Apgar, Jamie

Analyses

Measures	Piece	Phrase Number
1–3	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dactyll Comments This is a correction to analysis spreadsheet line 1805.
3–5	Venons au poinct, ma dame s'il vous plaist	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
24–25	Venons au poinct, ma dame s'il vous plaist	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Bassus E is the evasion.
1–4	Cherchant amour, Hymen vint apparoistre	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dactyll Comments This is a correction to Analysis spreadsheet, line 1836.
24–25	Cest oeil mignon, ce visage poly	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dance Comments This is a correction to Analysis spreadsheet, line 4894.
5–6	Mars et Amour font ensemble alliance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments S cadenced too early.
51–56	Mars et Amour font ensemble alliance	10	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Original material almost exactly repeated but Ct adds passing/neighbor tones in m. 55 (compare with m. 10 and m. 21).
13–18	Si la promesse m'est tenue	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments B and Ct altered to include extra harmony; first two bars of the present phrase are also based on the opening material of the piece, then lead into the actual repeat of phrase 1
31–43	Comme l'aymant par sa vertu latente	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Quite a few different details, but still obviously a repeat of the Phrase 1 material.
16–17	Comme l'aymant par sa vertu latente	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
6–8	Quelle prison au monde est plus cruelle	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
3–3	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
30–31	Qui souhaitez avoir tout le plaisir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
14–15	Vive sera pour jamais n'estre morte	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Enjambment
13–14	O combien je suis fortuné	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
16–18	O combien je suis fortuné	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
10–11	Cest oeil mignon, ce visage poly	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Occurs in the middle of a verse
20–21	Cest oeil mignon, ce visage poly	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
12–14	Si la promesse m'est tenue	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Ct and B drop out and B enters on a G immediately after cadence
12–13	Venons au poinct, ma dame s'il vous plaist	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
27–28	Cest oeil mignon, ce visage poly	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Enjambment Comments Ct is tenorizans but not at the end of the line of text.
37–38	Mars et Amour font ensemble alliance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Overlap with next phrase
21–22	Comme l'aymant par sa vertu latente	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Bass F is the evasion.
4–5	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
2–3	L'enfant Amour n'a plus son arc estrangé	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
9–10	La volunté si longtemps endormie	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
5–6	Vive sera pour jamais n'estre morte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Representation Comments E-flat in bassus and melisma in superius are text representation of "morte"
10–12	Qui souhaitez avoir tout le plaisir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@5) Superius Voice Role (Above) Superius Other Counterpoint Invertible Counterpoint, Stretto Fuga
6–7	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–3	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
6–7	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Representation Comments Tenor melisma on "plaisir" is the TEXT REP
3–6	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
5–6	Qui souhaitez avoir tout le plaisir	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus
8–9	Qui souhaitez avoir tout le plaisir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
9–11	Qui souhaitez avoir tout le plaisir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
12–13	Qui souhaitez avoir tout le plaisir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–7	Qui souhaitez avoir tout le plaisir	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–13	Qui souhaitez avoir tout le plaisir	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–14	Qui souhaitez avoir tout le plaisir	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple
15–16	Qui souhaitez avoir tout le plaisir	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
16–17	Qui souhaitez avoir tout le plaisir	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
11–12	Qui souhaitez avoir tout le plaisir	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
23–26	Qui souhaitez avoir tout le plaisir	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple
23–24	Qui souhaitez avoir tout le plaisir	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
25–26	Qui souhaitez avoir tout le plaisir	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
26–29	Qui souhaitez avoir tout le plaisir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
30–31	Qui souhaitez avoir tout le plaisir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
31–32	Qui souhaitez avoir tout le plaisir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
32–33	Qui souhaitez avoir tout le plaisir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
33–34	Qui souhaitez avoir tout le plaisir	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
5–6	Venons au poinct, ma dame s'il vous plaist	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–9	Venons au poinct, ma dame s'il vous plaist	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
12–13	Venons au poinct, ma dame s'il vous plaist	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
21–22	Qui souhaitez avoir tout le plaisir	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–9	Venons au poinct, ma dame s'il vous plaist	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
25–26	Qui souhaitez avoir tout le plaisir	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
21–22	Qui souhaitez avoir tout le plaisir	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
1–3	Venons au poinct, ma dame s'il vous plaist	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dactyll
14–17	Venons au poinct, ma dame s'il vous plaist	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
5–7	Venons au poinct, ma dame s'il vous plaist	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Tenor Voice Role (@5) Superius Voice Role (Above) Superius Voice Role (Below) Tenor
9–10	Venons au poinct, ma dame s'il vous plaist	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Superius Voice Role (Above) Superius Voice Role (Below) Tenor Comments T imitates S at 8 (below).
17–19	Qui souhaitez avoir tout le plaisir	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
22–23	Venons au poinct, ma dame s'il vous plaist	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Enjambment
33–34	Venons au poinct, ma dame s'il vous plaist	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Ct F is the evasion and T already cadenced on a B; T and B both drop out.
34–36	Venons au poinct, ma dame s'il vous plaist	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (Above) Contratenor Comments Ct nominally at 7 above but really the first note motivically could have been D, it's an altered imitation that is structurally at 4 above.
36–37	Venons au poinct, ma dame s'il vous plaist	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
38–42	Venons au poinct, ma dame s'il vous plaist	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments Slight variation on phrase attack; staggered entry by S/T instead of all together as in Phrase 1.
2–3	O combien je suis fortuné	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dactyll
16–17	Venons au poinct, ma dame s'il vous plaist	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
27–28	Venons au poinct, ma dame s'il vous plaist	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
18–22	Venons au poinct, ma dame s'il vous plaist	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor Comments 2nd pair of NIM, S/Ct, also in 3rds.
25–28	Venons au poinct, ma dame s'il vous plaist	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@5) Tenor Voice Role (Above) Superius Voice Role (Below) Tenor Other Counterpoint Stretto Fuga Comments S imitates 6 above.
28–30	Venons au poinct, ma dame s'il vous plaist	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius Voice Role (Below) Bassus Comments B imitates at 3 below.
22–25	Venons au poinct, ma dame s'il vous plaist	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus
5–7	O combien je suis fortuné	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
2–5	O combien je suis fortuné	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
5–9	O combien je suis fortuné	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–12	O combien je suis fortuné	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
13–15	O combien je suis fortuné	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Bassus
15–17	O combien je suis fortuné	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger Other Formulas Romanesca
22–25	O combien je suis fortuné	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 7 Repeat, Exact or Varied? Comments Phrase 7 music and text being repeated. Slight variation in text underlay.
21–22	O combien je suis fortuné	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
25–28	O combien je suis fortuné	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 8 Repeat, Exact or Varied? Comments Phrase 8 text and music being repeated. Slight variation in text underlay around the final cadence.
1–2	Cherchant amour, Hymen vint apparoistre	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
2–4	Cherchant amour, Hymen vint apparoistre	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
4–7	Cherchant amour, Hymen vint apparoistre	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Other Formulas Romanesca Other Counterpoint Stretto Fuga
7–8	Cherchant amour, Hymen vint apparoistre	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
9–10	Cherchant amour, Hymen vint apparoistre	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–4	Cherchant amour, Hymen vint apparoistre	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
4–10	Cherchant amour, Hymen vint apparoistre	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
12–13	Cherchant amour, Hymen vint apparoistre	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
14–15	Cherchant amour, Hymen vint apparoistre	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
3–4	Cherchant amour, Hymen vint apparoistre	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
3–4	O combien je suis fortuné	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
14–15	Cherchant amour, Hymen vint apparoistre	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
7–8	O combien je suis fortuné	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
9–11	O combien je suis fortuné	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca
18–21	O combien je suis fortuné	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–9	Cherchant amour, Hymen vint apparoistre	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
11–12	Cherchant amour, Hymen vint apparoistre	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple
14–16	Cherchant amour, Hymen vint apparoistre	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus Text Treatment Text Overlap
15–17	Cherchant amour, Hymen vint apparoistre	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Voice Role (Above) Superius Voice Role (Below) Tenor Comments Tenor last voice in PEn imitates @7 below Superius.
16–20	Cherchant amour, Hymen vint apparoistre	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
16–20	Cherchant amour, Hymen vint apparoistre	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Note this occurs with two other ACC 3rds (S/B) and 5/3 (S/Ct) also in mm. 16-20, but the radio buttons prevented me from tagging together.
21–25	Cherchant amour, Hymen vint apparoistre	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
25–31	Cherchant amour, Hymen vint apparoistre	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments The repetition is almost exact. There is a very slight difference in the two tenors: compare m.9, minim 2, to m.29, minim 4.
1–5	Cest oeil mignon, ce visage poly	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dactyll
6–9	Cest oeil mignon, ce visage poly	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger Other Formulas Romanesca
8–9	Cest oeil mignon, ce visage poly	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
5–6	Cest oeil mignon, ce visage poly	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple Comments This is a correction to the Analysis spreadsheet, line 4880.
9–11	Cest oeil mignon, ce visage poly	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (@1 or @8) Superius Voice Role (Above) Superius
11–11	Cest oeil mignon, ce visage poly	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
13–14	Cest oeil mignon, ce visage poly	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
14–16	Cest oeil mignon, ce visage poly	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor
16–19	Cest oeil mignon, ce visage poly	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (Above) Contratenor Text Treatment Text Overlap Comments Ct @ 7 above B, S @ 9 above Ct
4–5	Cest oeil mignon, ce visage poly	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
19–20	Cherchant amour, Hymen vint apparoistre	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
11–13	Cest oeil mignon, ce visage poly	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Voice Role (Dux 1) Bassus Voice Role (Comes 1) Superius Voice Role (Above) Superius Comments Superius imitation of Bassus is @ 9 above.
25–28	Cest oeil mignon, ce visage poly	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Contratenor Voice Role (@1 or @8) Superius Voice Role (@5) Contratenor Voice Role (Above) Superius Voice Role (Below) Contratenor Other Counterpoint Stretto Fuga
28–29	Cest oeil mignon, ce visage poly	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
29–30	Cest oeil mignon, ce visage poly	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
31–31	Cest oeil mignon, ce visage poly	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
31–33	Cest oeil mignon, ce visage poly	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
33–34	Cest oeil mignon, ce visage poly	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
34–35	Cest oeil mignon, ce visage poly	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Tenor
35–37	Cest oeil mignon, ce visage poly	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
38–38	Cest oeil mignon, ce visage poly	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
38–40	Cest oeil mignon, ce visage poly	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Above) Tenor
40–41	Cest oeil mignon, ce visage poly	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
41–42	Cest oeil mignon, ce visage poly	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
43–46	Cest oeil mignon, ce visage poly	9	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dance
46–46	Cest oeil mignon, ce visage poly	9	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
47–48	Cest oeil mignon, ce visage poly	10	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
49–50	Cest oeil mignon, ce visage poly	10	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
51–54	Cest oeil mignon, ce visage poly	10	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
41–42	Cest oeil mignon, ce visage poly	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
22–23	Cest oeil mignon, ce visage poly	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dance Comments This is a correction to Analysis spreadsheet, line 4893.
54–55	Cest oeil mignon, ce visage poly	10	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–3	L'enfant Amour n'a plus son arc estrangé	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger Comments Also HR Dactyl, Fauxbourdon
5–6	L'enfant Amour n'a plus son arc estrangé	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
6–8	L'enfant Amour n'a plus son arc estrangé	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–12	L'enfant Amour n'a plus son arc estrangé	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
10–11	L'enfant Amour n'a plus son arc estrangé	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
1–6	L'enfant Amour n'a plus son arc estrangé	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–12	L'enfant Amour n'a plus son arc estrangé	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
16–18	L'enfant Amour n'a plus son arc estrangé	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
18–20	L'enfant Amour n'a plus son arc estrangé	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
20–23	L'enfant Amour n'a plus son arc estrangé	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor Voice Role (Above) Contratenor Text Treatment Text Overlap
23–25	L'enfant Amour n'a plus son arc estrangé	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
26–29	L'enfant Amour n'a plus son arc estrangé	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dance Other Formulas Romanesca
29–31	L'enfant Amour n'a plus son arc estrangé	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
30–31	L'enfant Amour n'a plus son arc estrangé	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
5–6	L'enfant Amour n'a plus son arc estrangé	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
17–18	L'enfant Amour n'a plus son arc estrangé	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
24–25	L'enfant Amour n'a plus son arc estrangé	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
10–12	L'enfant Amour n'a plus son arc estrangé	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
19–20	L'enfant Amour n'a plus son arc estrangé	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Tenor starts new phrase at the moment of cadence.
3–5	L'enfant Amour n'a plus son arc estrangé	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Tenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Bassus Voice Role (@1 or @8) Superius Voice Role (Above) Superius
13–15	L'enfant Amour n'a plus son arc estrangé	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple
31–32	L'enfant Amour n'a plus son arc estrangé	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
33–35	L'enfant Amour n'a plus son arc estrangé	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@4) Superius Voice Role (Above) Superius Other Formulas Romanesca
35–36	L'enfant Amour n'a plus son arc estrangé	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–3	La volunté si longtemps endormie	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@4) Bassus Voice Role (Below) Bassus
4–6	La volunté si longtemps endormie	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (Dux 2) Contratenor Voice Role (Comes 2) Bassus Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Comments Ct imitates T @ unison and B imitates Ct @ 8 below.
7–8	La volunté si longtemps endormie	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
1–7	La volunté si longtemps endormie	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
7–12	La volunté si longtemps endormie	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
13–14	La volunté si longtemps endormie	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple
15–16	La volunté si longtemps endormie	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
17–17	La volunté si longtemps endormie	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
17–21	La volunté si longtemps endormie	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
20–21	La volunté si longtemps endormie	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Representation Comments Melismas and leaps, especially in Ct, represent "forte"
21–22	La volunté si longtemps endormie	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
21–28	La volunté si longtemps endormie	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
28–33	La volunté si longtemps endormie	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied? Comments Ct text overlaps with text of prior phrase, unlike between phrases 1 and 2.
11–12	La volunté si longtemps endormie	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
16–17	La volunté si longtemps endormie	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–10	La volunté si longtemps endormie	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Superius Voice Role (@5) Bassus Voice Role (Above) Superius Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint Comments S imitates @5 above B.
1–3	Vive sera pour jamais n'estre morte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus
3–6	Vive sera pour jamais n'estre morte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
6–7	Vive sera pour jamais n'estre morte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
7–8	Vive sera pour jamais n'estre morte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–9	Vive sera pour jamais n'estre morte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple
9–10	Vive sera pour jamais n'estre morte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
10–11	Vive sera pour jamais n'estre morte	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–6	Vive sera pour jamais n'estre morte	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–11	Vive sera pour jamais n'estre morte	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–12	Vive sera pour jamais n'estre morte	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
11–12	Vive sera pour jamais n'estre morte	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (@4) Superius Voice Role (Above) Superius
12–14	Vive sera pour jamais n'estre morte	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
14–14	Vive sera pour jamais n'estre morte	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
17–18	Vive sera pour jamais n'estre morte	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
19–23	Vive sera pour jamais n'estre morte	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied? Comments mm. 4-5 compressed into one bar, m. 22.
23–28	Vive sera pour jamais n'estre morte	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
2–3	Mars et Amour font ensemble alliance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
3–5	Mars et Amour font ensemble alliance	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
18–19	Vive sera pour jamais n'estre morte	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
14–16	Vive sera pour jamais n'estre morte	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (@1 or @8) Bassus Voice Role (@5) Tenor Voice Role (Above) Tenor Voice Role (Below) Bassus Other Counterpoint Invertible Counterpoint, Stretto Fuga Comments Note that Ct/B is also ACC 5/3 here.
6–10	Mars et Amour font ensemble alliance	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Mm. 7-9 also has some ACC 3rds in Ct/T.
10–11	Mars et Amour font ensemble alliance	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
12–17	Mars et Amour font ensemble alliance	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
17–22	Mars et Amour font ensemble alliance	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
23–24	Mars et Amour font ensemble alliance	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Dactyll
24–25	Mars et Amour font ensemble alliance	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger Comments Note T/B also has ACC 5/3 here.
26–27	Mars et Amour font ensemble alliance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
26–28	Mars et Amour font ensemble alliance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (Dux 2) Superius Voice Role (@1 or @8) Superius Voice Role (@4) Tenor Voice Role (Above) Tenor Comments Superius is @ 8 above.
28–29	Mars et Amour font ensemble alliance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
30–31	Mars et Amour font ensemble alliance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
31–32	Mars et Amour font ensemble alliance	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Bassus drops out.
34–36	Mars et Amour font ensemble alliance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
36–38	Mars et Amour font ensemble alliance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
38–38	Mars et Amour font ensemble alliance	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
42–44	Mars et Amour font ensemble alliance	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
46–51	Mars et Amour font ensemble alliance	9	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
25–26	Mars et Amour font ensemble alliance	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Doubtful because there is significant overlap with the following phrase.
44–45	Mars et Amour font ensemble alliance	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
38–42	Mars et Amour font ensemble alliance	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Bassus Voice Role (Lower Voice 1 NIM) Tenor Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor
34–35	Mars et Amour font ensemble alliance	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Contratenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Tenor
1–3	Si la promesse m'est tenue	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger Comments Also HR Dactyll
1–4	Si la promesse m'est tenue	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
8–10	Si la promesse m'est tenue	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
10–13	Si la promesse m'est tenue	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–3	L'autre jour jouer m'aloye/ Parmi ces champs	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
2–2	L'autre jour jouer m'aloye/ Parmi ces champs	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
3–4	L'autre jour jouer m'aloye/ Parmi ces champs	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
4–4	L'autre jour jouer m'aloye/ Parmi ces champs	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
4–8	L'autre jour jouer m'aloye/ Parmi ces champs	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments First four minims of this phrase a bit different and the no cadence is different.
7–8	L'autre jour jouer m'aloye/ Parmi ces champs	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–10	L'autre jour jouer m'aloye/ Parmi ces champs	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap
10–10	L'autre jour jouer m'aloye/ Parmi ces champs	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Enjambment
10–15	L'autre jour jouer m'aloye/ Parmi ces champs	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 3 Repeat, Exact or Varied? Comments Phrase 3 material is slightly varied at the end of m. 12, then in 13-15 there is new material as the Ct finishes saying this line of text.
6–7	Si la promesse m'est tenue	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
3–4	Si la promesse m'est tenue	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Comments Bass drops out.
1–3	Si la promesse m'est tenue	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Below) Tenor Other Counterpoint Stretto Fuga
5–7	Si la promesse m'est tenue	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Tenor Voice Role (@4) Tenor Voice Role (Below) Tenor Other Counterpoint Stretto fuga
14–18	L'autre jour jouer m'aloye/ Parmi ces champs	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
18–22	L'autre jour jouer m'aloye/ Parmi ces champs	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Overlap Repeat Kind Direct Repeat Earlier Phrase 5 Repeat, Exact or Varied? Comments Phrase 5 just repeats itself
1–6	Comme l'aymant par sa vertu latente	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Bassus Voice Role (Comes 1) Contratenor Voice Role (Dux 2) Superius Voice Role (Comes 2) Tenor Voice Role (@1 or @8) Superius Voice Role (@5) Contratenor Voice Role (Above) Contratenor Voice Role (Below) Tenor Comments S imitates at 8 above, T at 8 below. An entire breve between PEn entries characterizes the imitative strategy in the whole piece.
7–8	Comme l'aymant par sa vertu latente	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
8–15	Comme l'aymant par sa vertu latente	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied? Comments This repeat of Phrase 1 material has some notes taken out, but also some extra bits of counterpoint thrown in.
15–17	Comme l'aymant par sa vertu latente	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
17–20	Comme l'aymant par sa vertu latente	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type NIM Voice Role (Upper Voice 1 NIM) Tenor Voice Role (Lower Voice 1 NIM) Bassus Voice Role (Upper Voice 2 NIM) Superius Voice Role (Lower Voice 2 NIM) Contratenor Comments Both pairs of NIM voices are in 3rds.
19–21	Comme l'aymant par sa vertu latente	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
22–23	Comme l'aymant par sa vertu latente	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Contratenor Voice Role (@1 or @8) Contratenor
24–26	Comme l'aymant par sa vertu latente	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
24–26	Comme l'aymant par sa vertu latente	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Tenor Voice Role (Comes 1) Bassus Voice Role (@5) Bassus Voice Role (Below) Bassus Other Counterpoint Stretto Fuga
27–28	Comme l'aymant par sa vertu latente	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
28–32	Comme l'aymant par sa vertu latente	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Bassus Voice Role (Dux 2) Tenor Voice Role (Comes 2) Superius Voice Role (@1 or @8) Bassus Voice Role (Above) Superius Comments T imitates at unison, S at 8 above.
13–14	L'autre jour jouer m'aloye/ Parmi ces champs	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Text Treatment Text Enjambment
23–24	Comme l'aymant par sa vertu latente	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
17–18	L'autre jour jouer m'aloye/ Parmi ces champs	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–6	Quelle prison au monde est plus cruelle	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple
9–10	Quelle prison au monde est plus cruelle	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
1–6	Quelle prison au monde est plus cruelle	3	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 1 Repeat, Exact or Varied?
6–10	Quelle prison au monde est plus cruelle	4	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Direct Repeat Earlier Phrase 2 Repeat, Exact or Varied?
11–12	Quelle prison au monde est plus cruelle	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
13–14	Quelle prison au monde est plus cruelle	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Simple Other Formulas Romanesca
14–16	Quelle prison au monde est plus cruelle	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type HR Stagger
14–17	Quelle prison au monde est plus cruelle	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Bassus Voice Role (Comes 1) Tenor Voice Role (@1 or @8) Tenor Voice Role (Above) Tenor
16–16	Quelle prison au monde est plus cruelle	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
17–17	Quelle prison au monde est plus cruelle	5	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
19–21	Quelle prison au monde est plus cruelle	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Formulas Romanesca
22–27	Quelle prison au monde est plus cruelle	7	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 1 Repeat, Exact or Varied?
27–31	Quelle prison au monde est plus cruelle	8	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Repeat Kind Da Capo Earlier Phrase 2 Repeat, Exact or Varied?
20–21	Quelle prison au monde est plus cruelle	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
6–8	Quelle prison au monde est plus cruelle	2	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type FI Voice Role (Dux 1) Superius Voice Role (Comes 1) Bassus Voice Role (@1 or @8) Bassus Voice Role (Below) Bassus Other Formulas Romanesca
5–6	Quelle prison au monde est plus cruelle	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No
17–19	Quelle prison au monde est plus cruelle	6	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/1/ Is Cadence? No Other Presentation Type PEn Tonal Voice Role (Dux 1) Contratenor Voice Role (Comes 1) Superius Voice Role (Dux 2) Tenor Voice Role (@4) Superius Voice Role (Above) Superius Comments B is @ 5 below.
6–7	Puisque tu veulx mettre fin à ta plaincte	1	Details
Analysis ID Analyst http://digitalduchemin.org/person/95/ Book Title Http://Digitalduchemin.Org/Book/5/ Is Cadence? No

The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

Apgar, Jamie

Analyses

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