The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Buchanan, Christopher

Analyses

Measures Piece Phrase Number
28–29 Comme le feu sans chaleur ne peut estre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

No 2>1

35–35 Poste esgaré par trop adventureux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian cadence on "lamenter," suspension in T

8–11 Maistre Lubin de sang rassis 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Tenor entry displaced by half note, overlap from phrase 2 in S/Ct

30–33 Maistre Lubin de sang rassis 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius

Comments

Ct enters a 3rd higher that B

10–11 Sans avoir faict nul desplaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

No 2>1

44–46 Sans avoir faict nul desplaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
19–23 Si mon grand mal ne peult finir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
Text Treatment
Text Representation

Comments

Melismas on "mal" Underlay in mm. 19/20 in Ct might be incorrect.

19–19 Poste esgaré par trop adventureux 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
35–38 Poste esgaré par trop adventureux 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
41–33 Sus, sus, ma seur, prendz bon couraige 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

S/T parts differ in mm. 43-44 (ouvert ending)

32–33 Sus, sus, ma seur, prendz bon couraige 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian cadence > old age

17–20 Du jeu d'aymer Martin fort curieux 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
Text Treatment
Text Representation

Comments

Descending/semi-phrygian gestures on "mourir"

1–3 Faire ne puis sans dueil & desplaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
7–9 Faire ne puis sans dueil & desplaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
34–35 Un jeune moine bien adroit 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
Text Treatment
Text Representation

Comments

Rhythmically active PEn = shame?

40–42 Un jeune moine bien adroit 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Rhythm slightly augmented in T

20–21 Ma bouche n'ose dire/ Mon apparent desir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
12–13 Plus je la voy de beaucoup estimée 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–6 Comme le feu sans chaleur ne peut estre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
14–15 Comme le feu sans chaleur ne peut estre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
30–32 Comme le feu sans chaleur ne peut estre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
34–35 Comme le feu sans chaleur ne peut estre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
23–24 En l'eau, en l'eau jette toy vistement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
24–25 Triste et marry, pensif, melancolique 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Declamation

Comments

Repetition of "coqu" mocking, sort of sounds like a chicken

3–4 Un mesnagier qui sa femme accusoit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Superius
Voice Role (@4)
Bassus
Voice Role (Above)
Contratenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
27–30 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@5)
Contratenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Slightly irregular, but with S above CT and B below T, there is invertible counterpoint

6–9 S'amour vous a donné mon coeur en gaige 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
19–20 S'amour vous a donné mon coeur en gaige 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

"Si le voulez" in T is basically an inversion of "vous le voulez" from phr. 4

28–32 S'amour vous a donné mon coeur en gaige 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

B m. 32.3

42–43 S'amour vous a donné mon coeur en gaige 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
11–12 Or sus or sus qu'on se resveille 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
11–12 Elle disoit : faictes tout bellement 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Ct 2>3 instead of 2>1

25–26 Un vieil souldard prioit une fillette 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
14–15 Ung doulx baiser m'est bien permis de prendre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
58–59 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
58–60 Sans avoir faict nul desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Bass not in cadence at work "tristesse"

47–48 Poste esgaré par trop adventureux 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
16–18 Sus, sus, ma seur, prendz bon couraige 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
37–38 Sus, sus, ma seur, prendz bon couraige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Ct no 2>1 (double entendre?)

17–18 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Pause
27–28 S'amour vous a donné mon coeur en gaige 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Ct 2>3

23–27 Un jeune moine bien adroit 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Almost romanesca

24–25 Comme le feu sans chaleur ne peut estre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

No 7>8

52–52 Un jeune moine bien adroit 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
10–10 Triste et marry, pensif, melancolique 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
4–7 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
35–36 Du jeu d'aymer Martin fort curieux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

First unaltered authentic cadence on "contente"

46–47 S'amour vous a donné mon coeur en gaige 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
9–11 Celer ne puis ny dire le tourment 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
45–45 Maistre Lubin de sang rassis 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Other Counterpoint
Stretto Fuga
Text Treatment
Text Representation

Comments

"Serrez" represented in tight, compact stretto

17–18 Poste esgaré par trop adventureux 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Ct 2>3 instead of 2>1

21–22 Sus, sus, ma seur, prendz bon couraige 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
4–4 Triste et marry, pensif, melancolique 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian on "melancolique"

16–17 Or sus or sus qu'on se resveille 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian on "sommeille"

32–33 Faire ne puis sans dueil & desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian on "mon mal je descouvre"

14–14 Belle comere Dieu vous gard 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
16–16 Si mon grand mal ne peult finir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian cadence on "meurt"

47–48 Un jeune moine bien adroit 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
47–48 S'amour vous a donné mon coeur en gaige 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
27–29 Maistre Lubin de sang rassis 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
10–13 Si mon grand mal ne peult finir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Pause
1–4 Maistre Lubin de sang rassis 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
5–6 Maistre Lubin de sang rassis 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
6–7 Maistre Lubin de sang rassis 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Text Treatment
Text Overlap
13–14 Maistre Lubin de sang rassis 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
15–15 Maistre Lubin de sang rassis 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
12–13 Maistre Lubin de sang rassis 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

C in Ct must be raised via ficta

16–19 Maistre Lubin de sang rassis 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
19–20 Maistre Lubin de sang rassis 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
20–21 Maistre Lubin de sang rassis 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
23–24 Maistre Lubin de sang rassis 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Would be phrygian, Ct moves down to E instead of up to A

24–25 Maistre Lubin de sang rassis 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga

Comments

SF includes S and T

26–26 Maistre Lubin de sang rassis 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
32–33 Maistre Lubin de sang rassis 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
33–34 Maistre Lubin de sang rassis 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
34–35 Maistre Lubin de sang rassis 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

S enters on G; otherwise the module is intact

37–41 Maistre Lubin de sang rassis 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dance
43–50 Maistre Lubin de sang rassis 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Repeat, Exact or Varied?
42–44 Maistre Lubin de sang rassis 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
46–48 Maistre Lubin de sang rassis 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
49–50 Maistre Lubin de sang rassis 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–6 Sans avoir faict nul desplaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Bassus
Voice Role (@4)
Tenor
Voice Role (Below)
Contratenor
7–9 Sans avoir faict nul desplaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Overlap
11–13 Sans avoir faict nul desplaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
14–15 Sans avoir faict nul desplaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
16–17 Sans avoir faict nul desplaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
41–42 Maistre Lubin de sang rassis 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
19–20 Sans avoir faict nul desplaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

T silent, overlap in S

18–21 Sans avoir faict nul desplaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
23–24 Sans avoir faict nul desplaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Overlap in S

23–25 Sans avoir faict nul desplaisir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
30–32 Sans avoir faict nul desplaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Counterpoint
Stretto Fuga
34–35 Sans avoir faict nul desplaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
35–39 Sans avoir faict nul desplaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
39–41 Sans avoir faict nul desplaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
43–44 Sans avoir faict nul desplaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
45–46 Sans avoir faict nul desplaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
49–51 Sans avoir faict nul desplaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
56–57 Sans avoir faict nul desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
59–64 Sans avoir faict nul desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

Bass in cadence in m. 64

63–64 Sans avoir faict nul desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
47–48 Sans avoir faict nul desplaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
57–58 Sans avoir faict nul desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Almost romanesca, too short

1–3 Si mon grand mal ne peult finir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
5–6 Si mon grand mal ne peult finir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger
7–8 Si mon grand mal ne peult finir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–4 Si mon grand mal ne peult finir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–8 Si mon grand mal ne peult finir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–12 Si mon grand mal ne peult finir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
12–14 Si mon grand mal ne peult finir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
14–15 Si mon grand mal ne peult finir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
17–19 Si mon grand mal ne peult finir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger
25–28 Si mon grand mal ne peult finir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Repeat, Exact or Varied?

Comments

Full cadence on second ending

19–20 Si mon grand mal ne peult finir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
24–25 Si mon grand mal ne peult finir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Tenor has 2>3 instead of 2>1

28–28 Si mon grand mal ne peult finir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
24–26 Si mon grand mal ne peult finir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–3 Poste esgaré par trop adventureux 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–6 Poste esgaré par trop adventureux 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
6–7 Poste esgaré par trop adventureux 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
7–8 Poste esgaré par trop adventureux 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

M. 7 Ct/B Phrygian to E

10–11 Poste esgaré par trop adventureux 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
10–12 Poste esgaré par trop adventureux 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
13–13 Poste esgaré par trop adventureux 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–8 Poste esgaré par trop adventureux 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–13 Poste esgaré par trop adventureux 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
14–16 Poste esgaré par trop adventureux 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
22–24 Poste esgaré par trop adventureux 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Other Counterpoint
Stretto Fuga
24–24 Poste esgaré par trop adventureux 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
24–25 Poste esgaré par trop adventureux 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
27–30 Poste esgaré par trop adventureux 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
30–32 Poste esgaré par trop adventureux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
33–35 Poste esgaré par trop adventureux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Chain of suspensions on "lamenter"

44–46 Poste esgaré par trop adventureux 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger
1–2 Sus, sus, ma seur, prendz bon couraige 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
3–4 Sus, sus, ma seur, prendz bon couraige 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
4–5 Sus, sus, ma seur, prendz bon couraige 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
5–5 Sus, sus, ma seur, prendz bon couraige 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
8–8 Sus, sus, ma seur, prendz bon couraige 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
8–10 Sus, sus, ma seur, prendz bon couraige 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
11–12 Sus, sus, ma seur, prendz bon couraige 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
13–15 Sus, sus, ma seur, prendz bon couraige 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
14–16 Sus, sus, ma seur, prendz bon couraige 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
43–48 Poste esgaré par trop adventureux 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
13–13 Sus, sus, ma seur, prendz bon couraige 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
17–20 Sus, sus, ma seur, prendz bon couraige 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga

Comments

Could also be PEn

22–24 Sus, sus, ma seur, prendz bon couraige 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger
Text Treatment
Text Overlap
27–28 Sus, sus, ma seur, prendz bon couraige 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
28–29 Sus, sus, ma seur, prendz bon couraige 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Above)
Bassus
Other Counterpoint
Stretto Fuga
30–31 Sus, sus, ma seur, prendz bon couraige 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
31–32 Sus, sus, ma seur, prendz bon couraige 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
42–43 Sus, sus, ma seur, prendz bon couraige 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
33–38 Sus, sus, ma seur, prendz bon couraige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
35–36 Sus, sus, ma seur, prendz bon couraige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
37–38 Sus, sus, ma seur, prendz bon couraige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
38–40 Sus, sus, ma seur, prendz bon couraige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
41–42 Sus, sus, ma seur, prendz bon couraige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
33–45 Sus, sus, ma seur, prendz bon couraige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
1–3 Elle disoit : faictes tout bellement 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
3–4 Elle disoit : faictes tout bellement 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Declamation

Comments

Exclamation of "Hay"

5–7 Elle disoit : faictes tout bellement 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
7–8 Elle disoit : faictes tout bellement 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
12–13 Elle disoit : faictes tout bellement 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Declamation

Comments

Repeat of "tost"

15–15 Elle disoit : faictes tout bellement 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Series of P4s on "hardiment"

15–16 Elle disoit : faictes tout bellement 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
16–18 Elle disoit : faictes tout bellement 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger
19–20 Elle disoit : faictes tout bellement 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
20–22 Elle disoit : faictes tout bellement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Text Treatment
Text Overlap
21–23 Elle disoit : faictes tout bellement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
24–26 Elle disoit : faictes tout bellement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
31–31 Elle disoit : faictes tout bellement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
26–27 Elle disoit : faictes tout bellement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
27–28 Elle disoit : faictes tout bellement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor

Comments

Related to S/B entries in previous measure, but not ID

1–2 Du jeu d'aymer Martin fort curieux 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–5 Du jeu d'aymer Martin fort curieux 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
4–5 Du jeu d'aymer Martin fort curieux 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
6–7 Du jeu d'aymer Martin fort curieux 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
11–11 Du jeu d'aymer Martin fort curieux 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
5–6 Du jeu d'aymer Martin fort curieux 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
28–29 Elle disoit : faictes tout bellement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–6 Du jeu d'aymer Martin fort curieux 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
5–11 Du jeu d'aymer Martin fort curieux 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
12–15 Du jeu d'aymer Martin fort curieux 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
19–20 Du jeu d'aymer Martin fort curieux 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
20–21 Du jeu d'aymer Martin fort curieux 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Contratenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
Text Treatment
Text Representation

Comments

Quick gesture on "La garse prompte"

22–23 Du jeu d'aymer Martin fort curieux 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
26–26 Du jeu d'aymer Martin fort curieux 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
26–29 Du jeu d'aymer Martin fort curieux 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger
32–33 Du jeu d'aymer Martin fort curieux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
36–38 Du jeu d'aymer Martin fort curieux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Declamation

Comments

Repeat of "mourez"

39–40 Du jeu d'aymer Martin fort curieux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
15–15 Du jeu d'aymer Martin fort curieux 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
31–32 Du jeu d'aymer Martin fort curieux 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
16–20 Du jeu d'aymer Martin fort curieux 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
23–24 Du jeu d'aymer Martin fort curieux 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
24–24 Du jeu d'aymer Martin fort curieux 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
4–5 Faire ne puis sans dueil & desplaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
13–14 Faire ne puis sans dueil & desplaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–7 Faire ne puis sans dueil & desplaisir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–14 Faire ne puis sans dueil & desplaisir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
14–16 Faire ne puis sans dueil & desplaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
17–18 Faire ne puis sans dueil & desplaisir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
18–19 Faire ne puis sans dueil & desplaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
23–25 Faire ne puis sans dueil & desplaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
25–27 Faire ne puis sans dueil & desplaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
28–30 Faire ne puis sans dueil & desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
28–29 Faire ne puis sans dueil & desplaisir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Ct/B Phrygian to D in 27-28

9–13 Faire ne puis sans dueil & desplaisir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
29–31 Faire ne puis sans dueil & desplaisir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
22–23 Faire ne puis sans dueil & desplaisir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Also plagal

6–7 Faire ne puis sans dueil & desplaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian on "desplaisir"

4–4 Faire ne puis sans dueil & desplaisir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
34–40 Faire ne puis sans dueil & desplaisir 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
40–47 Faire ne puis sans dueil & desplaisir 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Melisma in S, mm. 44-45

1–2 Belle comere Dieu vous gard 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
3–4 Belle comere Dieu vous gard 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
4–5 Belle comere Dieu vous gard 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
5–7 Belle comere Dieu vous gard 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
6–7 Belle comere Dieu vous gard 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
7–9 Belle comere Dieu vous gard 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
9–11 Belle comere Dieu vous gard 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
19–20 Belle comere Dieu vous gard 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–3 Celer ne puis ny dire le tourment 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus

Comments

Not a NIM, timing of modules off

2–4 Celer ne puis ny dire le tourment 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Counterpoint
Stretto Fuga
15–19 Belle comere Dieu vous gard 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–2 Belle comere Dieu vous gard 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
5–6 Celer ne puis ny dire le tourment 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

Phrygian on "tourment"

1–6 Celer ne puis ny dire le tourment 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
6–11 Celer ne puis ny dire le tourment 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
11–12 Celer ne puis ny dire le tourment 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
14–15 Celer ne puis ny dire le tourment 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
15–16 Celer ne puis ny dire le tourment 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
Other Counterpoint
Invertible Counterpoint

Comments

Much tonal adjustment

18–19 Celer ne puis ny dire le tourment 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
19–21 Celer ne puis ny dire le tourment 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
22–24 Celer ne puis ny dire le tourment 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@5)
Tenor
Voice Role (@4)
Contratenor
Voice Role (Above)
Tenor
Other Counterpoint
Invertible Counterpoint

Comments

Would be stacked, but Ct adjusted down 2nd

27–27 Celer ne puis ny dire le tourment 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Declamation

Comments

Naked statement of "mort," all voices leap

29–30 Celer ne puis ny dire le tourment 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–4 Un vieil souldard prioit une fillette 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga

Comments

Ct entrance adjusted down 2nd

5–6 Un vieil souldard prioit une fillette 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
6–8 Un vieil souldard prioit une fillette 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
8–9 Un vieil souldard prioit une fillette 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
9–9 Un vieil souldard prioit une fillette 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
7–10 Celer ne puis ny dire le tourment 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
9–14 Un vieil souldard prioit une fillette 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
14–18 Un vieil souldard prioit une fillette 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
18–20 Un vieil souldard prioit une fillette 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga

Comments

Also could be PEn

21–21 Un vieil souldard prioit une fillette 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
22–22 Un vieil souldard prioit une fillette 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
22–23 Un vieil souldard prioit une fillette 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
29–31 Un vieil souldard prioit une fillette 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Text Treatment
Text Overlap
32–34 Un vieil souldard prioit une fillette 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
3–4 Faictes si vous plaist vostre aumosne 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
5–7 Faictes si vous plaist vostre aumosne 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
6–7 Faictes si vous plaist vostre aumosne 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
33–34 Un vieil souldard prioit une fillette 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
27–31 Un vieil souldard prioit une fillette 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
2–3 Faictes si vous plaist vostre aumosne 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
8–10 Faictes si vous plaist vostre aumosne 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Different tonality in 8.1-8.3

11–14 Faictes si vous plaist vostre aumosne 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
15–18 Faictes si vous plaist vostre aumosne 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
1–2 Un jeune moine bien adroit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
3–4 Un jeune moine bien adroit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
4–6 Un jeune moine bien adroit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
7–7 Un jeune moine bien adroit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
3–3 Un jeune moine bien adroit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
7–8 Un jeune moine bien adroit 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
11–18 Un jeune moine bien adroit 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
18–22 Un jeune moine bien adroit 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
21–23 Un jeune moine bien adroit 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
24–25 Un jeune moine bien adroit 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
27–28 Un jeune moine bien adroit 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
28–31 Un jeune moine bien adroit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

3-part PEn instead of 4 in m. 28 (no Ct)

31–34 Un jeune moine bien adroit 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
35–37 Un jeune moine bien adroit 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
10–11 Un jeune moine bien adroit 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Ct/B phrygian to D in 10

37–38 Un jeune moine bien adroit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
39–40 Un jeune moine bien adroit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
42–43 Un jeune moine bien adroit 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
44–45 Un jeune moine bien adroit 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
44–47 Un jeune moine bien adroit 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
48–49 Un jeune moine bien adroit 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Declamation

Comments

Repetition of "non"

48–48 Un jeune moine bien adroit 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
54–55 Un jeune moine bien adroit 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
55–56 Un jeune moine bien adroit 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
57–58 Un jeune moine bien adroit 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
59–60 Un jeune moine bien adroit 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
4–4 Ma bouche n'ose dire/ Mon apparent desir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
6–7 Ma bouche n'ose dire/ Mon apparent desir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
4–7 Ma bouche n'ose dire/ Mon apparent desir 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dance
60–63 Un jeune moine bien adroit 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
2–5 Ma bouche n'ose dire/ Mon apparent desir 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dance
7–10 Ma bouche n'ose dire/ Mon apparent desir 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Ct/T m. 7.3

10–13 Ma bouche n'ose dire/ Mon apparent desir 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

B 13.1

13–14 Ma bouche n'ose dire/ Mon apparent desir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
Voice Role (@1 or @8)
Superius
Other Counterpoint
Invertible Counterpoint
14–15 Ma bouche n'ose dire/ Mon apparent desir 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Plagal to C in 15.1

15–16 Ma bouche n'ose dire/ Mon apparent desir 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
18–20 Ma bouche n'ose dire/ Mon apparent desir 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dance
21–22 Ma bouche n'ose dire/ Mon apparent desir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
24–25 Ma bouche n'ose dire/ Mon apparent desir 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–2 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
4–6 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
7–8 Plus je la voy de beaucoup estimée 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
9–9 Plus je la voy de beaucoup estimée 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
10–12 Plus je la voy de beaucoup estimée 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
13–15 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
15–16 Plus je la voy de beaucoup estimée 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@4)
Contratenor
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
19–26 Plus je la voy de beaucoup estimée 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7–7 Comme le feu sans chaleur ne peut estre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
7–9 Comme le feu sans chaleur ne peut estre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
Text Treatment
Text Overlap
9–11 Comme le feu sans chaleur ne peut estre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint
11–13 Comme le feu sans chaleur ne peut estre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
16–17 Comme le feu sans chaleur ne peut estre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
Voice Role (Above)
Contratenor
17–19 Comme le feu sans chaleur ne peut estre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B late

20–20 Comme le feu sans chaleur ne peut estre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

No 7>8

22–23 Comme le feu sans chaleur ne peut estre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
32–34 Comme le feu sans chaleur ne peut estre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
33–34 Comme le feu sans chaleur ne peut estre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
37–38 Comme le feu sans chaleur ne peut estre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
40–41 Comme le feu sans chaleur ne peut estre 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
41–45 Comme le feu sans chaleur ne peut estre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint
45–47 Comme le feu sans chaleur ne peut estre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
47–47 Comme le feu sans chaleur ne peut estre 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
47–49 Comme le feu sans chaleur ne peut estre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
49–51 Comme le feu sans chaleur ne peut estre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@4)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
51–53 Comme le feu sans chaleur ne peut estre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
55–55 Comme le feu sans chaleur ne peut estre 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–2 En l'eau, en l'eau jette toy vistement 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@5)
Contratenor
Voice Role (Below)
Contratenor
2–4 En l'eau, en l'eau jette toy vistement 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
3–4 En l'eau, en l'eau jette toy vistement 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
4–5 En l'eau, en l'eau jette toy vistement 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor
Voice Role (@4)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint
5–8 En l'eau, en l'eau jette toy vistement 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
8–9 En l'eau, en l'eau jette toy vistement 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
24–26 Comme le feu sans chaleur ne peut estre 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
5–12 En l'eau, en l'eau jette toy vistement 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
12–17 En l'eau, en l'eau jette toy vistement 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
20–21 En l'eau, en l'eau jette toy vistement 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
21–23 En l'eau, en l'eau jette toy vistement 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor

Comments

Minor tonal variance in B

26–26 En l'eau, en l'eau jette toy vistement 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

No 7>8

26–28 En l'eau, en l'eau jette toy vistement 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
28–29 En l'eau, en l'eau jette toy vistement 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

No 2>1

29–34 En l'eau, en l'eau jette toy vistement 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Ct m. 34

1–2 Ung doulx baiser m'est bien permis de prendre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S early

7–7 Ung doulx baiser m'est bien permis de prendre 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

T 2>3 instead of 2>1

5–6 Ung doulx baiser m'est bien permis de prendre 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
10–12 Ung doulx baiser m'est bien permis de prendre 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Text Treatment
Text Overlap
17–20 En l'eau, en l'eau jette toy vistement 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct late

17–20 En l'eau, en l'eau jette toy vistement 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
25–27 En l'eau, en l'eau jette toy vistement 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
22–23 Ung doulx baiser m'est bien permis de prendre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
4
Repeat, Exact or Varied?

Comments

Authentic CAD in 23

21–23 Ung doulx baiser m'est bien permis de prendre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
1–4 Triste et marry, pensif, melancolique 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct late

1–2 Triste et marry, pensif, melancolique 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
5–8 Triste et marry, pensif, melancolique 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8–10 Triste et marry, pensif, melancolique 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
11–11 Triste et marry, pensif, melancolique 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
11–12 Triste et marry, pensif, melancolique 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
12–13 Triste et marry, pensif, melancolique 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
13–13 Triste et marry, pensif, melancolique 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Ct 2>3

15–16 Triste et marry, pensif, melancolique 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Representation

Comments

B missing for "plain de proces"

16–18 Triste et marry, pensif, melancolique 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dance
17–18 Triste et marry, pensif, melancolique 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Representation

Comments

No cadential motion on "calamite"

18–19 Triste et marry, pensif, melancolique 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
19–20 Triste et marry, pensif, melancolique 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@4)
Tenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
21–22 Ung doulx baiser m'est bien permis de prendre 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Tenor 2>3

20–21 Triste et marry, pensif, melancolique 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct late

22–24 Triste et marry, pensif, melancolique 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
23–24 Triste et marry, pensif, melancolique 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
25–26 Triste et marry, pensif, melancolique 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Representation

Comments

No B for cowardly cuckold

26–27 Triste et marry, pensif, melancolique 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
27–28 Triste et marry, pensif, melancolique 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Representation

Comments

Lack of B is immasculating, such as the condition described in the text

28–29 Triste et marry, pensif, melancolique 11 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct early

30–32 Triste et marry, pensif, melancolique 12 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Representation

Comments

Violent rhythm = beating

33–34 Triste et marry, pensif, melancolique 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
38–40 Triste et marry, pensif, melancolique 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
13
Repeat, Exact or Varied?
31–32 Triste et marry, pensif, melancolique 13 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
34–34 Triste et marry, pensif, melancolique 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
37–38 Triste et marry, pensif, melancolique 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
40–45 Triste et marry, pensif, melancolique 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
14
Repeat, Exact or Varied?

Comments

M. 45 Ct >A

34–37 Triste et marry, pensif, melancolique 14 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
1–2 Un mesnagier qui sa femme accusoit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
2–3 Un mesnagier qui sa femme accusoit 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
5–8 Un mesnagier qui sa femme accusoit 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint
9–11 Un mesnagier qui sa femme accusoit 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
12–12 Un mesnagier qui sa femme accusoit 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
4–5 Un mesnagier qui sa femme accusoit 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
1–5 Un mesnagier qui sa femme accusoit 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4–12 Un mesnagier qui sa femme accusoit 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
13–14 Un mesnagier qui sa femme accusoit 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
15–17 Un mesnagier qui sa femme accusoit 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (Below)
Bassus
19–23 Un mesnagier qui sa femme accusoit 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Below)
Tenor

Comments

Prefigures by T 18-19

22–23 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Text Treatment
Text Overlap
23–24 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Other Counterpoint
Stretto Fuga

Comments

SF also includes S, although no PEn

24–27 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Refrain
Earlier Phrase
6
Repeat, Exact or Varied?

Comments

Repetition of words and music from 6, text more compactly shoehorned into ID

26–28 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Ct/T @1

31–33 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Contratenor
Voice Role (@4)
Superius
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
33–34 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
34–34 Un mesnagier qui sa femme accusoit 7 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
35–37 Un mesnagier qui sa femme accusoit 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
8–9 Un mesnagier qui sa femme accusoit 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
17–18 Un mesnagier qui sa femme accusoit 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
36–38 Un mesnagier qui sa femme accusoit 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
40–41 Un mesnagier qui sa femme accusoit 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
41–43 Un mesnagier qui sa femme accusoit 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dance
43–44 Un mesnagier qui sa femme accusoit 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
44–46 Un mesnagier qui sa femme accusoit 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
46–48 Un mesnagier qui sa femme accusoit 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Bassus
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Text Treatment
Text Declamation

Comments

Also S/B P3s, mocking repetition of "coqu" in sequence

48–50 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
Text Treatment
Text Overlap
49–52 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
Text Treatment
Text Declamation

Comments

Repetition of "tant"

52–52 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
52–52 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
52–53 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
51–52 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
53–57 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Addition material underneath S at end

57–58 Un mesnagier qui sa femme accusoit 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@5)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
Repeat Kind
Refrain
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Coda with material from mm. 51-53

1–3 S'amour vous a donné mon coeur en gaige 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Below)
Tenor
2–5 S'amour vous a donné mon coeur en gaige 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
6–6 S'amour vous a donné mon coeur en gaige 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
9–9 S'amour vous a donné mon coeur en gaige 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
10–11 S'amour vous a donné mon coeur en gaige 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
12–14 S'amour vous a donné mon coeur en gaige 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
14–15 S'amour vous a donné mon coeur en gaige 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
15–16 S'amour vous a donné mon coeur en gaige 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S late, also part of PEn

15–17 S'amour vous a donné mon coeur en gaige 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Also HR stagger

18–19 S'amour vous a donné mon coeur en gaige 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

S 2>3

18–21 S'amour vous a donné mon coeur en gaige 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
24–25 S'amour vous a donné mon coeur en gaige 6 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S late

32–34 S'amour vous a donné mon coeur en gaige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
35–38 S'amour vous a donné mon coeur en gaige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dance
39–39 S'amour vous a donné mon coeur en gaige 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
41–42 S'amour vous a donné mon coeur en gaige 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B early

48–54 S'amour vous a donné mon coeur en gaige 9 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
43–45 S'amour vous a donné mon coeur en gaige 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
23–24 S'amour vous a donné mon coeur en gaige 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S early, almost romanesca

9–12 S'amour vous a donné mon coeur en gaige 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
37–38 S'amour vous a donné mon coeur en gaige 8 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
54–59 S'amour vous a donné mon coeur en gaige 10 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

S m. 58.3

1–1 Or sus or sus qu'on se resveille 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Dactyll
1–2 Or sus or sus qu'on se resveille 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
1–5 Or sus or sus qu'on se resveille 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
5–6 Or sus or sus qu'on se resveille 1 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
6–9 Or sus or sus qu'on se resveille 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
13–14 Or sus or sus qu'on se resveille 2 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
14–15 Or sus or sus qu'on se resveille 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Presentation Type
HR Simple
17–18 Or sus or sus qu'on se resveille 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Almost Fauxbourdon w/ S

18–19 Or sus or sus qu'on se resveille 3 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Ct/B phrygian, INV, DISP to E in 18

21–21 Or sus or sus qu'on se resveille 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
23–24 Or sus or sus qu'on se resveille 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
25–30 Or sus or sus qu'on se resveille 5 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Ct. m. 30, D instead of B

17–23 Or sus or sus qu'on se resveille 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No

Comments

Almost NIM, almost Romanesca

17–23 Or sus or sus qu'on se resveille 4 Details
Analysis ID
Analyst
http://digitalduchemin.org/person/101/
Book Title
Http://Digitalduchemin.Org/Book/3/
Is Cadence?
No
Other Formulas
Romanesca

Comments

Romanesca 20-21