The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Herdman, Jessica

Analyses

Measures Piece Phrase Number
30–31 Vous estes un fascheux homme 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Though retaining the basic texture and the same melody in the S, this phrase is substantially changed from phrase 5 in the harmonizations in the lower voices, creating also a different cadence.

43–43 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

The final cadence (mm 42-43) here is a phrygian cadence, while the preceding one (mm 41-42) is an authentic cadence to B-flat (but with an Eflat in B).

5–9 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Overlap

Comments

Text overlap: T and B continue with text from phrase 1, while Ct and S enter with text from phrase 2 (mm 5-6).

33–33 Mauldict soit-il qui jamays aymera 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–37 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Partial repetition of the end of the phrase (mm 31-34), but altered in Ct, T and B to a shortened version.

11–11 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving onto new musical material (i.e. after the repeat of the material from phrases 1-2 in 3-4).

7–9 Cest oeil mignon, ce visage poly 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
20–21 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–31 L'enfant Amour n'a plus son arc estrangé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Declamation

Comments

A regular cadence appears rhetorically (/grammatically, acting as a punctuation for the change of voice at the end of the statement 'on dict': (cadence).

5–6 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Incomplete cad: S to rest, no 7>8.

46–51 Mars et Amour font ensemble alliance 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
12–15 Helas mon cœur (mon œil), n'as tu pas trop grand tort 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
21–22 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga, Invertible Counterpoint
Text Treatment
Text Representation

Comments

Text representation: "Caqueter" is in an onomatopoeic presentations, with leapy quarter notes chattering across all of the lower 3 voices (mm 22-23).

16–16 Mauldict soit-il qui jamays aymera 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–7 Amour et mort par trop grand avantage 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Representation

Comments

Text representation: with "cruelle" there is a shift to Eflat in both Ct and B (m 7).

29–34 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Representation
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?

Comments

Text representation: repeat of the phrase "vous serez trop" in pattering throughout all voices for both iterations of phrase 9.

24–25 Je sens l'affection/ Qui à moy se vient rendre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
46–47 Amour et mort par trop grand avantage 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
45–45 Si ton plus grand plaisir n'est sinon d'estre tienne 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

mid-phrase pause in all voices.

6–8 C'est a moy qu'en veult ce coqu 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Varied repetition with rhythmic adjustments to correspond with new text.

12–12 Vous estes un fascheux homme 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Evaded Cadence: Ct rises to F, rather than falling to D (2>1).

17–22 Vous estes un fascheux homme 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Repeat Kind
Refrain
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Refrain: phrases 8-9 form a quasi-refrain (repeating phrases 1-2), but greatly varied. Namely, a flexible NIM is incorporated into phrases 8-9 and inner voices (particularly Ct) are elaborated upon.

4–8 Si vous aviez comme moy faim 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Cadence is slightly varied (terminating D rather than B-flat in Ct).

2–3 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
17–21 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Final exact repetition of phrases 7 and 8.

29–33 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text representation: 'Car deux' represented by exact repetition of the same phrase twice (mm 29-31; and mm 31-33).

34–35 Madame je vous remercie/ De m'avoir esté si rebourse 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga

Comments

A very brief moment of FI, which is imitated in contrary motion in Ct in m 35.

1–1 Musiciens qui chantez à plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
26–27 Long temps y a, innocente pucelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
14–17 Musiciens qui chantez à plaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Varied repeat: The opening of the phrase 3 is presented in staggered homorhythm, including the T and B voices, unlike the opening of phrase 1.

13–14 Ça ces beaux yeux, ça ceste bouche 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Cad: Ct goes to rest in m 13, rather than A.

12–15 Ce disoit une jeune dame 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Text overlap m 12 (also, parallel 4ths in S/T in m 11, which are not part of fauxbourdon).

25–26 Ce disoit une jeune dame 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Evaded cad: S to B-flat, rather than G.

6–7 Quand je voy ma mignonne rire 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text rep: falling line in S, Ct, and T for "soupire."

30–36 Je ne veulx plus de mon malheur me plaindre 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Text rep: "agonie" in phrase 9 is represented through refusal of a proper cadence mm 34-5 (with a drop and leap in the B from F>E>C, finally going to G - rather than F-G, or 7>8), and a second refusal, with an evaded cadence in mm 35-6. Interestingly, this is also a representation of the parallel text in phrase 1 ("plaindre").

18–21 Je ne veulx plus de mon malheur me plaindre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
27–29 Je ne veulx plus de mon malheur me plaindre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
12–12 Puisque tu veulx mettre fin à ta plaincte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Pause

Comments

There is a collective pause before moving on from the 1st section of music (phrases 1-4). This pause is also affective/a sort of text representation, as it is followed by simple, declarative homorhythm with the text "Car j'ay espoir ...".

14–15 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
11–15 Où cerchez-vous du dieu d'amour l'empire 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga, Invertible Counterpoint
8–11 Il est permis trouver au lict s'amie 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Declamation
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Text declamation: with the repeat of the music from phrase 1, the text in phrase 3 "tetin" pops out as obviously declaimed in m 9 Ct, B.

3–5 Un jour dormoit Colin en my des prez 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Enjambment

Comments

Text enjambment: the musical line of phrase 1 continues into (i.e. involves) the text of phrase 2 (" ... en pleine terre"), following the grammar of the text, rather than the poetic lines.

36–45 Un jour dormoit Colin en my des prez 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Exact final repetition of phrase 10 (including the phrase 9 refrain).

17–20 Jehan se jouant un jour avec Jehannette 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor

Comments

FI is same motive as previous NIM.

15–15 Qui diable nous a faict ces jours 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
14–16 Qui diable nous a faict ces jours 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
13–13 Jamais amour sans guerre n'est parfaict 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving onto new musical material (i.e. after repeat of music of phrase 1-2 for phrases 3-4).

22–23 Recepte pour un flux de bourse 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–7 Recepte pour un flux de bourse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
13–16 Recepte pour un flux de bourse 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Representation

Comments

Text representation: repetition of "dormez toujours" in languid homorhythm.

16–17 Qu'est-ce que fait celui qui se marie 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–19 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
HR
22–23 Qui diable nous a faict ces jours 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
19–20 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
7–8 Il est permis trouver au lict s'amie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Evaded cad: Ct to E, rather than C (no 2>1).

42–46 Si ton plus grand plaisir n'est sinon d'estre tienne 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
25–28 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?

Comments

The accompanimental voices (B, then Ct) in the NIM (repeated from phrase 3) are altered into more melismatic passages.

10–10 Quand j'ay esté quinze heures avec vous 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
13–15 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

Repeat of phrase 6 with slight rhythmic alterations, an expanded (final) termination and a resultant different cadence.

13–15 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint

Comments

Ct presents theme in inversion.

24–25 Je ne veulx plus de mon malheur me plaindre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
25–26 Qui souhaitez avoir tout le plaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
43–44 Quelque yvrongne de par le monde 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
24–25 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–21 J'endure tout, c'est bien raison 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Varied rep: expanded ending and different cadence. T and B are particularly different mm 18-20.

6–7 Qui souhaitez avoir tout le plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Quand je voy ma mignonne rire 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Evaded cad: S to A rather than D (no 7>8).

6–7 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
12–14 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–24 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius

Comments

PEn: may also continue into another >T, as T has the full version of the PEn motive (which does not occur in the first T iteration) after Ct>B>T>S has already occurred.

6–7 Ce disoit une jeune dame 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
13–13 Puisque fortune mal apprinse 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Ct E-D-F, no direct 7>8. AVoids tritone with Tenor.

14–15 Ce disoit une jeune dame 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
2–2 Quand je voy ma mignonne rire 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
26–27 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
31–32 Helas mon cœur (mon œil), n'as tu pas trop grand tort 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–12 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Si je te voy, qui est ce que desire 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
17–20 Quelle prison au monde est plus cruelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
3–6 Quelque yvrongne de par le monde 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@4)
Bassus
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint

Comments

ID: the T is also the final voice in the ID from mm 1-3.

24–25 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Puisque fortune mal apprinse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
29–32 Si ton plus grand plaisir n'est sinon d'estre tienne 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
15–15 Vive sera pour jamais n'estre morte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Où cerchez-vous du dieu d'amour l'empire 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
26–27 Amour et mort par trop grand avantage 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–37 Cest oeil mignon, ce visage poly 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
Other Counterpoint
Stretto Fuga
22–25 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
14–15 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
1–4 Qui souhaitez avoir tout le plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–5 Qui souhaitez avoir tout le plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text representation: "plaisir" (and also "desir", in phrase 3, at the same musical moment) in a long melisma in B.

5–7 Qui souhaitez avoir tout le plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
9–10 Qui souhaitez avoir tout le plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–7 Qui souhaitez avoir tout le plaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
9–13 Qui souhaitez avoir tout le plaisir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–14 Qui souhaitez avoir tout le plaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Representation

Comments

Text representation: extreme melisma in T on "audacieuse" (mm 13-16).

10–11 Qui souhaitez avoir tout le plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
12–13 Qui souhaitez avoir tout le plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–20 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
18–22 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–22 Qui souhaitez avoir tout le plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–23 Qui souhaitez avoir tout le plaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
23–26 Qui souhaitez avoir tout le plaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–29 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
30–31 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
33–34 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–1 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–6 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–1 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–5 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–7 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
5–9 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–14 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–4 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–9 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–9 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–34 Qui souhaitez avoir tout le plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–2 Venons au poinct, ma dame s'il vous plaist 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
Other Formulas
Romanesca
5–7 Venons au poinct, ma dame s'il vous plaist 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint
9–10 Venons au poinct, ma dame s'il vous plaist 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto fuga
5–9 Venons au poinct, ma dame s'il vous plaist 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–10 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving onto new musical material (i.e. after phrases 3-4, which re-use the music of 1-2).

10–13 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–23 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
27–28 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–15 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
29–31 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
33–34 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–19 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
22–25 Venons au poinct, ma dame s'il vous plaist 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
38–42 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
19–22 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
26–28 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
27–28 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–17 Venons au poinct, ma dame s'il vous plaist 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–41 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–26 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–29 Venons au poinct, ma dame s'il vous plaist 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
38–42 Venons au poinct, ma dame s'il vous plaist 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–20 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
19–20 Venons au poinct, ma dame s'il vous plaist 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
1–2 Cherchant amour, Hymen vint apparoistre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–4 Cherchant amour, Hymen vint apparoistre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–8 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–10 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–10 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–10 Cherchant amour, Hymen vint apparoistre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
1–4 Cherchant amour, Hymen vint apparoistre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
15–17 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
17–19 Cherchant amour, Hymen vint apparoistre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
21–21 Cherchant amour, Hymen vint apparoistre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before returning to opening musical material (from phrases 1-2 and 3-4).

21–25 Cherchant amour, Hymen vint apparoistre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
21–25 Cherchant amour, Hymen vint apparoistre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
25–31 Cherchant amour, Hymen vint apparoistre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
25–31 Cherchant amour, Hymen vint apparoistre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
4–5 Cest oeil mignon, ce visage poly 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Cest oeil mignon, ce visage poly 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
8–9 Cest oeil mignon, ce visage poly 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–11 Cest oeil mignon, ce visage poly 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
11–14 Cest oeil mignon, ce visage poly 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–14 Cest oeil mignon, ce visage poly 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–15 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–5 Cest oeil mignon, ce visage poly 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
12–14 Cherchant amour, Hymen vint apparoistre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–16 Cest oeil mignon, ce visage poly 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
20–21 Cest oeil mignon, ce visage poly 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–25 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
24–25 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
27–28 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–33 Cest oeil mignon, ce visage poly 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
33–34 Cest oeil mignon, ce visage poly 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–37 Cest oeil mignon, ce visage poly 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–42 Cest oeil mignon, ce visage poly 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
43–46 Cest oeil mignon, ce visage poly 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
43–44 Cest oeil mignon, ce visage poly 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
45–46 Cest oeil mignon, ce visage poly 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
54–55 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–38 Cest oeil mignon, ce visage poly 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
46–46 Cest oeil mignon, ce visage poly 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–21 Cest oeil mignon, ce visage poly 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
25–28 Cest oeil mignon, ce visage poly 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Contratenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
49–50 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
47–48 Cest oeil mignon, ce visage poly 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
1–3 L'enfant Amour n'a plus son arc estrangé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 L'enfant Amour n'a plus son arc estrangé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–12 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
12–12 L'enfant Amour n'a plus son arc estrangé 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before repetition of the same musical material (i.e. phrase 3-4, which re-uses the music of phrase 1-2).

1–6 L'enfant Amour n'a plus son arc estrangé 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–12 L'enfant Amour n'a plus son arc estrangé 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–13 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
13–14 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–18 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–18 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–24 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–24 L'enfant Amour n'a plus son arc estrangé 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–31 L'enfant Amour n'a plus son arc estrangé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
26–31 L'enfant Amour n'a plus son arc estrangé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
17–18 L'enfant Amour n'a plus son arc estrangé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–12 L'enfant Amour n'a plus son arc estrangé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–6 L'enfant Amour n'a plus son arc estrangé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
35–36 L'enfant Amour n'a plus son arc estrangé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–36 L'enfant Amour n'a plus son arc estrangé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–3 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–4 La volunté si longtemps endormie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–8 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–10 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–12 La volunté si longtemps endormie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–7 La volunté si longtemps endormie 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–12 La volunté si longtemps endormie 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–13 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving on from the repetition of the same musical material (i.e. phrase 1-2, and phrases 3-4).

13–15 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
15–16 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–17 La volunté si longtemps endormie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–19 La volunté si longtemps endormie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–22 La volunté si longtemps endormie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–28 La volunté si longtemps endormie 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–33 La volunté si longtemps endormie 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–33 La volunté si longtemps endormie 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–29 La volunté si longtemps endormie 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Evaded cad: Ct to D, no 2>1.

33–35 L'enfant Amour n'a plus son arc estrangé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
1–1 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–3 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
2–5 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
5–6 Vive sera pour jamais n'estre morte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–9 Vive sera pour jamais n'estre morte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
10–11 Vive sera pour jamais n'estre morte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Vive sera pour jamais n'estre morte 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–11 Vive sera pour jamais n'estre morte 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–12 Vive sera pour jamais n'estre morte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
11–14 Vive sera pour jamais n'estre morte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 Vive sera pour jamais n'estre morte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–23 Vive sera pour jamais n'estre morte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Varied from phrase 1 through a different opening rhythm and a shortened cadential phrase (in m 22).

19–23 Vive sera pour jamais n'estre morte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
23–28 Vive sera pour jamais n'estre morte 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
23–28 Vive sera pour jamais n'estre morte 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
2–3 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 Mars et Amour font ensemble alliance 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Vive sera pour jamais n'estre morte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
HR Stagger
14–16 Vive sera pour jamais n'estre morte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
6–9 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus
7–11 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–11 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–22 Mars et Amour font ensemble alliance 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–17 Mars et Amour font ensemble alliance 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
23–23 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
23–25 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–32 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–32 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
36–38 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–38 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–46 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
45–46 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
46–51 Mars et Amour font ensemble alliance 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
25–26 Mars et Amour font ensemble alliance 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
38–40 Mars et Amour font ensemble alliance 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Bassus
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
26–29 Mars et Amour font ensemble alliance 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
32–34 Mars et Amour font ensemble alliance 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
51–56 Mars et Amour font ensemble alliance 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
51–56 Mars et Amour font ensemble alliance 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
3–4 Si la promesse m'est tenue 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Si la promesse m'est tenue 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Si la promesse m'est tenue 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–10 Si la promesse m'est tenue 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–17 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–18 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–18 Si la promesse m'est tenue 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
1–3 L'autre jour jouer m'aloye/ Parmi ces champs 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
1–3 L'autre jour jouer m'aloye/ Parmi ces champs 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
4–6 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
8–10 L'autre jour jouer m'aloye/ Parmi ces champs 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
9–10 L'autre jour jouer m'aloye/ Parmi ces champs 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–22 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–4 L'autre jour jouer m'aloye/ Parmi ces champs 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 L'autre jour jouer m'aloye/ Parmi ces champs 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–6 Si la promesse m'est tenue 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
1–4 Si la promesse m'est tenue 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
10–10 L'autre jour jouer m'aloye/ Parmi ces champs 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
10–13 L'autre jour jouer m'aloye/ Parmi ces champs 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
14–17 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
18–22 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Slightly varied repeat of mm 14-17 of phrase 5.

17–18 L'autre jour jouer m'aloye/ Parmi ces champs 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Comme l'aymant par sa vertu latente 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
7–8 Comme l'aymant par sa vertu latente 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–14 Comme l'aymant par sa vertu latente 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
14–15 Comme l'aymant par sa vertu latente 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–19 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–28 Comme l'aymant par sa vertu latente 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?

Comments

The first 3 mm are substantially varied from phrase 3.

27–28 Comme l'aymant par sa vertu latente 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–34 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–21 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
19–22 Comme l'aymant par sa vertu latente 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus

Comments

FI in T>B is the NIM motive from mm 17-21.

36–43 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Repetition of mm 28-35, with a varied opening for 1st 2 mm.

35–36 Comme l'aymant par sa vertu latente 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–3 Helas mon cœur (mon œil), n'as tu pas trop grand tort 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
10–11 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–12 Helas mon cœur (mon œil), n'as tu pas trop grand tort 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Helas mon cœur (mon œil), n'as tu pas trop grand tort 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Helas mon cœur (mon œil), n'as tu pas trop grand tort 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–21 Helas mon cœur (mon œil), n'as tu pas trop grand tort 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–23 Helas mon cœur (mon œil), n'as tu pas trop grand tort 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
23–25 Helas mon cœur (mon œil), n'as tu pas trop grand tort 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
25–26 Helas mon cœur (mon œil), n'as tu pas trop grand tort 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
36–37 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
37–38 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
38–39 Helas mon cœur (mon œil), n'as tu pas trop grand tort 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Incomplete cad: Ct to rest, no 2>1.

20–21 Helas mon cœur (mon œil), n'as tu pas trop grand tort 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–28 Helas mon cœur (mon œil), n'as tu pas trop grand tort 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga, Invertible Counterpoint

Comments

There is a 5th PEn entry in Ct @ 8 above.

39–40 Helas mon cœur (mon œil), n'as tu pas trop grand tort 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
43–44 Helas mon cœur (mon œil), n'as tu pas trop grand tort 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–3 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
6–8 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
7–8 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–12 Trop justement je forme une complainte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–12 Trop justement je forme une complainte 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–8 Trop justement je forme une complainte 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–12 Trop justement je forme une complainte 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–15 Trop justement je forme une complainte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Voices all sustain a rhetorical "O" at m 13.

17–19 Trop justement je forme une complainte 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
20–21 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–29 Trop justement je forme une complainte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
28–29 Trop justement je forme une complainte 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
35–37 Trop justement je forme une complainte 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
42–44 Trop justement je forme une complainte 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–43 Helas mon cœur (mon œil), n'as tu pas trop grand tort 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
29–33 Trop justement je forme une complainte 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Text Treatment
Text Representation

Comments

Second pair in ID 'inverts' bassus as representation of 'au rebours'

40–42 Trop justement je forme une complainte 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
22–22 Trop justement je forme une complainte 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–6 Trop justement je forme une complainte 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
40–45 Trop justement je forme une complainte 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
2–6 Quelle prison au monde est plus cruelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
3–6 Quelle prison au monde est plus cruelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
6–9 Quelle prison au monde est plus cruelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
6–10 Quelle prison au monde est plus cruelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–10 Quelle prison au monde est plus cruelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Quelle prison au monde est plus cruelle 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–10 Quelle prison au monde est plus cruelle 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–15 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
16–17 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–21 Quelle prison au monde est plus cruelle 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before returning to musical material from opening (i.e. phrases 1-2).

22–27 Quelle prison au monde est plus cruelle 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
21–27 Quelle prison au monde est plus cruelle 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
27–32 Quelle prison au monde est plus cruelle 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
27–32 Quelle prison au monde est plus cruelle 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
2–4 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
4–4 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 Maistre Ambrelin, confesseur de nonettes 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
44–45 Trop justement je forme une complainte 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–13 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–15 Quelle prison au monde est plus cruelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
1–3 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
1–2 Maistre Ambrelin, confesseur de nonettes 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
5–6 Quelle prison au monde est plus cruelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Quelle prison au monde est plus cruelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–8 Maistre Ambrelin, confesseur de nonettes 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–12 Maistre Ambrelin, confesseur de nonettes 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
12–15 Maistre Ambrelin, confesseur de nonettes 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
16–19 Maistre Ambrelin, confesseur de nonettes 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
19–21 Maistre Ambrelin, confesseur de nonettes 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Maistre Ambrelin, confesseur de nonettes 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
21–21 Maistre Ambrelin, confesseur de nonettes 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–23 Maistre Ambrelin, confesseur de nonettes 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
Text Treatment
Text Representation

Comments

Text representation: all voices have a repeated rising motive for the question "comment"?

26–26 Maistre Ambrelin, confesseur de nonettes 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
27–29 Maistre Ambrelin, confesseur de nonettes 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
31–32 Maistre Ambrelin, confesseur de nonettes 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
32–33 Maistre Ambrelin, confesseur de nonettes 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
31–34 Maistre Ambrelin, confesseur de nonettes 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
35–37 Maistre Ambrelin, confesseur de nonettes 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor

Comments

FI is the NIM motive from mm 34-37.

38–39 Maistre Ambrelin, confesseur de nonettes 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
38–39 Maistre Ambrelin, confesseur de nonettes 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
5–6 Qu'est-ce que fait celui qui se marie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–7 Qu'est-ce que fait celui qui se marie 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–12 Qu'est-ce que fait celui qui se marie 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
13–14 Qu'est-ce que fait celui qui se marie 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 Maistre Ambrelin, confesseur de nonettes 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–8 Maistre Ambrelin, confesseur de nonettes 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
16–18 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
1–4 Qu'est-ce que fait celui qui se marie 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
9–12 Qu'est-ce que fait celui qui se marie 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
29–30 Maistre Ambrelin, confesseur de nonettes 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–18 Qu'est-ce que fait celui qui se marie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
18–21 Qu'est-ce que fait celui qui se marie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 Qu'est-ce que fait celui qui se marie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Qu'est-ce que fait celui qui se marie 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–25 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
22–23 Qu'est-ce que fait celui qui se marie 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–29 Qu'est-ce que fait celui qui se marie 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
29–31 Qu'est-ce que fait celui qui se marie 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
32–32 Qu'est-ce que fait celui qui se marie 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
33–34 Qu'est-ce que fait celui qui se marie 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
35–35 Qu'est-ce que fait celui qui se marie 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
36–41 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–44 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
40–41 Qu'est-ce que fait celui qui se marie 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–3 Vrais amateurs du plaisir de Vénus 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–5 Vrais amateurs du plaisir de Vénus 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
5–6 Vrais amateurs du plaisir de Vénus 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–11 Vrais amateurs du plaisir de Vénus 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
10–11 Vrais amateurs du plaisir de Vénus 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Vrais amateurs du plaisir de Vénus 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–11 Vrais amateurs du plaisir de Vénus 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–14 Vrais amateurs du plaisir de Vénus 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
16–17 Vrais amateurs du plaisir de Vénus 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
15–16 Vrais amateurs du plaisir de Vénus 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–25 Vrais amateurs du plaisir de Vénus 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–30 Vrais amateurs du plaisir de Vénus 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
26–30 Vrais amateurs du plaisir de Vénus 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Earlier Phrase
8
Repeat, Exact or Varied?
30–33 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
30–35 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–35 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–35 Vrais amateurs du plaisir de Vénus 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Earlier Phrase
9
Repeat, Exact or Varied?
37–39 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
40–42 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
41–42 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
35–42 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
2–5 J'ay d'un costé l'honneur tant estimé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
5–6 J'ay d'un costé l'honneur tant estimé 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
6–8 J'ay d'un costé l'honneur tant estimé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
12–13 J'ay d'un costé l'honneur tant estimé 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 J'ay d'un costé l'honneur tant estimé 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–13 J'ay d'un costé l'honneur tant estimé 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
16–17 J'ay d'un costé l'honneur tant estimé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–16 J'ay d'un costé l'honneur tant estimé 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–21 Vrais amateurs du plaisir de Vénus 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
35–38 Vrais amateurs du plaisir de Vénus 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
29–30 Vrais amateurs du plaisir de Vénus 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–24 J'ay d'un costé l'honneur tant estimé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
25–26 J'ay d'un costé l'honneur tant estimé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–27 J'ay d'un costé l'honneur tant estimé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–22 J'ay d'un costé l'honneur tant estimé 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text representation: With "las" (helas) there is a shift to Eflat in both Ct and B, with a parallel semitone movement from D to Eflat.

27–29 J'ay d'un costé l'honneur tant estimé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
27–32 J'ay d'un costé l'honneur tant estimé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–32 J'ay d'un costé l'honneur tant estimé 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–32 J'ay d'un costé l'honneur tant estimé 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before returning to musical material from opening (i.e. phrases 1-2).

32–38 J'ay d'un costé l'honneur tant estimé 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
9
Repeat, Exact or Varied?

Comments

Varied opening rhythm.

38–45 J'ay d'un costé l'honneur tant estimé 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Varied opening rhythm.

1–4 Si je me plains ce n'est sans apparence 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–9 Si je me plains ce n'est sans apparence 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
9–10 Si je me plains ce n'est sans apparence 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–4 Si je me plains ce n'est sans apparence 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–11 Si je me plains ce n'est sans apparence 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–14 Si je me plains ce n'est sans apparence 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
13–14 Si je me plains ce n'est sans apparence 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–19 Si je me plains ce n'est sans apparence 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
18–19 Si je me plains ce n'est sans apparence 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–24 Si je me plains ce n'est sans apparence 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
18–19 Si je me plains ce n'est sans apparence 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–21 Si je me plains ce n'est sans apparence 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
19–24 Si je me plains ce n'est sans apparence 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
23–26 Si je me plains ce n'est sans apparence 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
31–32 Si je me plains ce n'est sans apparence 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–32 Si je me plains ce n'est sans apparence 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–4 Mauldict soit-il qui jamays aymera 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
4–5 Mauldict soit-il qui jamays aymera 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–7 Mauldict soit-il qui jamays aymera 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Overlap

Comments

Text overlap (m 5).

11–12 Mauldict soit-il qui jamays aymera 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–5 Mauldict soit-il qui jamays aymera 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–12 Mauldict soit-il qui jamays aymera 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–16 Mauldict soit-il qui jamays aymera 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
14–15 Mauldict soit-il qui jamays aymera 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Mauldict soit-il qui jamays aymera 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–18 Mauldict soit-il qui jamays aymera 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
19–20 Mauldict soit-il qui jamays aymera 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
20–21 Mauldict soit-il qui jamays aymera 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Evaded cad: S to E, no 2>1.

24–25 Mauldict soit-il qui jamays aymera 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
24–25 Mauldict soit-il qui jamays aymera 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–29 Mauldict soit-il qui jamays aymera 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–30 Mauldict soit-il qui jamays aymera 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
38–42 Mauldict soit-il qui jamays aymera 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
42–43 Mauldict soit-il qui jamays aymera 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–43 Mauldict soit-il qui jamays aymera 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
1–5 Amour et mort par trop grand avantage 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
5–9 Amour et mort par trop grand avantage 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–9 Amour et mort par trop grand avantage 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–5 Amour et mort par trop grand avantage 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–9 Amour et mort par trop grand avantage 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10–10 Amour et mort par trop grand avantage 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving onto new musical material (i.e. after phrases 1-2, which are repeated for 3-4).

12–16 Amour et mort par trop grand avantage 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
14–17 Amour et mort par trop grand avantage 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

B has FI motive (from mm 12-16).

16–17 Amour et mort par trop grand avantage 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
16–20 Amour et mort par trop grand avantage 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Superius
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (Below)
Contratenor
21–22 Amour et mort par trop grand avantage 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 Amour et mort par trop grand avantage 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
30–34 Mauldict soit-il qui jamays aymera 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
19–21 Mauldict soit-il qui jamays aymera 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
6–10 Si je me plains ce n'est sans apparence 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
15–16 Si je me plains ce n'est sans apparence 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–29 Mauldict soit-il qui jamays aymera 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–30 Si je me plains ce n'est sans apparence 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
34–36 Mauldict soit-il qui jamays aymera 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
24–25 Amour et mort par trop grand avantage 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

PEn motive in T (from mm 21-24).

31–34 Amour et mort par trop grand avantage 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
33–34 Amour et mort par trop grand avantage 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
34–34 Amour et mort par trop grand avantage 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
34–35 Amour et mort par trop grand avantage 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–43 Amour et mort par trop grand avantage 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
44–45 Amour et mort par trop grand avantage 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
44–47 Amour et mort par trop grand avantage 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
47–47 Amour et mort par trop grand avantage 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
51–52 Amour et mort par trop grand avantage 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
53–59 Amour et mort par trop grand avantage 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
12
Repeat, Exact or Varied?
58–59 Amour et mort par trop grand avantage 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–5 Puisque fortune mal apprinse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–7 Puisque fortune mal apprinse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
8–9 Puisque fortune mal apprinse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Puisque fortune mal apprinse 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–9 Puisque fortune mal apprinse 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
6–7 Puisque fortune mal apprinse 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
17–18 Puisque fortune mal apprinse 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
14–16 Puisque fortune mal apprinse 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Overlap
25–26 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–27 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
28–29 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–1 Je sens l'affection/ Qui à moy se vient rendre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–3 Je sens l'affection/ Qui à moy se vient rendre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
4–6 Je sens l'affection/ Qui à moy se vient rendre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
5–6 Je sens l'affection/ Qui à moy se vient rendre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
1–6 Je sens l'affection/ Qui à moy se vient rendre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–7 Je sens l'affection/ Qui à moy se vient rendre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
8–10 Je sens l'affection/ Qui à moy se vient rendre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
9–10 Je sens l'affection/ Qui à moy se vient rendre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
11–11 Je sens l'affection/ Qui à moy se vient rendre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
11–12 Je sens l'affection/ Qui à moy se vient rendre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
15–16 Je sens l'affection/ Qui à moy se vient rendre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
17–22 Je sens l'affection/ Qui à moy se vient rendre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
17–18 Je sens l'affection/ Qui à moy se vient rendre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–22 Je sens l'affection/ Qui à moy se vient rendre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
23–24 Je sens l'affection/ Qui à moy se vient rendre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Simple
23–23 Je sens l'affection/ Qui à moy se vient rendre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
25–25 Je sens l'affection/ Qui à moy se vient rendre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
26–27 Je sens l'affection/ Qui à moy se vient rendre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
28–32 Je sens l'affection/ Qui à moy se vient rendre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
28–32 Je sens l'affection/ Qui à moy se vient rendre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
34–38 Je sens l'affection/ Qui à moy se vient rendre 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?
38–43 Je sens l'affection/ Qui à moy se vient rendre 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
1–2 Si ton plus grand plaisir n'est sinon d'estre tienne 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dance
3–5 Si ton plus grand plaisir n'est sinon d'estre tienne 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
6–7 Si ton plus grand plaisir n'est sinon d'estre tienne 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
7–7 Si ton plus grand plaisir n'est sinon d'estre tienne 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
8–14 Si ton plus grand plaisir n'est sinon d'estre tienne 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
15–19 Si ton plus grand plaisir n'est sinon d'estre tienne 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Dactyll
17–17 Si ton plus grand plaisir n'est sinon d'estre tienne 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

mid-phrase all voices pause.

38–39 Amour et mort par trop grand avantage 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
22–23 Je sens l'affection/ Qui à moy se vient rendre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No

Comments

Doubtful cadence: T to G-E-G, no 7>8.

10–13 Puisque fortune mal apprinse 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
HR Stagger
1–3 Puisque fortune mal apprinse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
39–43 Amour et mort par trop grand avantage 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Formulas
Romanesca
1–3 Puisque fortune mal apprinse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
21–23 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint
14–16 Puisque fortune mal apprinse 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
36–38 Amour et mort par trop grand avantage 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
42–43 Amour et mort par trop grand avantage 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
27–29 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
18–21 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Superius
Voice Role (Upper Voice 2 NIM)
Bassus
Voice Role (Lower Voice 2 NIM)
Tenor
26–30 Amour et mort par trop grand avantage 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
21–24 Amour et mort par trop grand avantage 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
23–25 Puisque fortune mal apprinse 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor

Comments

Also PEn stacked.

18–19 Si ton plus grand plaisir n'est sinon d'estre tienne 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
19–19 Si ton plus grand plaisir n'est sinon d'estre tienne 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
20–26 Si ton plus grand plaisir n'est sinon d'estre tienne 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
26–26 Si ton plus grand plaisir n'est sinon d'estre tienne 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
27–28 Si ton plus grand plaisir n'est sinon d'estre tienne 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
31–32 Si ton plus grand plaisir n'est sinon d'estre tienne 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
32–32 Si ton plus grand plaisir n'est sinon d'estre tienne 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
32–36 Si ton plus grand plaisir n'est sinon d'estre tienne 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
40–40 Si ton plus grand plaisir n'est sinon d'estre tienne 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause

Comments

mid-phrase all voices pause.

36–37 Si ton plus grand plaisir n'est sinon d'estre tienne 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
37–37 Si ton plus grand plaisir n'est sinon d'estre tienne 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
37–39 Si ton plus grand plaisir n'est sinon d'estre tienne 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
41–42 Si ton plus grand plaisir n'est sinon d'estre tienne 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
42–42 Si ton plus grand plaisir n'est sinon d'estre tienne 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
42–48 Si ton plus grand plaisir n'est sinon d'estre tienne 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
47–48 Si ton plus grand plaisir n'est sinon d'estre tienne 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
48–48 Si ton plus grand plaisir n'est sinon d'estre tienne 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
49–55 Si ton plus grand plaisir n'est sinon d'estre tienne 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
55–55 Si ton plus grand plaisir n'est sinon d'estre tienne 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
56–62 Si ton plus grand plaisir n'est sinon d'estre tienne 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
62–62 Si ton plus grand plaisir n'est sinon d'estre tienne 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
63–67 Si ton plus grand plaisir n'est sinon d'estre tienne 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?
67–67 Si ton plus grand plaisir n'est sinon d'estre tienne 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Text Treatment
Text Pause
68–74 Si ton plus grand plaisir n'est sinon d'estre tienne 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
68–75 Si ton plus grand plaisir n'est sinon d'estre tienne 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/1/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
12
Repeat, Exact or Varied?
1–1 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–4 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
3–4 Je me veulx tant a son vouloir offrir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
4–6 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
HR Stagger
4–8 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
8–12 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Text Treatment
Text Representation

Comments

representations of 'douleur' - particularly with a tritone between S and Ct in mm 10-11.

11–12 Je me veulx tant a son vouloir offrir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

A complete cadence mm 11-12 is evaded with the bassus moving up to F (rather than down to A), while the text overlap from the following phrase is iterated in the bassus voice (playing up the idea of 'douleur'?).

12–14 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
12–13 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
16–17 Je me veulx tant a son vouloir offrir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
17–18 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Formulas
Romanesca
19–20 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
Text Treatment
Text Representation

Comments

Text representation: 'doulz' presented with a soft hexachord (in mm 17-20). Also, voice exchange between S and T in mm 17-18 and 19-20.

22–23 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
23–30 Je me veulx tant a son vouloir offrir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
1–4 Cupido pour ses appetitz vers des mouches alla 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
HR Simple
4–7 Cupido pour ses appetitz vers des mouches alla 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
7–9 Cupido pour ses appetitz vers des mouches alla 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
9–14 Cupido pour ses appetitz vers des mouches alla 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
12–14 Cupido pour ses appetitz vers des mouches alla 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Text Treatment
Text Representation

Comments

"volla" is presented particularly melismatically in T and Ct

15–16 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
18–19 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
19–20 Cupido pour ses appetitz vers des mouches alla 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
20–22 Cupido pour ses appetitz vers des mouches alla 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
24–24 Cupido pour ses appetitz vers des mouches alla 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
25–28 Cupido pour ses appetitz vers des mouches alla 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
HR Simple
28–31 Cupido pour ses appetitz vers des mouches alla 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
30–31 Cupido pour ses appetitz vers des mouches alla 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
27–28 Cupido pour ses appetitz vers des mouches alla 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
30–31 Cupido pour ses appetitz vers des mouches alla 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
22–24 Cupido pour ses appetitz vers des mouches alla 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/2/
Is Cadence?
No
Other Presentation Type
HR
1–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

8ves in Ct/T in m1

2–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
5–6 C'est a moy qu'en veult ce coqu 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

CAD: no 2>1, as Ct goes to F rather than D

8–11 C'est a moy qu'en veult ce coqu 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Varied repetition with a different cadence.

11–11 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
12–13 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
15–17 C'est a moy qu'en veult ce coqu 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
3–3 C'est a moy qu'en veult ce coqu 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
10–11 C'est a moy qu'en veult ce coqu 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
11–11 C'est a moy qu'en veult ce coqu 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR
14–16 C'est a moy qu'en veult ce coqu 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
13–14 C'est a moy qu'en veult ce coqu 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
17–19 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
19–19 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
19–21 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
1–3 J'ay le fruit tant désiré 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
3–4 J'ay le fruit tant désiré 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
4–7 J'ay le fruit tant désiré 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
7–8 J'ay le fruit tant désiré 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Incomplete cadence: T drops out to rest, rather than descending to G.

11–15 J'ay le fruit tant désiré 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Varied repeat: different cadence.

16–18 J'ay le fruit tant désiré 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dance
17–18 J'ay le fruit tant désiré 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
19–21 J'ay le fruit tant désiré 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dance
20–21 J'ay le fruit tant désiré 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
19–21 J'ay le fruit tant désiré 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text representation of 'augmenter' with a shift (starting in phrase 6) to triple meter, and a hemiola on 'augmenter.'

23–24 J'ay le fruit tant désiré 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
23–25 J'ay le fruit tant désiré 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca
Text Treatment
Text Representation

Comments

Text representation: strange (counter?) representation of 'contente' with falling Romanesca pattern, including inflected Eflat.

24–25 J'ay le fruit tant désiré 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Although not at the end of a text phrase, the movement towards a cadence is relatively strong here with the Romanesca pattern descent (and the terminating poetic phrase overlaps with the following phrase).

23–24 C'est a moy qu'en veult ce coqu 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
2–4 J'ay le fruit tant désiré 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
8–11 J'ay le fruit tant désiré 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Varied repeat: rhythm altered slightly to fit new text.

13–15 J'ay le fruit tant désiré 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
21–23 J'ay le fruit tant désiré 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Bassus
25–28 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
Text Treatment
Text Overlap

Comments

The 'contente' of phrase 8 overlaps as part of the motivic material in phrase 9, with an elision contente-et.

26–26 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Melisma on 'heureuse' in Ct.

23–29 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

Final (exact) repeat of both phrases 8-9.

1–5 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor

Comments

PEn tonal, but the T comes in with a later entry, and the Ct aborts the phrase for the text from phrase 2 (a text overlap) in mm 2-5.

4–6 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
2–6 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Text from phrase 1 continues into phrase 2, already from m.2 and consistently into m.6 (making it unclear which phrase dominates - perhaps a 'fascheux' trait already).

9–12 Vous estes un fascheux homme 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
9–12 Vous estes un fascheux homme 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
13–14 Vous estes un fascheux homme 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
14–15 Vous estes un fascheux homme 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
15–17 Vous estes un fascheux homme 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
15–15 Vous estes un fascheux homme 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
5–6 Vous estes un fascheux homme 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
27–29 J'ay le fruit tant désiré 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
5–6 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
7–8 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
8–9 Vous estes un fascheux homme 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
14–14 Vous estes un fascheux homme 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
21–23 Vous estes un fascheux homme 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Text overlap: the text of phrase 8 "vous estes un fascheux homme" re-enters in T [and B], sandwiched between and overlapping with the text of phrase 9 (somewhat 'fascheux,' again).

24–25 Vous estes un fascheux homme 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
25–27 Vous estes un fascheux homme 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Text overlap: phrase 8 text is repeated in B and Ct, while phrase 9 text enters, overlapping almost fully.

29–30 Vous estes un fascheux homme 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

As a result of the voicing change (from phrase 4), the cadence in this phrase repetition is also different.

32–32 Vous estes un fascheux homme 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
14–15 Vous estes un fascheux homme 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
33–35 Vous estes un fascheux homme 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
44–47 Vous estes un fascheux homme 16 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dance
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

A final repetition of the 2nd half of phrase 2 here is now presented in triple meter.

1–3 Quand j'ay esté quinze heures avec vous 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–3 Quand j'ay esté quinze heures avec vous 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Cadence: no 7>8

28–30 Vous estes un fascheux homme 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
4
Repeat, Exact or Varied?

Comments

Voicing is exchanged (i.e. harmonized the same, but with different voicing of the harmonies).

35–41 Vous estes un fascheux homme 15 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Refrain: Again, phrases 15-16 form a refrain from the material of phrases 1-2. However, the end of phrase 16 (mm. 39-40) in Ct is taken from phrase 9 (the 1st of this varied refrain). The 2nd half of phrase 16 (mm. 41-43) are an exact repetition.

3–5 Quand j'ay esté quinze heures avec vous 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
4–5 Quand j'ay esté quinze heures avec vous 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

S has 4>3 sus.

1–3 Quand j'ay esté quinze heures avec vous 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3–5 Quand j'ay esté quinze heures avec vous 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
7–8 Quand j'ay esté quinze heures avec vous 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
7–8 Quand j'ay esté quinze heures avec vous 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Hinting at a cadence at the end of this phrase (an evaded, inverted phrygian cadence in S/Ct, or S/B?), but voices finishing the phrase at different times thwart any strong cadential motion.

8–10 Quand j'ay esté quinze heures avec vous 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
11–13 Quand j'ay esté quinze heures avec vous 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
17–17 Quand j'ay esté quinze heures avec vous 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Incomplete cadence: there is no 7>8 (and it is not evaded by an alternate motion).

1–1 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
1–4 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
2–3 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
4–5 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
4–7 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–7 Si vous aviez comme moy faim 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–8 Quand j'ay esté quinze heures avec vous 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
3–4 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–7 Si vous aviez comme moy faim 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
1–4 Si vous aviez comme moy faim 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–8 Si vous aviez comme moy faim 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
8–10 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
11–12 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
8–11 Si vous aviez comme moy faim 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text representation: echo effect S/Ct > T/B for 'Je dis entendez' + repetition of 'entendez' (m11) now in simple, declamatory homorhythm.

16–17 Si vous aviez comme moy faim 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
17–18 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
18–20 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
18–20 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Eflat inflection in Ct on 'mort,' creating a continued Eflat inflection throughout the phrase, leading to a somber phrygian cadence.

22–23 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
23–26 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
25–27 Si vous aviez comme moy faim 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Cadence: S has 4>3 sus.

1–5 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga

Comments

ID: S entry in 2nd ID later than T entry in 1st ID.

4–5 Madame je vous remercie/ De m'avoir esté si rebourse 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
20–21 Si vous aviez comme moy faim 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–10 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
9–12 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct and B re-enter with text of phrase 1.

12–14 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
13–14 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Cadence: S has 4>3 sus.

17–18 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
19–20 Madame je vous remercie/ De m'avoir esté si rebourse 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
15–20 Madame je vous remercie/ De m'avoir esté si rebourse 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor

Comments

S in 2nd ID is a later entry than T in 1st ID.

20–25 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius

Comments

1st ID is strangely at a 2nd below.

22–23 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
24–25 Madame je vous remercie/ De m'avoir esté si rebourse 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Cadence: S has 4>3 sus.

26–27 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dance
28–29 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
28–29 Madame je vous remercie/ De m'avoir esté si rebourse 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

echo response B/T > Ct>S from the question 'pourquoy?' to 'pource' echo bounced between the two voice pairs.

33–34 Madame je vous remercie/ De m'avoir esté si rebourse 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Cadence: S has 4>3 sus.

37–41 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor

Comments

Initial ID B>T (@ 4th above) is repeated mm 41-42.

40–41 Madame je vous remercie/ De m'avoir esté si rebourse 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
1–3 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–5 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
5–6 Long temps y a, innocente pucelle 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–8 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
7–9 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
10–12 Long temps y a, innocente pucelle 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
12–14 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
14–16 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
16–17 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
18–19 Long temps y a, innocente pucelle 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Cadence: S has 4>3 sus.

20–24 Long temps y a, innocente pucelle 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dance
22–24 Long temps y a, innocente pucelle 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
23–24 Long temps y a, innocente pucelle 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
24–26 Long temps y a, innocente pucelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
24–27 Long temps y a, innocente pucelle 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
29–31 Long temps y a, innocente pucelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
30–33 Long temps y a, innocente pucelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
31–38 Long temps y a, innocente pucelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
2–3 Musiciens qui chantez à plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
1–6 Musiciens qui chantez à plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
4–5 Musiciens qui chantez à plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
37–38 Long temps y a, innocente pucelle 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
5–6 Musiciens qui chantez à plaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
10–11 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
11–12 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
12–13 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
29–31 Musiciens qui chantez à plaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
31–32 Musiciens qui chantez à plaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
32–33 Musiciens qui chantez à plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
34–36 Musiciens qui chantez à plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Above)
Contratenor
34–36 Musiciens qui chantez à plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

"Plaisir" presented in long melisma in S.

43–52 Musiciens qui chantez à plaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
52–53 Musiciens qui chantez à plaisir 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
52–52 Musiciens qui chantez à plaisir 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus

Comments

FI is an inversion of PEn (of mm 52-53).

54–55 Musiciens qui chantez à plaisir 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
55–56 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

T and B continue with text from phrase 9, while Ct and S begin text from phrase 10.

59–60 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
61–65 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Representation

Comments

Text representation: shift to triple meter, homorhythmic dance with reiteration of 'si vous n'avez à boire' (joyous drinking?).

64–65 Musiciens qui chantez à plaisir 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Final cadence authentic; preceding cadence mm 60-61, authentic S/T to G.

1–1 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–3 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
3–4 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
3–4 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
5–6 Ça ces beaux yeux, ça ceste bouche 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
7–8 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
9–10 Musiciens qui chantez à plaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
18–26 Musiciens qui chantez à plaisir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
38–39 Musiciens qui chantez à plaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
40–43 Musiciens qui chantez à plaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?
10–12 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
11–12 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
12–14 Ça ces beaux yeux, ça ceste bouche 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
17–18 Ça ces beaux yeux, ça ceste bouche 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
22–23 Ça ces beaux yeux, ça ceste bouche 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
23–26 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
25–26 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
27–30 Ça ces beaux yeux, ça ceste bouche 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
30–33 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Ça ces beaux yeux, ça ceste bouche 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
29–30 Ça ces beaux yeux, ça ceste bouche 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–8 Ça ces beaux yeux, ça ceste bouche 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
25–27 Ça ces beaux yeux, ça ceste bouche 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Dactyll
26–28 Ça ces beaux yeux, ça ceste bouche 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Final exact repeat of both phrases 7-8.

1–1 J'endure tout, c'est bien raison 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
2–4 J'endure tout, c'est bien raison 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
3–4 J'endure tout, c'est bien raison 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
4–6 J'endure tout, c'est bien raison 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
6–6 J'endure tout, c'est bien raison 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
9–10 J'endure tout, c'est bien raison 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No

Comments

Evaded Cad: Ct to F, rather than D.

6–8 J'endure tout, c'est bien raison 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text rep: extreme, frilly melisma on "mignon" in mm 6-8 in T (and a shorter melisma m6 on "mignon" in S).

10–13 J'endure tout, c'est bien raison 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
22–24 J'endure tout, c'est bien raison 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
22–24 J'endure tout, c'est bien raison 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
25–27 J'endure tout, c'est bien raison 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
26–27 J'endure tout, c'est bien raison 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
27–30 J'endure tout, c'est bien raison 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Varied rep: harmonies are altered from phrase 5, particularly in Ct.

31–38 J'endure tout, c'est bien raison 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

Varied rep: altered harmonies (particularly B) from phrase 6, and a substantially expanded ending with different cadence.

22–38 J'endure tout, c'est bien raison 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Exact repetition of phrases 5-8.

4–5 Ce disoit une jeune dame 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
6–7 Ce disoit une jeune dame 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
8–10 Ce disoit une jeune dame 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/98/
Book Title
Http://Digitalduchemin.Org/Book/5/
Is Cadence?
No
Other Presentation Type
HR Simple
9–10