| Measures |
Piece |
Phrase Number |
|
| 33–35 |
Vous estes un fascheux homme |
14 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
Comments
B staggered from S/Ct/T; ACC6: S/T; ending of phrase expanded
|
| 35–41 |
Vous estes un fascheux homme |
15 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
Original FI: Ct > S @ 8 above returns, accompanied by B like the accompanying line introduced in the first refrain; additional entrance of Ct and S's line in T in ms. 38; new material in ms. 39-41.
|
| 1–4 |
Si vous aviez comme moy faim |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
Comments
Also FI: S > T @ 8ve Above.
|
| 2–3 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
|
| 23–23 |
Ça ces beaux yeux, ça ceste bouche |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
B enters, interrupting Authentic Cadence (S/T): D.
|
| 10–11 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
| 15–16 |
Où cerchez-vous du dieu d'amour l'empire |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Ct enters with anticipatory entrance leading into PEn (stacked): B > T > Ct @ 5th Above.
|
| 11–11 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Ct anticipates PEn: S > B > T @ 8ve Below, 5th above.
|
| 29–29 |
Un jour dormoit Colin en my des prez |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
T introduces PEn: T > B > S @ 5th Below, 8ve Above.
|
| 7–14 |
Si je te voy, qui est ce que desire |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 27–32 |
Si je te voy, qui est ce que desire |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
| 16–17 |
Tels menus plaidz conferment les amours |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Enjambment
Comments
HR Simple texture flows straight into next phrase without a clear cut cadence.
|
| 21–22 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
|
| 18–18 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 19–20 |
Où cerchez-vous du dieu d'amour l'empire |
6 |
Details
|
|
|
| 8–11 |
C'est a moy qu'en veult ce coqu |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
Non-Double Leading Tone Cadence (also Displaced: Ct/B to G) in ms. 10-11 replaces Evaded, Displaced, Inverted Authentic Cadence (T/Ct to D) in ms. 5-6.
|
| 7–8 |
Il est permis trouver au lict s'amie |
2 |
Details
|
|
|
| 28–29 |
Où cerchez-vous du dieu d'amour l'empire |
8 |
Details
|
|
|
| 1–4 |
Si vous aviez comme moy faim |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 39–40 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
|
|
| 6–9 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (Above)
- Contratenor
|
| 5–6 |
Long temps y a, innocente pucelle |
1 |
Details
|
|
|
| 29–30 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
|
|
| 28–29 |
Où cerchez-vous du dieu d'amour l'empire |
8 |
Details
|
|
|
| 15–15 |
Vous estes un fascheux homme |
6 |
Details
|
|
|
| 1–3 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
|
| 1–3 |
C'est a moy qu'en veult ce coqu |
1 |
Details
|
|
|
| 1–3 |
C'est a moy qu'en veult ce coqu |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Other Formulas
- Romanesca
|
| 1–2 |
C'est a moy qu'en veult ce coqu |
1 |
Details
|
|
|
| 3–3 |
C'est a moy qu'en veult ce coqu |
1 |
Details
|
|
|
| 3–5 |
C'est a moy qu'en veult ce coqu |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Stacked
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
| 4–5 |
C'est a moy qu'en veult ce coqu |
2 |
Details
|
|
|
| 4–4 |
C'est a moy qu'en veult ce coqu |
2 |
Details
|
|
|
| 6–8 |
C'est a moy qu'en veult ce coqu |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
Ct holds last syllable of previous line.
|
| 11–13 |
C'est a moy qu'en veult ce coqu |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
- Text Treatment
- Text Declamation
|
| 5–6 |
C'est a moy qu'en veult ce coqu |
2 |
Details
|
|
|
| 13–15 |
C'est a moy qu'en veult ce coqu |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Other Formulas
- Romanesca
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 6
- Repeat, Exact or Varied?
|
| 14–15 |
C'est a moy qu'en veult ce coqu |
6 |
Details
|
|
|
| 13–15 |
C'est a moy qu'en veult ce coqu |
6 |
Details
|
|
|
| 15–17 |
C'est a moy qu'en veult ce coqu |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 5
- Repeat, Exact or Varied?
|
| 15–17 |
C'est a moy qu'en veult ce coqu |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
| 17–19 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 6
- Repeat, Exact or Varied?
Comments
Ending cadence rhythms varied to accommodate text repetition and new material.
|
| 20–20 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
|
| 20–21 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
|
| 21–23 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
|
| 2–3 |
C'est a moy qu'en veult ce coqu |
1 |
Details
|
|
|
| 22–23 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
|
|
| 11–13 |
C'est a moy qu'en veult ce coqu |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
- Other Formulas
- Romanesca
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 5
- Repeat, Exact or Varied?
|
| 23–24 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
|
| 19–22 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (Below)
- Contratenor
|
| 17–24 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
| 13–14 |
C'est a moy qu'en veult ce coqu |
5 |
Details
|
|
|
| 1–3 |
Vous estes un fascheux homme |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
- Voice Role (Above)
- Superius
|
| 3–6 |
Vous estes un fascheux homme |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@4)
- Bassus
- Voice Role (Below)
- Bassus
|
| 6–6 |
Vous estes un fascheux homme |
1 |
Details
|
|
|
| 6–6 |
Vous estes un fascheux homme |
1 |
Details
|
|
|
| 7–8 |
Vous estes un fascheux homme |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Other Formulas
- Romanesca
|
| 2–6 |
Vous estes un fascheux homme |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Introduced in Ct while S finishes its role in FI: Ct > S @8ve Above.
|
| 7–8 |
Vous estes un fascheux homme |
2 |
Details
|
|
|
| 9–10 |
Vous estes un fascheux homme |
3 |
Details
|
|
|
| 9–10 |
Vous estes un fascheux homme |
3 |
Details
|
|
|
| 11–12 |
Vous estes un fascheux homme |
4 |
Details
|
|
|
| 12–12 |
Vous estes un fascheux homme |
4 |
Details
|
|
|
| 11–12 |
Vous estes un fascheux homme |
4 |
Details
|
|
|
| 13–14 |
Vous estes un fascheux homme |
5 |
Details
|
|
|
| 14–14 |
Vous estes un fascheux homme |
5 |
Details
|
|
|
| 14–15 |
Vous estes un fascheux homme |
6 |
Details
|
|
|
| 15–16 |
Vous estes un fascheux homme |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 6
- Repeat, Exact or Varied?
Comments
extension of phrase on the words, "ou hay."
|
| 17–23 |
Vous estes un fascheux homme |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
Ct, T, and B vary in ms. 17-21, forming what might be termed a loose FI: B > Ct @5 above, but in which the Ct inverts the B.
|
| 23–25 |
Vous estes un fascheux homme |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 25–28 |
Vous estes un fascheux homme |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
|
| 26–27 |
Vous estes un fascheux homme |
10 |
Details
|
|
|
| 27–28 |
Vous estes un fascheux homme |
10 |
Details
|
|
|
| 25–28 |
Vous estes un fascheux homme |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@5)
- Contratenor
- Voice Role (Above)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
| 28–30 |
Vous estes un fascheux homme |
11 |
Details
|
|
|
| 30–32 |
Vous estes un fascheux homme |
12 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 5
- Repeat, Exact or Varied?
Comments
T removed; ACC3 now between S and Ct
|
| 32–33 |
Vous estes un fascheux homme |
13 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 6
- Repeat, Exact or Varied?
Comments
B and T staggered from S and Ct; S and Ct in ACC6.
|
| 41–43 |
Vous estes un fascheux homme |
16 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Refrain
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 44–47 |
Vous estes un fascheux homme |
16 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
HR Simple translated into HR Dance; B forms clearer ACC5/3 with T.
|
| 29–30 |
Vous estes un fascheux homme |
11 |
Details
|
|
|
| 1–3 |
Quand j'ay esté quinze heures avec vous |
1 |
Details
|
|
|
| 2–3 |
Quand j'ay esté quinze heures avec vous |
1 |
Details
|
|
|
| 3–5 |
Quand j'ay esté quinze heures avec vous |
2 |
Details
|
|
|
| 4–5 |
Quand j'ay esté quinze heures avec vous |
2 |
Details
|
|
|
| 3–5 |
Quand j'ay esté quinze heures avec vous |
2 |
Details
|
|
|
| 1–3 |
Quand j'ay esté quinze heures avec vous |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 3–5 |
Quand j'ay esté quinze heures avec vous |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 6–8 |
Quand j'ay esté quinze heures avec vous |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Text Treatment
- Text Declamation
|
| 7–7 |
Quand j'ay esté quinze heures avec vous |
5 |
Details
|
|
|
| 8–10 |
Quand j'ay esté quinze heures avec vous |
6 |
Details
|
|
|
| 8–10 |
Quand j'ay esté quinze heures avec vous |
6 |
Details
|
|
|
| 11–13 |
Quand j'ay esté quinze heures avec vous |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 5
- Repeat, Exact or Varied?
|
| 13–15 |
Quand j'ay esté quinze heures avec vous |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 6
- Repeat, Exact or Varied?
Comments
Text repeat overlaps Displaced Authentic Cadence (B/T) to D in ms. 15.
|
| 15–18 |
Quand j'ay esté quinze heures avec vous |
8 |
Details
|
|
|
| 17–17 |
Quand j'ay esté quinze heures avec vous |
8 |
Details
|
|
|
| 15–18 |
Quand j'ay esté quinze heures avec vous |
8 |
Details
|
|
|
| 18–18 |
Quand j'ay esté quinze heures avec vous |
8 |
Details
|
|
|
| 1–3 |
Si vous aviez comme moy faim |
1 |
Details
|
|
|
| 2–4 |
Si vous aviez comme moy faim |
1 |
Details
|
|
|
| 4–7 |
Si vous aviez comme moy faim |
2 |
Details
|
|
|
| 6–7 |
Si vous aviez comme moy faim |
2 |
Details
|
|
|
| 3–7 |
Si vous aviez comme moy faim |
2 |
Details
|
|
|
| 10–10 |
Quand j'ay esté quinze heures avec vous |
6 |
Details
|
|
|
| 6–7 |
Si vous aviez comme moy faim |
1 |
Details
|
|
|
| 8–12 |
Si vous aviez comme moy faim |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
|
| 11–12 |
Si vous aviez comme moy faim |
5 |
Details
|
|
|
| 12–15 |
Si vous aviez comme moy faim |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (Below)
- Tenor
Comments
FI accompanied by same gesture in T a third below; Ct features the same gesture inverted.
|
| 13–14 |
Si vous aviez comme moy faim |
6 |
Details
|
|
|
| 14–16 |
Si vous aviez comme moy faim |
6 |
Details
|
|
|
| 16–17 |
Si vous aviez comme moy faim |
6 |
Details
|
|
|
| 14–16 |
Si vous aviez comme moy faim |
6 |
Details
|
|
|
| 17–21 |
Si vous aviez comme moy faim |
7 |
Details
|
|
|
| 17–21 |
Si vous aviez comme moy faim |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
| 23–27 |
Si vous aviez comme moy faim |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Other Formulas
- Romanesca
|
| 24–26 |
Si vous aviez comme moy faim |
8 |
Details
|
|
|
| 22–27 |
Si vous aviez comme moy faim |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
| 1–2 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
|
| 3–4 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
|
| 4–5 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
|
| 1–3 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
| 1–3 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
| 5–7 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
|
| 6–7 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
|
| 7–8 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
|
| 9–10 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
|
| 20–21 |
Si vous aviez comme moy faim |
7 |
Details
|
|
|
| 4–8 |
Si vous aviez comme moy faim |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 10–12 |
Si vous aviez comme moy faim |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Other Formulas
- Romanesca
|
| 21–22 |
Si vous aviez comme moy faim |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Voice Role (Upper Voice 1 NIM)
- Tenor
- Voice Role (Lower Voice 1 NIM)
- Bassus
- Voice Role (Upper Voice 2 NIM)
- Superius
- Voice Role (Lower Voice 2 NIM)
- Contratenor
|
| 2–3 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
|
| 10–10 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
|
| 10–11 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
|
| 11–12 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
|
| 4–5 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Ct anticipates PEn: B > Ct > S @ 8ve Above
|
| 15–17 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
|
|
| 18–20 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
|
|
| 15–18 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
| 17–18 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
|
|
| 19–20 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
|
|
| 17–20 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
|
| 20–22 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
|
|
| 24–25 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
|
|
| 20–20 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Enters in T, part of FI: T > Ct @ 4th Above
|
| 26–28 |
Madame je vous remercie/ De m'avoir esté si rebourse |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dance
- Other Formulas
- Romanesca
|
| 27–28 |
Madame je vous remercie/ De m'avoir esté si rebourse |
5 |
Details
|
|
|
| 28–29 |
Madame je vous remercie/ De m'avoir esté si rebourse |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@4)
- Contratenor
- Voice Role (Above)
- Contratenor
|
| 29–32 |
Madame je vous remercie/ De m'avoir esté si rebourse |
6 |
Details
|
|
|
| 30–31 |
Madame je vous remercie/ De m'avoir esté si rebourse |
6 |
Details
|
|
|
| 32–34 |
Madame je vous remercie/ De m'avoir esté si rebourse |
6 |
Details
|
|
|
| 33–34 |
Madame je vous remercie/ De m'avoir esté si rebourse |
6 |
Details
|
|
|
| 34–34 |
Madame je vous remercie/ De m'avoir esté si rebourse |
7 |
Details
|
|
|
| 34–36 |
Madame je vous remercie/ De m'avoir esté si rebourse |
7 |
Details
|
|
|
| 35–35 |
Madame je vous remercie/ De m'avoir esté si rebourse |
7 |
Details
|
|
|
| 37–37 |
Madame je vous remercie/ De m'avoir esté si rebourse |
7 |
Details
|
|
|
| 40–42 |
Madame je vous remercie/ De m'avoir esté si rebourse |
8 |
Details
|
|
|
| 42–43 |
Madame je vous remercie/ De m'avoir esté si rebourse |
8 |
Details
|
|
|
| 20–23 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Other Counterpoint
- Invertible Counterpoint
|
| 20–23 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
- Voice Role (Above)
- Superius
|
| 43–43 |
Madame je vous remercie/ De m'avoir esté si rebourse |
8 |
Details
|
|
|
| 37–42 |
Madame je vous remercie/ De m'avoir esté si rebourse |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@5)
- Contratenor
- Voice Role (@4)
- Tenor
- Voice Role (Above)
- Tenor
|
| 1–3 |
Long temps y a, innocente pucelle |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Other Formulas
- Romanesca
|
| 1–3 |
Long temps y a, innocente pucelle |
1 |
Details
|
|
|
| 3–4 |
Long temps y a, innocente pucelle |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
|
| 4–5 |
Long temps y a, innocente pucelle |
1 |
Details
|
|
|
| 10–12 |
Long temps y a, innocente pucelle |
2 |
Details
|
|
|
| 9–10 |
Long temps y a, innocente pucelle |
2 |
Details
|
|
|
| 5–6 |
Long temps y a, innocente pucelle |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
In Ct, begins PEn: Ct > T > B @ 5th Below, 8ve Below.
|
| 5–7 |
Long temps y a, innocente pucelle |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (@5)
- Tenor
- Voice Role (Below)
- Tenor
|
| 12–16 |
Long temps y a, innocente pucelle |
3 |
Details
|
|
|
| 12–14 |
Long temps y a, innocente pucelle |
3 |
Details
|
|
|
| 14–16 |
Long temps y a, innocente pucelle |
3 |
Details
|
|
|
| 15–16 |
Long temps y a, innocente pucelle |
3 |
Details
|
|
|
| 18–19 |
Long temps y a, innocente pucelle |
3 |
Details
|
|
|
| 17–19 |
Long temps y a, innocente pucelle |
3 |
Details
|
|
|
| 16–17 |
Long temps y a, innocente pucelle |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@5)
- Bassus
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
| 20–24 |
Long temps y a, innocente pucelle |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dance
- Other Formulas
- Romanesca
|
| 23–24 |
Long temps y a, innocente pucelle |
4 |
Details
|
|
|
| 24–30 |
Long temps y a, innocente pucelle |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 29–38 |
Long temps y a, innocente pucelle |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 7–9 |
Long temps y a, innocente pucelle |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Voice Role (@5)
- Contratenor
- Voice Role (Below)
- Contratenor
|
| 19–19 |
Long temps y a, innocente pucelle |
3 |
Details
|
|
|
| 1–2 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
|
|
| 3–4 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
|
|
| 3–5 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
|
|
| 4–5 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
|
|
| 4–5 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
|
|
| 2–4 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Superius
- Voice Role (Lower Voice 1 NIM)
- Tenor
- Voice Role (Upper Voice 2 NIM)
- Tenor
- Voice Role (Lower Voice 2 NIM)
- Bassus
- Other Counterpoint
- Invertible Counterpoint
|
| 6–8 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
Comments
Ct anticipates T's entrance.
|
| 9–12 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
|
|
| 11–12 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
|
|
| 13–14 |
Ça ces beaux yeux, ça ceste bouche |
3 |
Details
|
|
|
| 12–12 |
Ça ces beaux yeux, ça ceste bouche |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Ct anticipates T entrance
|
| 15–15 |
Ça ces beaux yeux, ça ceste bouche |
3 |
Details
|
|
|
| 15–16 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
|
|
| 15–17 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
|
|
| 17–18 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
|
|
| 14–15 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Ct and T enter as part of a PEn: Ct > T > B @ 4th Below, 8ve Below.
|
| 14–15 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
|
|
| 18–19 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
| 18–19 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 18–18 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
B enters as part of an FI: B > T @ 5th Above.
|
| 20–20 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 21–21 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 21–22 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 22–23 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 21–23 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 20–23 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Stretto Fuga
|
| 23–26 |
Ça ces beaux yeux, ça ceste bouche |
6 |
Details
|
|
|
| 25–26 |
Ça ces beaux yeux, ça ceste bouche |
6 |
Details
|
|
|
| 26–28 |
Ça ces beaux yeux, ça ceste bouche |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@4)
- Contratenor
- Voice Role (Above)
- Contratenor
|
| 28–29 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
|
|
| 32–33 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
|
|
| 28–29 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
S interrupts Evaded, Inverted, Displaced Authentic Cadence (S/T): F
|
| 27–34 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
Comments
Varied T accompaniment leading into the final repeat.
|
| 14–16 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
|
| 19–20 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
|
| 28–28 |
Ça ces beaux yeux, ça ceste bouche |
7 |
Details
|
|
|
| 30–33 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Other Formulas
- Romanesca
|
| 8–10 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
| 11–15 |
Où cerchez-vous du dieu d'amour l'empire |
5 |
Details
|
|
|
| 1–4 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
|
| 2–2 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
|
| 4–4 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
|
| 4–5 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
|
| 1–2 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
|
| 7–10 |
Où cerchez-vous du dieu d'amour l'empire |
2 |
Details
|
|
|
| 7–7 |
Où cerchez-vous du dieu d'amour l'empire |
2 |
Details
|
|
|
| 9–10 |
Où cerchez-vous du dieu d'amour l'empire |
2 |
Details
|
|
|
| 1–6 |
Où cerchez-vous du dieu d'amour l'empire |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 6–11 |
Où cerchez-vous du dieu d'amour l'empire |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 11–15 |
Où cerchez-vous du dieu d'amour l'empire |
5 |
Details
|
|
|
| 14–15 |
Où cerchez-vous du dieu d'amour l'empire |
5 |
Details
|
|
|
| 5–6 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
|
| 4–6 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
|
| 16–18 |
Où cerchez-vous du dieu d'amour l'empire |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
|
| 21–25 |
Où cerchez-vous du dieu d'amour l'empire |
7 |
Details
|
|
|
| 22–23 |
Où cerchez-vous du dieu d'amour l'empire |
7 |
Details
|
|
|
| 20–21 |
Où cerchez-vous du dieu d'amour l'empire |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Contratenor
- Voice Role (Lower Voice 1 NIM)
- Tenor
- Voice Role (Upper Voice 2 NIM)
- Superius
- Voice Role (Lower Voice 2 NIM)
- Bassus
|
| 25–26 |
Où cerchez-vous du dieu d'amour l'empire |
8 |
Details
|
|
|
| 25–27 |
Où cerchez-vous du dieu d'amour l'empire |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@4)
- Tenor
- Voice Role (Above)
- Tenor
|
| 27–28 |
Où cerchez-vous du dieu d'amour l'empire |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@5)
- Contratenor
- Voice Role (Below)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
| 29–31 |
Où cerchez-vous du dieu d'amour l'empire |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
- Voice Role (Above)
- Superius
|
| 29–30 |
Où cerchez-vous du dieu d'amour l'empire |
9 |
Details
|
|
|
| 30–31 |
Où cerchez-vous du dieu d'amour l'empire |
9 |
Details
|
|
|
| 33–35 |
Où cerchez-vous du dieu d'amour l'empire |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
| 34–38 |
Où cerchez-vous du dieu d'amour l'empire |
10 |
Details
|
|
|
| 33–34 |
Où cerchez-vous du dieu d'amour l'empire |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
B enters with beginning of FI: B > T @ 5th Above.
|
| 1–2 |
Il est permis trouver au lict s'amie |
1 |
Details
|
|
|
| 2–4 |
Il est permis trouver au lict s'amie |
1 |
Details
|
|
|
| 3–4 |
Il est permis trouver au lict s'amie |
1 |
Details
|
|
|
| 24–25 |
Où cerchez-vous du dieu d'amour l'empire |
7 |
Details
|
|
|
| 32–33 |
Où cerchez-vous du dieu d'amour l'empire |
9 |
Details
|
|
|
| 36–38 |
Où cerchez-vous du dieu d'amour l'empire |
10 |
Details
|
|
|
| 11–13 |
Où cerchez-vous du dieu d'amour l'empire |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
| 15–17 |
Où cerchez-vous du dieu d'amour l'empire |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Stacked
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
| 17–18 |
Où cerchez-vous du dieu d'amour l'empire |
6 |
Details
|
|
|
| 31–33 |
Où cerchez-vous du dieu d'amour l'empire |
9 |
Details
|
|
|
| 37–37 |
Où cerchez-vous du dieu d'amour l'empire |
10 |
Details
|
|
|
| 1–4 |
Il est permis trouver au lict s'amie |
1 |
Details
|
|
|
| 3–4 |
Il est permis trouver au lict s'amie |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
Ct anticipates FI: B > Ct @ 8ve Above.
|
| 8–8 |
Il est permis trouver au lict s'amie |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
S begins a varied direct repeat of Phrase 1.
|
| 8–11 |
Il est permis trouver au lict s'amie |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 11–15 |
Il est permis trouver au lict s'amie |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
Cadence formed without Text Overlap.
|
| 14–16 |
Il est permis trouver au lict s'amie |
4 |
Details
|
|
|
| 17–18 |
Il est permis trouver au lict s'amie |
5 |
Details
|
|
|
| 19–22 |
Il est permis trouver au lict s'amie |
6 |
Details
|
|
|
| 23–24 |
Il est permis trouver au lict s'amie |
6 |
Details
|
|
|
| 19–24 |
Il est permis trouver au lict s'amie |
6 |
Details
|
|
|
| 24–27 |
Il est permis trouver au lict s'amie |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
| 26–27 |
Il est permis trouver au lict s'amie |
7 |
Details
|
|
|
| 29–30 |
Il est permis trouver au lict s'amie |
8 |
Details
|
|
|
| 28–32 |
Il est permis trouver au lict s'amie |
8 |
Details
|
|
|
| 28–33 |
Il est permis trouver au lict s'amie |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
Comments
Varied voicing in Ct, ms. 33
|
| 3–3 |
Un jour dormoit Colin en my des prez |
1 |
Details
|
|
|
| 3–5 |
Un jour dormoit Colin en my des prez |
1 |
Details
|
|
|
| 30–32 |
Il est permis trouver au lict s'amie |
8 |
Details
|
|
|
| 4–6 |
Il est permis trouver au lict s'amie |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Contratenor
- Voice Role (Below)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
| 5–7 |
Il est permis trouver au lict s'amie |
2 |
Details
|
|
|
| 15–18 |
Il est permis trouver au lict s'amie |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Other Formulas
- Romanesca
|
| 1–3 |
Un jour dormoit Colin en my des prez |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Bassus
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint
|
| 22–23 |
Il est permis trouver au lict s'amie |
6 |
Details
|
|
|
| 3–5 |
Un jour dormoit Colin en my des prez |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
S line continues in to the first four syllables of the next phrase without cadence. Other voices follow.
|
| 10–11 |
Un jour dormoit Colin en my des prez |
2 |
Details
|
|
|
| 13–13 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
|
|
| 13–14 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Enjambment
Comments
S continues into next line's first four syllables, with other voices following suit.
|
| 14–16 |
Un jour dormoit Colin en my des prez |
4 |
Details
|
|
|
| 17–18 |
Un jour dormoit Colin en my des prez |
4 |
Details
|
|
|
| 13–14 |
Un jour dormoit Colin en my des prez |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
S introduces HR Stagger
|
| 19–20 |
Un jour dormoit Colin en my des prez |
5 |
Details
|
|
|
| 22–23 |
Un jour dormoit Colin en my des prez |
5 |
Details
|
|
|
| 23–24 |
Un jour dormoit Colin en my des prez |
6 |
Details
|
|
|
| 25–26 |
Un jour dormoit Colin en my des prez |
6 |
Details
|
|
|
| 26–29 |
Un jour dormoit Colin en my des prez |
6 |
Details
|
|
|
| 23–24 |
Un jour dormoit Colin en my des prez |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Bassus
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (@5)
- Tenor
- Voice Role (Below)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
| 28–29 |
Un jour dormoit Colin en my des prez |
7 |
Details
|
|
|
| 25–26 |
Un jour dormoit Colin en my des prez |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
S introduces HR Stagger.
|
| 30–33 |
Un jour dormoit Colin en my des prez |
8 |
Details
|
|
|
| 12–13 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Bassus
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
| 14–17 |
Un jour dormoit Colin en my des prez |
4 |
Details
|
|
|
| 19–22 |
Un jour dormoit Colin en my des prez |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Other Formulas
- Romanesca
|
| 33–36 |
Un jour dormoit Colin en my des prez |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
Comments
Varied lead-in to repeat because of the cadence preceding the first iteration.
|
| 37–40 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
|
|
| 42–43 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
|
|
| 37–46 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
| 36–37 |
Un jour dormoit Colin en my des prez |
9 |
Details
|
|
|
| 32–33 |
Un jour dormoit Colin en my des prez |
8 |
Details
|
|
|
| 29–32 |
Un jour dormoit Colin en my des prez |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto fuga
|
| 33–34 |
Un jour dormoit Colin en my des prez |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
| 41–43 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (Above)
- Contratenor
|
| 3–6 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
|
| 5–7 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
|
| 12–13 |
Si je te voy, qui est ce que desire |
2 |
Details
|
|
|
| 13–15 |
Si je te voy, qui est ce que desire |
2 |
Details
|
|
|
| 1–6 |
Si je te voy, qui est ce que desire |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 17–18 |
Si je te voy, qui est ce que desire |
5 |
Details
|
|
|
| 20–22 |
Si je te voy, qui est ce que desire |
5 |
Details
|
|
|
| 23–24 |
Si je te voy, qui est ce que desire |
6 |
Details
|
|
|
| 27–32 |
Si je te voy, qui est ce que desire |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 27–32 |
Si je te voy, qui est ce que desire |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 33–41 |
Si je te voy, qui est ce que desire |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
| 7–8 |
Si je te voy, qui est ce que desire |
2 |
Details
|
|
|
| 24–25 |
Si je te voy, qui est ce que desire |
6 |
Details
|
|
|
| 1–3 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
|
| 3–6 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
|
| 9–13 |
Si je te voy, qui est ce que desire |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Tenor
- Voice Role (@4)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
| 9–13 |
Si je te voy, qui est ce que desire |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Tenor
- Voice Role (@4)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
| 9–12 |
Si je te voy, qui est ce que desire |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Tenor
- Voice Role (@4)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
| 15–17 |
Si je te voy, qui est ce que desire |
5 |
Details
|
|
|
| 17–21 |
Si je te voy, qui est ce que desire |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@5)
- Tenor
- Voice Role (@4)
- Contratenor
- Voice Role (Above)
- Tenor
|
| 17–19 |
Si je te voy, qui est ce que desire |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
| 21–24 |
Si je te voy, qui est ce que desire |
6 |
Details
|
|
|
| 4–5 |
Tels menus plaidz conferment les amours |
1 |
Details
|
|
|
| 5–10 |
Tels menus plaidz conferment les amours |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
- Voice Role (Above)
- Superius
- Text Treatment
- Text Representation
Comments
In S of FI in ms. 8-10, "plaisir" is floridly ornamented.
|
| 11–12 |
Tels menus plaidz conferment les amours |
2 |
Details
|
|
|
| 1–5 |
Tels menus plaidz conferment les amours |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
| 2–15 |
Tels menus plaidz conferment les amours |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
| 13–15 |
Tels menus plaidz conferment les amours |
5 |
Details
|
|
|
| 16–16 |
Tels menus plaidz conferment les amours |
5 |
Details
|
|
|
| 20–22 |
Tels menus plaidz conferment les amours |
6 |
Details
|
|
|
| 21–22 |
Tels menus plaidz conferment les amours |
6 |
Details
|
|
|
| 20–22 |
Tels menus plaidz conferment les amours |
6 |
Details
|
|
|
| 25–26 |
Tels menus plaidz conferment les amours |
7 |
Details
|
|
|
| 28–29 |
Tels menus plaidz conferment les amours |
7 |
Details
|
|
|
| 18–19 |
Tels menus plaidz conferment les amours |
6 |
Details
|
|
|
| 2–3 |
Tels menus plaidz conferment les amours |
1 |
Details
|
|
|
| 24–25 |
Tels menus plaidz conferment les amours |
7 |
Details
|
|
|
| 22–24 |
Tels menus plaidz conferment les amours |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Bassus
- Voice Role (@5)
- Bassus
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Stretto Fuga
|
| 26–29 |
Tels menus plaidz conferment les amours |
7 |
Details
|
|
|
| 29–33 |
Tels menus plaidz conferment les amours |
9 |
Details
|
|
|
| 32–33 |
Tels menus plaidz conferment les amours |
9 |
Details
|
|
|
| 32–33 |
Tels menus plaidz conferment les amours |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
Comments
T introduces the ID: T;B > S;Ct @ 8ve Above, 5th Below.
|
| 33–40 |
Tels menus plaidz conferment les amours |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
Comments
Beginning of the repeat has ACC3: Ct/B. Also, the voicing of the ending cadence differs.
|
| 36–37 |
Tels menus plaidz conferment les amours |
10 |
Details
|
|
|
| 32–35 |
Tels menus plaidz conferment les amours |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/100/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Bassus
- Voice Role (Comes 2)
- Contratenor
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|