais sçavez vous comment	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
33–35	Je suys a vous mais sçavez vous comment	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
36–37	Je suys a vous mais sçavez vous comment	8	Details
Analysis ID Analyst 125 Is Cadence? No
33–38	Je suys a vous mais sçavez vous comment	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
1–3	Vous souvient-il ; ma mignonne	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
1–3	Vous souvient-il ; ma mignonne	1	Details
Analysis ID Analyst 125 Is Cadence? No
3–4	Vous souvient-il ; ma mignonne	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–6	Vous souvient-il ; ma mignonne	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor
6–7	Vous souvient-il ; ma mignonne	2	Details
Analysis ID Analyst 125 Is Cadence? No
8–8	Vous souvient-il ; ma mignonne	3	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
8–11	Vous souvient-il ; ma mignonne	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
11–15	Vous souvient-il ; ma mignonne	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
15–17	Vous souvient-il ; ma mignonne	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
17–18	Vous souvient-il ; ma mignonne	5	Details
Analysis ID Analyst 125 Is Cadence? No
17–18	Vous souvient-il ; ma mignonne	6	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
17–19	Vous souvient-il ; ma mignonne	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
18–18	Vous souvient-il ; ma mignonne	6	Details
Analysis ID Analyst 125 Is Cadence? No
18–19	Vous souvient-il ; ma mignonne	6	Details
Analysis ID Analyst 125 Is Cadence? No
20–21	Vous souvient-il ; ma mignonne	6	Details
Analysis ID Analyst 125 Is Cadence? No
22–24	Vous souvient-il ; ma mignonne	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
23–24	Vous souvient-il ; ma mignonne	7	Details
Analysis ID Analyst 125 Is Cadence? No
24–25	Vous souvient-il ; ma mignonne	7	Details
Analysis ID Analyst 125 Is Cadence? No
25–26	Vous souvient-il ; ma mignonne	7	Details
Analysis ID Analyst 125 Is Cadence? No
25–26	Vous souvient-il ; ma mignonne	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
25–27	Vous souvient-il ; ma mignonne	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus
27–28	Vous souvient-il ; ma mignonne	8	Details
Analysis ID Analyst 125 Is Cadence? No
29–30	Vous souvient-il ; ma mignonne	8	Details
Analysis ID Analyst 125 Is Cadence? No
25–31	Vous souvient-il ; ma mignonne	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
22–26	Vous souvient-il ; ma mignonne	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied?
1–4	Si tu as veu que pour ton feu estaindre	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Other Counterpoint Stretto Fuga
5–6	Si tu as veu que pour ton feu estaindre	1	Details
Analysis ID Analyst 125 Is Cadence? No
5–6	Si tu as veu que pour ton feu estaindre	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
6–7	Si tu as veu que pour ton feu estaindre	2	Details
Analysis ID Analyst 125 Is Cadence? No
7–8	Si tu as veu que pour ton feu estaindre	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor
9–10	Si tu as veu que pour ton feu estaindre	2	Details
Analysis ID Analyst 125 Is Cadence? No
1–6	Si tu as veu que pour ton feu estaindre	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Exception: in the repeat (Phrase 3)the opening ID is preceded by an entry of the soggetto in the Ct, bar 9-10.
5–12	Si tu as veu que pour ton feu estaindre	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Si tu as veu que pour ton feu estaindre	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius
16–17	Si tu as veu que pour ton feu estaindre	5	Details
Analysis ID Analyst 125 Is Cadence? No
17–20	Si tu as veu que pour ton feu estaindre	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
18–22	Si tu as veu que pour ton feu estaindre	6	Details
Analysis ID Analyst 125 Is Cadence? No
18–21	Si tu as veu que pour ton feu estaindre	6	Details
Analysis ID Analyst 125 Is Cadence? No
19–21	Si tu as veu que pour ton feu estaindre	6	Details
Analysis ID Analyst 125 Is Cadence? No
21–21	Si tu as veu que pour ton feu estaindre	6	Details
Analysis ID Analyst 125 Is Cadence? No
22–26	Si tu as veu que pour ton feu estaindre	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 6 Repeat, Exact or Varied? Comments Exception: final note in the repeat is shorter (bar 26)
27–28	Si tu as veu que pour ton feu estaindre	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
28–30	Si tu as veu que pour ton feu estaindre	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Declamation Comments Text declamation through repetition on "pour Dieu."
31–32	Si tu as veu que pour ton feu estaindre	8	Details
Analysis ID Analyst 125 Is Cadence? No Comments Ct leaps down a fifth instead of resolving to C.
26–32	Si tu as veu que pour ton feu estaindre	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?
32–33	Si tu as veu que pour ton feu estaindre	9	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
32–33	Si tu as veu que pour ton feu estaindre	9	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@5) Superius
36–38	Si tu as veu que pour ton feu estaindre	9	Details
Analysis ID Analyst 125 Is Cadence? No
32–38	Si tu as veu que pour ton feu estaindre	9	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 9 Repeat, Exact or Varied?
36–38	Si tu as veu que pour ton feu estaindre	10	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Overlap
38–39	Si tu as veu que pour ton feu estaindre	10	Details
Analysis ID Analyst 125 Is Cadence? No
42–43	Si tu as veu que pour ton feu estaindre	10	Details
Analysis ID Analyst 125 Is Cadence? No
36–44	Si tu as veu que pour ton feu estaindre	10	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 10 Repeat, Exact or Varied?
1–3	Si je n'avois de fermeté	1	Details
Analysis ID Analyst 125 Is Cadence? No
2–3	Si je n'avois de fermeté	1	Details
Analysis ID Analyst 125 Is Cadence? No
4–6	Si je n'avois de fermeté	2	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
1–3	Si je n'avois de fermeté	1	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
6–7	Si je n'avois de fermeté	2	Details
Analysis ID Analyst 125 Is Cadence? No
7–7	Si je n'avois de fermeté	2	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
1–3	Si je n'avois de fermeté	3	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–7	Si je n'avois de fermeté	4	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
8–10	Si je n'avois de fermeté	5	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
10–10	Si je n'avois de fermeté	5	Details
Analysis ID Analyst 125 Is Cadence? No
12–12	Si je n'avois de fermeté	6	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
11–13	Si je n'avois de fermeté	6	Details
Analysis ID Analyst 125 Is Cadence? No
13–14	Si je n'avois de fermeté	6	Details
Analysis ID Analyst 125 Is Cadence? No
14–17	Si je n'avois de fermeté	7	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Stagger
16–17	Si je n'avois de fermeté	7	Details
Analysis ID Analyst 125 Is Cadence? No
14–17	Si je n'avois de fermeté	7	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Exception: Repeat starts with HR simple, not Stagger.
17–19	Si je n'avois de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No Other Presentation Type HR Simple
18–19	Si je n'avois de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No
19–20	Si je n'avois de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No
20–20	Si je n'avois de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No Text Treatment Text Pause
17–22	Si je n'avois de fermeté	8	Details
Analysis ID Analyst 125 Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 8 Repeat, Exact or Varied?

The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

Bazinet, Genevieve

Analyses

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