Saunders, Zoe

Analyses

Measures	Piece	Phrase Number
11–12	Je me veulx tant a son vouloir offrir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Text Treatment Text Overlap Comments Maybe CadInCad because mm. 12-13 S/T to D (T is cantizans; S would be tenorizans but moves 2-3 instead of 2-1 - inverted and incomplete) - lack of resolution is text representation; problem with CadInCad is that mm. 11-12 S/T to A marks end of text phrase 2, and the melodic tenor cadence on D in m. 13 is already part of text phrase 3.
13–15	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Superius Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Contratenor Voice Role (Lower Voice 2 NIM) Bassus
8–9	Si l'amyitié n'est que conjonction	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Representation Comments // 3rds on 'ensemble'
4–5	Je ne suis pas si sot berger	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments mid-phrase 'cadence': S drops out; G sounds in B; cadence repeated and completed in m. 8
5–5	Je suis honteux et n'ose descouvrir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Overlap
5–7	Je suis honteux et n'ose descouvrir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga Text Treatment Text Enjambment Comments C>B @ 8va below >S @ P5 above > T @ 8va below
9–11	Las, si amour nouveau conseil n'apporte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Bassus Voice Role (@5) Bassus Voice Role (@4) Superius Voice Role (Above) Superius Voice Role (Below) Bassus
17–18	Las, si amour nouveau conseil n'apporte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments T drops out; B provides cadential tone D
25–30	Amour et moy avons faict accointance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Below) Tenor
10–10	Si l'amyitié n'est que conjonction	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
20–21	Je suis honteux et n'ose descouvrir	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
15–16	Je suis honteux et n'ose descouvrir	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
13–14	Je ne suis pas si sot berger	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor
8–9	Je ne suis pas si sot berger	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
15–16	Amour et moy avons faict accointance	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
1–2	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Declamation Comments + ACC S/B 3/8 loosely, mm. 1-3
4–4	Je me veulx tant a son vouloir offrir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No
17–18	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca Comments Cad m. 18 T/B also 5/3 to last note, which is 8va
18–19	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Text Treatment Text Pause
17–18	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Text Treatment Text Representation Comments Flats on 'souffrir'
19–20	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca Text Treatment Text Declamation
21–22	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No
22–23	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Comments Could be CadInCad if m. 22 B moved B-flat-A or Ct G#-A (or CadInCad with no LT)
23–30	Je me veulx tant a son vouloir offrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/2/ Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 4 Repeat, Exact or Varied? Comments Rhythmically displaced by one B (or 1/2 measure)
1–2	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No Other Presentation Type HR Dactyll
4–4	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
5–7	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No Other Presentation Type HR Fauxbourdon
7–8	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No Text Treatment Text Pause
6–7	Plus je la voy de beaucoup estimée	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
9–9	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
10–12	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
12–13	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
16–17	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
14–16	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
14–14	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
19–26	Plus je la voy de beaucoup estimée	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No Text Treatment Text Pause Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
10–12	Plus je la voy de beaucoup estimée	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
17–18	Plus je la voy de beaucoup estimée	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/3/ Is Cadence? No
1–2	Si l'amyitié n'est que conjonction	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
3–3	Si l'amyitié n'est que conjonction	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
4–4	Si l'amyitié n'est que conjonction	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
4–6	Si l'amyitié n'est que conjonction	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Comes 2) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus
6–7	Si l'amyitié n'est que conjonction	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
8–9	Si l'amyitié n'est que conjonction	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
1–4	Si l'amyitié n'est que conjonction	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–10	Si l'amyitié n'est que conjonction	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–13	Si l'amyitié n'est que conjonction	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
13–13	Si l'amyitié n'est que conjonction	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Representation Comments CT leaps in mm. 12-13 on 'etrange semble'
15–16	Si l'amyitié n'est que conjonction	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments S/T to A in m. 15 Txt: Represents 'etrange semble'
11–12	Si l'amyitié n'est que conjonction	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Pause
20–21	Si l'amyitié n'est que conjonction	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Simple Text Treatment Text Declamation
21–25	Si l'amyitié n'est que conjonction	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Comes 2) Contratenor Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments T enters first, leads S and Ct, B has counterpoint (T role in phrase 1)
25–32	Si l'amyitié n'est que conjonction	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
21–21	Si l'amyitié n'est que conjonction	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
1–4	Je ne suis pas si sot berger	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor Other Counterpoint Stretto Fuga
3–4	Je ne suis pas si sot berger	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
6–6	Je ne suis pas si sot berger	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
5–8	Je ne suis pas si sot berger	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor Other Counterpoint Stretto Fuga Text Treatment Text Declamation Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Only B/T repeat first half of same phrase 1, but full authentic cadence.
8–8	Je ne suis pas si sot berger	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
9–12	Je ne suis pas si sot berger	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor
9–9	Je ne suis pas si sot berger	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments S/T also parallel 3rds
10–16	Je ne suis pas si sot berger	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Declamation Comments repeat
11–13	Je ne suis pas si sot berger	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments B=tenorizans mm. 11-12; C=cantizans delayed to m. 13; text phrase continues
16–16	Je ne suis pas si sot berger	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
16–17	Je ne suis pas si sot berger	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Stagger
17–18	Je ne suis pas si sot berger	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments No LT in cantizans; tenorizans moves 2>3 instead of 2>1; tenorizans text phrase does not end
18–20	Je ne suis pas si sot berger	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Enjambment
18–18	Je ne suis pas si sot berger	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Overlap
19–20	Je ne suis pas si sot berger	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments C/B to F in m. 20; S/T to B-flat on 20/3.
21–22	Je ne suis pas si sot berger	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Fauxbourdon
23–24	Je ne suis pas si sot berger	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 5 Repeat, Exact or Varied? Comments melody in different voices; different texture
23–23	Je ne suis pas si sot berger	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Simple
24–24	Je ne suis pas si sot berger	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
24–24	Je ne suis pas si sot berger	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Overlap
24–26	Je ne suis pas si sot berger	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments C/B 3/8
25–26	Je ne suis pas si sot berger	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
1–3	Je suis honteux et n'ose descouvrir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Declamation Comments mm. 2-3 S/B 8/3
3–5	Je suis honteux et n'ose descouvrir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@5) Tenor Voice Role (Above) Tenor Comments S has similar motive
1–3	Je suis honteux et n'ose descouvrir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
5–5	Je suis honteux et n'ose descouvrir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Overlap
8–10	Je suis honteux et n'ose descouvrir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Above) Tenor
9–10	Je suis honteux et n'ose descouvrir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
1–5	Je suis honteux et n'ose descouvrir	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–11	Je suis honteux et n'ose descouvrir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–13	Je suis honteux et n'ose descouvrir	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
15–16	Je suis honteux et n'ose descouvrir	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
17–20	Je suis honteux et n'ose descouvrir	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Formulas Romanesca
18–19	Je suis honteux et n'ose descouvrir	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Declamation
16–19	Je suis honteux et n'ose descouvrir	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type NIM Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Comments ? @ 6th S/T have same melody; B/Ct have similar motivic pattern
22–22	Je suis honteux et n'ose descouvrir	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Pause
22–27	Je suis honteux et n'ose descouvrir	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments rhythmic displacement
32–36	Je suis honteux et n'ose descouvrir	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments diminution
26–27	Je suis honteux et n'ose descouvrir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Overlap
26–32	Je suis honteux et n'ose descouvrir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
36–41	Je suis honteux et n'ose descouvrir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Final Repeat Earlier Phrase 2 Repeat, Exact or Varied?
1–4	Las, si amour nouveau conseil n'apporte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Declamation Comments dactyl 1-3 only
3–3	Las, si amour nouveau conseil n'apporte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Pause
5–8	Las, si amour nouveau conseil n'apporte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Declamation
8–9	Las, si amour nouveau conseil n'apporte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
10–12	Las, si amour nouveau conseil n'apporte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Declamation Comments mm. 11-12 "En brief seray" repeated
14–16	Las, si amour nouveau conseil n'apporte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
16–17	Las, si amour nouveau conseil n'apporte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
11–13	Las, si amour nouveau conseil n'apporte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Stagger Comments ?
16–17	Las, si amour nouveau conseil n'apporte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Comes 2) Bassus Voice Role (@4) Superius Voice Role (Above) Superius
18–21	Las, si amour nouveau conseil n'apporte	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Bassus Voice Role (Comes 2) Superius Voice Role (@5) Bassus Voice Role (@4) Contratenor Voice Role (Above) Contratenor Voice Role (Below) Bassus
20–23	Las, si amour nouveau conseil n'apporte	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Declamation
22–24	Las, si amour nouveau conseil n'apporte	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Simple
27–28	Las, si amour nouveau conseil n'apporte	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
28–28	Las, si amour nouveau conseil n'apporte	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Pause
29–37	Las, si amour nouveau conseil n'apporte	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments Music repeats, not text
1–1	Si Salamandre en flamme vit c'est peu	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Dactyll Text Treatment Text Declamation
1–2	Si Salamandre en flamme vit c'est peu	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
3–5	Si Salamandre en flamme vit c'est peu	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Stagger
5–6	Si Salamandre en flamme vit c'est peu	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
10–11	Si Salamandre en flamme vit c'est peu	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
6–8	Si Salamandre en flamme vit c'est peu	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (@4) Contratenor Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
11–12	Si Salamandre en flamme vit c'est peu	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
10–11	Si Salamandre en flamme vit c'est peu	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
12–12	Si Salamandre en flamme vit c'est peu	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius Text Treatment Text Overlap
12–17	Si Salamandre en flamme vit c'est peu	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments m. 12 imitative while m. 1 is homophonic; minor differences
17–23	Si Salamandre en flamme vit c'est peu	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied? Comments except one tone at final cadence
23–24	Si Salamandre en flamme vit c'est peu	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Overlap
23–27	Si Salamandre en flamme vit c'est peu	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type ID Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Comments not exact, but 2 duos at same time interval
24–26	Si Salamandre en flamme vit c'est peu	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
26–27	Si Salamandre en flamme vit c'est peu	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
27–27	Si Salamandre en flamme vit c'est peu	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
27–30	Si Salamandre en flamme vit c'est peu	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius Other Counterpoint Stretto Fuga
33–34	Si Salamandre en flamme vit c'est peu	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments C/B Phryg to E at mm. 33-34
1–2	Si Salamandre en flamme vit c'est peu	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
31–32	Si Salamandre en flamme vit c'est peu	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Above) Tenor Other Counterpoint Stretto Fuga
33–35	Si Salamandre en flamme vit c'est peu	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Tenor Voice Role (Above) Superius Text Treatment Text Overlap
33–35	Si Salamandre en flamme vit c'est peu	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments Ct below B
36–36	Si Salamandre en flamme vit c'est peu	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
37–39	Si Salamandre en flamme vit c'est peu	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
38–39	Si Salamandre en flamme vit c'est peu	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments B/S to A in m. 38 displaced, inverted
39–41	Si Salamandre en flamme vit c'est peu	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (@5) Contratenor Voice Role (@4) Superius Voice Role (Above) Superius Comments T has same motive on F
42–43	Si Salamandre en flamme vit c'est peu	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
43–44	Si Salamandre en flamme vit c'est peu	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
44–45	Si Salamandre en flamme vit c'est peu	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
39–45	Si Salamandre en flamme vit c'est peu	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Final Repeat Repeat, Exact or Varied?
41–42	Si Salamandre en flamme vit c'est peu	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Superius Voice Role (@4) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga
1–4	Amour et moy avons faict accointance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments S/T6 mm. 1-2
4–5	Amour et moy avons faict accointance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Superius Voice Role (@5) Tenor Voice Role (Above) Tenor Other Counterpoint Stretto Fuga
5–5	Amour et moy avons faict accointance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
6–7	Amour et moy avons faict accointance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
3–4	Amour et moy avons faict accointance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments S/B to D no LT, displaced, inverted evaded - Ct 2>3 instead of 2>1
7–10	Amour et moy avons faict accointance	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Stagger
9–10	Amour et moy avons faict accointance	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
11–12	Amour et moy avons faict accointance	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
12–13	Amour et moy avons faict accointance	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments NIM-like
12–13	Amour et moy avons faict accointance	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
12–14	Amour et moy avons faict accointance	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Comments T enters with B up a 3rd; NIM-like but not quite there
13–14	Amour et moy avons faict accointance	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
16–19	Amour et moy avons faict accointance	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Below) Tenor
16–18	Amour et moy avons faict accointance	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
18–19	Amour et moy avons faict accointance	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor
19–20	Amour et moy avons faict accointance	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
21–22	Amour et moy avons faict accointance	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
22–23	Amour et moy avons faict accointance	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Stagger
22–23	Amour et moy avons faict accointance	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
24–24	Amour et moy avons faict accointance	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
24–25	Amour et moy avons faict accointance	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
25–26	Amour et moy avons faict accointance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Text Treatment Text Overlap
26–28	Amour et moy avons faict accointance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Comments S/T6 mm. 27-28
29–30	Amour et moy avons faict accointance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
31–32	Amour et moy avons faict accointance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
7–7	Amour et moy avons faict accointance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
32–33	Amour et moy avons faict accointance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Stagger
32–34	Amour et moy avons faict accointance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
35–37	Amour et moy avons faict accointance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Other Presentation Type HR Stagger
38–39	Amour et moy avons faict accointance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No
39–42	Amour et moy avons faict accointance	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/88/ Book Title Http://Digitalduchemin.Org/Book/9/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments mm. 1-4 of phrase 1

The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

Saunders, Zoe

Analyses

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments

Comments