The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Quinn, Patrick

Analyses

Measures Piece Phrase Number
1–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Declamation

Comments

S enters half a bar early for HR Stagger. Coqu repetition in the bass provides dactyllic sense.

48–48 Trop justement je forme une complainte 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–16 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

T @ 5 above B, S @ 8 above T, T @ 8 below S

30–31 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

syncopation in S/Ct gives hint of parallel 3rds

7–9 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S/B in 3/8 one tone away from 4 notes descending in Romanesca pattern

9–11 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Tenor is an octave below the soprano

13–13 O combien je suis fortuné 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Consecutive 5ths Ct/B, no sign of parallel thirds or 3/5, which could be from the part writing issues

9–10 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

measure 10 is half as long as a regular measure

54–55 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–3 L'enfant Amour n'a plus son arc estrangé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

m 2 has parallel 3's in middle of 3/5

24–25 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Representation

Comments

NDLT Cadence at question in text!

11–12 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

phrygian D cadence into m 11 with Ct/B

22–28 La volunté si longtemps endormie 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
28–33 La volunté si longtemps endormie 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Text changes the entries from simultaneous to HR Stagger in m 28

19–20 Vive sera pour jamais n'estre morte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

phrygian cadence on A Ct/B before auth

12–13 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–6 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto fuga

Comments

T at unison with Ct

17–18 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

phrygian D B/Ct to Auth

36–39 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Other Counterpoint
Invertible Counterpoint
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Ct and T explore different counterpoint towards m 39. T @ 5 above, S @ 8 above, T @ 8 below

12–14 Helas mon cœur (mon œil), n'as tu pas trop grand tort 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
Text Treatment
Text Overlap

Comments

Could also consider the Ct as Anticipatory Entry, then just PEN S>B>T

3–5 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
13–14 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B, 11-12 = 13-14 except the voices exchange parts S=>T, Ct=>S, T=>Ct

1–3 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus

Comments

Ct @ 5 above B, tonal for Ct TI and descent of 3rd not 4th

6–8 Maistre Ambrelin, confesseur de nonettes 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
17–19 Maistre Ambrelin, confesseur de nonettes 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

8/5/3 in Ct/B begin 17 and continue to 21, but by end of phrase 5 there aren't two full cycles through the pattern

38–39 Maistre Ambrelin, confesseur de nonettes 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

I would adjust the repeat at the end, to allow the return to make sense both musically and textually. I propose a cut halfway through m 40, leaving the B entrance on low A out, then have the return to the beginning of 32, not the halfway mark of 31. Just my suggestion.

23–25 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B early

25–29 Qu'est-ce que fait celui qui se marie 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

T lower and later than Phrase 6. M 27 is augmented version of 23. Ct beat 2 m 28 moves before m 24.

40–42 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Contratenor
Other Counterpoint
Invertible Counterpoint

Comments

3/8 in Ct/B

17–18 J'ay d'un costé l'honneur tant estimé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

10–12 J'ay d'un costé l'honneur tant estimé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in T/B, Bass descent too fast, S descent too slow for ROM

20–21 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

The text for measures 19-23 is the 8th phrase repeated another two times completely. The music originally mirrored phrase 6, but now is its own idea.

19–21 J'ay le fruit tant désiré 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

The word augmenter is accompanied by immediately double duration notes.

19–21 J'ay le fruit tant désiré 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

The word augmenter is spelled with immediately double duration notes. The flow of passages 5 and 6 make the two appear as one musical phrase. *disregard the previous entry labeling this as phrase 5*

5–6 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Auth C S/B Disp followed by Auth F T/Ct Disp Inc Evade No Ct or B resolution, Ct eventually move 2-3 not 2-1

38–38 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Bass supplies T resolution, no bass in cadence till resolution

14–16 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late

20–21 Quelle prison au monde est plus cruelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
52–54 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Vive sera pour jamais n'estre morte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–4 J'ay le fruit tant désiré 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
4–5 Qu'est-ce que fait celui qui se marie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B

20–21 O combien je suis fortuné 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

No LT, No Bass

19–20 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Bass waits to resolve and comes in on E, resolution elided with beginning of next text line

31–33 Cest oeil mignon, ce visage poly 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Qui souhaitez avoir tout le plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Sense of cadence on D in measures 4-5, however no LT in Tenor, interrupted by Ct stating next line while also evading the root by going 2>3. Very weak, but still present.

4–5 Cest oeil mignon, ce visage poly 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Vrais amateurs du plaisir de Vénus 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–22 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

Not quite romanesca because Bass resolves up to E instead of down to A, making it a quasi deceptive Romanesca

33–34 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Maistre Ambrelin, confesseur de nonettes 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–24 Comme l'aymant par sa vertu latente 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–35 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–22 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–34 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Other Counterpoint
Stretto Fuga
1–3 Qui souhaitez avoir tout le plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
7–8 Qui souhaitez avoir tout le plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Bassus

Comments

Also an instance of HR stagger with the T entering early

12–13 Qui souhaitez avoir tout le plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–7 Qui souhaitez avoir tout le plaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–13 Qui souhaitez avoir tout le plaisir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–14 Qui souhaitez avoir tout le plaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Declamation
13–13 Qui souhaitez avoir tout le plaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
16–17 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
17–19 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius

Comments

T/B have syncopation in middle (m. 18) which provides a moment of break between alternating 3/8

19–20 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct/B in 3/8

4–6 Qui souhaitez avoir tout le plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–11 Qui souhaitez avoir tout le plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga, Invertible Counterpoint
15–16 Qui souhaitez avoir tout le plaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–23 Qui souhaitez avoir tout le plaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
23–25 Qui souhaitez avoir tout le plaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
Text Treatment
Text Declamation

Comments

Ct/B in 3/8

26–27 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Tenor preceeds other voices

27–30 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–34 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Measure 33 has cross relation B-flat in Bass directly below a B(natural) in Ct

33–34 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
Other Formulas
Romanesca
4–5 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–7 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–9 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–10 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–11 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–12 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S/B in 3/8

12–13 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–17 Venons au poinct, ma dame s'il vous plaist 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–22 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–26 Qui souhaitez avoir tout le plaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Venons au poinct, ma dame s'il vous plaist 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
5–7 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint
2–3 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–22 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor

Comments

Measures 17-20 have parallel 3rds in Tenor and Bass, but don't stay parallel as long as S/Ct

20–20 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct/B in 3/8

21–22 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Enjambment

Comments

S and Ct have parallel 6ths on different lines of text

21–22 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S/B in 3/8

23–24 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–27 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

moment of parallel 3rds during 3/8 in Ct/B

25–27 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–27 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
27–28 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–29 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–31 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
35–36 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
2–4 Cherchant amour, Hymen vint apparoistre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

measure 3 has one parallel 3 in T/B

37–38 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
Text Treatment
Text Declamation

Comments

S/B in 3/8

39–40 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–41 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 O combien je suis fortuné 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
2–2 O combien je suis fortuné 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
2–4 O combien je suis fortuné 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–14 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–27 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor

Comments

T enters at 6th below Ct and S enters 6th above T

22–24 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga, Invertible Counterpoint
4–5 O combien je suis fortuné 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct early

4–6 O combien je suis fortuné 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 O combien je suis fortuné 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

T/B have consecutive octaves

7–8 O combien je suis fortuné 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Previous Measure 4 cadence on D

1–4 O combien je suis fortuné 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–8 O combien je suis fortuné 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
9–9 O combien je suis fortuné 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
9–11 O combien je suis fortuné 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca

Comments

3/8 in S/B

10–12 O combien je suis fortuné 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–12 O combien je suis fortuné 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–18 O combien je suis fortuné 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Ct stagger late, which repeats phrase 5 with filled in passing tones

14–16 O combien je suis fortuné 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

S/B in 3/8

21–24 O combien je suis fortuné 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Ct staggers early instead of late on repeat, shifting text to another note, but all music is exact repeat

17–18 O combien je suis fortuné 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct early

18–19 O combien je suis fortuné 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S/B in 3/8, consecutive 5ths Ct/B

19–20 O combien je suis fortuné 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 Cherchant amour, Hymen vint apparoistre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll

Comments

dactyl 4+7, S/B in 3/8

3–4 O combien je suis fortuné 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S/T in 3/8

6–7 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor

Comments

S/T in 3/8

7–8 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Cherchant amour, Hymen vint apparoistre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–10 Cherchant amour, Hymen vint apparoistre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–12 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S/B in 3/8, has all the qualities of a romanesca (3/5, parallel 6, 3/8), but by definition, isn't romanesca

12–13 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–4 Cherchant amour, Hymen vint apparoistre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
27–27 O combien je suis fortuné 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

Bass gives final root instead of incomplete

4–6 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Text Treatment
Text Overlap
8–9 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
16–17 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

also has 3/5 in S/Ct

17–18 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–15 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

tenor early

14–17 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
18–20 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–26 Cherchant amour, Hymen vint apparoistre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
1–4 Cest oeil mignon, ce visage poly 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–4 Cest oeil mignon, ce visage poly 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Cest oeil mignon, ce visage poly 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

Romanesca present with decent in S, but Bass parallel's S 3/5/3/3 to evade absolute Romanesca

7–9 Cest oeil mignon, ce visage poly 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

3/8 in Ct/B, HR Stagger T early actually occurs beginning m 6

8–9 Cest oeil mignon, ce visage poly 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–14 Cest oeil mignon, ce visage poly 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

T/B in 3/5/8

13–14 Cest oeil mignon, ce visage poly 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–16 Cest oeil mignon, ce visage poly 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Tenor
15–16 Cest oeil mignon, ce visage poly 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Cest oeil mignon, ce visage poly 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–20 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
2–3 Cest oeil mignon, ce visage poly 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–31 Cherchant amour, Hymen vint apparoistre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat, Exact or Varied?
9–11 Cest oeil mignon, ce visage poly 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
15–17 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
11–13 Cest oeil mignon, ce visage poly 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–24 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Pause

Comments

txt pause m 23

22–26 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S/B in 3/8 w/ parallel 3 into m 23

30–32 Cest oeil mignon, ce visage poly 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
31–31 Cest oeil mignon, ce visage poly 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
33–34 Cest oeil mignon, ce visage poly 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–35 Cest oeil mignon, ce visage poly 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor

Comments

also parallel 3rds S/T

36–37 Cest oeil mignon, ce visage poly 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–37 Cest oeil mignon, ce visage poly 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
38–39 Cest oeil mignon, ce visage poly 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late

40–41 Cest oeil mignon, ce visage poly 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
43–46 Cest oeil mignon, ce visage poly 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
43–44 Cest oeil mignon, ce visage poly 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S/B in 3/8

47–48 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S early

49–51 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

8/3/5 in S/B, 5/8/3 in T/B

51–53 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Contratenor
Text Treatment
Text Declamation

Comments

Ct @ 6 below S

52–53 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
53–53 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–42 Cest oeil mignon, ce visage poly 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
38–38 Cest oeil mignon, ce visage poly 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

ficta for T, S and Ct no resolution

45–46 Cest oeil mignon, ce visage poly 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

S ficta

25–27 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Contratenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Ct also has anticipatory entry.

41–42 Cest oeil mignon, ce visage poly 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 L'enfant Amour n'a plus son arc estrangé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–8 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–9 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late, T/B have 3/5, but the Romanesca descent in S is finished before T/B 3/5 is finished, due to late T entry, so no Romanesca

9–10 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

also parallel 3 in Ct/T with a momoment of unison in m 9

1–6 L'enfant Amour n'a plus son arc estrangé 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–13 L'enfant Amour n'a plus son arc estrangé 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–13 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

also text pause in m 12 with phrase 2 into phrase 3

13–14 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
15–17 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct late

20–22 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–21 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–23 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
23–24 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–25 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

rhythm varies 3/5

26–29 L'enfant Amour n'a plus son arc estrangé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance

Comments

voices are a palindrome

27–29 L'enfant Amour n'a plus son arc estrangé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B

30–31 L'enfant Amour n'a plus son arc estrangé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–32 L'enfant Amour n'a plus son arc estrangé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct early

17–18 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–25 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–5 L'enfant Amour n'a plus son arc estrangé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
32–33 L'enfant Amour n'a plus son arc estrangé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
33–34 L'enfant Amour n'a plus son arc estrangé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
35–36 L'enfant Amour n'a plus son arc estrangé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B late, m2 in Ct downbeat voice leading avoids direct parallel 3

4–6 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus

Comments

Ct @ 1 with T, B @ 8 down from Ct

5–5 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–6 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–11 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–11 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–12 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
1–7 La volunté si longtemps endormie 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–12 La volunté si longtemps endormie 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–13 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
13–15 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

not ROM b/c descent and harmonic rhythm not aligned

13–14 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–15 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–17 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–20 La volunté si longtemps endormie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–20 La volunté si longtemps endormie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 5th in T/B, Ct crosses over S then under T. Not a well brought together measure

21–22 La volunté si longtemps endormie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct 2-3

11–12 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–10 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–4 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–17 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B late

3–3 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–4 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Vive sera pour jamais n'estre morte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S late

8–9 Vive sera pour jamais n'estre morte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

also parallel 6 in S/Ct

10–11 Vive sera pour jamais n'estre morte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Vive sera pour jamais n'estre morte 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–12 Vive sera pour jamais n'estre morte 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–13 Vive sera pour jamais n'estre morte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S late

13–15 Vive sera pour jamais n'estre morte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
16–17 Vive sera pour jamais n'estre morte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

also parallel 3 Ct/T

17–19 Vive sera pour jamais n'estre morte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
20–24 Vive sera pour jamais n'estre morte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
24–29 Vive sera pour jamais n'estre morte 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
1–2 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T early

2–3 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–5 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

no S resolution

22–23 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–8 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in T/B

6–9 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–9 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–11 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–15 Vive sera pour jamais n'estre morte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
5–6 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–3 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
HR Stagger

Comments

Ct @ 5 above B

15–17 Vive sera pour jamais n'estre morte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
12–17 Mars et Amour font ensemble alliance 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
17–22 Mars et Amour font ensemble alliance 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
23–25 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–25 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–27 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–26 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 5 after beat rest T/B

25–26 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–27 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
26–28 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor

Comments

S @ 8 above T

27–27 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
29–31 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–31 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–32 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

no B downbeat resolution

33–35 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 3 m 35 in T/B

36–36 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
36–37 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–37 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–41 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
38–42 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

should have included with ID

43–43 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
39–40 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–42 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
43–44 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

44–44 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
45–46 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
46–51 Mars et Amour font ensemble alliance 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

could be seen as T moving early or B late in HR Stagger. T energizes rhythm early, bass enters late.

51–56 Mars et Amour font ensemble alliance 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
38–42 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor

Comments

23–24 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–2 Si la promesse m'est tenue 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late

2–4 Si la promesse m'est tenue 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B

6–6 Si la promesse m'est tenue 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–10 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–11 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 3 m 10 in S/B

13–13 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

No Ct res, no B res, B to g undercuts strength of cad

14–15 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–16 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B

16–17 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–18 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 L'autre jour jouer m'aloye/ Parmi ces champs 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor

Comments

also HR Stagger with T late

1–1 L'autre jour jouer m'aloye/ Parmi ces champs 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
2–2 L'autre jour jouer m'aloye/ Parmi ces champs 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
5–6 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–7 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

7–8 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–10 L'autre jour jouer m'aloye/ Parmi ces champs 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple

Comments

3/8 in S/B

10–12 L'autre jour jouer m'aloye/ Parmi ces champs 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?

Comments

new text same music

14–15 L'autre jour jouer m'aloye/ Parmi ces champs 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S 2-3

6–7 Si la promesse m'est tenue 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–4 Si la promesse m'est tenue 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–4 L'autre jour jouer m'aloye/ Parmi ces champs 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct would need B nat

11–12 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–6 Si la promesse m'est tenue 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

T @ 4 below S

15–16 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

consecutive 5ths Ct/B

16–16 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–17 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

after T crosses over Ct, Ct leaps a m6 to Eb, which could be awkward with the T already above

18–22 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

transition into bar 19 not the same as into bar 15, otherwise identical

1–5 Comme l'aymant par sa vertu latente 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor

Comments

Dactyllic rhythm, not HR. S at 8 above, T at 8 below

3–3 Comme l'aymant par sa vertu latente 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Comme l'aymant par sa vertu latente 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–6 Comme l'aymant par sa vertu latente 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–10 Comme l'aymant par sa vertu latente 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–13 Comme l'aymant par sa vertu latente 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor

Comments

Ct @ 8 above, S @ 8 above, T @ 8 below

12–12 Comme l'aymant par sa vertu latente 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S early

17–19 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–20 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
18–19 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–25 Comme l'aymant par sa vertu latente 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T early

25–26 Comme l'aymant par sa vertu latente 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–28 Comme l'aymant par sa vertu latente 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
27–28 Comme l'aymant par sa vertu latente 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–8 Comme l'aymant par sa vertu latente 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Phr A Ct/B before Auth D

14–15 Comme l'aymant par sa vertu latente 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Phr A Ct/B before Auth D

21–22 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

No S resolution, Bass descends in scale not harmonic support

8–12 Comme l'aymant par sa vertu latente 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Tenor
14–16 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
29–29 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–33 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

B @ 8 below, T @ 1, S @ 8 above, T again @ 8 below

30–31 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–32 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 5ths Ct/T

32–34 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
33–34 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–35 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
36–38 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

same as measures 8-10

37–38 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
39–39 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 5ths Ct/T

38–41 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

39–41 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–41 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–42 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
42–43 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple

Comments

would expect an 8 on the Ct treble clef?

2–3 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

also parallel 3rds Ct/T. T repetition of G in m 2 avoids HR Fauxbourdon

4–5 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–5 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–7 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap

Comments

S early

6–7 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in T/B

6–8 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in T/B

7–8 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–10 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
10–11 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–12 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–15 Helas mon cœur (mon œil), n'as tu pas trop grand tort 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
16–16 Helas mon cœur (mon œil), n'as tu pas trop grand tort 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–18 Helas mon cœur (mon œil), n'as tu pas trop grand tort 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct early

17–21 Helas mon cœur (mon œil), n'as tu pas trop grand tort 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–19 Helas mon cœur (mon œil), n'as tu pas trop grand tort 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

19–21 Helas mon cœur (mon œil), n'as tu pas trop grand tort 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–23 Helas mon cœur (mon œil), n'as tu pas trop grand tort 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B, cadincad elides phrases

23–24 Helas mon cœur (mon œil), n'as tu pas trop grand tort 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Bassus
Voice Role (Lower Voice 2 NIM)
Superius
24–25 Helas mon cœur (mon œil), n'as tu pas trop grand tort 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–26 Helas mon cœur (mon œil), n'as tu pas trop grand tort 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
29–29 Helas mon cœur (mon œil), n'as tu pas trop grand tort 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–30 Helas mon cœur (mon œil), n'as tu pas trop grand tort 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
35–36 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

20–21 Helas mon cœur (mon œil), n'as tu pas trop grand tort 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–28 Helas mon cœur (mon œil), n'as tu pas trop grand tort 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
31–32 Helas mon cœur (mon œil), n'as tu pas trop grand tort 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

B evades 5-6

39–40 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
2–2 Quelle prison au monde est plus cruelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–5 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
31–34 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–33 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
33–33 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–35 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
35–37 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
36–37 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
37–38 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–37 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–40 Helas mon cœur (mon œil), n'as tu pas trop grand tort 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
42–43 Helas mon cœur (mon œil), n'as tu pas trop grand tort 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 7ths Ct/B

1–3 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–5 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–7 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
8–8 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–8 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–11 Trop justement je forme une complainte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor

Comments

5/3/8 in S/B

9–12 Trop justement je forme une complainte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

5/3/8 in T/B 8/5/3 in Ct/B

10–11 Trop justement je forme une complainte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
12–12 Trop justement je forme une complainte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–8 Trop justement je forme une complainte 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–12 Trop justement je forme une complainte 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–15 Trop justement je forme une complainte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple

Comments

No 3/5 b/c vertical sonorities just alternating, not progressing

13–16 Trop justement je forme une complainte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–17 Trop justement je forme une complainte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–21 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap

Comments

Ct early

20–22 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–24 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallel 3 in Ct/B also, T above Ct

22–23 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

also parallel 3rds in Ct/T, Voice exchange modifies sounding of 3rds from 21-22

25–29 Trop justement je forme une complainte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
25–27 Trop justement je forme une complainte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

36–38 Trop justement je forme une complainte 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
38–40 Trop justement je forme une complainte 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late

39–40 Trop justement je forme une complainte 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct 2-3

35–36 Trop justement je forme une complainte 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

No S or Ct resolution, S evades 5-6 and Ct evades 2-4

38–39 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct no resolution

43–44 Helas mon cœur (mon œil), n'as tu pas trop grand tort 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

bass resolves big beat early

23–24 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct and T extend cadence with decoration

16–17 Trop justement je forme une complainte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
29–30 Trop justement je forme une complainte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

s ficta

31–32 Trop justement je forme une complainte 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
44–46 Trop justement je forme une complainte 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–5 Quelle prison au monde est plus cruelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–6 Quelle prison au monde est plus cruelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
6–7 Quelle prison au monde est plus cruelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B late

7–8 Quelle prison au monde est plus cruelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–9 Quelle prison au monde est plus cruelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

9–10 Quelle prison au monde est plus cruelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Quelle prison au monde est plus cruelle 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–10 Quelle prison au monde est plus cruelle 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–11 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Should the text say "A-dieu" instead of "O-dieu"?

17–19 Quelle prison au monde est plus cruelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor

Comments

B @ 5 below, T must enter 1/2 beat late to be heard through S repeating C's

19–20 Quelle prison au monde est plus cruelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–27 Quelle prison au monde est plus cruelle 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
27–31 Quelle prison au monde est plus cruelle 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

m8 and m 29 have different PT's. Should repeat at end of phrase return to 22 instead of 21?

30–31 Quelle prison au monde est plus cruelle 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

same text pause ending cadence in m 21 phrase 6

1–2 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–3 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

brief, but felt together

3–4 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–4 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–17 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Quelle prison au monde est plus cruelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–43 Trop justement je forme une complainte 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
7–8 Maistre Ambrelin, confesseur de nonettes 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–12 Maistre Ambrelin, confesseur de nonettes 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
12–15 Maistre Ambrelin, confesseur de nonettes 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
16–16 Maistre Ambrelin, confesseur de nonettes 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late

20–21 Maistre Ambrelin, confesseur de nonettes 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–23 Maistre Ambrelin, confesseur de nonettes 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–26 Maistre Ambrelin, confesseur de nonettes 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–26 Maistre Ambrelin, confesseur de nonettes 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–26 Maistre Ambrelin, confesseur de nonettes 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
27–28 Maistre Ambrelin, confesseur de nonettes 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–28 Maistre Ambrelin, confesseur de nonettes 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–29 Maistre Ambrelin, confesseur de nonettes 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–32 Maistre Ambrelin, confesseur de nonettes 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
33–33 Maistre Ambrelin, confesseur de nonettes 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

evaded S 7-3, T 5-6

2–3 Qu'est-ce que fait celui qui se marie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–4 Qu'est-ce que fait celui qui se marie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Qu'est-ce que fait celui qui se marie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Qu'est-ce que fait celui qui se marie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S early, B drops out this phrase

7–8 Qu'est-ce que fait celui qui se marie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–14 Qu'est-ce que fait celui qui se marie 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Ct fills in S downbeat m 10 for PEn rhythmic requirments

4–5 Maistre Ambrelin, confesseur de nonettes 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
26–27 Maistre Ambrelin, confesseur de nonettes 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–22 Maistre Ambrelin, confesseur de nonettes 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

No B resolution, Ct 2-3

33–34 Maistre Ambrelin, confesseur de nonettes 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
35–37 Maistre Ambrelin, confesseur de nonettes 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
35–36 Maistre Ambrelin, confesseur de nonettes 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 Maistre Ambrelin, confesseur de nonettes 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
29–30 Maistre Ambrelin, confesseur de nonettes 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–4 Qu'est-ce que fait celui qui se marie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
15–16 Qu'est-ce que fait celui qui se marie 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–16 Qu'est-ce que fait celui qui se marie 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–17 Qu'est-ce que fait celui qui se marie 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in Ct/T

17–17 Qu'est-ce que fait celui qui se marie 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 Qu'est-ce que fait celui qui se marie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
19–21 Qu'est-ce que fait celui qui se marie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus

Comments

parallel 3rds first half of NIM Ct/T m19-20

29–30 Qu'est-ce que fait celui qui se marie 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus

Comments

Ct/T also in parallel 3rds

33–35 Qu'est-ce que fait celui qui se marie 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Other Counterpoint
Invertible Counterpoint
34–35 Qu'est-ce que fait celui qui se marie 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

cad m 35

35–38 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–38 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

also 3/5 in S/B

38–38 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
39–40 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–40 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

phrase 10 text repeats 4x through composed

42–43 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
45–45 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–3 Vrais amateurs du plaisir de Vénus 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll

Comments

3/8 in S/B

3–4 Vrais amateurs du plaisir de Vénus 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
5–5 Vrais amateurs du plaisir de Vénus 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

8–8 Vrais amateurs du plaisir de Vénus 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

No Bass, enters on resolution, not as part of cadential material

8–10 Vrais amateurs du plaisir de Vénus 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Bassus
Voice Role (Lower Voice 1 NIM)
Superius
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Contratenor
9–11 Vrais amateurs du plaisir de Vénus 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

parallels finish m 10

11–11 Vrais amateurs du plaisir de Vénus 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Vrais amateurs du plaisir de Vénus 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–12 Vrais amateurs du plaisir de Vénus 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–15 Vrais amateurs du plaisir de Vénus 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct late

13–15 Vrais amateurs du plaisir de Vénus 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–15 Vrais amateurs du plaisir de Vénus 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

24–25 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
42–42 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–22 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
16–17 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca

Comments

3/8 in S/B

19–21 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
20–21 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–23 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
24–25 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
26–30 Vrais amateurs du plaisir de Vénus 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance

Comments

3/8 in S/B

30–31 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S late

30–32 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–34 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–35 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
35–37 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Romanesca in retrograde

35–38 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Bassus
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Superius
36–38 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B, ROM in retrograde

38–40 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–42 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 J'ay d'un costé l'honneur tant estimé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga

Comments

T @ 2 below S

6–6 J'ay d'un costé l'honneur tant estimé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

No B resolution

7–9 J'ay d'un costé l'honneur tant estimé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/5 in S/B and 3/8 in Ct/B

10–11 J'ay d'un costé l'honneur tant estimé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Bassus
Voice Role (Lower Voice 2 NIM)
Superius
Other Counterpoint
Invertible Counterpoint
12–13 J'ay d'un costé l'honneur tant estimé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–7 J'ay d'un costé l'honneur tant estimé 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–14 J'ay d'un costé l'honneur tant estimé 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
15–16 J'ay d'un costé l'honneur tant estimé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
16–17 J'ay d'un costé l'honneur tant estimé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–17 J'ay d'un costé l'honneur tant estimé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–20 J'ay d'un costé l'honneur tant estimé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–23 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–8 J'ay d'un costé l'honneur tant estimé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
17–18 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Contratenor
Other Counterpoint
Invertible Counterpoint
26–28 Vrais amateurs du plaisir de Vénus 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
2–5 J'ay d'un costé l'honneur tant estimé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–24 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

3/8 in S/B

2–3 J'ay d'un costé l'honneur tant estimé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
29–30 Vrais amateurs du plaisir de Vénus 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–21 J'ay d'un costé l'honneur tant estimé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–24 J'ay d'un costé l'honneur tant estimé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Pause
1–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

one moment of parallel 3rds during pattern

2–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

S/B alternating 3/8

4–6 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

T/B also in 3/8 Text overlap occurs in measure 3

5–6 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
11–13 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Declamation
13–15 C'est a moy qu'en veult ce coqu 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Formulas
Romanesca

Comments

S/B in 3/8 Parallel 3rds in S/Ct overlap between phrases 5-6 during measures 12-14

15–17 C'est a moy qu'en veult ce coqu 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
17–19 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
20–20 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon

Comments

Please disregard the previous HR Fauxbourdon data entry

6–8 C'est a moy qu'en veult ce coqu 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–11 C'est a moy qu'en veult ce coqu 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

23–24 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Partial Romanesca statement in measure 22, but doesn't have the C major chord to make the statement a direct parallel to measure 14. It provides a sense of false romanesca before the ultimate cadence.

1–3 J'ay le fruit tant désiré 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus

Comments

Bass at octave below

2–4 J'ay le fruit tant désiré 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
4–6 J'ay le fruit tant désiré 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor

Comments

Tenor at octave below

4–5 J'ay le fruit tant désiré 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
7–8 J'ay le fruit tant désiré 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Tenor missing on downbeat

8–11 J'ay le fruit tant désiré 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
11–15 J'ay le fruit tant désiré 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Only change in repeat of phrase 4 is the final cadence is complete in the tenor in measure 15

16–21 J'ay le fruit tant désiré 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dance

Comments

meter changes to triple

17–19 J'ay le fruit tant désiré 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Formulas
Romanesca

Comments

S/B in 3/8

20–21 J'ay le fruit tant désiré 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
21–23 J'ay le fruit tant désiré 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Bassus
22–23 J'ay le fruit tant désiré 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
23–24 J'ay le fruit tant désiré 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
24–26 J'ay le fruit tant désiré 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Formulas
Romanesca

Comments

Ct/B in 3/8

27–28 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Ct/B in 3/8

25–28 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Text Treatment
Text Overlap

Comments

Tenor at octave below

28–28 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
27–29 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/94/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No