Measures |
Piece |
Phrase Number |
|
50–52 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
12–12 |
D'un amy fainct je ne me puis deffaire |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
"Las" long note
|
7–8 |
Musiciens qui chantez à plaisir |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
Comments
Imitation in S breaks the time interval
|
9–10 |
Musiciens qui chantez à plaisir |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
11–12 |
Tels menus plaidz conferment les amours |
2 |
Details
|
|
5–6 |
C'est a moy qu'en veult ce coqu |
2 |
Details
|
|
3–4 |
Une safrette safrettant |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Contratenor
- Other Counterpoint
- Stretto Fuga, Rhythm slightly different on second half of duo
|
1–3 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
|
30–31 |
Plaisir, prouffit, honneur, advancement |
6 |
Details
|
|
21–22 |
Une safrette safrettant |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
24–25 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
|
15–16 |
Prendre plaisir en aymant loyaulment |
5 |
Details
|
|
1–5 |
Amour que tu me fais de mal |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
6–7 |
Qui diable nous a faict ces jours |
1 |
Details
|
|
40–42 |
Rossignolet qui chante au verd bois |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@4)
- Tenor
|
28–29 |
Prendre plaisir en aymant loyaulment |
8 |
Details
|
|
8–9 |
La grant doulceur de vostre cler visaige |
1 |
Details
|
|
28–31 |
Vous estes un fascheux homme |
11 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Text Treatment
- Text Overlap
|
6–7 |
Si vous l'avez rendez le moy |
2 |
Details
|
|
1–2 |
Où cerchez-vous du dieu d'amour l'empire |
1 |
Details
|
|
3–6 |
Quelque yvrongne de par le monde |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@5)
- Superius
- Voice Role (@4)
- Tenor
- Other Counterpoint
- S Entry first half note shortened to a quarter note
|
19–22 |
D'amour me plainctz et du mal que je sens |
6 |
Details
|
|
22–23 |
D'amour me plainctz et du mal que je sens |
6 |
Details
|
|
11–13 |
O vous mes yeulx qui avez incité |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
- Other Formulas
- Romanesca
|
6–7 |
Il est permis trouver au lict s'amie |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
37–37 |
Quelque yvrongne de par le monde |
8 |
Details
|
|
31–32 |
Jamais amour sans guerre n'est parfaict |
9 |
Details
|
|
31–39 |
Monsieur l'Abbé et monsieur son vallet |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
11–15 |
A tout jamais d'un vouloir immortel |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
|
36–42 |
Si vous l'avez rendez le moy |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
Comments
Repeat measures 28-34
|
18–22 |
Si j'ay grand desir de la veoir |
7 |
Details
|
|
3–3 |
Si vous aviez comme moy faim |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Formulas
- Romanesca
- Text Treatment
- Text Overlap
|
7–7 |
Il est permis trouver au lict s'amie |
2 |
Details
|
|
37–39 |
Quelque yvrongne de par le monde |
9 |
Details
|
|
32–36 |
Jamais amour sans guerre n'est parfaict |
10 |
Details
|
|
40–40 |
Monsieur l'Abbé et monsieur son vallet |
6 |
Details
|
|
14–15 |
A tout jamais d'un vouloir immortel |
2 |
Details
|
|
11–13 |
O vous mes yeulx qui avez incité |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Other Formulas
- Romanesca
|
1–2 |
Veoir, deviser et converser |
1 |
Details
|
|
18–22 |
Si j'ay grand desir de la veoir |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
29–31 |
J'endure tout, c'est bien raison |
8 |
Details
|
|
7–8 |
Il est permis trouver au lict s'amie |
2 |
Details
|
|
41–43 |
Quelque yvrongne de par le monde |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
|
32–34 |
Jamais amour sans guerre n'est parfaict |
10 |
Details
|
|
40–41 |
Monsieur l'Abbé et monsieur son vallet |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Text Treatment
- Text Declamation
|
15–17 |
A tout jamais d'un vouloir immortel |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
13–15 |
O vous mes yeulx qui avez incité |
5 |
Details
|
|
1–5 |
Veoir, deviser et converser |
1 |
Details
|
|
21–22 |
Si j'ay grand desir de la veoir |
7 |
Details
|
|
5–7 |
Si vous aviez comme moy faim |
2 |
Details
|
|
1–4 |
Si vous aviez comme moy faim |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
8–11 |
Il est permis trouver au lict s'amie |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
Ct/B Staggered post-cadence
|
34–36 |
Jamais amour sans guerre n'est parfaict |
10 |
Details
|
|
43–44 |
Monsieur l'Abbé et monsieur son vallet |
6 |
Details
|
|
18–19 |
A tout jamais d'un vouloir immortel |
2 |
Details
|
|
15–16 |
O vous mes yeulx qui avez incité |
6 |
Details
|
|
5–5 |
Veoir, deviser et converser |
1 |
Details
|
|
21–28 |
Si j'ay grand desir de la veoir |
8 |
Details
|
|
43–45 |
Quelque yvrongne de par le monde |
10 |
Details
|
|
10–15 |
Il est permis trouver au lict s'amie |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
45–50 |
Quelque yvrongne de par le monde |
11 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
44–45 |
Monsieur l'Abbé et monsieur son vallet |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
"mais" elongated
|
19–19 |
A tout jamais d'un vouloir immortel |
3 |
Details
|
|
17–18 |
O vous mes yeulx qui avez incité |
6 |
Details
|
|
5–8 |
Veoir, deviser et converser |
2 |
Details
|
|
25–28 |
Si j'ay grand desir de la veoir |
8 |
Details
|
|
4–8 |
Si vous aviez comme moy faim |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
1–2 |
Ce disoit une jeune dame |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
|
15–15 |
Il est permis trouver au lict s'amie |
5 |
Details
|
|
49–58 |
Quelque yvrongne de par le monde |
12 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
1–2 |
Jamais amour sans guerre n'est parfaict |
1 |
Details
|
|
44–48 |
Monsieur l'Abbé et monsieur son vallet |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Contratenor
- Voice Role (@4)
- Contratenor
|
19–25 |
A tout jamais d'un vouloir immortel |
3 |
Details
|
|
18–20 |
O vous mes yeulx qui avez incité |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
7–8 |
Veoir, deviser et converser |
2 |
Details
|
|
21–28 |
Si j'ay grand desir de la veoir |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
8–10 |
Si vous aviez comme moy faim |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Superius
- Voice Role (Lower Voice 1 NIM)
- Contratenor
- Voice Role (Upper Voice 2 NIM)
- Tenor
- Voice Role (Lower Voice 2 NIM)
- Bassus
|
10–20 |
Si la promesse m'est tenue |
3 |
Details
|
|
15–17 |
Il est permis trouver au lict s'amie |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
1–2 |
Jehan se jouant un jour avec Jehannette |
1 |
Details
|
|
49–50 |
Monsieur l'Abbé et monsieur son vallet |
6 |
Details
|
|
23–25 |
A tout jamais d'un vouloir immortel |
3 |
Details
|
|
19–21 |
O vous mes yeulx qui avez incité |
6 |
Details
|
|
1–5 |
Veoir, deviser et converser |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
1–1 |
Si me voyez face triste et dolente |
1 |
Details
|
|
10–12 |
Si vous aviez comme moy faim |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Other Formulas
- Romanesca
|
3–4 |
Ce disoit une jeune dame |
1 |
Details
|
|
15–18 |
Il est permis trouver au lict s'amie |
5 |
Details
|
|
2–3 |
Jehan se jouant un jour avec Jehannette |
1 |
Details
|
|
2–4 |
Jamais amour sans guerre n'est parfaict |
1 |
Details
|
|
25–27 |
A tout jamais d'un vouloir immortel |
4 |
Details
|
|
22–22 |
O vous mes yeulx qui avez incité |
7 |
Details
|
|
5–8 |
Veoir, deviser et converser |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
1–4 |
Si me voyez face triste et dolente |
1 |
Details
|
|
12–13 |
Si vous aviez comme moy faim |
6 |
Details
|
|
3–5 |
Ce disoit une jeune dame |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Other Formulas
- Romanesca
- Text Treatment
- Text Overlap
|
18–18 |
Il est permis trouver au lict s'amie |
5 |
Details
|
|
3–3 |
Jehan se jouant un jour avec Jehannette |
1 |
Details
|
|
50–51 |
Monsieur l'Abbé et monsieur son vallet |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
29–31 |
A tout jamais d'un vouloir immortel |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
|
22–25 |
O vous mes yeulx qui avez incité |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
9–9 |
Veoir, deviser et converser |
5 |
Details
|
|
3–4 |
Si me voyez face triste et dolente |
1 |
Details
|
|
12–15 |
Si vous aviez comme moy faim |
6 |
Details
|
|
7–7 |
Ce disoit une jeune dame |
2 |
Details
|
|
19–22 |
Il est permis trouver au lict s'amie |
6 |
Details
|
|
3–5 |
Jehan se jouant un jour avec Jehannette |
2 |
Details
|
|
8–10 |
Jamais amour sans guerre n'est parfaict |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
long melissma on "plaisir"
|
50–51 |
Monsieur l'Abbé et monsieur son vallet |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
22–26 |
O vous mes yeulx qui avez incité |
7 |
Details
|
|
9–13 |
Veoir, deviser et converser |
5 |
Details
|
|
4–9 |
Si me voyez face triste et dolente |
2 |
Details
|
|
31–32 |
A tout jamais d'un vouloir immortel |
4 |
Details
|
|
9–9 |
Ce disoit une jeune dame |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
Eb on "corps"
|
22–24 |
Il est permis trouver au lict s'amie |
6 |
Details
|
|
6–7 |
Jehan se jouant un jour avec Jehannette |
2 |
Details
|
|
53–54 |
Monsieur l'Abbé et monsieur son vallet |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
32–33 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@4)
- Contratenor
|
11–13 |
Veoir, deviser et converser |
5 |
Details
|
|
8–9 |
Si me voyez face triste et dolente |
2 |
Details
|
|
16–17 |
Si vous aviez comme moy faim |
6 |
Details
|
|
24–25 |
O vous mes yeulx qui avez incité |
7 |
Details
|
|
17–21 |
Si vous aviez comme moy faim |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
|
9–10 |
Ce disoit une jeune dame |
3 |
Details
|
|
24–27 |
Il est permis trouver au lict s'amie |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
7–11 |
Jehan se jouant un jour avec Jehannette |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dance
- Other Formulas
- Romanesca
|
1–5 |
Jamais amour sans guerre n'est parfaict |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
55–57 |
Monsieur l'Abbé et monsieur son vallet |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
25–29 |
O vous mes yeulx qui avez incité |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
13–13 |
Veoir, deviser et converser |
5 |
Details
|
|
1–4 |
Si me voyez face triste et dolente |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
34–36 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
17–18 |
Si vous aviez comme moy faim |
7 |
Details
|
|
12–13 |
Ce disoit une jeune dame |
4 |
Details
|
|
27–27 |
Il est permis trouver au lict s'amie |
7 |
Details
|
|
12–15 |
Jehan se jouant un jour avec Jehannette |
4 |
Details
|
|
5–12 |
Jamais amour sans guerre n'est parfaict |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
58–58 |
Monsieur l'Abbé et monsieur son vallet |
7 |
Details
|
|
36–38 |
A tout jamais d'un vouloir immortel |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
25–28 |
O vous mes yeulx qui avez incité |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
|
14–16 |
Veoir, deviser et converser |
6 |
Details
|
|
4–9 |
Si me voyez face triste et dolente |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
28–29 |
Il est permis trouver au lict s'amie |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
- Text Treatment
- Text Declamation
Comments
"plus sollempnel"
|
13–19 |
Jamais amour sans guerre n'est parfaict |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
sustained long note on "maid" as rhetorical device
|
58–60 |
Monsieur l'Abbé et monsieur son vallet |
8 |
Details
|
|
37–37 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
28–29 |
O vous mes yeulx qui avez incité |
8 |
Details
|
|
10–10 |
Si me voyez face triste et dolente |
5 |
Details
|
|
20–21 |
Si vous aviez comme moy faim |
7 |
Details
|
|
14–15 |
Jehan se jouant un jour avec Jehannette |
4 |
Details
|
|
21–26 |
Si vous aviez comme moy faim |
8 |
Details
|
|
56–56 |
Musiciens qui chantez à plaisir |
10 |
Details
|
|
28–32 |
Il est permis trouver au lict s'amie |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
15–17 |
Jehan se jouant un jour avec Jehannette |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Tenor
- Voice Role (Upper Voice 2 NIM)
- Superius
- Voice Role (Lower Voice 2 NIM)
- Tenor
- Other Counterpoint
- T first quarter note shortened to a half note or S entry lengthened to a half note
|
13–16 |
Jamais amour sans guerre n'est parfaict |
5 |
Details
|
|
61–63 |
Monsieur l'Abbé et monsieur son vallet |
8 |
Details
|
|
38–41 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
1–5 |
Un galland le fit et refit |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Comes 2)
- Contratenor
- Voice Role (@5)
- Superius
- Other Counterpoint
- Stretto Fuga
|
1–1 |
D'un amy fainct je ne me puis deffaire |
1 |
Details
|
|
16–17 |
Veoir, deviser et converser |
6 |
Details
|
|
10–14 |
Si me voyez face triste et dolente |
5 |
Details
|
|
15–17 |
Ce disoit une jeune dame |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Bassus
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
21–26 |
Si vous aviez comme moy faim |
8 |
Details
|
|
59–61 |
Musiciens qui chantez à plaisir |
10 |
Details
|
|
19–22 |
Ce disoit une jeune dame |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Text Treatment
- Text Overlap
|
30–32 |
Il est permis trouver au lict s'amie |
8 |
Details
|
|
17–18 |
Jehan se jouant un jour avec Jehannette |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
|
16–17 |
Jamais amour sans guerre n'est parfaict |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
"conjoinctz" with text enjambment
|
63–64 |
Monsieur l'Abbé et monsieur son vallet |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
|
38–40 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
3–4 |
Un galland le fit et refit |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
2–4 |
D'un amy fainct je ne me puis deffaire |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Superius
|
17–17 |
Veoir, deviser et converser |
6 |
Details
|
|
13–14 |
Si me voyez face triste et dolente |
5 |
Details
|
|
61–65 |
Musiciens qui chantez à plaisir |
10 |
Details
|
|
21–22 |
Ce disoit une jeune dame |
6 |
Details
|
|
19–19 |
Jamais amour sans guerre n'est parfaict |
5 |
Details
|
|
63–67 |
Monsieur l'Abbé et monsieur son vallet |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (@4)
- Contratenor
|
40–41 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
4–5 |
Un galland le fit et refit |
1 |
Details
|
|
4–6 |
D'un amy fainct je ne me puis deffaire |
1 |
Details
|
|
18–22 |
Veoir, deviser et converser |
7 |
Details
|
|
14–18 |
Si me voyez face triste et dolente |
6 |
Details
|
|
19–21 |
Jehan se jouant un jour avec Jehannette |
5 |
Details
|
|
21–22 |
Si vous aviez comme moy faim |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Tenor
- Voice Role (Lower Voice 1 NIM)
- Bassus
- Voice Role (Upper Voice 2 NIM)
- Superius
- Voice Role (Lower Voice 2 NIM)
- Contratenor
- Voice Role (@1 or @8)
- Superius
|
61–65 |
Musiciens qui chantez à plaisir |
10 |
Details
|
|
22–24 |
Ce disoit une jeune dame |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
|
1–2 |
Un jour dormoit Colin en my des prez |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
21–24 |
Jehan se jouant un jour avec Jehannette |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
|
16–20 |
Jamais amour sans guerre n'est parfaict |
6 |
Details
|
|
67–69 |
Monsieur l'Abbé et monsieur son vallet |
9 |
Details
|
|
41–51 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 5
- Repeat, Exact or Varied?
|
6–7 |
Un galland le fit et refit |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
Comments
T resolves to begin next phrase but silent at resolution
|
6–9 |
D'un amy fainct je ne me puis deffaire |
2 |
Details
|
|
17–22 |
Veoir, deviser et converser |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
15–16 |
Si me voyez face triste et dolente |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
24–26 |
Si vous aviez comme moy faim |
8 |
Details
|
|
61–65 |
Musiciens qui chantez à plaisir |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
triple meter = drinking song?
|
25–27 |
Ce disoit une jeune dame |
7 |
Details
|
|
2–3 |
Un jour dormoit Colin en my des prez |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Other Counterpoint
- Invertible Counterpoint
|
41–51 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 5
- Repeat, Exact or Varied?
Comments
Metrically offset and candential resolutions elongated
|
7–9 |
Un galland le fit et refit |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@5)
- Contratenor
|
9–11 |
D'un amy fainct je ne me puis deffaire |
2 |
Details
|
|
17–22 |
Veoir, deviser et converser |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
17–18 |
Si me voyez face triste et dolente |
6 |
Details
|
|
68–71 |
Monsieur l'Abbé et monsieur son vallet |
9 |
Details
|
|
21–24 |
Jehan se jouant un jour avec Jehannette |
6 |
Details
|
|
29–31 |
Ce disoit une jeune dame |
8 |
Details
|
|
4–5 |
Un jour dormoit Colin en my des prez |
1 |
Details
|
|
23–25 |
Jehan se jouant un jour avec Jehannette |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
23–24 |
Jamais amour sans guerre n'est parfaict |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
|
63–71 |
Monsieur l'Abbé et monsieur son vallet |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
|
8–10 |
Un galland le fit et refit |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
19–19 |
Si me voyez face triste et dolente |
7 |
Details
|
|
64–65 |
Musiciens qui chantez à plaisir |
10 |
Details
|
|
20–21 |
Veoir, deviser et converser |
7 |
Details
|
|
1–1 |
Musiciens qui chantez à plaisir |
1 |
Details
|
|
3–7 |
Un jour dormoit Colin en my des prez |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Text Treatment
- Text Overlap
|
25–26 |
Jehan se jouant un jour avec Jehannette |
6 |
Details
|
|
70–71 |
Monsieur l'Abbé et monsieur son vallet |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
51–52 |
A tout jamais d'un vouloir immortel |
6 |
Details
|
|
11–12 |
Un galland le fit et refit |
3 |
Details
|
|
13–18 |
D'un amy fainct je ne me puis deffaire |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
20–25 |
Veoir, deviser et converser |
8 |
Details
|
|
19–22 |
Si me voyez face triste et dolente |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
30–31 |
Ce disoit une jeune dame |
8 |
Details
|
|
6–7 |
Un jour dormoit Colin en my des prez |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
|
25–27 |
Jehan se jouant un jour avec Jehannette |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
26–29 |
Jamais amour sans guerre n'est parfaict |
8 |
Details
|
|
11–14 |
Un galland le fit et refit |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
Cadence is complete
|
18–23 |
D'un amy fainct je ne me puis deffaire |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
20–25 |
Veoir, deviser et converser |
8 |
Details
|
|
1–6 |
Musiciens qui chantez à plaisir |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Superius
- Voice Role (Lower Voice 1 NIM)
- Contratenor
- Voice Role (Upper Voice 2 NIM)
- Tenor
- Voice Role (Lower Voice 2 NIM)
- Bassus
|
18–22 |
Si me voyez face triste et dolente |
7 |
Details
|
|
71–72 |
Monsieur l'Abbé et monsieur son vallet |
10 |
Details
|
|
53–55 |
A tout jamais d'un vouloir immortel |
6 |
Details
|
|
31–33 |
Ce disoit une jeune dame |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Above)
- Superius
- Voice Role (Below)
- Bassus
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
10–11 |
Un jour dormoit Colin en my des prez |
2 |
Details
|
|
28–31 |
Jehan se jouant un jour avec Jehannette |
7 |
Details
|
|
29–33 |
Jamais amour sans guerre n'est parfaict |
9 |
Details
|
|
71–73 |
Monsieur l'Abbé et monsieur son vallet |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
55–56 |
A tout jamais d'un vouloir immortel |
6 |
Details
|
|
14–16 |
Un galland le fit et refit |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
|
23–24 |
D'un amy fainct je ne me puis deffaire |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
|
20–25 |
Veoir, deviser et converser |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
22–29 |
Si me voyez face triste et dolente |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
5–9 |
Musiciens qui chantez à plaisir |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Bassus
- Voice Role (Comes 2)
- Tenor
- Voice Role (@5)
- Superius
- Voice Role (Above)
- Superius
- Text Treatment
- Text Overlap
|
35–36 |
Ce disoit une jeune dame |
9 |
Details
|
|
5–6 |
Musiciens qui chantez à plaisir |
2 |
Details
|
|
37–37 |
Ce disoit une jeune dame |
10 |
Details
|
|
11–12 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
|
30–31 |
Jehan se jouant un jour avec Jehannette |
7 |
Details
|
|
15–17 |
Un galland le fit et refit |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
25–25 |
D'un amy fainct je ne me puis deffaire |
5 |
Details
|
|
22–25 |
Veoir, deviser et converser |
8 |
Details
|
|
22–25 |
Si me voyez face triste et dolente |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Contratenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (@5)
- Contratenor
|
55–56 |
A tout jamais d'un vouloir immortel |
6 |
Details
|
|
32–33 |
Jamais amour sans guerre n'est parfaict |
9 |
Details
|
|
73–75 |
Monsieur l'Abbé et monsieur son vallet |
10 |
Details
|
|
37–37 |
Ce disoit une jeune dame |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
ON WORD "CELA"
|
12–13 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
|
1–2 |
Tels menus plaidz conferment les amours |
1 |
Details
|
|
75–77 |
Monsieur l'Abbé et monsieur son vallet |
10 |
Details
|
|
1–3 |
A tout jamais d'un vouloir immortel |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Formulas
- Romanesca
- Text Treatment
- Text Representation
Comments
long note descending tetrachord "la grand doulceur" and "craulte" on the repeat
|
18–19 |
Un galland le fit et refit |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
|
23–24 |
D'un amy fainct je ne me puis deffaire |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
|
1–4 |
Robin vouloit sa femme battre |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@4)
- Superius
|
25–28 |
Si me voyez face triste et dolente |
2 |
Details
|
|
31–31 |
Jehan se jouant un jour avec Jehannette |
7 |
Details
|
|
36–41 |
Ce disoit une jeune dame |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
|
12–13 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
1–2 |
Tels menus plaidz conferment les amours |
1 |
Details
|
|
75–77 |
Monsieur l'Abbé et monsieur son vallet |
10 |
Details
|
|
4–9 |
A tout jamais d'un vouloir immortel |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
Long melissmas particularly in S on "visaige" and "couraige"
|
18–20 |
Un galland le fit et refit |
5 |
Details
|
|
25–25 |
D'un amy fainct je ne me puis deffaire |
5 |
Details
|
|
27–28 |
Si me voyez face triste et dolente |
8 |
Details
|
|
10–11 |
Musiciens qui chantez à plaisir |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (@5)
- Contratenor
|
37–38 |
Ce disoit une jeune dame |
10 |
Details
|
|
13–14 |
Un jour dormoit Colin en my des prez |
3 |
Details
|
|
2–4 |
Tels menus plaidz conferment les amours |
1 |
Details
|
|
70–78 |
Monsieur l'Abbé et monsieur son vallet |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
|
4–7 |
A tout jamais d'un vouloir immortel |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Bassus
|
20–24 |
Un galland le fit et refit |
6 |
Details
|
|
33–33 |
D'un amy fainct je ne me puis deffaire |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Text Treatment
- Text Representation
Comments
"ha" HR Stagger to imitate laughter
|
7–7 |
Robin vouloit sa femme battre |
2 |
Details
|
|
13–13 |
Un jour dormoit Colin en my des prez |
4 |
Details
|
|
3–5 |
Tels menus plaidz conferment les amours |
1 |
Details
|
|
1–2 |
Quand suis au lict pour prendre mon repos |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
4–8 |
A tout jamais d'un vouloir immortel |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
34–35 |
D'un amy fainct je ne me puis deffaire |
7 |
Details
|
|
9–11 |
Robin vouloit sa femme battre |
2 |
Details
|
|
12–13 |
Musiciens qui chantez à plaisir |
2 |
Details
|
|
23–24 |
Un galland le fit et refit |
6 |
Details
|
|
40–42 |
Ce disoit une jeune dame |
10 |
Details
|
|
14–15 |
Musiciens qui chantez à plaisir |
3 |
Details
|
|
14–17 |
Un jour dormoit Colin en my des prez |
4 |
Details
|
|
8–10 |
Tels menus plaidz conferment les amours |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
long melissma on "plaisir"
|
24–27 |
Un galland le fit et refit |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
28–30 |
D'un amy fainct je ne me puis deffaire |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Other Counterpoint
- S quarter note entrance is a half note, so it enters early
|
1–5 |
Robin vouloit sa femme battre |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
4–4 |
Quand suis au lict pour prendre mon repos |
1 |
Details
|
|
8–9 |
A tout jamais d'un vouloir immortel |
1 |
Details
|
|
1–3 |
Quand je voy ma mignonne rire |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Bassus
- Voice Role (@4)
- Tenor
- Voice Role (Below)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
14–19 |
Musiciens qui chantez à plaisir |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
RESTS S/CT - CT/T ADDED 14-15
|
3–3 |
Quand je voy ma mignonne rire |
1 |
Details
|
|
17–18 |
Un jour dormoit Colin en my des prez |
4 |
Details
|
|
6–8 |
Quand suis au lict pour prendre mon repos |
2 |
Details
|
|
9–14 |
A tout jamais d'un vouloir immortel |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@5)
- Superius
|
26–27 |
Un galland le fit et refit |
7 |
Details
|
|
30–32 |
D'un amy fainct je ne me puis deffaire |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
5–12 |
Robin vouloit sa femme battre |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
18–27 |
Musiciens qui chantez à plaisir |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
3–3 |
Quand je voy ma mignonne rire |
2 |
Details
|
|
19–23 |
Un jour dormoit Colin en my des prez |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
- Text Treatment
- Text Representation
Comments
Eb on "mais" Ct and B
|
1–5 |
Tels menus plaidz conferment les amours |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
5–5 |
Quand suis au lict pour prendre mon repos |
2 |
Details
|
|
13–16 |
A tout jamais d'un vouloir immortel |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
1–3 |
Plaisir, prouffit, honneur, advancement |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
|
27–32 |
Un galland le fit et refit |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (@1 or @8)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
32–33 |
D'un amy fainct je ne me puis deffaire |
6 |
Details
|
|
1–4 |
Passant melancolie |
1 |
Details
|
|
16–16 |
Robin vouloit sa femme battre |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Other Formulas
- Romanesca
|
27–28 |
Musiciens qui chantez à plaisir |
5 |
Details
|
|
22–23 |
Un jour dormoit Colin en my des prez |
5 |
Details
|
|
5–12 |
Tels menus plaidz conferment les amours |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
8–10 |
Quand suis au lict pour prendre mon repos |
2 |
Details
|
|
17–8 |
A tout jamais d'un vouloir immortel |
2 |
Details
|
|
4–4 |
Passant melancolie |
1 |
Details
|
|
16–17 |
Robin vouloit sa femme battre |
5 |
Details
|
|
35–36 |
D'un amy fainct je ne me puis deffaire |
7 |
Details
|
|
4–5 |
Quand je voy ma mignonne rire |
2 |
Details
|
|
27–28 |
Musiciens qui chantez à plaisir |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
|
7–9 |
Quand je voy ma mignonne rire |
4 |
Details
|
|
23–24 |
Un jour dormoit Colin en my des prez |
6 |
Details
|
|
13–19 |
Tels menus plaidz conferment les amours |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
sustained note on "mais" as a rhetorical device
|
1–4 |
Quand suis au lict pour prendre mon repos |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
1–9 |
A tout jamais d'un vouloir immortel |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
31–32 |
Un galland le fit et refit |
8 |
Details
|
|
36–36 |
D'un amy fainct je ne me puis deffaire |
8 |
Details
|
|
4–7 |
Passant melancolie |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- HR Dance
- Other Formulas
- Romanesca
|
17–18 |
Robin vouloit sa femme battre |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
4–5 |
Plaisir, prouffit, honneur, advancement |
1 |
Details
|
|
1–4 |
C'est a moy qu'en veult ce coqu |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
Comments
HR STAG in first measure
|
23–24 |
Un jour dormoit Colin en my des prez |
6 |
Details
|
|
13–16 |
Tels menus plaidz conferment les amours |
5 |
Details
|
|
4–11 |
Quand suis au lict pour prendre mon repos |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
8–18 |
A tout jamais d'un vouloir immortel |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
6–7 |
Plaisir, prouffit, honneur, advancement |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@5)
- Superius
|
32–34 |
Un galland le fit et refit |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Lower Voice 2 NIM)
- Superius
- Voice Role (Comes 1)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
36–40 |
D'un amy fainct je ne me puis deffaire |
8 |
Details
|
|
6–7 |
Passant melancolie |
2 |
Details
|
|
28–30 |
Musiciens qui chantez à plaisir |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Tenor
|
20–21 |
Robin vouloit sa femme battre |
7 |
Details
|
|
3–3 |
C'est a moy qu'en veult ce coqu |
1 |
Details
|
|
10–11 |
Quand je voy ma mignonne rire |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
- Text Treatment
- Text Declamation
|
16–17 |
Tels menus plaidz conferment les amours |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
text enjambment on "conjonctz"
|
11–13 |
Quand suis au lict pour prendre mon repos |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@4)
- Contratenor
|
19–19 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
37–40 |
D'un amy fainct je ne me puis deffaire |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
1–4 |
Passant melancolie |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
21–23 |
Robin vouloit sa femme battre |
8 |
Details
|
|
30–32 |
Musiciens qui chantez à plaisir |
5 |
Details
|
|
25–26 |
Un jour dormoit Colin en my des prez |
6 |
Details
|
|
32–33 |
Musiciens qui chantez à plaisir |
6 |
Details
|
|
13–13 |
Quand je voy ma mignonne rire |
6 |
Details
|
|
25–27 |
Un jour dormoit Colin en my des prez |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Text Treatment
- Text Overlap
|
19–19 |
Tels menus plaidz conferment les amours |
5 |
Details
|
|
19–19 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
9–11 |
Plaisir, prouffit, honneur, advancement |
2 |
Details
|
|
35–39 |
Un galland le fit et refit |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
39–40 |
D'un amy fainct je ne me puis deffaire |
8 |
Details
|
|
4–7 |
Passant melancolie |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
22–22 |
Robin vouloit sa femme battre |
8 |
Details
|
|
35–36 |
Un galland le fit et refit |
9 |
Details
|
|
13–15 |
Quand suis au lict pour prendre mon repos |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
Comments
S does not resolve until beginning of following phrase
|
6–6 |
C'est a moy qu'en veult ce coqu |
3 |
Details
|
|
34–36 |
Musiciens qui chantez à plaisir |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
|
14–16 |
Quand je voy ma mignonne rire |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@5)
- Superius
- Other Counterpoint
- Stretto Fuga
|
27–29 |
Un jour dormoit Colin en my des prez |
7 |
Details
|
|
16–20 |
Tels menus plaidz conferment les amours |
6 |
Details
|
|
14–16 |
Quand suis au lict pour prendre mon repos |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (@4)
- Superius
- Other Counterpoint
- Stretto Fuga
|
19–22 |
A tout jamais d'un vouloir immortel |
5 |
Details
|
|
37–39 |
Un galland le fit et refit |
10 |
Details
|
|
1–3 |
Je voudrois ce gentil clerc estre |
1 |
Details
|
|
8–11 |
Passant melancolie |
5 |
Details
|
|
23–24 |
Robin vouloit sa femme battre |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
|
37–39 |
Musiciens qui chantez à plaisir |
6 |
Details
|
|
14–16 |
Quand je voy ma mignonne rire |
7 |
Details
|
|
29–32 |
Un jour dormoit Colin en my des prez |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
|
21–22 |
Tels menus plaidz conferment les amours |
6 |
Details
|
|
17–18 |
Quand suis au lict pour prendre mon repos |
6 |
Details
|
|
10–17 |
Plaisir, prouffit, honneur, advancement |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Text Treatment
- Text Overlap
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
Ct/B holdover
|
39–42 |
Un galland le fit et refit |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
|
1–1 |
Je voudrois ce gentil clerc estre |
1 |
Details
|
|
11–11 |
Passant melancolie |
5 |
Details
|
|
26–28 |
Robin vouloit sa femme battre |
8 |
Details
|
|
6–8 |
C'est a moy qu'en veult ce coqu |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
8–11 |
C'est a moy qu'en veult ce coqu |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
Cadence avoided at end of phrase
|
39–44 |
Musiciens qui chantez à plaisir |
7 |
Details
|
|
16–16 |
Quand je voy ma mignonne rire |
7 |
Details
|
|
33–37 |
Un jour dormoit Colin en my des prez |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
|
23–24 |
Tels menus plaidz conferment les amours |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
|
18–18 |
Quand suis au lict pour prendre mon repos |
6 |
Details
|
|
16–21 |
Plaisir, prouffit, honneur, advancement |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
42–45 |
Un galland le fit et refit |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
Comments
FINAL CADENCE not evaded
|
3–4 |
Je voudrois ce gentil clerc estre |
1 |
Details
|
|
11–13 |
Passant melancolie |
6 |
Details
|
|
1–2 |
Une safrette safrettant |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
26–29 |
Tels menus plaidz conferment les amours |
8 |
Details
|
|
43–52 |
Musiciens qui chantez à plaisir |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
25–26 |
Tels menus plaidz conferment les amours |
7 |
Details
|
|
18–23 |
Quand suis au lict pour prendre mon repos |
7 |
Details
|
|
25–26 |
La grant doulceur de vostre cler visaige |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Text Treatment
- Text Representation
Comments
"ones chantant"
|
1–4 |
Je voudrois ce gentil clerc estre |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
13–13 |
Passant melancolie |
6 |
Details
|
|
3–3 |
Une safrette safrettant |
1 |
Details
|
|
12–12 |
C'est a moy qu'en veult ce coqu |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dactyll
- Text Treatment
- Text Declamation
Comments
HR SIMPLE as well as HR DACTYLL
|
33–34 |
Un jour dormoit Colin en my des prez |
9 |
Details
|
|
16–17 |
Quand je voy ma mignonne rire |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (Below)
- Tenor
|
14–15 |
C'est a moy qu'en veult ce coqu |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Formulas
- Romanesca
Comments
Romanesca in S and T
|
50–52 |
Musiciens qui chantez à plaisir |
8 |
Details
|
|
16–19 |
Quand je voy ma mignonne rire |
8 |
Details
|
|
33–35 |
Un jour dormoit Colin en my des prez |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Other Counterpoint
- Stretto Fuga
|
19–21 |
Quand suis au lict pour prendre mon repos |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
37–30 |
La grant doulceur de vostre cler visaige |
6 |
Details
|
|
20–21 |
Plaisir, prouffit, honneur, advancement |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Text Treatment
- Text Overlap
|
3–6 |
Je voudrois ce gentil clerc estre |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@1 or @8)
- Superius
|
14–16 |
Passant melancolie |
7 |
Details
|
|
1–3 |
Une safrette safrettant |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@5)
- Superius
|
15–17 |
C'est a moy qu'en veult ce coqu |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 5
- Repeat, Exact or Varied?
|
36–37 |
Un jour dormoit Colin en my des prez |
9 |
Details
|
|
29–33 |
Tels menus plaidz conferment les amours |
9 |
Details
|
|
22–22 |
Quand suis au lict pour prendre mon repos |
7 |
Details
|
|
28–30 |
La grant doulceur de vostre cler visaige |
6 |
Details
|
|
6–7 |
Je voudrois ce gentil clerc estre |
2 |
Details
|
|
15–16 |
Passant melancolie |
7 |
Details
|
|
25–26 |
Plaisir, prouffit, honneur, advancement |
5 |
Details
|
|
52–53 |
Musiciens qui chantez à plaisir |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Superius
- Voice Role (@5)
- Bassus
- Voice Role (Below)
- Bassus
|
18–19 |
Quand je voy ma mignonne rire |
8 |
Details
|
|
17–19 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 6
- Repeat, Exact or Varied?
|
1–4 |
Je ne veulx plus de mon malheur me plaindre |
1 |
Details
|
|
37–40 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
|
32–33 |
Tels menus plaidz conferment les amours |
9 |
Details
|
|
22–23 |
Quand suis au lict pour prendre mon repos |
7 |
Details
|
|
30–30 |
La grant doulceur de vostre cler visaige |
7 |
Details
|
|
22–25 |
Plaisir, prouffit, honneur, advancement |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Superius
|
3–7 |
Je voudrois ce gentil clerc estre |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
16–19 |
Passant melancolie |
8 |
Details
|
|
4–6 |
Une safrette safrettant |
2 |
Details
|
|
20–20 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
37–43 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
|
33–34 |
Tels menus plaidz conferment les amours |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Dux 2)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
23–23 |
Quand suis au lict pour prendre mon repos |
8 |
Details
|
|
30–31 |
La grant doulceur de vostre cler visaige |
7 |
Details
|
|
8–8 |
Je voudrois ce gentil clerc estre |
5 |
Details
|
|
16–19 |
Passant melancolie |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
5–7 |
Une safrette safrettant |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Other Counterpoint
- Stretto Fuga, slightly different rhythm on second half of duo
|
54–55 |
Musiciens qui chantez à plaisir |
9 |
Details
|
|
3–3 |
Je ne veulx plus de mon malheur me plaindre |
1 |
Details
|
|
21–22 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
55–55 |
Musiciens qui chantez à plaisir |
9 |
Details
|
|
3–5 |
Je ne veulx plus de mon malheur me plaindre |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Dux 2)
- Bassus
- Other Counterpoint
- Invertible Counterpoint, Stretto Fuga
|
41–42 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
32–37 |
Tels menus plaidz conferment les amours |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
Comments
Ct and B varied
|
23–30 |
Quand suis au lict pour prendre mon repos |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
8–10 |
Je voudrois ce gentil clerc estre |
5 |
Details
|
|
19–19 |
Passant melancolie |
8 |
Details
|
|
7–9 |
Une safrette safrettant |
2 |
Details
|
|
1–2 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Other Formulas
- Romanesca
|
6–7 |
Je ne veulx plus de mon malheur me plaindre |
1 |
Details
|
|
41–42 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
23–25 |
Quand suis au lict pour prendre mon repos |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
30–35 |
La grant doulceur de vostre cler visaige |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
27–30 |
Plaisir, prouffit, honneur, advancement |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Other Formulas
- Romanesca
|
8–10 |
Je voudrois ce gentil clerc estre |
5 |
Details
|
|
19–21 |
Passant melancolie |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- HR Dance
- Other Formulas
- Romanesca
|
7–9 |
Une safrette safrettant |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Other Counterpoint
- Stretto Fuga, slightly different rhythm on second half of duo
|
35–37 |
Tels menus plaidz conferment les amours |
10 |
Details
|
|
2–3 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
|
30–31 |
C'est a moy qu'en veult ce coqu |
8 |
Details
|
|
6–7 |
Je ne veulx plus de mon malheur me plaindre |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
|
42–43 |
Un jour dormoit Colin en my des prez |
10 |
Details
|
|
1–2 |
Recepte pour un flux de bourse |
1 |
Details
|
|
24–27 |
Quand suis au lict pour prendre mon repos |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@4)
- Superius
|
30–32 |
La grant doulceur de vostre cler visaige |
7 |
Details
|
|
27–28 |
Plaisir, prouffit, honneur, advancement |
6 |
Details
|
|
10–10 |
Je voudrois ce gentil clerc estre |
5 |
Details
|
|
19–21 |
Passant melancolie |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
|
8–10 |
Une safrette safrettant |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
2–3 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
3–5 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
2–4 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Superius
- Voice Role (Lower Voice 1 NIM)
- Tenor
- Voice Role (Upper Voice 2 NIM)
- Tenor
- Other Formulas
- Romanesca
- Other Counterpoint
- Invertible Counterpoint
|
7–9 |
Je ne veulx plus de mon malheur me plaindre |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
|
1–4 |
Puisqu'à t'aimer ne reçoy que tourment |
1 |
Details
|
|
1–3 |
Recepte pour un flux de bourse |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
|
28–30 |
Quand suis au lict pour prendre mon repos |
8 |
Details
|
|
33–35 |
La grant doulceur de vostre cler visaige |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
10–13 |
Je voudrois ce gentil clerc estre |
6 |
Details
|
|
22–25 |
Passant melancolie |
10 |
Details
|
|
11–11 |
Une safrette safrettant |
3 |
Details
|
|
3–4 |
J'ay le fruit tant désiré |
1 |
Details
|
|
8–11 |
J'ay le fruit tant désiré |
3 |
Details
|
|
5–6 |
Madame je vous remercie/ De m'avoir esté si rebourse |
1 |
Details
|
|
11–12 |
Je ne veulx plus de mon malheur me plaindre |
2 |
Details
|
|
3–4 |
Puisqu'à t'aimer ne reçoy que tourment |
1 |
Details
|
|
2–4 |
Recepte pour un flux de bourse |
1 |
Details
|
|
1–1 |
Prendre plaisir en aymant loyaulment |
1 |
Details
|
|
31–34 |
Plaisir, prouffit, honneur, advancement |
7 |
Details
|
|
22–25 |
Passant melancolie |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
|
11–11 |
Une safrette safrettant |
3 |
Details
|
|
4–6 |
Ça ces beaux yeux, ça ceste bouche |
1 |
Details
|
|
12–13 |
Je voudrois ce gentil clerc estre |
6 |
Details
|
|
5–7 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
|
1–7 |
Je ne veulx plus de mon malheur me plaindre |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
4–5 |
Puisqu'à t'aimer ne reçoy que tourment |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Lower Voice 1 NIM)
- Tenor
- Voice Role (Upper Voice 2 NIM)
- Contratenor
- Voice Role (Lower Voice 2 NIM)
- Superius
|
5–6 |
Prendre plaisir en aymant loyaulment |
1 |
Details
|
|
32–33 |
Plaisir, prouffit, honneur, advancement |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
|
13–15 |
Je voudrois ce gentil clerc estre |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@5)
- Superius
|
9–11 |
Une safrette safrettant |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@5)
- Superius
|
4–5 |
Recepte pour un flux de bourse |
1 |
Details
|
|
23–25 |
Passant melancolie |
10 |
Details
|
|
11–15 |
J'ay le fruit tant désiré |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
Tenor 2>1 completes cadence to G that was avoided in phrase 2
|
6–10 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (Above)
- Contratenor
|
33–35 |
La grant doulceur de vostre cler visaige |
7 |
Details
|
|
6–12 |
Je ne veulx plus de mon malheur me plaindre |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
8–10 |
Puisqu'à t'aimer ne reçoy que tourment |
2 |
Details
|
|
4–6 |
Recepte pour un flux de bourse |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Other Formulas
- Romanesca
|
6–6 |
Prendre plaisir en aymant loyaulment |
2 |
Details
|
|
33–35 |
Plaisir, prouffit, honneur, advancement |
7 |
Details
|
|
16–16 |
Je voudrois ce gentil clerc estre |
7 |
Details
|
|
1–5 |
Rossignolet qui chante au verd bois |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
11–12 |
Une safrette safrettant |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (@5)
- Contratenor
- Other Counterpoint
- S entrance note shortened
|
4–6 |
J'ay le fruit tant désiré |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Superius
- Voice Role (Above)
- Superius
|
11–12 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
|
6–7 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Bassus
|
12–14 |
Je ne veulx plus de mon malheur me plaindre |
5 |
Details
|
|
1–4 |
Puisqu'à t'aimer ne reçoy que tourment |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
6–8 |
Recepte pour un flux de bourse |
1 |
Details
|
|
6–7 |
Prendre plaisir en aymant loyaulment |
2 |
Details
|
|
35–35 |
La grant doulceur de vostre cler visaige |
8 |
Details
|
|
34–36 |
Plaisir, prouffit, honneur, advancement |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
15–19 |
Je voudrois ce gentil clerc estre |
8 |
Details
|
|
1–6 |
Rossignolet qui chante au verd bois |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@4)
- Tenor
- Other Counterpoint
- Invertible Counterpoint
|
12–14 |
Une safrette safrettant |
4 |
Details
|
|
6–8 |
J'ay le fruit tant désiré |
2 |
Details
|
|
12–12 |
Madame je vous remercie/ De m'avoir esté si rebourse |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Superius
- Voice Role (Lower Voice 1 NIM)
- Contratenor
- Voice Role (Upper Voice 2 NIM)
- Tenor
- Voice Role (Lower Voice 2 NIM)
- Bassus
|
6–8 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Superius
|
16–21 |
J'ay le fruit tant désiré |
5 |
Details
|
|
14–15 |
Je ne veulx plus de mon malheur me plaindre |
5 |
Details
|
|
4–11 |
Puisqu'à t'aimer ne reçoy que tourment |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
8–11 |
Recepte pour un flux de bourse |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (Comes 2)
- Contratenor
|
6–7 |
Prendre plaisir en aymant loyaulment |
2 |
Details
|
|
35–38 |
La grant doulceur de vostre cler visaige |
8 |
Details
|
|
36–37 |
Plaisir, prouffit, honneur, advancement |
8 |
Details
|
|
18–19 |
Je voudrois ce gentil clerc estre |
8 |
Details
|
|
5–8 |
Rossignolet qui chante au verd bois |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@4)
- Tenor
|
14–16 |
Une safrette safrettant |
4 |
Details
|
|
10–10 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
17–19 |
J'ay le fruit tant désiré |
5 |
Details
|
|
15–16 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Lower Voice 1 NIM)
- Bassus
- Voice Role (Comes 1)
- Tenor
|
15–17 |
Je ne veulx plus de mon malheur me plaindre |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Text Treatment
- Text Overlap
|
11–11 |
Puisqu'à t'aimer ne reçoy que tourment |
4 |
Details
|
|
9–11 |
Recepte pour un flux de bourse |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Comes 2)
- Superius
|
6–7 |
Prendre plaisir en aymant loyaulment |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
38–40 |
Plaisir, prouffit, honneur, advancement |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@4)
- Tenor
|
20–20 |
Je voudrois ce gentil clerc estre |
9 |
Details
|
|
16–19 |
Une safrette safrettant |
5 |
Details
|
|
6–7 |
Rossignolet qui chante au verd bois |
1 |
Details
|
|
19–19 |
J'ay le fruit tant désiré |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
on "Augmenter" longer notes under a ligature plus phrases 5 and 6 elided here
|
17–18 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
|
11–14 |
Puisqu'à t'aimer ne reçoy que tourment |
5 |
Details
|
|
34–35 |
Jehan se jouant un jour avec Jehannette |
8 |
Details
|
|
12–14 |
Recepte pour un flux de bourse |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
1–6 |
Prendre plaisir en aymant loyaulment |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
24–26 |
J'ay le fruit tant désiré |
8 |
Details
|
|
35–42 |
La grant doulceur de vostre cler visaige |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
41–42 |
Plaisir, prouffit, honneur, advancement |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@4)
- Tenor
|
20–23 |
Je voudrois ce gentil clerc estre |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
Comments
Rhythm slightly different
|
8–10 |
Rossignolet qui chante au verd bois |
1 |
Details
|
|
19–19 |
Une safrette safrettant |
5 |
Details
|
|
16–17 |
Je ne veulx plus de mon malheur me plaindre |
6 |
Details
|
|
11–12 |
Ça ces beaux yeux, ça ceste bouche |
2 |
Details
|
|
18–20 |
Je ne veulx plus de mon malheur me plaindre |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
13–15 |
Puisqu'à t'aimer ne reçoy que tourment |
5 |
Details
|
|
36–39 |
Jehan se jouant un jour avec Jehannette |
9 |
Details
|
|
15–16 |
Recepte pour un flux de bourse |
3 |
Details
|
|
6–13 |
Prendre plaisir en aymant loyaulment |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
39–40 |
La grant doulceur de vostre cler visaige |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
42–44 |
Plaisir, prouffit, honneur, advancement |
8 |
Details
|
|
20–23 |
Je voudrois ce gentil clerc estre |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
|
10–11 |
Rossignolet qui chante au verd bois |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
|
19–22 |
Une safrette safrettant |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
20–21 |
J'ay le fruit tant désiré |
6 |
Details
|
|
14–16 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
|
20–22 |
Je ne veulx plus de mon malheur me plaindre |
6 |
Details
|
|
15–16 |
Puisqu'à t'aimer ne reçoy que tourment |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
36–37 |
Jehan se jouant un jour avec Jehannette |
9 |
Details
|
|
18–20 |
Recepte pour un flux de bourse |
3 |
Details
|
|
10–12 |
Prendre plaisir en aymant loyaulment |
4 |
Details
|
|
40–42 |
La grant doulceur de vostre cler visaige |
8 |
Details
|
|
1–1 |
Amour se doibt figurer une rose |
1 |
Details
|
|
22–27 |
Je voudrois ce gentil clerc estre |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
21–23 |
J'ay le fruit tant désiré |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Superius
- Voice Role (Lower Voice 1 NIM)
- Tenor
- Voice Role (Upper Voice 2 NIM)
- Contratenor
- Voice Role (Lower Voice 2 NIM)
- Bassus
|
19–20 |
Madame je vous remercie/ De m'avoir esté si rebourse |
3 |
Details
|
|
15–16 |
Ça ces beaux yeux, ça ceste bouche |
4 |
Details
|
|
20–22 |
Madame je vous remercie/ De m'avoir esté si rebourse |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@5)
- Contratenor
|
21–23 |
Je ne veulx plus de mon malheur me plaindre |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Text Treatment
- Text Overlap
|
17–19 |
Puisqu'à t'aimer ne reçoy que tourment |
6 |
Details
|
|
38–39 |
Jehan se jouant un jour avec Jehannette |
10 |
Details
|
|
13–18 |
Prendre plaisir en aymant loyaulment |
5 |
Details
|
|
2–2 |
Amour se doibt figurer une rose |
1 |
Details
|
|
22–27 |
Je voudrois ce gentil clerc estre |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
|
15–17 |
Rossignolet qui chante au verd bois |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
22–24 |
Une safrette safrettant |
6 |
Details
|
|
23–24 |
J'ay le fruit tant désiré |
7 |
Details
|
|
21–22 |
Recepte pour un flux de bourse |
4 |
Details
|
|
21–25 |
Je ne veulx plus de mon malheur me plaindre |
7 |
Details
|
|
19–19 |
Puisqu'à t'aimer ne reçoy que tourment |
7 |
Details
|
|
39–40 |
Jehan se jouant un jour avec Jehannette |
10 |
Details
|
|
23–26 |
Recepte pour un flux de bourse |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@5)
- Superius
|
13–13 |
Prendre plaisir en aymant loyaulment |
5 |
Details
|
|
19–19 |
La grant doulceur de vostre cler visaige |
5 |
Details
|
|
5–6 |
Amour se doibt figurer une rose |
1 |
Details
|
|
1–4 |
Amour que tu me fais de mal |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@1 or @8)
- Superius
- Voice Role (@5)
- Tenor
|
16–18 |
Rossignolet qui chante au verd bois |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Comes 1)
- Bassus
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@5)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
24–28 |
Une safrette safrettant |
7 |
Details
|
|
18–18 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
- Voice Role (Above)
- Tenor
|
25–28 |
J'ay le fruit tant désiré |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Upper Voice 1 NIM)
- Contratenor
- Voice Role (Lower Voice 1 NIM)
- Superius
- Voice Role (Upper Voice 2 NIM)
- Tenor
- Voice Role (@1 or @8)
- Contratenor
- Text Treatment
- Text Overlap
|
26–28 |
Madame je vous remercie/ De m'avoir esté si rebourse |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Dance
- Text Treatment
- Text Declamation
|
18–20 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
- Other Formulas
- Romanesca
|
25–26 |
Je ne veulx plus de mon malheur me plaindre |
7 |
Details
|
|
19–23 |
Puisqu'à t'aimer ne reçoy que tourment |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
40–41 |
Jehan se jouant un jour avec Jehannette |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (@5)
- Tenor
|
24–27 |
Recepte pour un flux de bourse |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
19–22 |
La grant doulceur de vostre cler visaige |
5 |
Details
|
|
6–6 |
Amour se doibt figurer une rose |
2 |
Details
|
|
3–4 |
Amour que tu me fais de mal |
1 |
Details
|
|
20–20 |
Rossignolet qui chante au verd bois |
3 |
Details
|
|
27–29 |
Une safrette safrettant |
7 |
Details
|
|
26–28 |
Je ne veulx plus de mon malheur me plaindre |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
23–29 |
Puisqu'à t'aimer ne reçoy que tourment |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
43–44 |
Jehan se jouant un jour avec Jehannette |
10 |
Details
|
|
26–28 |
Recepte pour un flux de bourse |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@4)
- Tenor
|
6–8 |
Amour se doibt figurer une rose |
2 |
Details
|
|
3–5 |
Amour que tu me fais de mal |
2 |
Details
|
|
20–22 |
Rossignolet qui chante au verd bois |
3 |
Details
|
|
28–29 |
Une safrette safrettant |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Voice Role (@5)
- Contratenor
- Voice Role (@4)
- Tenor
|
27–29 |
J'ay le fruit tant désiré |
9 |
Details
|
|
27–28 |
Madame je vous remercie/ De m'avoir esté si rebourse |
5 |
Details
|
|
17–18 |
Prendre plaisir en aymant loyaulment |
5 |
Details
|
|
27–29 |
Je ne veulx plus de mon malheur me plaindre |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Stagger
- Other Formulas
- Romanesca
|
1–2 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
1–2 |
Qui diable nous a faict ces jours |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Lower Voice 1 NIM)
- Contratenor
- Voice Role (@5)
- Superius
|
17–18 |
Prendre plaisir en aymant loyaulment |
6 |
Details
|
|
9–11 |
Amour se doibt figurer une rose |
2 |
Details
|
|
6–8 |
Amour que tu me fais de mal |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (@1 or @8)
- Superius
|
21–22 |
Rossignolet qui chante au verd bois |
4 |
Details
|
|
31–32 |
Une safrette safrettant |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
23–25 |
La grant doulceur de vostre cler visaige |
5 |
Details
|
|
31–31 |
Madame je vous remercie/ De m'avoir esté si rebourse |
6 |
Details
|
|
28–29 |
Recepte pour un flux de bourse |
6 |
Details
|
|
22–23 |
Ça ces beaux yeux, ça ceste bouche |
5 |
Details
|
|
1–3 |
Vous estes un fascheux homme |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Upper Voice 1 NIM)
- Contratenor
- Voice Role (Lower Voice 1 NIM)
- Superius
- Voice Role (Upper Voice 2 NIM)
- Tenor
Comments
T is late in entrance
|
22–26 |
Ça ces beaux yeux, ça ceste bouche |
6 |
Details
|
|
4–6 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
1–2 |
Qui diable nous a faict ces jours |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
- Voice Role (Comes 1)
- Superius
|
30–32 |
Recepte pour un flux de bourse |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
17–18 |
Prendre plaisir en aymant loyaulment |
6 |
Details
|
|
1–6 |
Amour se doibt figurer une rose |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
24–26 |
Rossignolet qui chante au verd bois |
4 |
Details
|
|
32–34 |
Une safrette safrettant |
8 |
Details
|
|
33–34 |
Madame je vous remercie/ De m'avoir esté si rebourse |
6 |
Details
|
|
28–29 |
Je ne veulx plus de mon malheur me plaindre |
8 |
Details
|
|
10–11 |
Amour que tu me fais de mal |
2 |
Details
|
|
5–5 |
Vous estes un fascheux homme |
2 |
Details
|
|
34–34 |
Madame je vous remercie/ De m'avoir esté si rebourse |
7 |
Details
|
|
30–30 |
Je ne veulx plus de mon malheur me plaindre |
9 |
Details
|
|
5–6 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
1–3 |
Qui diable nous a faict ces jours |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
32–34 |
Recepte pour un flux de bourse |
7 |
Details
|
|
17–22 |
Prendre plaisir en aymant loyaulment |
6 |
Details
|
|
6–11 |
Amour se doibt figurer une rose |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
26–27 |
Rossignolet qui chante au verd bois |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@4)
- Contratenor
|
34–39 |
Une safrette safrettant |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
25–26 |
Ça ces beaux yeux, ça ceste bouche |
6 |
Details
|
|
7–8 |
Vous estes un fascheux homme |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- HR Simple
- Other Formulas
- Romanesca
|
34–35 |
Madame je vous remercie/ De m'avoir esté si rebourse |
7 |
Details
|
|
26–28 |
Ça ces beaux yeux, ça ceste bouche |
7 |
Details
|
|
30–36 |
Je ne veulx plus de mon malheur me plaindre |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 9
- Repeat, Exact or Varied?
|
6–6 |
Si je te voy, qui est ce que desire |
1 |
Details
|
|
3–4 |
Qui diable nous a faict ces jours |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
|
20–21 |
Prendre plaisir en aymant loyaulment |
6 |
Details
|
|
9–18 |
La grant doulceur de vostre cler visaige |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
12–15 |
Amour se doibt figurer une rose |
5 |
Details
|
|
3–11 |
Amour que tu me fais de mal |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
27–30 |
Rossignolet qui chante au verd bois |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Voice Role (@5)
- Contratenor
- Other Counterpoint
- Stretto Fuga
|
39–44 |
Une safrette safrettant |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
35–41 |
Je ne veulx plus de mon malheur me plaindre |
10 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 10
- Repeat, Exact or Varied?
|
7–9 |
Si je te voy, qui est ce que desire |
2 |
Details
|
|
17–22 |
Prendre plaisir en aymant loyaulment |
6 |
Details
|
|
1–9 |
La grant doulceur de vostre cler visaige |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
18–18 |
Amour se doibt figurer une rose |
5 |
Details
|
|
12–13 |
Amour que tu me fais de mal |
5 |
Details
|
|
28–30 |
Rossignolet qui chante au verd bois |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@1 or @8)
- Superius
- Other Counterpoint
- Stretto Fuga
|
1–4 |
Le temps vouldroit de soy trop presumer |
1 |
Details
|
|
8–9 |
Vous estes un fascheux homme |
2 |
Details
|
|
37–39 |
Madame je vous remercie/ De m'avoir esté si rebourse |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Bassus
- Voice Role (Comes 1)
- Tenor
- Voice Role (Dux 2)
- Contratenor
- Voice Role (Comes 2)
- Superius
- Voice Role (@4)
- Tenor
- Voice Role (Above)
- Tenor
|
29–30 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
|
40–40 |
Madame je vous remercie/ De m'avoir esté si rebourse |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
Comments
B/T returns from measures 37-39 ID, but S/T does not
|
5–7 |
Puisque tu veulx mettre fin à ta plaincte |
1 |
Details
|
|
9–12 |
Si je te voy, qui est ce que desire |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Superius
- Voice Role (@4)
- Superius
|
7–11 |
Qui diable nous a faict ces jours |
2 |
Details
|
|
23–23 |
Prendre plaisir en aymant loyaulment |
2 |
Details
|
|
30–31 |
Rossignolet qui chante au verd bois |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@1 or @8)
- Contratenor
- Voice Role (@5)
- Superius
- Other Counterpoint
- Stretto Fuga
|
1–1 |
Le temps vouldroit de soy trop presumer |
1 |
Details
|
|
9–12 |
Vous estes un fascheux homme |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- NIM
- Voice Role (Upper Voice 1 NIM)
- Superius
- Voice Role (Lower Voice 1 NIM)
- Contratenor
- Voice Role (Upper Voice 2 NIM)
- Tenor
- Voice Role (Lower Voice 2 NIM)
- Bassus
|
14–15 |
Amour que tu me fais de mal |
5 |
Details
|
|
29–30 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
|
9–12 |
Vous estes un fascheux homme |
3 |
Details
|
|
30–33 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
|
7–9 |
Puisque tu veulx mettre fin à ta plaincte |
2 |
Details
|
|
10–12 |
Si je te voy, qui est ce que desire |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
10–11 |
Qui diable nous a faict ces jours |
2 |
Details
|
|
24–24 |
Prendre plaisir en aymant loyaulment |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
"et" elongated
|
9–14 |
La grant doulceur de vostre cler visaige |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- ID
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (Comes 2)
- Tenor
- Voice Role (@5)
- Superius
|
15–16 |
Amour que tu me fais de mal |
6 |
Details
|
|
35–38 |
Rossignolet qui chante au verd bois |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@4)
- Tenor
|
3–4 |
Le temps vouldroit de soy trop presumer |
1 |
Details
|
|
1–3 |
Long temps y a, innocente pucelle |
1 |
Details
|
|
8–9 |
Puisque tu veulx mettre fin à ta plaincte |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
|
12–13 |
Si je te voy, qui est ce que desire |
2 |
Details
|
|
11–14 |
Qui diable nous a faict ces jours |
3 |
Details
|
|
24–29 |
Prendre plaisir en aymant loyaulment |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 7
- Repeat, Exact or Varied?
|
18–19 |
Amour se doibt figurer une rose |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Text Treatment
- Text Overlap
|
17–18 |
Amour que tu me fais de mal |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
|
36–38 |
Rossignolet qui chante au verd bois |
6 |
Details
|
|
4–7 |
Le temps vouldroit de soy trop presumer |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (Comes 2)
- Contratenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (@5)
- Superius
|
12–12 |
Vous estes un fascheux homme |
4 |
Details
|
|
32–33 |
Ça ces beaux yeux, ça ceste bouche |
8 |
Details
|
|
13–13 |
Vous estes un fascheux homme |
5 |
Details
|
|
1–1 |
Long temps y a, innocente pucelle |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
long note on "lons"
|
1–2 |
J'endure tout, c'est bien raison |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
|
10–11 |
Puisque tu veulx mettre fin à ta plaincte |
2 |
Details
|
|
14–14 |
Si je te voy, qui est ce que desire |
2 |
Details
|
|
14–15 |
Qui diable nous a faict ces jours |
4 |
Details
|
|
23–25 |
Prendre plaisir en aymant loyaulment |
7 |
Details
|
|
13–16 |
La grant doulceur de vostre cler visaige |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
38–41 |
Rossignolet qui chante au verd bois |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
8–9 |
Le temps vouldroit de soy trop presumer |
2 |
Details
|
|
17–19 |
Amour que tu me fais de mal |
6 |
Details
|
|
14–16 |
Vous estes un fascheux homme |
5 |
Details
|
|
1–4 |
Long temps y a, innocente pucelle |
1 |
Details
|
|
1–7 |
Puisque tu veulx mettre fin à ta plaincte |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
1–6 |
Si je te voy, qui est ce que desire |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
15–16 |
Qui diable nous a faict ces jours |
4 |
Details
|
|
27–29 |
Prendre plaisir en aymant loyaulment |
7 |
Details
|
|
17–18 |
La grant doulceur de vostre cler visaige |
2 |
Details
|
|
19–20 |
Amour se doibt figurer une rose |
6 |
Details
|
|
1–5 |
Si pour amans la lune est importune |
1 |
Details
|
|
19–23 |
Amour que tu me fais de mal |
7 |
Details
|
|
8–9 |
Le temps vouldroit de soy trop presumer |
2 |
Details
|
|
2–4 |
J'endure tout, c'est bien raison |
1 |
Details
|
|
14–16 |
Vous estes un fascheux homme |
6 |
Details
|
|
4–6 |
J'endure tout, c'est bien raison |
2 |
Details
|
|
7–11 |
Puisque tu veulx mettre fin à ta plaincte |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
|
7–13 |
Si je te voy, qui est ce que desire |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 4
- Repeat, Exact or Varied?
|
16–17 |
Qui diable nous a faict ces jours |
5 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Declamation
Comments
"Jupiter"
|
28–34 |
Prendre plaisir en aymant loyaulment |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Final Repeat
- Earlier Phrase
- 8
- Repeat, Exact or Varied?
|
1–3 |
La grant doulceur de vostre cler visaige |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Formulas
- Romanesca
- Text Treatment
- Text Representation
Comments
long note descending tetrachord "le grand coulceur" and "crualte" on repeat
|
20–25 |
Amour se doibt figurer une rose |
7 |
Details
|
|
1–1 |
Si pour amans la lune est importune |
1 |
Details
|
|
22–23 |
Amour que tu me fais de mal |
7 |
Details
|
|
42–44 |
Rossignolet qui chante au verd bois |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
3–5 |
Long temps y a, innocente pucelle |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Bassus
- Voice Role (@1 or @8)
- Bassus
- Voice Role (Below)
- Bassus
|
5–10 |
J'endure tout, c'est bien raison |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Text Treatment
- Text Representation
Comments
long melissma on "mignon"
|
12–17 |
Puisque tu veulx mettre fin à ta plaincte |
5 |
Details
|
|
15–16 |
Si je te voy, qui est ce que desire |
5 |
Details
|
|
18–19 |
Qui diable nous a faict ces jours |
5 |
Details
|
|
4–9 |
La grant doulceur de vostre cler visaige |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Formulas
- Romanesca
- Text Treatment
- Text Representation
Comments
lon melissmas in S on "visaige" and "couraige"
|
24–25 |
Amour se doibt figurer une rose |
7 |
Details
|
|
4–5 |
Si pour amans la lune est importune |
1 |
Details
|
|
43–46 |
Rossignolet qui chante au verd bois |
7 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Tenor
|
15–15 |
Vous estes un fascheux homme |
6 |
Details
|
|
5–6 |
Long temps y a, innocente pucelle |
1 |
Details
|
|
22–23 |
Amour que tu me fais de mal |
7 |
Details
|
|
8–9 |
Le temps vouldroit de soy trop presumer |
2 |
Details
|
|
14–17 |
Vous estes un fascheux homme |
7 |
Details
|
|
6–6 |
Long temps y a, innocente pucelle |
2 |
Details
|
|
12–12 |
Puisque tu veulx mettre fin à ta plaincte |
5 |
Details
|
|
17–19 |
Si je te voy, qui est ce que desire |
5 |
Details
|
|
30–34 |
Prendre plaisir en aymant loyaulment |
8 |
Details
|
|
5–7 |
Si pour amans la lune est importune |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@1 or @8)
- Tenor
- Other Formulas
- Romanesca
|
24–25 |
Amour que tu me fais de mal |
8 |
Details
|
|
9–11 |
Le temps vouldroit de soy trop presumer |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Tenor
- Voice Role (@5)
- Tenor
|
22–23 |
Qui diable nous a faict ces jours |
6 |
Details
|
|
45–47 |
Rossignolet qui chante au verd bois |
7 |
Details
|
|
9–10 |
J'endure tout, c'est bien raison |
2 |
Details
|
|
17–22 |
Vous estes un fascheux homme |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Da Capo
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
10–13 |
J'endure tout, c'est bien raison |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
16–16 |
Puisque tu veulx mettre fin à ta plaincte |
5 |
Details
|
|
20–22 |
Si je te voy, qui est ce que desire |
5 |
Details
|
|
24–25 |
Qui diable nous a faict ces jours |
7 |
Details
|
|
31–34 |
Prendre plaisir en aymant loyaulment |
8 |
Details
|
|
4–7 |
La grant doulceur de vostre cler visaige |
1 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (@1 or @8)
- Tenor
|
25–28 |
Amour se doibt figurer une rose |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Superius
- Voice Role (@5)
- Bassus
|
8–9 |
Si pour amans la lune est importune |
2 |
Details
|
|
47–48 |
Rossignolet qui chante au verd bois |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Voice Role (@4)
- Superius
- Other Counterpoint
- Stretto Fuga
|
5–8 |
Long temps y a, innocente pucelle |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Upper Voice 1 NIM)
- Contratenor
- Voice Role (Lower Voice 1 NIM)
- Tenor
- Voice Role (Upper Voice 2 NIM)
- Bassus
- Voice Role (Lower Voice 2 NIM)
- Superius
- Voice Role (@4)
- Tenor
- Voice Role (Below)
- Tenor
- Other Counterpoint
- Stretto Fuga, Invertible Counterpoint
|
12–14 |
Le temps vouldroit de soy trop presumer |
3 |
Details
|
|
26–28 |
Amour que tu me fais de mal |
8 |
Details
|
|
7–9 |
Long temps y a, innocente pucelle |
2 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- PEn Tonal
- Voice Role (Dux 1)
- Superius
- Voice Role (Comes 1)
- Contratenor
- Voice Role (Dux 2)
- Tenor
- Other Counterpoint
- Stretto Fuga
|
13–21 |
J'endure tout, c'est bien raison |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 2
- Repeat, Exact or Varied?
Comments
long melissma extended...
|
16–20 |
Puisque tu veulx mettre fin à ta plaincte |
6 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/5/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Tenor
|
21–24 |
Si je te voy, qui est ce que desire |
6 |
Details
|
|
24–25 |
Qui diable nous a faict ces jours |
7 |
Details
|
|
26–27 |
Amour se doibt figurer une rose |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (@1 or @8)
- Contratenor
|
1–5 |
Si pour amans la lune est importune |
3 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Repeat Kind
- Direct Repeat
- Earlier Phrase
- 1
- Repeat, Exact or Varied?
|
28–30 |
Amour que tu me fais de mal |
9 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- FI
- Voice Role (Dux 1)
- Contratenor
- Voice Role (Comes 1)
- Superius
- Other Counterpoint
- Stretto Fuga
|
48–50 |
Rossignolet qui chante au verd bois |
8 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Dux 1)
- Tenor
- Voice Role (Dux 2)
- Superius
- Other Counterpoint
- Stretto Fuga
|
13–16 |
Le temps vouldroit de soy trop presumer |
4 |
Details
|
- Analysis ID
- Analyst
- http://digitalduchemin.org/person/130/
- Book Title
- Http://Digitalduchemin.Org/Book/4/
- Is Cadence?
- No
- Other Presentation Type
- PEn
- Voice Role (Comes 1)
- Superius
- Voice Role (Dux 2)
- Tenor
- Voice Role (Comes 2)
- Contratenor
- Voice Role (@1 or @8)
- Tenor
- Voice Role (@5)
- Contratenor
|
14–21 |
J'endure tout, c'est bien raison |
4 |
Details
|
|